695 Best Well-acted Movies to Watch (Page 33)

Staff & contributors

Usually, a good movie and great performances go hand-in-hand. If you’re looking to be blown away by acting talent, look no further. Here are the best movies and show featuring great acting.

The Outfit doesn’t need to do a lot to be as sleek and surprising as it is. In fact, much of the film takes place in a single place while consisting of only a few (albeit memorable) characters. It’s deceptively simple, but the tricks it hides up its sleeves are plentiful and pleasurable. It’s a well-made and even better-performed gangster movie. Led by a quietly powerful Mark Rylance (who plays Leonard, the tailor with hidden depths), the actors are serious enough to lend it gravitas but easygoing enough to make it light on its feet.  

All in all, The Outfit is an agile action film with twists that will keep you at the edge of your seat right till the very end. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Alan Mehdizadeh, Dylan O'Brien, Johnathan McClain, Johnny Flynn, Mark Rylance, Nikki Amuka-Bird, Scoop Wasserstein, Simon Russell Beale, Zoey Deutch

Director: Graham Moore

Rating: R

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If the sheer intensity of The Novice's storytelling can at times feel like it's trying too hard to be in-your-face—rather than authentically disturbed—the ambition of Laura Hadaway's direction is still quite the spectacle to behold. Where some of the film's relationships don't come off as complex as they should be, Hadaway and her team more than makes up for with frantic editing, shallow camera focus, panicked strings as a musical score, and heavy breathing mixed deep into the sound design. There's just something violent about how the movie is put together, as Alex (played by Isabelle Fuhrman) tears herself apart for seemingly no other reason than to prove to herself that she can do it.

Genre: Drama, Thriller

Actor: Al Bernstein, Amy Forsyth, Charlotte Ubben, Dilone, Isabelle Fuhrman, Jeni Ross, Jonathan Cherry, Kate Drummond, Nikki Duval, Robert Ifedi

Director: Lauren Hadaway

Rating: R

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No one likes to be replaced. Even when it gets difficult, hardwork and years put in effort to take and keep these roles makes it feel precious, and that’s exactly how househelp Raquel feels in The Maid. It’s a funny domestic comedy, with a scowling Catalina Saavedra ready to protect the role she’s held onto for years, but Saavedra and writer-director Sebastián Silva crafts an empathetic, realistic character study of a woman so worn down from poverty, power imbalance, and having had no breaks that the rare instance of compassion feels like a threat. La Nana doesn’t quite critique the entire system that keeps Raquel in her role, but it’s a rare film that acknowledges the importance of rest and empathy in order to feel human.

Genre: Comedy, Drama

Actor: Agustín Silva, Alejandro Goic, Andrea García-Huidobro, Anita Reeves, Catalina Saavedra, Claudia Celedón, Claudia Paz, Delfina Guzmán, Juan Pablo Larenas, Luis Dubó, Luis Wigdorsky, Mariana Loyola

Director: Sebastián Silva

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The poetic title of this debut feature from Chilean filmmaker Francisca Alegría does not tell a lie: a cow does indeed sing. More than one, in fact, because the film uses an entire herd — plus a flock of birds and a school of fish — as a kind of Greek chorus to comment on human mistreatment of animals and the wider environment. The Cow Who Sang never approaches sanctimonious territory, gently weaving from these ideas an expansive and evenly empathetic worldview. The magical realism that allows the animals to speak is the same device that brings the long-dead Magdalena (Mia Maestro) back to life — and, as her family’s fraught history is gradually revealed, it’s movingly suggested that the objectification that the cows and the local polluted river are subjected to is part of the same culture of devaluation that marred the lives of Magdalena and her female descendants. If there’s one complaint to be had, it’s that the relatively short runtime limits the film's ability to really expound on its many threads — the bond Magdalena instinctively forges with her trans granddaughter, for example. Ultimately, though, its symbolic storytelling and emotionally articulate cast allow The Cow Who Sang to communicate much of its sweeping philosophy to profound effect.

Genre: Drama

Actor: Alfredo Castro, Camilo Arancibia, Enzo Ferrada, Fernanda Urrejola, Leonor Varela, Luis Dubó, Marcial Tagle, Mía Maestro

Director: Francisca Alegría

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Are connections truly fated, completely chosen, or purely circumstantial? The slow tragedy of Henry James’ The Beast in the Jungle hangs entirely on the question, which captivated readers and filmmakers with the concept, including Bertrand Bonello, which forms the foundations of 2023’s The Beast. Bonello lets loose The Beast in the Jungle into an AI playbox of time and space and destiny, transforming the simple examination of human life into a sci-fi epic, a moving period romance, and an existential mystery all at once. It can occasionally feel a bit jumbled up at times, with the way Bonello jumps across lives, but Léa Seydoux and George MacKay hold everything together with their performance, making La Bête deeply striking, if a bit derivative.

Genre: Drama, Romance, Science Fiction

Actor: Alice Barnole, Bertrand Bonello, Dasha Nekrasova, Elina Löwensohn, George MacKay, Guslagie Malanda, Isabelle Prim, Julia Faure, Laurent Lacotte, Léa Seydoux, Lukas Ionesco, Marta Hoskins, Martin Scali, Rémi Canaple, Tiffany Hofstetter, Xavier Dolan

Director: Bertrand Bonello

Rating: NR

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When depicting a person known best for an advocacy, you have to be accurate to their story, but it’s rare to see a biopic match the ideas of that advocacy in its direction. It’s because of this that the HBO film Temple Grandin is great. While made for TV, it’s not a by-the-numbers biopic that just depicts the academic’s life straight. No, instead, the film experiments with visual ways to depict her unique visual intelligence– as Grandin’s autism also granted her photogenic memory, an above-average instinct for mechanical smarts, and a focus and drive to understand that’s not as shakable as other neurotypical academics. This novel approach matches the very advocacies she lived throughout her life– the systematic, more humane treatment in slaughterhouses, and the idea that autism doesn’t mean deficiency, it just needs support to allow that different intelligence to thrive.

Genre: Drama, History

Actor: Barry Tubb, Blair Bomar, Brady Coleman, Carl Savering, Catherine O'Hara, Charles Baker, Cherami Leigh, Claire Danes, David Blackwell, David Born, David Strathairn, Gabriel Luna, Gerry Robert Byrne, Joe Nemmers, Julia Ormond, Kurt Cole, Melissa Farman, Michael D. Conway, Nicole Holt, Richard Dillard, Rick Espaillat, Tamara Jolaine, Toby Metcalf, Xochitl Romero

Director: Mick Jackson

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The directorial debut of Australian twin brothers Danny and Michael Philippou—more popularly known together as the YouTube creators RackaRacka—Talk to Me finds a surprisingly unique way of exploring themes that contemporary horror films have made commonplace. At its heart this is still a movie about one's inability to come to terms with loss, but the emotions that come with this experience are filtered through suburban ennui and the numbing effect that social media has on depictions of tragedy. It's in this specific milieu where Mia (a terrific Sophie Wilde) feels compelled to act irresponsibly and continue inviting a malevolent presence into her life. Her feelings are real, but because her peers and the adults around her aren't the best at being vulnerable, Mia begins to underestimate how destructive her grief really is.

Talk to Me only grows more despairing the longer it goes. But impressively, the film doesn't rely on the usual jump scares and excesses that would normally make a YouTube horror short go viral. The situations escalate organically (if you can suspend a little disbelief for the moments when the characters simply watch terrible things happen) and as the supernatural forces haunting these teenagers get stronger, so do Mia's isolation and her desperation to make up for her mistakes. It's bleak stuff, but sharp direction and great performances (especially from Wilde and young Joe Bird) make this a particularly exciting vision of horror.

Genre: Horror, Thriller

Actor: Alexandra Jensen, Alexandria Steffensen, Ari McCarthy, Cass Cumerford, Chris Alosio, Ethan Payne, Harli Ames, Harry Lewis, Jacek Koman, Jodie Dry, Joe Bird, Josh Bradley, Kelly Butler, KSI, Leeanna Walsman, Marcus Johnson, Mark Duncan, Miranda Otto, Otis Dhanji, Robin Northover, Simon Minter, Sophie Wilde, Tobi Brown, Vik Barn, Zoe Terakes

Director: Danny Philippou, Michael Philippou

Rating: R

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Education isn’t always a guarantee, especially in less privileged areas that are underfunded, overlooked, and underprioritized, in the belief that these kids wouldn’t amount to much in the end. That being said, sometimes, what changes that fate is having a teacher that believed in his students and encouraged them to learn more than what they were expected. Stand and Deliver is a dramatization of the real life Jaime Escalante, who transformed a math program in an east LA high school to the point where his entire class ace California’s calculus test. The film definitely takes some dramatic liberties, but it does capture a sense of his quiet determination, the personality that pushed him to believe in and connect with students differently. While Escalante’s program eventually ended due to admin changes and staff in-fighting, Stand and Deliver is a reminder of the importance of nurturing ganas, or desire, in the classroom.

Genre: Drama

Actor: Andy Garcia, Betty Carvalho, Bodie Olmos, Carmen Argenziano, Edward James Olmos, Eliot, Estelle Harris, Graham Galloway, Ingrid Oliu, Irene Olga López, Karla Montana, Lou Diamond Phillips, Lydia Nicole, Manuel Benitez, Mark Phelan, Rosanna DeSoto, Vanessa Marquez, Virginia Paris, Will Gotay

Director: Ramón Menéndez

Rating: PG

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Snack Shack is the quintessential summer movie. It’s sun-soaked and full of mirth as it follows two rowdy boys fighting off bullies and scheming their way to profit, one ingenious scam at a time. But it’s also a tender coming-of-age film, one filled with realistic friendships and painfully awkward romantic encounters. In both instances, Snack Shack doesn’t reinvent the wheel—in fact it’s formulaic almost to a fault. But it’s saved by endearing performances and an effectively nostalgic backdrop. Many times, it feels like any John Hughes movie by way of Superbad. But for the most part, it’s its own distinctive, chlorine-tinged, popsicle-sweet thing.

Genre: Comedy

Actor: Amber Paul, April Clark, Christian James, Conor Sherry, David Costabile, Gabriel LaBelle, Gillian Vigman, J.D. Evermore, Lucille Sharp, Michael Bonini, Mika Abdalla, Nick Robinson, Shannon Mosley, Steve Berg

Director: Adam Rehmeier

Rating: R

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Generally, a mentorship is a great way to find guidance and direction, but rarely do we discuss the importance of finding the right mentor– or the right mentors– and that it sometimes takes a while to find a great fit. Searching for Bobby Fischer is about real-life child chess prodigy Josh Waitzkin, but rather than depicting the straightforward mentorship plot we’ve seen in many sports films before, the film captures the journey of a boy who needs both the freedom and the structure for his chess career. Searching for Bobby Fischer does take on the tone and style typical of these child prodigy biopics, but Waitzkin’s story is worth telling, especially for children trying to find their own voice outside of their guardians.

Genre: Drama

Actor: Andrew Sardella, Anthony Heald, Austin Pendleton, Ben Kingsley, Bobby Fischer, Caroline Yeager, Chelsea Moore, Dan Hedaya, David Paymer, Hal Scardino, Joan Allen, Joe Mantegna, John Bourgeois, Josh Kornbluth, Josh Mostel, Laura Linney, Laurence Fishburne, Maria Ricossa, Max Pomeranc, Michael Nirenberg, Nathan Carter, R.D. Reid, Robert Stephens, Steven Randazzo, Tom McGowan, Tony De Santis, Tony Shalhoub, Vasek Simek, William Colgate, William H. Macy

Director: Steven Zaillian

Rating: PG

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To the untrained eye, a TV interview is just that: an interview, a simple (and at times rehearsed) back-to-back between a reporter and their subject. But Scoop is a thrilling reminder of how complex this process can get, beginning with the legwork to the questioning, and even after airing. In the UK, that quest for truth is complicated by stringent palace rules and the fact that the BBC, which McAlister and her colleagues work for, is a publicly funded institution. How free is the free press when a Royal can call off a story before it airs? And how far are reporters willing to go to protect their piece? Scoop is bolstered by a smart script and a wealth of strong performances—Sewell is almost unrecognizable as Prince Andrew and Gillian Anderson is commanding as anchor Emily Maitlis. But the movie won’t be as strong as it is without Piper leading it; she’s entirely entrancing as she works her way from underestimated underdog to compelling champion.

Genre: Drama

Actor: Alex Waldmann, Amanda Redman, Andrew MacBean, Aoife Hinds, Billie Piper, Charity Wakefield, Charlie Roe, Charlotte Avery, Christopher Fairbank, Colin Wells, Connor Swindells, Gillian Anderson, Gordon Warnecke, Harriet Benson, Jonathan Rhodes, Jordan Kouamé, Kate Fleetwood, Keeley Hawes, Lia Williams, Mark Noble, Mia Threapleton, Nicholas A. Newman, Nicholas Murchie, Paul Popplewell, Raffaello Degruttola, Richard Goulding, Romola Garai, Rufus Sewell, Tim Bentinck, Vangelis Christodoulou, Zach Colton

Director: Philip Martin

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