560 Best Well-acted Movies to Watch (Page 22)

Staff & contributors

Usually, a good movie and great performances go hand-in-hand. If you’re looking to be blown away by acting talent, look no further. Here are the best movies and show featuring great acting.

Before he developed his signature dollhouse visual style, Wes Anderson made his feature debut with this lowkey, heartwarming, and decidedly not-symmetrically-perfect comedy about a bunch of misfits. Bottle Rocket isn’t as much of an outlier in its director’s storied filmography as might initially seem, however. Written in partnership with college buddy Owen Wilson — who, along with brothers Luke and Andrew, made his acting debut here — the film is delightfully offbeat and unexpectedly moving in the way we’ve come to expect from Anderson. 

Dignan (Owen Wilson) and Anthony (Luke Wilson) are two drifting, boyish twenty-somethings, although only Anthony seems aware of his directionlessness, as Dignan has graciously developed a 50-year life plan for the two of them (complete with hilariously vague bullet-points such as “Make wise investments” and “Own multiple accommodations”). The means to these ambitious ends is a life of crime — specifically, pulling off grand heists. But Dignan’s meticulousness hasn’t accounted for distractions, and his madcap scheme falls at the first hurdle when Anthony falls in love with a housekeeper at the motel they hide out in (Lumi Cavazos). Their sweet romance is one of the film’s many delights, as is its barrelling deadpan humor, which never betrays the warmth of the Wilson brothers’ heartwarming depiction of ride-or-die friendship.

Genre: Comedy, Crime, Drama

Actor: Andrew Wilson, Antonia Bogdanovich, Brian Tenenbaum, Darryl Cox, Dipak Pallana, James Caan, Jill Parker-Jones, Julio Cedillo, Kumar Pallana, Luke Wilson, Lumi Cavazos, Melinda Renna, Ned Dowd, Owen Wilson, Robert Musgrave, Russell Towery

Director: Wes Anderson

Rating: R

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Filmed in Paul Greengrass' signature documentary style, Bloody Sunday captures one of the worst tragedies in Northern Ireland's recent history with stunning attention to detail and a single-minded focus that most thrillers only dream of having. But this film doesn't dress up its violence with Hollywood flashiness or contrived suspense. Everything is presented in a matter-of-fact way (and over the course of just one day), emphasizing how unjust the balance of power was between the Irish citizens and the British Army. It's a remarkably realistic reenactment that should inspire plenty of angry tears, having already made a mark by winning the prestigious Golden Bear at the 2002 Berlin International Film Festival.

Genre: Drama, History

Actor: Allan Gildea, Carmel McCallion, Christopher Villiers, David Clayton Rogers, David Pearse, Gerard Crossan, Gerard McSorley, James Hewitt, James Nesbitt, Kathy Kiera Clarke, Mary Moulds, Nicholas Farrell, Tim Pigott-Smith

Director: Paul Greengrass

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Stoic, unflinching, and almost near silent, Ballerina takes a fitting approach to enact its protagonist’s revenge. Within its lean 90 minute runtime, ex-bodyguard Ok-ju single-mindedly searches for answers, through following the lead from her friend’s suicide note. The film shares nothing personal, no doubts, worries, or fears from Ok-ju – except for her affection for best friend Min-hee. Instead of capitalizing on Ok-ju’s tears, or on the violence inflicted on Min-hee, writer-director Lee Chung-hyun relies on action, on stunning cinematography, and on Jeon Jong-seo’s performance to create a spectacle that doesn’t hold back from the gruesomeness, but somehow still incredibly restrained. Jeon Jong-seo delivers Ok-ju’s bloody revenge, a fitting retribution to all perpetrators of sexual violence.

Genre: Action, Adventure, Crime, Thriller

Actor: Jang Yoon-ju, Joo Hyun, Jun Jong-seo, Kim Ji-hun, Kim Moo-yul, Kim Yeong-ok, Kim Young-ok, Kwak Jae-min, Lee Jae-joon, Park Hyeong-su, Park Hyoung-soo, Park Yu-rim, Shin Se-hwi

Director: Lee Chung-hyun

Rating: R

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While it would be easy to make comparisons to The Good Place and other shows and films dealing with the afterlife, Hirokazu Kore-eda's film is devoted to a single thing: commemorating the ordinary moments that make our life precious. Through little more than workplace banter and documentary-style interviews (with an ensemble delivering uncannily naturalistic performances), After Life reminds us how beautiful the mundane can be and how important it is for us to be present for each other in the everyday. And as the fim's characters prepare to create reenactments of each person's most precious memory, Kore-eda also defines filmmaking itself as an act of comfort and empathy. No existential crises here; an overwhelming sense of peace floods After Life, making it all the more memorable.

Genre: Drama, Fantasy

Actor: Akio Yokoyama, Arata Iura, Erika Oda, Hisako Hara, Kazuko Shirakawa, Kei Tani, Kotaro Shiga, Kyōko Kagawa, Miyako Yamaguchi, Natsuo Ishido, Sadawo Abe, Sayaka Yoshino, Susumu Terajima, Tae Kimura, Takashi Naito, Taketoshi Naitô, Tōru Yuri, Yûsuke Iseya

Director: Hirokazu Kore-eda

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, 2022

Though it isn't the groundbreaking slasher movie that it initially seemed to be marketed as, X simply knows how to do its job very well: the gore is plentiful and the build-up to the inevitable kills is just loaded with anticipation. But where the film becomes much more interesting is in the palpable sadness that seems to follow all of its characters. Innocent or murderous, each of these people is just trying to cling to an idea of personal freedom and beauty that never seems to last. It's a horror movie that takes its portrayals of sex and sexuality very seriously, exploring the limits of sexual liberation in a country that actively tries to punish it.

Genre: Horror, Mystery, Thriller

Actor: Brittany Snow, Bryony Skillington, Geoff Dolan, James Gaylyn, Jenna Ortega, Karen Gillan, Kid Cudi, Martin Henderson, Matthew J. Saville, Mia Goth, Owen Campbell, Simon Prast, Stephen Ure

Director: Ti West

Rating: R

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The story that Whale Rider tells is a familiar one: that of a young girl challenging the expectations of a patriarchal community in order to claim her rightful place in a position of authority. But this isn't a superficial girl-power movie; writer/director Niki Caro maintains the utmost reverence for this Māori community, even if its customs might not appear fair to an outsider's point of view. It's a film full of realistically flawed people, whose struggles are all borne from a common love for their culture in their little corner of the world. What could have been generic and simplistic is made beautiful—especially thanks to a truly moving performance from Keisha Castle-Hughes, who at the time became the youngest nominee for the Best Actress Oscar.

Genre: Drama, Family

Actor: Cliff Curtis, Grant Roa, Keisha Castle-Hughes, Mana Taumaunu, Rachel House, Rawiri Paratene, Tahei Simpson, Tammy Davis, Taungaroa Emile, Vicky Haughton

Director: Niki Caro

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The Romanian New Wave’s predilection for bleakness gets a tongue-in-cheek dig in this buddy comedy from the same country: “Romanians are bad at making movies,” Pompiliu (Alexandru Papadopol) complains. “They only show doom and gloom.” Indeed, the premise here could easily make for a miserable movie: three hapless working-class pals win a multimillion lottery jackpot but lose their ticket — and, with it, the chance for Dinel (Pedro Pascal-lookalike Dorian Boguță) to pay off the mafia don that’s holding his wife hostage in Italy.

But Two Lottery Tickets takes a decidedly droll view of their predicament. Part of that approach is achieved via the trio’s characterizations: they’re all goofy in different ways, from the ridiculous conspiracy theory-spouting Pompiliu and the gullible Dinel to sleazy chancer Sile (Dragoș Bucur). The rest of the film’s breezy comic tone comes thanks to their amusingly convoluted journey to retrieve the ticket, which they believe is in a bag that was stolen when Dinel was mugged by two thugs. These many segues implicate a cross-section of Romanian society into the film, making it a wry social commentary in places. Mostly, though, Two Lottery Tickets has modest ambitions — to be, simply, an enjoyable comedy — a goal it surpasses thanks to its absurdist humor and pitch-perfect performances.

Genre: Adventure, Comedy

Actor: Alexandru Papadopol, Andi Vasluianu, Codin Maticiuc, Dorian Boguta, Dragos Bucur, Elias Ferkin, Elisa Calin, Mircea Banu

Director: Paul Negoescu

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Theeb is set in the Hejaz (now part of Saudi Arabia) on the eve of the Great Arab Revolt against the Ottoman Empire in 1916 — but you don’t need to be clued up on its historical backdrop, because its protagonist isn’t. Jacir Eid plays the titular adolescent (the name meaning “wolf”), the youngest son of a now-dead Bedouin leader. When his older brother Hussein (Hussein Al-Sweilhiyeen) is called upon to help guide a suspiciously tense British soldier (Jack Fox) to a well, Theeb disobeys an order to stay put and follows them into the unforgiving desert. Then, tragedy strikes in the middle of nowhere, throwing him into an uneasy alliance with an enemy, without whom he won't survive the treacherous journey home.

Era-ending political machinations are unfolding all around him, but Theeb lends the film his childlike perspective so that it plays out more like the coming-of-age story of a young cub than a Lawrence of Arabia-style epic. Even as it boldly subverts that classic, though, Theeb's cinematography mirrors the haunting, hostile beauty of David Lean’s film — making the desert feel as much a character as the boy. Deftly balancing a sense of earth-shattering personal stakes with one of looming historical portent, Theeb earned a well-deserved nomination at the 2016 Oscars.

Genre: Adventure, Drama, Thriller

Actor: Hassan Mutlag, Hussein Salameh, Jacir Eid, Jack Fox, Marji Audeh

Director: Naji Abu Nowar

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Based on the real-life experience of director Elegance Bratton, who was himself a Black gay marine soldier during the “don’t ask, don’t tell” period in the US, The Inspection documents the behind-the-scenes cruelty that goes on in training the armed forces. Specifically, it inspects how institutions like the marines are hardwired to promote a certain kind of masculinity and how people like Bratton, perennially in the margins, respond, react, and fight back. 

It’s moving and artful but also lighthearted and humorous, finding light even in the darkest corners. It’s self-contradictory that way, but the film is all the better and nuanced for it. Gabriel Union’s performance is also worth noting here; in a career-defining turn, she transforms into a character at once so hateful and loving, you’ll be hard-pressed not to give her your full attention onscreen.

Genre: Drama

Actor: Aaron Dominguez, Andrew Kai, Aubrey Joseph, Becky Boxer, Bokeem Woodbine, Daniel Williamson, Eman Esfandi, Gabrielle Union, Jered Meeks, Jeremy Pope, McCaul Lombardi, Nicholas Logan, Raúl Castillo, Steve Mokate, Tyler Merritt, Wynn Reichert

Director: Elegance Bratton

Rating: R

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The Banshees of Inisherin is an Irish dark comedy film that begins with the breakup of longtime friends Pádraic (Colin Farrell) and Colm (Brendan Gleeson). Averse to the sudden split, Pádraic tries to repair their relationship, but instead of achieving goodwill, he inadvertently sets off even more unrest in their little town of Inisherin. Set in 1923 against the backdrop of the Irish Civil War, the film doubles as a fable about the consequences of war. 

The last time Farrell and Gleeson were together was in the expert thriller In Bruges, and their reunion in The Banshees of Inisherin shows how powerful and chemistry-filled their pairing is. Theirs is a knockout turn, but it's also far from the only good thing in the movie. Packed with gorgeously lush images of rural Ireland, strong performances from an all-Irish cast, and a whipsmart script from writer-director Martin McDonagh, The Banshees of Inisherin is an impactful watch that will give you lots to unpack long after the credits roll. 

Genre: Comedy, Drama

Actor: Aaron Monaghan, Barry Keoghan, Brendan Gleeson, Bríd Ní Neachtain, Colin Farrell, David Pearse, Gary Lydon, Jon Kenny, Kerry Condon, Pat Shortt, Sheila Flitton

Director: Martin McDonagh

Rating: R

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Known for showcasing the grittier side of New York in his films, Martin Scorsese shifts to its upper echelons in The Age of Innocence. Based on the 1920 novel, the film follows society attorney Newland Archer (Daniel Day-Lewis) as he courts and marries the respectable May Welland (Winona Ryder), despite his desire for childhood friend Countess Ellen Olenska (Michelle Pfeiffer).

Undeniably gorgeous and impressively shot, what ultimately makes the film stand out among Scorsese’s work is how well the three leads embody the complex characters of the novel on multiple levels. Day-Lewis skillfully turns a corrupt, arrogant lawyer into someone who admirably refuses to be anything but himself, while Pfeiffer hides a stubbornness and frustration within Olenska. But it’s Ryder who best portrays her character's complexity, Welland’s wide-eyed gaze concealing secret manipulations. All of them drive this story that not only mourns for lost love, but acts as a mourning for a lost Golden Age.

Genre: Drama, Romance

Actor: Alec McCowen, Alexis Smith, Brian Davies, Carolyn Farina, Catherine Scorsese, Charles Scorsese, Cindy Katz, Clement Fowler, Daniel Day-Lewis, Domenica Cameron-Scorsese, Geraldine Chaplin, Howard Erskine, Joanne Woodward, John McLoughlin, Jonathan Pryce, June Squibb, Kevin Ash, Linda Faye Farkas, Martin Scorsese, Mary Beth Hurt, Michael Gough, Michelle Pfeiffer, Miriam Margolyes, Norman Lloyd, Pasquale Cajano, Patricia Dunnock, Richard E. Grant, Robert Sean Leonard, Siân Phillips, Siân Phillips, Stuart Wilson, Thomas Barbour, Thomas Gibson, Tracey Ellis, W.B. Brydon, Winona Ryder

Director: Martin Scorsese

Rating: PG

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