150 Best Well-acted Movies On Cineplex Canada (Page 9)

The only Kundera film adaptation frankly hasn’t disproven that the source novel is unfilmable, but The Unbearable Lightness of Being is a pretty decent attempt. While Kundera’s meditations aren’t tackled in full depth, director Philip Kaufman manages to retain enough of the novel’s images to rein in the unwieldy plot, such as Sabina with the mirror, Tereza’s nightmare of naked women, their photography around Sabina’s studio and the black-and-white moment of Prague Spring, where editor Walter Murch adeptly inserts Tereza and Tomas within the historical footage. These images, along with the excellent cast, keep the wistful feeling that haunts Kundera’s novel.

Genre: Drama, Romance

Actor: Anne Lonnberg, Bruce Myers, Clovis Cornillac, Consuelo De Haviland, Daniel Day-Lewis, Daniel Olbrychski, Derek de Lint, Donald Moffat, Erland Josephson, Jacques Ciron, Juliette Binoche, László Szabó, Lena Olin, Leon Lissek, Pascale Kalensky, Pavel Landovský, Pavel Slabý, Stellan Skarsgård, Tomasz Borkowy, Vladimír Valenta

Director: Philip Kaufman

Rating: R

John C. Reilly and Steve Coogan are fantastic in this biopic of a comedy double that governed turn-of-the-century Hollywood. The movie stars with a snippet of their success but is mostly focused on their later years. With their big hits behind them, Stan Laurel and Ollie Hardy embark on a disappointing tour across Britain while trying to get one last movie made. Their story is about how the creative bond between two lifetime performers evolves through time, successes, and failures. It's a cute tribute to a duo whose lives weren't so different from their comedic act.

Genre: Comedy

Actor: John C. Reilly, Shirley Henderson, Steve Coogan

Director: Jon S. Baird

Rating: PG

A residential dispute spirals out of control into full, xenophobia-fueled tragedy in this straightforward and elegantly made film that comes from a now-bygone era of mid-budget dramas for adults. House of Sand and Fog may come off as excessively bleak to viewers today, but it manages to capture a very particular mood of paranoia and distrust common in post-9/11 American cinema. And if nothing else, the film is worth watching for a trio of powerful performances that never resort to overacting: from Iranian actress Shohreh Aghdashloo, English screen legend Ben Kingsley, and an always compelling Jennifer Connelly, who was arguably at the peak of her career in the early 2000s.

Genre: Drama

Actor: Aaron Frazier, Aki Aleong, Al Rodrigo, Ashley Edner, Ben Kingsley, Bonita Friedericy, Brian Reed Garvin, Carlos Gómez, Cooper Thornton, Dan Brinkle, David Carrera, Dennison Samaroo, Frances Fisher, Frank Gallegos, Izabella St. James, Jennifer Connelly, Joe Howard, Jonathan Ahdout, Joyce Kurtz, Karl Makinen, Ken Kerman, Kia Jam, Kim Dickens, Marco Rodriguez, Mark Chaet, Matthew Waite, Max Jansen Weinstein, Michael Papajohn, Namrata Singh Gujral, Nasser Faris, Navi Rawat, Pamela Shaddock, Ray Abruzzo, Ron Eldard, Scott Kinworthy, Scott N. Stevens, Shani Rigsbee, Shohreh Aghdashloo, Spencer Garrett, Tom Reynolds, Zoran Radanovich

Director: Vadim Perelman

As southern movies go, Fried Green Tomatoes is inoffensively sweet and realistic—it’s not afraid to touch on the genuine issues that plagued America in the 1930s while also cushioning some blows, as feel-good movies are wont to do. But the film seems less interested in presenting a clear picture of the past than it is in telling a specific tale: that of outsiders forming bonds and making it together in an unforgiving society. 

The main narrator is Ninny, an 83-year-old woman seemingly forgotten by everyone except Evelyn, an unhappy housewife who is “too young to be old and too old to be young.” Ninny recalls the stories of Sipsey and Big George, Black laborers who dared to succeed in their deeply racist community; of Smokey, the town outcast, who still helped people even if he was denied it himself; of Ruth, the domestic abuse victim; and of Idgie, the tomboy who spat on the face of all decorum. Then, of course, there’s the unspoken relationship between Ruth and Idgie, which hint at something quite radical for its time. 

These are all the people conventionally denied happy endings, and in period films, you’d expect to be abandoned in tragedy. But here they sing; they win and lose in equal measure, and even though it might seem like light and familiar fare to some, it still goes down heartily and unforgettably—funnily enough, like a plate of fried green tomatoes.

Genre: Comedy, Drama

Actor: Afton Smith, Bob Hannah, Carol Mitchell-Leon, Chris O'Donnell, Chris O'Donnell, Cicely Tyson, Constance Shulman, Danny Nelson, David Dwyer, Evan Lockwood, Fannie Flagg, Gailard Sartain, Gary Basaraba, Grace Zabriskie, Grayson Fricke, Haynes Brooke, Jessica Tandy, Jo Harvey Allen, Kathy Bates, Kathy Larson, LaTanya Richardson Jackson, Lois Smith, Macon McCalman, Mary Stuart Masterson, Mary-Louise Parker, Nancy Moore Atchison, Nick Searcy, Raynor Scheine, Reid Binion, Richard Riehle, Stan Shaw, Suzi Bass, Ted Manson, Tim Scott, Timothy Scott, Tom Even, Wallace Merck

Director: Jon Avnet

Rating: PG-13

From The Babadook director Jennifer Kent comes another horror, although this one is more about the horrors of humanity. Set in 1825 Tasmania, The Nightingale follows Irish settler Clare as she seeks bloody revenge on the monsters who wronged her and her family. She teams up with an Aboriginal guide named Billy to accomplish her goal.

Because of its often violent and disturbing tone (the film is rated R for its potentially triggering scenes), The Nightingale understandably polarized audiences upon its release. But it's also an excellent conversation piece, best watched with friends or anyone up for a discussion-filled movie night.

Genre: Adventure, Drama, History, Thriller

Actor: Aisling Franciosi, Alan Faulkner, Anthony Phelan, Baykali Ganambarr, Ben McIvor, Charlie Jampijinpa Brown, Charlie Shotwell, Christopher Stollery, Damon Herriman, Eloise Winestock, Ewen Leslie, Harry Greenwood, Huw Higginson, James O'Connell, Luke Carroll, Maggie Blinco, Magnolia Maymuru, Matthew Sunderland, Michael Sheasby, Nathaniel Dean, Sam Claflin, Sam Smith

Director: Jennifer Kent

Rating: R

A quiet movie about an unpredictable convict who gets enrolled in a wild mustang taming program. These initiatives, common around the country, offer fascinating parallels: both the horses and the inmates are emprisoned, both innately fight against their condition but are actively being made to comply. The central performance by Matthias Schoenaerts is nothing short of a masterpiece. He doesn't speak much and you almost don't want him to: everything else he does communicates so much more than words. Watching this movie just for him is reason enough.

Genre: Drama

Actor: Bruce Dern, Connie Britton, Gideon Adlon, Heath Hensley, Jasmeet Baduwalia, Jason Mitchell, John Logsdon, Josh Stewart, Kelly Richardson, Kieth Johnson, Matthias Schoenaerts, Noel Gugliemi, Santina Muha, Thomas Smittle

Director: Laure de Clermont-Tonnerre

Rating: R

Shattered Glass tells the unbelievably true story of Stephen Glass, a popular and promising young journalist at The New Republic. Stephen's storytelling skills are sought out not just by his admiring colleagues but by other publications as well, so when a rival journalist from Forbes finds holes in one of Stephen's stories, no one takes the accusation seriously at first—except perhaps for Charles Lane, Stephen's editor. Immune to Stephen's charms, Charles digs for the truth and tries, despite an alarming lack of support, to pursue what's right.

Set in the '90s, Shattered Glass may be a throwback to old-school journalism, but its ideas about the integrity of facts still hold water, especially in an age fraught with rampant disinformation.

Genre: Drama, History

Actor: Andrew Airlie, Bill Rowat, Brett Watson, Brittany Drisdelle, Caroline Goodall, Cas Anvar, Chad Donella, Chloe Sevigny, Christian Tessier, Hank Azaria, Hayden Christensen, Howard Rosenstein, Isabelle Champeau, Jamie Elman, Linda E. Smith, Louis-Philippe Dandenault, Luke Kirby, Lynne Adams, Mark Blum, Mark Camacho, Melanie Lynskey, Michele Scarabelli, Morgan Kelly, Owen Roth, Pauline Little, Peter Sarsgaard, Pierre Leblanc, Rosario Dawson, Russell Yuen, Simone-Elise Girard, Steve Zahn, Ted Kotcheff, Terry Simpson

Director: Billy Ray

Rating: PG-13

One of those long-lost mid-budget dramas that's content with observing the rich yet uneventful lives of average folk, Nobody's Fool reminds us that nothing exciting or shocking needs to happen to make a good story. The late, eternally charismatic Paul Newman leads an ensemble of character actors in relaxed, memorable roles—Bruce Willis, Philip Seymour Hoffman, Margo Martindale, and Jessica Tandy, among others. It's the authentic, neither-love-nor-hate relationship among all these characters that drives all their individual drama forward and keeps the film from stagnating into anything less than endearing. Here, the idea of things never really changing in this small community is meant to be a comfort, not a lament.

Genre: Comedy, Drama

Actor: Alexander Goodwin, Alice Drummond, Angela Pietropinto, Angelica Page, Anibal O. Lleras, Bruce Willis, Carl J. Matusovich, Catherine Dent, Drenda Spohnholtz, Dylan Walsh, Elizabeth Wilson, Gene Saks, Gerry Robert Byrne, Jay Patterson, Jerry Mayer, Jessica Tandy, Joe Paparone, Josef Sommer, Marcus Powell, Margo Martindale, Melanie Griffith, Page Johnson, Paul Newman, Philip Bosco, Philip Seymour Hoffman, Pruitt Taylor Vince, Richard Mawe, Shannah Laumeister Stern

Director: Robert Benton

When David and his sister Jennifer fight over the TV remote, they are suddenly transported to David’s favorite sitcom, Pleasantville. They’re told by a spirit guide that their best bet at getting out is fitting in, but their modern sensibilities prove to be too much for the genteel ‘50s town. Soon, the residents learn about sex, art, criticism, and politics, and it’s up to the twins to control the ensuing mayhem and guide them to the right path. 

In hindsight, Pleasantville seems ahead of its time, preceding Marvel’s WandaVision as the ultimate, deconstructed homage to 20th-century television. But unlike the series, Pleasantville dives deep into personal and social politics, all while maintaining an impressive balance of wisdom and humor. Equally notable is the film’s transformation from black and white to Technicolor, which, aside from being a symbolic and technical feat, is also a piece of pure, mesmerizing cinema.

Genre: Comedy, Drama, Family, Fantasy

Actor: Andrea Baker, Charles C. Stevenson Jr., Danny Strong, David Tom, Dawn Cody, Denise Dowse, Don Knotts, Erik MacArthur, Gerald Emerick, Giuseppe Andrews, J. Patrick Lawlor, J.T. Walsh, James Keane, Jane Kaczmarek, Jason Behr, Jason Maves, Jeanine Jackson, Jeff Daniels, Jenny Lewis, Jim Antonio, Joan Allen, John Ganun, Johnny Moran, Justin Nimmo, Kai Lennox, Kevin Connors, Kristin Rudrüd, Laura Carney, Lela Ivey, Maggie Lawson, Marc Blucas, Marissa Ribisi, Marley Shelton, McNally Sagal, Nancy Lenehan, Natalie Ramsey, Patrick Thomas O'Brien, Paul Morgan Stetler, Paul Walker, Reese Witherspoon, Robin Bissell, Stanton Rutledge, Tobey Maguire, Weston Blakesley, William H. Macy

Director: Gary Ross

Rating: PG-13

When Émilie finds a new roommate in Camille, she also gains a friend and a lover. Still, the parameters of their relationship are never quite sure, causing a complicated chasm that both divides and arouses them. Eventually, they meet Nora, who brings her own desires and insecurities into the mix. Experimentation ensues as the film follows the trio coming into their own as sexual and human beings. 

Shot in rich black and white against the backdrop of Paris' urban Les Olympiades neighborhood, Paris, 13th District is a finely balanced film that never overstays its welcome in the contrasting ideas it takes on. Classic love stories offset modern setups of romance, while fast-paced city life levels out the uncertainty of its inhabitants. Paris, 13th District is an engaging watch, not despite but because of its bold attempt to be many things at once. 

Genre: Drama, Romance

Actor: Anaïde Rozam, Carl Malapa, Fabienne Galula, Geneviève Doang, Jeanne Disson, Jehnny Beth, Jules Benchetrit, Lucie Zhang, Lumina Wang, Makita Samba, Noémie Merlant, Patrick Guérineau, Raphaël Quenard, Soumaye Bocoum, Stephen Manas, Tony Harrisson, Yves Yan

Director: Jacques Audiard

Rating: R