155 Best Well-acted Movies On Cineplex Canada (Page 2)

Poignant, delightful, and simply gorgeous, Licorice Pizza just might be Paul Thomas Anderson's best work to date. The period dramedy follows two young people, one in her 20s and one in his teens, as they strike an unlikely but lovely friendship and try to find their place in the world. They may be 10 years apart, but they're stuck in the same swirl of rejection and confusion that trap a lot of ambitious people like them. The premise is far from original, but Alana Haim and Cooper Hoffman turn in captivating performances (made even more impressive by the fact that this is both their film debut). There is an ease and naturalism to both their chemistry and onscreen performances that’s hard not to love.

The thick and wistful patina of the ‘70s, the comedic asides, and the colorful supporting cast all also help paint an overall charming picture that shouldn't be missed.

Genre: Comedy, Drama, Romance

Actor: Adam Somner, AJ Carr, Alana Haim, Alex Canter, Alex Herschlag, Allegra Clark, Anna Cordell, Anthony Molinari, Ariel Rechtshaid, Benjamin Barrett, Benny Safdie, Bottara Angele, Bradley Cooper, Cassandra Kulukundis, Charlotte Townsend, Christine Ebersole, Ciara Williamson, Cooper Hoffman, Craig Stark, Dan Anderson, Danielle Haim, Danielle Miller, Delaina Mitchell, Demelza Cronin, Destry Allyn Spielberg, Dick Rudolph, Eloy Perez, Emily Althaus, Emma Dumont, Erica Sullivan, Este Haim, Fatimah Hassan, George DiCaprio, Gerren Hall, Harriet Sansom Harris, Hazel Schaffer, Ingrid Sophie Schram, Isabelle Kusman, Iyana Halley, Jeff Willy, John C. Reilly, John Michael Higgins, Jon Beavers, Jonathan Goetzman, Joseph Cross, Karen Kilgariff, Kat Barnette, Kimiko Kasai, Kirk Saduski, Lakin Valdez, Laura Gary, Laura Louise Richardson, Liz Cackowski, Louis Delavenne, Mark Flanagan, Mark Wolfson, Mary Eileen O'Donnell, Mary Elizabeth Ellis, Max Mitchell, Maya Rudolph, Mick Giacchino, Nate Mann, Paige Locke, Patrick Salway, Pearl Minnie Anderson, Ray Chase, Ray Nicholson, Richard B. Larimore, Rogelio Camarillo, Ryan Heffington, Sasha Spielberg, Savannah Ioakimedes, Sean Penn, Skyler Gisondo, Steven Herrera, Tim Conway Jr., Tom Waits, Tyler Young, Waylon Richling, Yumi Mizui, Zoe McLane

Director: Paul Thomas Anderson

One of the most thrilling biographical films to come out of Hollywood in the 2020s, Shaka King's exhilarating take on a truly remarkable leader within the Black Panther Party—and the young man who would eventually be twisted into betraying him—also provides a respectful, honest space to voice out progressive views that still aren't fully embraced in the United States. Much of the film is made up of beautiful, powerful rhetoric, contrasting in fascinating ways with scenes of violence or deception that only remind us how ahead-of-his-time chairman Fred Hampton was and still is. And in a thunderous, Oscar-winning performance, Daniel Kaluuya brings all of Hampton's words roaring to life while still reminding us of how tragically young this inspirational figure was at the time of his death.

But Judas and the Black Messiah tells an equally powerful second story over this one: that of FBI informant William O'Neal who reluctantly agrees to sell Hampton to the feds, and quickly realizes that he's been scammed too. Rivaling—and, arguably, besting—Kaluuya's performance is LaKeith Stanfield, whose tortured and increasingly despairing performance as O'Neal is the stuff of pure Shakespearean drama. Together, both stories ask us what real freedom looks like, and that we believe we can still fight for it.

Genre: Drama, History

Actor: Algee Smith, Amari Cheatom, Amber Chardae Robinson, Ashton Sanders, Caleb Eberhardt, Chris Hahn, Daniel Kaluuya, Darrell Britt-Gibson, Dominique Fishback, Dominique Thorne, Graham Lutes, Ian Duff, James Udom, Jermaine Fowler, Jesse Plemons, Khris Davis, Lakeith Stanfield, Lil Rel Howery, Martin Sheen, Nick Fink, Robert Longstreet, Terayle Hill

Director: Shaka King

Journalist LLoyd Vogel (Matthey Rhys) scoffs at the prospect of a profile commission, or a "puff piece", as he calls it. His self-respect and professional ruthlessness has driven people away and this assignment may well be a test from his editor. But it is serendipity that brings Lloyd to American TV host Mister Roger (Tom Hanks) and his child-oriented show, at a time when he, a new father, is confronted with his own paternal trauma. No heavy psychological lifting here, but A Beautiful Day in the Neighborhood might be one of the most profound films about father-son relationships ever made. Notably, the film is directed by a woman, Marielle Heller (The Diary of a Teenage Girl). In her film as in his show, Mister Roger doesn't have to do much: he listens, he speaks, he suggests, and while his kindness may seem frustrating at times, it is truly radical. Additionally, Lloyd's character is based loosely on writer Tom Junod, whose encounter with Rogers ended up a profile in Esquire magazine.

Genre: Drama, History

Actor: Alex Pérez, Chris Cooper, Christine Lahti, Enrico Colantoni, Fred Rogers, Gavin Borders, Gregory Bromfield, Gretchen Koerner, Jessica Hecht, Joanne Rogers, Joe Fishel, Kelley Davis, Kevin L. Johnson, Khary Payton, Kitty Crystal, Krizia Bajos, Maddie Corman, Maryann Plunkett, Matthew Rhys, Michael Masini, Noah Harpster, Patrick McDade, Susan Kelechi Watson, Tammy Blanchard, Tom Bonello, Tom Hanks, Wendy Makkena

Director: Marielle Heller

Rating: PG

The Teacher’s Lounge is one of those movies where a simple misunderstanding is blown out of proportion, so much so that it causes the fabric of a community to unravel into chaos. Aided by a precise score, it ticks like a timebomb, with every second filled with so much dread and anxiety you have to remind yourself to breathe. It’s an impeccable and taut thriller, but it also works as an allegory about modern-day surveillance and authority. Director İlker Çatak gives the Gen-Z students and their much older teachers a level field where they struggle for control, and the result is both bleak and funny. It’s often said that schools are a microcosm of the real world, but nowhere is that more apparent than here. 

Genre: Drama, Thriller

Actor: Anne-Kathrin Gummich, Antonia Luise Krämer, Eva Löbau, Katharina M. Schubert, Kathrin Wehlisch, Katinka Auberger, Leonard Stettnisch, Leonie Benesch, Lisa Marie Trense, Michael Klammer, Özgür Karadeniz, Rafael Stachowiak, Sarah Bauerett, Uygar Tamer

Director: İlker Çatak

Rating: PG-13

As in his previous films, Director Andrew Haigh explores the delicate nature of loneliness, grief, and love in All of Us Strangers, except this time he does so through a supernatural lens. The result is mesmerizing: amid the tenderness the film draws from its characters, there’s a swirl of mystery too: how is it possible that Adam is conversing with his dead parents? Who, exactly, is Harry? The intrigue is there, and Haigh builds to a satisfying climax that answers all these questions. The mystery also lends the film an ethereal style that makes it visually resemble a horror or thriller more than it does a romance or drama. But as superb as it looks and as compelling as the ambiguity is, they never distract from the film’s central goal, which is to bring us into the complex emotional journey Adam goes through as he simultaneously develops a relationship with Harry and parses his childhood trauma with his parents. It’s a hefty film, filled with big emotional moments that will have you crying, smiling, longing, and healing all at the same time. And like any good film, it will haunt you for days on end.

Genre: Drama, Fantasy, Romance

Actor: Ami Tredrea, Andrew Scott, Carter John Grout, Claire Foy, Jamie Bell, Paul Mescal

Director: Andrew Haigh

Rating: R

The visceral pain at the center of this adaptation from period drama powerhouse Merchant-Ivory comes not from fading or unrequited love but unrealized affection. Try as he might to repress his feelings, devoted butler Mr. Stevens (Anthony Hopkins) can’t stifle the blossoming attachment he shares with housemaid Miss Kenton (Emma Thompson). And yet, at every opportunity she gives him to do something about it, he balks, squandering the potential for something truly beautiful — something that actually belongs to them, not their aristocratic employer.

The Remains is partly told in flashbacks to the period leading up to the Second World War. From his stately home, Stevens’ master Lord Darlington and his peers play at international relations and try to avoid another war by pandering to the Nazis, but find they’re woefully under-equipped to decide the fate of Europe in this changing world. One of the many brilliant things about The Remains is the way this political drama doubles the devastation of Stevens’ die-hard commitment to his job — because now, he’s sacrificing his one chance at love for something that won’t even survive the decade. Sublime filmmaking and performances turn Stevens’ every minute choice into a pillar of profound tragedy, giving us a maddeningly heartwrenching life lesson for the ages.

Genre: Drama, Romance

Actor: Anthony Hopkins, Ben Chaplin, Brigitte Kahn, Caroline Hunt, Christopher Brown, Christopher Reeve, Emma Thompson, Hugh Grant, Ian Redford, James Fox, Jeffry Wickham, Jo Kendall, John Haycraft, John Savident, Lena Headey, Michael Lonsdale, Miles Richardson, Patrick Godfrey, Paul Copley, Paula Jacobs, Peter Cellier, Peter Eyre, Peter Halliday, Peter Vaughan, Pip Torrens, Rupert Vansittart, Steven Beard, Terence Bayler, Tim Pigott-Smith, Tony Aitken, Wolf Kahler

Director: James Ivory

Rating: PG

Gosford Park inspired screenwriter Julian Fellowes to create Downton Abbey — but don’t let that association fool you, because this is no quaint, sentimental period drama but a scalding satire of 1930s England class relations (even though Maggie Smith does play a withering dowager countess here, too). Robert Altman, master orchestrator of ensembles, assembled a banquet of performers here, including Michael Gambon, Kristin Scott Thomas, and Charles Dance as the well-to-do attendees of a hunting party on a grand estate. Working furiously to meet their every whim is the house’s domestic staff, played by such talents as Emily Watson, Helen Mirren, Kelly Macdonald, and Clive Owen.

The murder comes over an hour into the film, which ought to tell you about its real focus (Altman actually called Gosford Park a “who cares whodunnit”). In place of Agatha Christie-style intrigue is brilliant characterization and storytelling. Even at 137 minutes, 30-plus characters mean time is of the essence, but Altman and his actors miraculously find a way to convey a deep sense of each person — especially those downstairs. This tangle of rich lives never gets overwhelming, though, because Gosford Park is expertly paced. It’s nothing less than a joy to sit back and experience the masterful unraveling of its many threads, each more revelatory than the last.

Genre: Drama, Mystery, Thriller

Actor: Adrian Scarborough, Alan Bates, Bob Balaban, Camilla Rutherford, Charles Dance, Claudie Blakley, Clive Owen, Derek Jacobi, Eileen Atkins, Emily Watson, Emma Buckley, Finty Williams, Frances Low, Frank Thornton, Geraldine Somerville, Gregor Henderson-Begg, Helen Mirren, James Wilby, Jeremy Northam, Jeremy Swift, Joanna Maude, John Atterbury, Kelly Macdonald, Kristin Scott Thomas, Laura Harling, Laurence Fox, Leo Bill, Lucy Cohu, Maggie Smith, Meg Wynn Owen, Michael Gambon, Natalie Danks-Smith, Natasha Wightman, Richard E. Grant, Ron Webster, Ryan Phillippe, Sarah Flind, Sophie Thompson, Stephen Fry, Teresa Churcher, Tom Hollander, Trent Ford

Director: Robert Altman

Rating: R

An absolutely beautiful film about superficiality, arrogance, and heartbreak. It focuses on the life of Aydin, a retired actor who now lives very comfortably managing a small hotel and a number of other small properties. Throughout the film Aydin's image shifts as he tackles the problems of his rather typical life. Having said this, there is nothing else typical about this film. It captures human relationships with an almost frightening precision. It almost feels as though you have an inside view into someone's actual life as Aydin battles it out with his sister Necla and his young wife Nihal. To me this is easily one of the best dramas of the decade, and if you so much as like movies that focus on humans and their interactions, it will be that for you too.  Nuri Bilge Ceylan will make 3 hours pass more quickly than they ever have before.

Genre: Drama

Actor: Ayberk Pekcan, Demet Akbag, Ekrem İlhan, Emirhan Doruktutan, Haluk Bilginer, Mehmet Ali Nuroğlu, Mehmet Ali Nuroğlu, Melisa Sözen, Nadir Sarıbacak, Nadir Sarıbacak, Nejat İşler, Nejat İşler, Serhat Kılıç, Serhat Mustafa Kılıç, Serhat Mustafa Kılıç, Tamer Levent

Director: Nuri Bilge Ceylan

Rating: Not Rated, Unrated

Of all the Christmas-set films to have come out over the last couple of months that were, inexplicably, about grief and regret (you'd be surprised by how many there are), The Holdovers easily outdoes its contemporaries by being confident enough to just sit with its characters. Like the best of director Alexander Payne's other films, there are no melodramatic crescendos or overcomplicated metaphors; there are only flawed individuals going about their lives, occasionally noticing the things that bind them together. Payne's gentle touch means the characters (and the audience) aren't forced to "solve" their grief, but allowed to come to terms with it in their own way, with each other.

Payne evokes the film's 1970s setting through a muted color palette and analog—almost tactile—sound design, giving warmth to this New England despite all its snow and chilly interiors. It's understandable that these characters are similarly cold to each other on the surface at first, but they manage to thaw the ice simply by taking the chance to listen to each other's pain. It's the kind of film in which relationships develop so gradually, that you hardly notice until the end how much mutual respect has formed between them when they return from their dark nights of the soul back to their status quo.

Genre: Comedy, Drama

Actor: Alexander Cook, Andrew Garman, Bill Mootos, Brady Hepner, Carrie Preston, Carter Shimp, Cole Tristan Murphy, Colleen Clinton, Da'Vine Joy Randolph, Dakota Lustick, Dan Aid, Darby Lee-Stack, David J. Curtis, Dominic Sessa, Dustin Tucker, Gillian Vigman, Ian Dolley, Ian Lyons, Jim Kaplan, Joe Howell, Jonathan von Mering, Kelly AuCoin, Kevin Daigneault, Kevin Fennessy, Melissa McMeekin, Michael Malvesti, Michael Provost, Naheem Garcia, Oscar Wahlberg, Osmani Rodriguez, Pamela Jayne Morgan, Paul Giamatti, Rena Maliszewski, Stephen Thorne, Tate Donovan

Director: Alexander Payne

Rating: R

Some films struggle to balance style with substance, but Problemista isn’t one of them. It’s brandished with Torres’ unique brand of surrealist aesthetic, which is colorful, freakish, and fun, while also accurately relaying the pains of coming to and making it in America as an outsider. We see Alejandro accept increasingly debasing gigs as he runs out of time and money in the deep maze that is America’s immigration bureaucracy. And all the while, he’s being both genuinely funny and painfully incisive. Torres is not the first person to point out that in this day and age, the monsters we face are overbearing employers, greedy bankers, and exploitative companies, but he just might be one of the few to do it with such imaginative grace.

Genre: Comedy

Actor: Amy Zimmer, Bardia Salimi, Catalina Saavedra, Glo Tavarez, Greta Lee, Greta Titelman, Isabella Rossellini, James Scully, Jason Furlani, Jordan Mendoza, Julio Torres, Kelly McCormack, Laith Nakli, Larry Owens, Megan Stalter, Roman Maldonado, Ronald Peet, RZA, Sandra Caldwell, Shakina Nayfack, Spike Einbinder, Tilda Swinton

Director: Julio Torres

Rating: R