283 Best Weird Movies to Watch (Page 13)

Staff & contributors

What’s absurd to one viewer could just be mildly odd for the next. But if you love anything highly unusual, this list is a good start. Here are the best weird movies and shows to stream, from the avant-garde to the surreal.

This movie is pretty much in every regard a Norwegian Kill Bill. It’s a dark gory comedy where, naturally, the substitute for Uma Thurman doing damage is an emotionless Stellan Skarsgård. After his son is killed by a drug gang, Skarsgård’s character, fresh off a win of a “citizen of the year” award, embarks on a ruthless journey to track and kill the murderers. This takes place in one of the most remote areas in Norway, where the main character works as a snowplow driver. You guessed it, some people will get snowplowed. Seems familiar? That’s because this year it was turned into a horribly sub-par American movie called Cold Pursuit, with, ugh, Liam Neeson.

Genre: Action, Comedy, Crime, Thriller

Actor: Anders Baasmo Christiansen, Arben Bala, Arthur Berning, Atle Antonsen, Birgitte Hjort Sørensen, Birgitte Hjort Sorensen, Bjørn Moan, Bruno Ganz, David Sakurai, Espen Reboli Bjerke, Gard B. Eidsvold, Goran Navojec, Hildegun Riise, Jack Moland, Jakob Oftebro, Jan Gunnar Røise, Jon Øigarden, Jon Øigarden, Julia Bache-Wiig, Kåre Conradi, Kristofer Hivju, Leo Ajkic, Martin Furulund, Miodrag 'Miki' Krstović, Miodrag Krstović, Ola G. Furuseth, Pål Sverre Hagen, Peter Andersson, Sergej Trifunović, Stellan Skarsgård, Stig Henrik Hoff, Thomas Hildebrand, Tobias Santelmann

Director: Hans Petter Moland

Rating: R

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Though it's still very much a product of a time of certain jokes that haven't aged well, it's still remarkable how the humor and the satirical edge of this mockumentary has remained so current. As a very-low budget mockumentary of a still-young American hip hop scene, there's so much more effort that goes into these fake songs and music videos than you'd expect. But the film doesn't stop at simply poking fun at the rappers and hip hop artists of the era; the jokes always circle back around to the racism of the time and the self-seriousness of the culture in the music industry. It's a hilarious time capsule with some brutally incisive lines in practically every scene.

Genre: Comedy, Mockumentary, Music

Actor: Barry Shabaka Henley, Deezer D, Devin Kamin, Don Reed, Faizon Love, G. Smokey Campbell, Homeselle Joy, Kasi Lemmons, Larry B. Scott, LaVerne Anderson, Mark Christopher Lawrence, Monique Gabrielle, Penny Johnson Jerald, Rose Jackson, Rusty Cundieff

Director: Rusty Cundieff

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The sooner you accept that Bottoms is not, in fact, rooted in reality in any way, the easier it should become to get on its wavelength for its uniquely absurd brand of comedy. This is ostensibly a satire, though it isn't totally clear what exactly the film is trying to comment on. And its loosely defined world makes it challenging to get emotionally invested in any of the characters' failures or victories. But it does—more than any comedy we'll probably get in a while—capture this feeling of high school being its own heightened, insulated world, where the class system of strict high school stereotypes clashes with the unchecked id and ego of teenagers who think they're more grown-up than they really are.

Director and co-writer Emma Seligman gives this movie a certain sheen that you rarely find in comedies this lowbrow (care of lush cinematography by Maria Rusche, and a bumping electronic score by Leo Birenberg and pop star Charli XCX). This contrast between polished exteriors and unapologetically raunchy content makes the jokes all the more startling—which are delivered by a cast clearly having great fun. Rachel Sennott and Ayo Edebiri stick to their cringe-comedy skill set to great effect, while Ruby Cruz and Havana Rose Liu shine with deceptively tricky material, and Nicholas Galitzine gets to be a himbo for the ages.

Genre: Comedy

Actor: Alyssa Matthews, Ayo Edebiri, Bruno Rose, Cameron Stout, Dagmara Domińczyk, Havana Rose Liu, Kaia Gerber, Krystal Alayne Chambers, Liz Elkins Newcomer, Marshawn Lynch, Miles Fowler, Nicholas Galitzine, Punkie Johnson, Rachel Sennott, Ruby Cruz, Ted Ferguson, Toby Nichols, Virginia Tucker, Wayne Pére, Zamani Wilder

Director: Emma Seligman

Rating: R

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There's an elephant lurking in the room from the outset of Biosphere, in which two men are the last survivors of an apocalypse: how will humanity live on? Best friends Billy (Mark Duplass) and Ray (Sterling K. Brown) have only survived thanks to the ingenuity of Ray, who built the glass dome in which they live, insulated from whatever it is that’s keeping the sky perpetually black outside. But the dome’s protective glass increasingly needs patching up, and their last female fish (responsible for the continuation of their food supplies) has just died, setting their clocks ticking.

What happens next — to the remaining male fish and humans — is an astonishing evolution that speaks to the strangeness of nature, which will break its most rigid laws in pursuit of its ultimate goal: furthering the species. Biosphere undergoes a similar metamorphosis: while its zany twist (which we won’t spoil) seems to direct it towards gross-out bro-comedy territory, it transforms, surprisingly, into something more profoundly philosophical. Like the dome, Biosphere’s structure isn’t as solid as it could be — it often meanders — but, with its thoughtful meditations on gender, sexuality, and evolution in all its forms, it’s easy to forgive this quirky indie gem that flaw.

Genre: Comedy, Drama, Fantasy, Science Fiction

Actor: Mark Duplass, Sterling K. Brown

Director: Mel Eslyn

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Much like the 1976 horror classic Carrie, Thelma centers on a young telekinetic woman whose religious upbringing and sexual repression give way to unpredictable moments of fury and rage. When she meets the cool, charismatic Anja, she falls in love immediately, but the wave of emotions that overwhelm her threaten to destabilize not just their budding romance, but other relationships and lives as well. 

Thelma recalls Carrie in other ways too, most notably in the way it uses supernatural elements to allude to female fury and lust, but it also stands on its own as a singular piece of work; the mesmerizing transitions, the slow-burn pace, and the undercurrent of melancholia are all known trademarks of director Joachim Trier. This layering of old and new makes Thelma an intriguing watch, at once recognizable and wholly original. 

 

Genre: Drama, Fantasy, Horror, Mystery, Thriller

Actor: Anders Mossling, Camilla Belsvik, Eili Harboe, Ellen Dorrit Petersen, Grethe Eltervag, Henrik Rafaelsen, Ingrid Jørgensen Dragland, Ingrid Unnur Giæver, Irina Eidsvold Tøien, Isabel Christine Andreasen, Kaya Wilkins, Lars Berge, Marte Magnusdotter Solem, Sigve Bøe, Steinar Klouman Hallert, Tom Louis Lindstrøm, Vanessa Borgli

Director: Joachim Trier

Rating: Not Rated

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How does a standout director follow up to a film like Eternal Sunshine of the Spotless Mind? With a more profound exploration of style, a further exploration of his originality. Gael Garcia Bernal (who you might know from Y Tu Mama Tambien) plays an imaginative but awkward kind of guy who falls for his cute neighbor, played Charlotte Gainsbourg. Bizarre and whimsical dream sequences follow and a sweet, if hesitant, love story unfolds. An eccentric, funny and very French movie (with most scenes in English).  

Genre: Comedy, Drama, Fantasy

Actor: Alain Chabat, Aurelia Petit, Charlotte Gainsbourg, Emma de Caunes, Eric Mariotto, Gael García Bernal, Jean-Michel Bernard, Miou-Miou, Pierre Vaneck, Sacha Bourdo, Stephane Metzger, Yvette Petit

Director: Michel Gondry

Rating: R

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The Fountain is a highly compelling science-fiction/fantasy film told in three interwoven parts related to the mythical concept of the Tree of Life. Hugh Jackman and Rachel Weisz star in a triad of roles that alternate along the film’s narrative: 1) an ancient conquistador assigned by the Queen of Spain to locate the legendary tree within the jungles of South American, 2) a modern medical doctor desperately striving to find a cure for his wife’s terminal brain cancer, and 3) a futuristic space traveler transporting the sacred tree across the cosmos with spectral images of his wife as his companion. In this, his 3rd feature feature-length film, writer/director Darren Aronofsky has crafted a strikingly ambitious depiction of the search for, manifestation of and preservation of the oft-fabled key to eternity. It’s highly philosophical and at times strikingly abstract visual storytelling, aided immeasurably by Jackman’s and Weisz’s heartfelt, aggrieved performances. The passion and the earnestness they deliver helps to buoy a complicated plot that isn’t always entirely cohesive, but comes together as a wonderfully compelling amalgamation of sights and sounds bound to inspire the viewer. Kudos to Aronofsky for eschewing simple fantasy in lieu of something so dynamic, original and emotionally commanding.

Genre: Adventure, Drama, Romance, Science Fiction

Actor: Abraham Aronofsky, Alex Bisping, Boyd Banks, Cliff Curtis, Donna Murphy, Ellen Burstyn, Ethan Suplee, Fernando Hernandez, Hugh Jackman, Janique Kearns, Kevin Kelsall, Lorne Brass, Marcello Bezina, Mark Margolis, Rachel Weisz, Richard McMillan, Sean Patrick Thomas, Stephen McHattie

Director: Darren Aronofsky

Rating: PG-13

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By all outward appearances, The Villages—a massive and manicured retirement community in Florida—looks like it does offer paradise to its aging residents, as promised. The list of activities is endless, the seniors are all partnered up. “It’s like going back to college,” as one of them puts it, where people from all over the country come together to create a new life with each other. 

But of course, nothing comes that easy, not even death. Some Kind of Heaven follows certain residents (and one committed trespasser) as they grapple with the slipperiness of fulfillment in their later years. It gets very eerie when the film's bleak messages are contrasted with the home's vibrant Floridian colors and the residents' plastered smiles. But the eeriness adds to the overall intrigue and pull of the documentary. Darren Aronofsky (Black Swan) co-produces this fascinating film.

Genre: Documentary, Drama

Director: Lance Oppenheim

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Taking the Frankenstein story to its low-budget '80s extremes, Re-Animator finds lots of dry humor and gory thrills in the simple story of a mad scientist in medical school. But instead of any Frankenstein's monster terrorizing the university, it's the hubris of man and their arrogance in denying the inevitability of death that constantly threatens every other innocent person in the film. The scare to minute ratio here is refreshingly low, meaning Re-Animator isn't driven by a need to manipulate audiences, but by the primal thrills of fake guts and blood—and a sharp, snarky performance from Jeffrey Combs.

Genre: Comedy, Drama, Horror, Science Fiction

Actor: Al Berry, Barbara Crampton, Bruce Abbott, Bunny Summers, Carolyn Purdy-Gordon, David Gale, Gene Scherer, Gerry Black, Ian Patrick Williams, Jeffrey Combs, Peter Kent, Robert Sampson

Director: Stuart Gordon

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, 2023

Teen thrillers are fun, but there’s only so many times you can enjoy the warnings to not sneak out at night, to not give into peer pressure, and to not trust random strangers. NAGA is another teen night gone wrong, but unlike the regular suburban dangers, Sarah deals with, of all things, a vindictive camel out for blood, on top of teenage hijinks and other dangers women face in the conservative country of Saudi Arabia. While there are a tad too many events and some visuals might prove too dizzying for some viewers, NAGA is such a wild ride that’s so fun to follow.

Genre: Comedy, Drama, Horror, Thriller

Actor: Adwa Bader, Amal Alharbi, Jubran Al Jubran, Khalid Bin Shaddad, Yazeed Almajyul

Director: Meshal Aljaser

Rating: R

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While primarily a showcase of endoscopic footage of various surgeries in different hospitals throughout Paris—which should already be enough to either make you queasy or inspire introspection into the fragility of our lives—this singular, experimental documentary places all this bloodshed in the context of the mundanity of the medical profession. Much of the film is taken up by muted conversation from the surgeons and footage of elderly patients wandering around, creating an even more surreal look into the lack of support these hospitals receive. It's far more abstract than it is educational, but its commitment to getting its hands dirty makes it an unforgettable experience.

Genre: Documentary

Director: Lucien Castaing-Taylor, Véréna Paravel

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