415 Best True-story-based Movies to Watch (Page 23)

Staff & contributors

They say art imitates life, especially in the case of movies that are based on a true story. Whether you’re interested in historical events or iconic biopics, here are the best true story-based movies and shows to stream now.

In Suncoast, writer-director Laura Chinn takes the personal tragedy of losing her brother to cancer and weaves it into something meaningful. The film is a sensitive meditation on death and grief, but it isn’t all grim. It’s also a coming-of-age story, one that focuses on Doris (Nico Parker), a version of Chinn’s younger self aching for normal teen experiences. The film is at its best when it zeroes in on Doris’ interiority and examines the duality of having to deal with so much death while still wanting to live a vibrant life. The surprising friendship that blooms between her and the popular kids as she chases after this life is one of the best depictions of authentic teen dynamics in recent memory. But the film is at its weakest when it tries to be something it’s not—that is, your usual tear-jerker indie fare that’s rife with lessons from a magical stranger (in this case played genially, but unnecessarily, by Woody Harrelson) and grievances from a grief-stricken mother (played powerfully by Laura Linney). To be sure, Harrelson and Linney (especially) deliver top-notch performances, but they feel shoehorned in an otherwise pitch-perfect film about a girl finding her place in the real world.

Genre: Comedy, Drama

Actor: Amarr M. Wooten, Andrea Powell, Andrew Dicostanzo, Ariel Martin, Cree Kawa, Daniella Taylor, Ella Anderson, Elliott Sancrant, Jason Burkey, Karen Ceesay, Keyla Monterroso Mejia, Laura Linney, Matt Walsh, Nico Parker, Orelon Sidney, Pam Dougherty, Parker Sack, Scott MacArthur, Woody Harrelson

Director: Laura Chinn

Rating: R

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Shooting Stars may be based on LeBron James’ account of his teenage years, but this adaption by Chris Robinson is more than just a vanity project. In fact, James is hardly the lead here—every one of his friends gets a chance to shine in this coming-of-age story about brotherhood and friendship. It’s closer to films like Boyz N the Hood and Stand By Me in that way, but that’s not to say it’s a letdown in the sports department. The games are choreographed beautifully; the actors display wonderful athleticism and the filmmakers employ various camera techniques that never fail to surprise. There are times, though, that these techniques distract more than excite, and there is a sense that the film could’ve benefited from a more pared-down style. But this ultimately doesn’t take away from the film’s tender and thrilling story.

Genre: Drama, History

Actor: Algee Smith, Caleb McLaughlin, Chad L. Coleman, Dermot Mulroney, Joe Fishel, Katlyn Nichol, Khalil Everage, Mookie Cook, Natalie Paul, Scoot Henderson, Wood Harris

Director: Chris Robinson

Rating: PG-13

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College seems to be teeming with possibility, in a more substantial way than adulthood or high school feels, since for many people, it’s the only time where one lives alone and makes decisions for their lives selfishly. Shithouse captures that moment with a candid sentimentality, all marked by a shared late night that changes the way the whole college life feels. Cooper Raiff captures this time of a freshman uncertainty with actual palpable emotions, acting, writing, and directing with a freshness that filmmakers aspire to but never seem to get on screen, and it’s this mumblecore-inspired feature debut that made him a filmmaker to look out for. Shithouse is pure college nostalgia.

Genre: Comedy, Drama, Romance

Actor: Abby Quinn, Adam Foster Ballard, Adan Rocha, Amy Landecker, Ashley Padilla, Ayo Edebiri, Chinedu Unaka, Chris Kleckner, Colin McCalla, Cooper Raiff, Denny McAuliffe, Dylan Gelula, Eva Victor, Grant Harling, Jay Duplass, Joy Sunday, Juan Wood, Leonora Pitts, Logan Miller, Mallory Low, Nick Saso, Olivia Scott Welch, Tessa Hope Slovis, Tre Hall, Will Youmans

Director: Cooper Raiff

Rating: R

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This taut chamber piece about NSA whistleblower Reality Winner (yes, that’s her real name) is based on the FBI’s account of her interrogation one June day in 2017. “Based on” doesn’t quite capture Reality’s exhaustive commitment to the facts, though, because this movie is essentially a dramatic reading of a verbatim transcript of the FBI agents’ recording that day. The only time it breaks with reality is when it reaches a redacted portion of the transcript, at which point characters glitch out of view, leaving us staring into the blank set around them. Otherwise, every cough, false start, and even every off-topic remark is recreated with exacting precision here, lending the film a paradoxically stilted, slightly stagy air. But rather than pull you out of the proceedings, Reality’s palpable artificiality only immerses us into the uneasy tension and surreality that its anxious protagonist must have been feeling that day.

That anxiety is contagious, thanks to the movie’s clinical style and central performance. The camerawork is largely unblinking, moving in uncomfortably close on Reality (Sydney Sweeney) as two FBI agents (Josh Hamilton and Marchánt Davis) subject her to their bizarre hot-cold interrogation, which ranges from seemingly friendly inquiries about her dog to jugular-aimed questions about the allegations against her. Sweeney shoulders all this pressure remarkably well, deftly keeping us as much in the dark as Winner tried to keep the FBI in — which makes not knowing the real story a benefit, rather than a barrier, to watching Reality.

Outside of Sweeney’s commanding performance, Reality feels somewhat limited by its absolute loyalty to the FBI’s transcript, though. Much of the film’s 83-minute runtime is dedicated to recreating the text, which leaves only a few minutes at the end for it to express its own point of view on Winner’s actions. Though these scant moments make for a compelling reframing of the charges against Winner, they feel overshadowed by and separate from the movie’s rigorous devotion to the transcript, which ultimately means Reality can’t quite transcend its status as merely an interesting filmmaking curio.

Genre: Drama, Thriller

Actor: Allan Anthony Smith, Benny Elledge, Bill Maher, John Way, Josh Hamilton, Marchánt Davis, Sydney Sweeney, Tucker Carlson

Director: Tina Satter

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In certain heartbreaking instances, children are separated from their parents by the State, supposedly in hopes of finding them a better home. But for plenty of British and commonwealth orphans, the government process is, at worst, systematically designed to separate families to support the Kingdom’s colonies. While the film isn’t really focused on the details and the rationale behind the program, Oranges and Sunshine is much more concerned with the fact that it happened– that it has harmed hundreds of thousands of children for hundred years, and that it only took someone who cared enough to pay attention for things to actually change. It’s a decent depiction of Margaret Humphreys’ work, and it does a great job in promoting the Child Migrants Trust.

Genre: Drama, History

Actor: Aisling Loftus, Barbara Marten, Carolina Giammetta, Chrissie Page, David Wenham, Emily Watson, Geoff Morrell, Greg Stone, Harvey Scrimshaw, Hugo Weaving, Kate Rutter, Lorraine Ashbourne, Mandahla Rose, Marg Downey, Molly Windsor, Richard Dillane, Robert Purdy, Russell Dykstra, Stuart Wolfenden, Tanya Myers, Tara Morice

Director: Jim Loach

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As far as heroic biopics go, One Life is fairly standard, if not a bit forgettable. The film’s monotonous pace and less-than-compelling drama don’t quite match the extraordinary real-life feats of the British stockbroker who helped transport hundreds of Jewish children from Nazi-occupied Prague into Britain. The beats are familiar, the dialogue even more so. But there is one saving grace here, and that’s Anthony Hopkins, who plays the stockbroker in question, Nicky Winton, with such believable grace. Hopkins effortlessly relays the heavy guilt of his character, and when he finally breaks down by the film’s climax, you can’t help but cry with him. Everything else about the film, including the flashbacks to young Nicky, played by Johnny Flynn, could be stronger, but as it stands, One Life serves as an effective enough reminder to stand up for what’s right and be proud of that act, no matter how seemingly small or singular.

Genre: Drama, Family, History, War

Actor: Adrian Rawlins, Aleš Bílík, Alex Sharp, Angus Kennedy, Anna Darvas, Anthony Hopkins, Antonie Formanová, Barbora Černá, Barbora Vacková, Charles Armstrong, Darren Clarke, Ffion Jolly, Helena Bonham Carter, Janusz Hummel, Jaromíra Mílová, Jiří Šimek, Joe Weintraub, Johnny Flynn, Jonathan Pryce, Jonathan Tafler, Juliana Moska, Justin Svoboda, Lena Olin, Liam Smith, Lukáš Král, Marthe Keller, Matilda Thorpe, Michael Gould, Milan Ligač, Nick Blakeley, Petr Jeništa, Romola Garai, Samantha Spiro, Samuel Finzi, Sean Brodeur, Simon Thorp, Tim Steed, Vilma Frantová, Ziggy Heath

Director: James Hawes

Rating: PG

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Aspiring writer-director Vita of My First Film is insufferable. When she starts out making her first feature, she’s pleasantly surprised by the people who came to help her, but the repetition of the shoot, the scene not matching the idea in her head, which she tries to put into image and word, but can’t quite make the vision clear, the anxiety and pressure to be a professional filmmaker blinding her from the concerns of her cast and crew all combine to an inevitable failure of her first feature, which also happens to inspired by Vita’s actual life. Vita is insufferable, but writer-director Zia Anger manages to make her real in an eclectic meta multimedia patchwork that won’t work for everyone, but uniquely depicts an experience filmmakers, aspiring or otherwise, haven’t wanted to talk about.

Genre: Drama

Actor: Cole Doman, Devon Ross, Eamon Farren, Eléonore Hendricks, Jane Wickline, Joanna Fang, Odessa Young, Philip Ettinger, Sage Ftacek, Zia Anger

Director: Zia Anger

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, 2016

Lion is the award-sweeping movie based on the true story of a kid in India who gets lost in a train and suddenly finds himself thousands of kilometers away from home. 25 years later, after being adopted by an Australian couple, he embarks on a journey through his memory and across continents to reconnect with his lost family. Dev Patel plays Saroo, and Nicole Kidman plays his Australian adoptive mother. Two truly amazing performances that will transport you to the time and place of the events, as well as its emotions spanning tear-jerking moments and pure joy. An uplifting, meaningful, and beautiful movie.

Genre: Drama

Actor: Abhishek Bharate, Anna Samson, Arka Das, Belinda Misevski, Benjamin Rigby, David Wenham, Deepti Naval, Dev Patel, Divian Ladwa, Eamon Farren, Emilie Cocquerel, Garth Davis, Keshav Jadhav, Khushi Solanki, Lucy Moir, Menik Gooneratne, Nawazuddin Siddiqui, Nicole Kidman, Priyanka Bose, Riddhi Sen, Rooney Mara, Sachin Joab, Sunny Pawar, Tannishtha Chatterjee, Tegan Crowley

Director: Garth Davis

Rating: PG-13

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If you’re looking for exotic locations, glamorous spies, and dramatic shoot-outs, Khufiya is not the espionage film you’re looking for. Like the original novel it’s based on, the film adaptation is a complex, intricate spy story where countries try to interfere with each other’s affairs, and agents handle the dry and dirty work to achieve this. With the true-story-based details of the source material, writer-director Vishal Bhardwaj keeps the story’s historical accuracy, but also adds a personal revenge subplot through the addition of a female main protagonist. The result of the changes complicates the film’s introduction, but if you have the patience, Khufiya still has what makes a spy drama compelling– the double-agent turns, the doubts and mistrust, and a satisfying resolution to the operation.

Genre: Crime, Mystery, Thriller

Actor: Alexx O'Nell, Ali Fazal, Ashish Vidhyarthi, Atul Kulkarni, Azmeri Haque Badhon, Disney James, Jan Graveson, Lalit Parimoo, Navnindra Behl, Priyanka Setia, Purnendu Bhattacharya, Rahul Vohra, Shashi Bhushan, Shataf Figar, Tabu, Wamiqa Gabbi

Director: Vishal Bhardwaj

Rating: R

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, 2024

Given the current tension around reproductive health issues, it should be no surprise that Joy might feel rather tame. To a certain extent, it is, as in vitro fertilization doesn’t have the same controversies compared to abortion. But it does hold some of the same questions, asked through straightforward dialogue from screenwriter Jack Thorne and an effective, if a bit by-the-numbers approach from director Ben Taylor. With strong performances from Bill Nighy, Thomasin McKenzie, and James Norton, Joy does have a tinge of schmaltz in its approach, but nevertheless celebrates the real life creators and the believers that made IVF all possible, in spite of the fear surrounding the then-new technology.

Genre: Drama

Actor: Adrian Lukis, Anastasia Hille, Ashna Rabheru, Bill Nighy, Cecily Cleeve, Charlie Murphy, Douggie McMeekin, Ella Bruccoleri, Harriet Cains, James Norton, Jemima Rooper, Joanna Scanlan, Justin Edwards, Louisa Harland, Mariam Haque, Michael Keogh, Miles Jupp, Nicholas Rowe, Pip Torrens, Richard Durden, Rish Shah, Robert Wilfort, Ruth Madeley, Simon Paisley Day, Suzanne Burden, Tanya Moodie, Thomasin McKenzie

Director: Ben Taylor

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