113 Best True-crime Movies to Watch (Page 6)

Find the best true-crime movies to watch, from our mood category. Like everything on agoodmovietowatch, these true-crime movies are highly-rated by both viewers and critics.

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76. Who killed him?, 2024

The show has an easy to follow format with the curated version of events, especially with the premise always guiding the experience. The sudden changes in footage quality and music both service the atmosphere by turning the mundane uncomfortable and chilling (though I am generally ambivalent to films with a lot of gimmicks). Still, the show seems more interesting as a whole than in its tiny details. It’s effective at high tension developments and confrontations, utilizing the drama from various power dynamics, but it’s also passable in other regards. In the grand scheme of things, it can be a tedious, overwhelming watch.

Genre: Crime, Drama, Mystery

Actor: Anahí Allue, Bárbara López, Belinda, Costanza Andrade, Diego Boneta, Fernando Cuautle, Jorge Zárate, Luis Gerardo Méndez, Roberto Duarte, Zuria Vega

Director: Humberto Hinojosa

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77. Till Murder Do Us Part: Soering vs. Haysom, 2023

While it’s becoming increasingly difficult to stand out among a throng of Netflix True Crime specials, Till Murder manages to hold its own by squarely and concisely centering on the main conflict: Soering vs. Haysom. It’s his word and against hers, his show of love and logic versus her natural charm and charisma. Was he a hopeless romantic who was manipulated into slaying the two people he thought tormented his beloved? Or was she the victim of a murderous and obsessive boyfriend who couldn’t stand the thought of anyone else owning her? The framing, while simplistic and a tad sensational, helps in quickly grabbing your attention and holding it for all four hours.

Genre: Documentary

Rating: TV-MA

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78. The Yara Gambirasio Case: Beyond Reasonable Doubt, 2024

Many in this docuseries acknowledge that the developments to this case feel very much “like a movie.” Maybe that’s why the filmmakers leaned into that presentation style with the twists, phone conversation voiceovers, and jumping timelines. It’s a decent storytelling choice, but it also feels like the shock factor and media hullabaloo is the focus of the film sometimes. Much of the runtime is dedicated to the role of the media, which served as a tremendously unhelpful distraction to the investigation; thus giving the series a sense of focus on the one hand, but also weighing the series down with too much details and fluff cinema.

Genre: Crime, Documentary

Actor: Massimo Bossetti

Rating: TV-MA

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79. The Outlaws, 2017

	
While the police haven't been getting a good rep in recent years, there were times when cops actually got the job done, and went after the gangs that we individuals can’t. Kang Yun-seong’s narrative feature debut is based on the real-life Yanbian Heuksapa Incident, and what’s interesting is that along with having Ma Dong-seok deliver some of the finest and most entertaining fight scenes, there’s a sense that these cops actually care about people, like when Seok-do urges his boss to be gentle towards their team after having to stay in the office longer, or when he reaches out and works directly with the community. The Outlaws doesn’t transform the genre, but it’s well-written, well-choreographed, and held together through the strength of Ma Dong-seok’s charisma (and arms). It’s no wonder director Kang and Don Lee managed to transform this into a sprawling franchise, something to be akin to Korea’s Fast & Furious.Genre: Action, Crime, Thriller
Actor: Bae Jin-ah, Cho Jin-woong, Choi Guy-hwa, Choi Gwi-hwa, Geum Gwang-san, Ha Jun, Heo Dong-won, Heo Sung-tae, Hong Gi-jun, Hong Ki-joon, Jeong In-gi, Jeong In-kyeom, Jin Seon-kyu, Jin Sun-kyu, Jo Jae-yun, Kim Koo-taek, Kim Sung-kyu, Lee Kyu-ho, Lim Hyung-jun, Ma Dong-seok, Min Kyung-jin, Min Moo-je, Park Ji-hwan, Uhm Ji-sung, Ye Jung-hwa, Yoo Ji-yeon, Yoon Byung-hee, Yoon Joo, Yoon Kye-sang
Director: Kang Yoon-sung, Kang Yun-sung
Rating: Not Rated

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80. Rosa Peral’s Tapes (2023)

As sexy and intriguing as Rosa Peral’s case sounds, this documentary suggests that it’s just another instance of the public’s wild if harmful imagination. Both the media and prosecutors made Peral out to be a promiscuous woman out for blood, with tabloids calling her a “go-go dancer” and a “stripper,” despite being neither, and public officials recalling her sexual activities in court, despite their irrelevance to the case. Via a phone call from prison, Peral debunks these claims and tries her best to reclaim the narrative. It’s the first interview she’s given since being convicted for 25 years in 2020, and in a finely balanced move, the filmmakers contrast her impassioned testimony with interviews they’ve conducted with Peral’s critics and prosecutors, thus giving us enough to deliberate among the two sides. If the documentary ever seems biased towards Peral, it’s clear that it’s only to offset the weirdly strong vitriol she’s received among the Spanish public.

Genre: Documentary

Actor: Rosa Peral

Director: Carles Vidal Novellas, Manuel Perez

Rating: R

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81. Raël: The Alien Prophet, 2024

	
Stories about cults have fascinated viewers because of how absurd their ideas can get… And how easy these ideas can lure in lost and broken people. Plenty of these cults tend to stick with ideas that sound similar with the world’s major religions, but not many claim to be able to clone humans. Raël: The Alien Prophet plays out like the regular cult playbook, with a regular man suddenly amassing riches, power, and fame through charisma, and abusing his followers to obtain more, but the show keeps the viewers’ interest by primarily focusing on what sets the movement apart: the aliens and the human cloning.Genre: Documentary
Actor: Raël
Director: Antoine Baldassari, Manuel Guillon
Rating: TV-MA

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82. King of Clones, 2023

King of Clones tells the story of Hwang Woo-suk, a South Korean scientist once praised as a national hero for his pioneering work in cloning. However, Hwang's reputation was shattered in 2006 when it was revealed that he had falsified data in his research. The documentary follows Hwang's rise and fall, and it provides a fascinating glimpse into the world of scientific research and the ethical challenges that it raises. Through simplified explanations and testimonies from beneficiaries and journalists that exposed his fraudulent activities, the film remains accessible without losing its narrative. It also opens the conversation on the progress of cloning technology and the implications of not having ethics that can be agreed upon among the scientific community and the general public.

Genre: Documentary

Actor: ChoI Seung-ho, George W. Bush, Hwang Woo-suk, Jung Ho-seok, Kim Dae-jung, Kim Jong-il, Kim Tae-hyung, Park Ji-sung, Roh Moo-hyun, Son Heung-min

Director: Aditya Thayi

Rating: PG-13

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83. Homicide, 2024

The series offers a rather refreshing take on true crime coverage, putting the spotlight on the callous unsung heroes: the detectives and crime scene workers. It is still true crime, which means everything in it is still an uncomfortable story to learn about. But a bigger part of the series offers a cold, emotionally distant retelling of events by the unenviable professionals—a look at how detectives solve these puzzles, why they use certain interrogation tactics, and more. While learning about these cases with a lesser focus on the casualties feels wrong (and more like a baptism of fire in the crime-solving world), the series does a good enough job humanizing the work force, the other victims in this perpetually traumatizing industry.

Genre: Crime, Documentary

Rating: TV-MA

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84. Daughters of the Cult, 2024

The true crime genre tends to sensationalize cult leaders like these, but Daughters of the Cult takes a more journalistic approach towards Ervil LeBaron, the leader of a splinter Mormon cult group. Primarily showing interviews, archived media, and blurry, out of angle re-enactments, the docuseries doesn’t exaggerate, knowing how horrifying the story already was, but it’s no less emotional as it comes from the perspective of the family this cult leader has tormented. Daughters of the Cult isn’t easy to watch, but it’s definitely a sobering, grounded perspective in a sea of colored cult crime depictions.

Genre: Documentary

Director: Sara Mast

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85. Clark, 2022

With the current deluge of biopics streaming, it’s easy to overlook Clark, Netflix’s fictionalized take on Clark Olofssonm, from whom the term “Stockholm Syndrome” was coined. Bill Skarsgård, Hollywood’s favorite onscreen creep, returns to his native Sweden and plays the titular criminal with such feverish passion that it’s impossible to take your eyes off the screen.

The delirious editing (bordering on excess or camp, depending on your taste) also makes it quite the standout among all the sober real-life adaptations. Clark will surely be hit-or-miss for most people, but its riskiness alone is enough reason to watch.

Genre: Action, Comedy, Crime, Drama

Actor: Adam Lundgren, Bill Skarsgård, Hanna Björn, Isabelle Grill, Malin Levanon, Sandra Ilar, Sofie Hoflack, Vilhelm Blomgren

Rating: TV-MA

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86. Christine, 2016

Christine is about Christine Chubbuck, an awkward and complex reporter who was the first person ever to commit suicide on live TV.

Rebecca Hall is terrific as Chubbuck and goes to great lengths to communicate the personality of her subject matter. The movie might seem slow at times, and her acting off, but it’ll all make sense once she immerses you in the complex reality of the character.

An interesting story and an incredible performance.

Genre: Drama

Actor: Alexandra Paul, Allan Cox, Angela Ray, Anissa Matlock, Anthony Triceri, Antonio Campos, Carl Palmer, David Alexander, Hannah Black, Ian Covell, J. Smith-Cameron, James Rackley, Jayson Warner Smith, John Cullum, John Newberg, John Stockwell, Keith Gordon, Kim Shaw, Kimberley Drummond, Lindsay Ayliffe, Maria Dizzia, Masey McLain, Meghan Strange, Michael C. Hall, Morgan Spector, Rachel Hendrix, Rebecca Hall, Rebecca Koon, Ritchie Montgomery, Robert Prosky, Stacy Hall, Susan Pourfar, Susie Spear Purcell, Timothy Simons, Tracy Letts, Wayne Hughes

Director: Antonio Campos, John Carpenter

Rating: R

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87. Baby Bandito, 2024

With a ludicrous amount of cash, and one of the perpetrators escaping into a luxurious European life posted on Facebook, it’s no wonder Netflix decided to create Baby Bandito. The source material practically writes itself, and it’s easy to fictionalize some details for added drama. The show does this, turning the original robber into a well-meaning skateboarder Kevin Tapia that steals the plans of a mob in order to escape his rough neighborhood, but some of the characterization falters, specifically when it involves his girlfriend Génesis. There are moments it goes into generic territory, but the series is certainly well-shot, full of charm, and daring in the way it focuses more on the consequences rather than the heist itself.

Genre: Crime, Drama

Actor: Carmen Zabala, Francisca Armstrong, Marcelo Alonso, Nicolás Contreras, Pablo Macaya

Rating: TV-MA

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88. American Pain, 2022

From its title and premise, the hope for this kind of documentary would be for it to show some respect for the people who died from the Floridian opioid epidemic. At the very least, the film should dissuade people from the crimes documented here, by emphasizing the consequences of these actions. American Pain does not do this. It’s interesting to view how quickly the business gets out of hand for these unethical entrepreneurs – director Darren Foster reveals each development with enough style and flourish to be entertaining – but the film is clearly more fascinated with how the twins got away with drug dealing for so long. It’s a fun watch… if you forget people died from the events of this film.

Genre: Documentary

Director: Darren Foster

Rating: TV-MA

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89. American Murder: Laci Peterson, 2024

The docuseries simultaneously revolves around the precedent that spouses are suspect #1 when their partners go missing/are victimized, as well as the angle of Scott Peterson maintaining his innocence. It’s a heartbreaking, dark Christmas Eve case with a dash of classic Netflix sensationalism with the editing being a smidge extra at times. Still, some elements help, like the splendid visuals for the timeline that help the viewer take note of inconsistencies and red flags throughout the story, of which there can be a lot. But like most middle-of-the-road true crime, it drags. And you stay because the story itself is interesting, in spite of everything.

Genre: Crime, Documentary

Actor: Allen Brocchini

Rating: TV-14

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90. White Boy, 2017

Richard Wershe, Jr. was arrested for carrying eight kilos of cocaine in 1988, when he was just 17. He went on to become one of Michigan’s longest-serving non-violent juvenile drug offenders, dubbed by the press as White Boy Rick. His fate was sealed by Michigan law that had just been passed, which stated that anyone found with more than 650 grams of drugs had to be sentenced to mandatory life.

Featuring interviews with drug lords, journalists, as well as Rick’s mother and attorney, this documentary — along with the follow-up Hollywood biopic, White Boy Rick, starring Matthew McConaughey— provides an insightful account into his tragic story.

Genre: Documentary, Drama

Actor: Chris Hansen, Herm Groman, Johnny Curry, Richard Wershe Jr., Scott M. Burnstein, Seth Ferranti, Shawn Rech

Director: Christopher S. Rech, Shawn Rech

Rating: N/A

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