325 Best Touching Movies to Watch (Page 6)

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Staff & contributors

Want that warm, fuzzy feeling? Some movies are made to stir curioisty, while others are made to kindle the soul. If you’re seeking stories that melt the heart, here are the best touching movies and shows to stream.

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, 2014

In this comedy/drama, Bill Murray plays an aged, dispirited war veteran named Vincent who openly disdains most people and gives little attention to anything beyond alcohol and horse racing. Living a life of solitude in Brooklyn, everything takes a turn when a young single mother (Melissa McCarthy) and her son Oliver move in next door. Vincent eventually takes on the responsibility of watching over Oliver when Maggie is at work. Murray is perfectly unpleasant in his darkly comedic role, as his relationship with Oliver evolves despite his own misgivings, providing young Oliver (Jaeden Lieberher) with the fatherly/grandfatherly presence he desperately needs. Though somewhat formulaic, St. Vincent rises above expectations by way of great dialogue, favourable performances from all of the leads, and an unbelievably touching finale that will melt your heart. Much better than you probably expect—definitely check this one out.

Genre: Comedy, Drama

Actor: Alexandra Fong, Amber Clayton, Ann Dowd, Bill Murray, Brenda Wehle, Brian Berrebbi, Chris O'Dowd, Chris O'Dowd, Dario Barosso, David Iacono, Deirdre OConnell, Donna Mitchell, Elliot Santiago, Frank Wood, Greta Lee, J. Elaine Marcos, Jaeden Lieberher, Jaeden Martell, James Andrew O'Connor, Jeff Bowser, Josh Elliott Pickel, Katharina Damm, Kerry Flanagan, Kimberly Quinn, Lenny Venito, Maria Elena Ramirez, Maria-Christina Oliveras, Melanie Nicholls-King, Melissa McCarthy, Naomi Watts, Nate Corddry, Niles Fitch, Orlagh Cassidy, Portia, Ray Iannicelli, Reg E. Cathey, Ron Bush, Ron McLarty, Scott Adsit, Terrence Howard, Tim Wilson

Director: Theodore Melfi

Rating: PG-13

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, 1998

To Hollywood's shame, it wasn’t until 1998 that a major feature made by Native American filmmakers was released. It was this charming indie gem that belatedly broke that new ground: based on author Sherman Alexie’s The Lone Ranger and Tonto Fistfight in Heaven, Smoke Signals retains the irreverent humor hinted at in its source material’s title while also being a genuinely heartfelt drama. Set across two cleverly interweaving timelines, it follows the fraught relationship between Victor and Thomas, two young men living on Idaho’s Coeur d’Alene Reservation who are forever linked by tragedy: as a baby, Thomas was saved from the house fire that killed his parents by Victor’s father Arnold (a great Gary Farmer), who soon spiraled into alcoholism and abandoned his young son. When Arnold dies suddenly, then, the duo embark on a perspective-changing road trip to collect his ashes.

Thomas’ nerdy earnestness and happy-go-lucky personality have always gotten on the nerves of the stoic Victor — who’s eaten up by resentment at his father for leaving — but the trip brings the disparate duo together. Though the movie honors their meaningful journey with a serious dramatic focus, it’s also shot through with sharp humor satirizing clichés about Native American people — a tonal complexity that makes it uncommonly accomplished, even without the added value of its all-too-rare perspective.

Genre: Comedy, Drama

Actor: Adam Beach, Cody Lightning, Cynthia Geary, Elaine Miles, Evan Adams, Gary Farmer, Irene Bedard, John Trudell, Michael Greyeyes, Michelle St. John, Molly Cheek, Monique Mojica, Perrey Reeves, Robert Miano, Simon Baker, Tantoo Cardinal, Tom Skerritt

Director: Chris Eyre

Rating: PG-13

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, 1998

Set in the small town of Åmål, western Sweden, the debut feature by Lukas Moodysson (We Are the Best), is itself a metonymy for the bigger questions of life. It's playful and dead serious at the same time, in the way it portrays teenager Agnes, who, after two years of living in Åmål, still hasn't made any friends that would attend her birthday party. Instead, she spends her time typing away on her computer, poetic diaries and love confessions to a girl from school named Elin. She's the popular one and therefore, out of reach. The amount of tension and escalating ambivalence the film conjures with just a simple narrative decision—a bet, a kiss, an apology—is palpable throughout the 86 minutes of its runtime. A perfect capsule of lesbian desire and first love, Show Me Love is a gem of a movie; one that would make you think Close was a tad overrated. Oh, and don't forget to add the titular song by Swedish pop star Robyn to your Spotify favorites.

Genre: Comedy, Drama, Romance

Actor: Alexandra Dahlström, Bo Lyckman, Erica Carlson, Jill Ung, Josefine Nyberg, Maria Hedborg, Mathias Rust, Ralph Carlsson, Rebecka Liljeberg, Stefan Horberg

Director: Lukas Moodysson

Rating: Not Rated

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, 2022

Mars One is a tender, wholesome drama that centers on The Martins, a family of four living on the fringes of a major Brazilian city. Their lower-middle-class status puts them in an odd position—they’re settled enough to have big dreams and occasionally lead lavish lives (the mother and the daughter like to party) but they barely have the means to pursue that kind of lifestyle. As a result, they’re always searching and wanting, aiming high but almost always falling flat on the ground.

There is no actual plot in Mars One. Instead, it studies its characters in a leisurely and almost offhand manner. The approach is so naturalistic, you’ll almost forget you’re watching a movie. But it’s still gorgeously shot and staged, Brazil being an inevitably striking background. At once gentle and vibrant, this big-hearted film is a must for those who are suckers for well-made family dramas.

Genre: Drama

Actor: Camilla Damião, Carlos Francisco, Cícero Lucas, Dircinha Macêdo, Hélio Ricardo, Kelly Crifer, Rejane Faria, Renato Novaes, Russo Apr

Director: Gabriel Martins

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, 2015

Margarita with a Straw is a bold and unflinching film that offers a sensitive and nuanced portrayal of disability, sexuality, and identity. The film follows the journey of a young woman with cerebral palsy as she navigates her way through life, love, and self-discovery. The film's honest portrayal of exploring sexuality, its rich and diverse cast of characters, and its raw and emotional story make it a deeply affecting watch. It's a triumph of representation and inclusivity, and a testament to the power of storytelling to challenge and change the way we see the world.

Genre: Drama

Actor: Andrew Hsu, Doug Plaut, Hussain Dalal, Jacob Berger, Kalki Koechlin, Kuljeet Singh, Malhar Khushu, Marco Torriani, Revathi, Revathy, Sayani Gupta, Shuchi Dwivedi, Tenzing Dalha, Vin Scialla, William Moseley

Director: Nilesh Maniyar, Shonali Bose

Rating: Not Rated

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, 1996

There are connections we make in this lifetime that we expect to be ephemeral, especially in a new city, but sometimes these connections end up being the most meaningful relationship to us. For Jun in Comrades, Almost a Love Story, street smart Qiao is that connection. As she teaches Xiao Jun in Hong Kong city life, they both edge closer to being lovers and Hongkongers, but not quite enough to receive the title. And as fate separates them and fate (and Teresa Teng) brings them together, Comrades, Almost a Love Story crafts quite a memorable romance that stems from a shared dream of finally moving up in the world.

Genre: Drama, Romance

Actor: Adrian Kwan, Baat Leung-Gam, Christopher Doyle, Crystal Suen Ah-Lei, Ding Yue, Eric Tsang, Eric Tsang-Chi Wai, Irene Tsu, Joe Cheung Tung-Cho, Kristy Yang, Leon Lai, Maggie Cheung

Director: Peter Chan, Peter Ho-Sun Chan

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, 1999

Set in war-torn Berlin during World War II, this film explores the forbidden romance between a married mother of four and a Jewish woman working undercover for the resistance based on the real lives of Lilly Wust and Felice Schragenheim, as detailed in Erica Fischer's book of the same name. As expected, all of the frightening challenges of Jewish people, women, and queer folks are presented bluntly. But there are enough touching and humane moments of empathy that contrast the harsh realities of war. The performances by Maria Schrader and Juliane Köhler are simply remarkable, bringing depth and authenticity to their characters' intense connection and creating a poignant viewing experience. 

Genre: Drama, History, Romance

Actor: Barbara Focke, Dani Levy, Désirée Nick, Detlev Buck, Dorkas Kiefer, Elisabeth Degen, Heike Makatsch, Jochen Stern, Johanna Wokalek, Juliane Köhler, Klaus Manchen, Kyra Mladeck, Marc Bischoff, Maria Schrader, Peter Weck, Rosel Zech, Ulrich Matthes

Director: Max Färberböck

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, 2009

A simple and sweet movie about love, trust, and space.  Adam is a 30-something year old with Aspergers syndrome, this film is about how he navigates his way through loneliness and love and all things in between. It is both humorous and slightly heart-breaking, and will leave you feeling that way as well. Maybe the reason we all belong together is that we don't, and this movie is a beautiful examination of that.

Genre: Drama, Romance

Actor: Adam LeFevre, Amy Irving, Andrew Patrick Ralston, Bill Dawes, Frankie Faison, Haviland Morris, Hugh Dancy, Hunter Reid, Jeff Hiller, John Rothman, Karina Arroyave, Luka Kain, Maddie Corman, Mark Doherty, Mark Linn-Baker, Mike Hodge, Peter Gallagher, Peter O'Hara, Rose Byrne, Steffany Huckaby, Susan Porro, Terry Walters, Tyler Poelle, Ursula Abbott

Director: Max Mayer

Rating: PG-13

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, 2005

War changes the way we view people from the other side. On the most fundamental level, seeing an enemy combatant can mean death, but this eventually bleeds out into anger and hatred towards the enemy, because of the loss, the pain, and the fear war tends to wage. War drama Welcome to Dongmakgol understands this, but rather than delve into the painful separation of the Korean peninsula in ways that have been depicted before, the film instead plucks a few soldiers from both fronts and drops them into an isolated village far from the battleground. This scenario is quite unlikely, after all, the mountainside town without technology would probably not be as idyllic as portrayed. Nevertheless, it’s an interesting thought experiment to see the simple, straightforward peace that was forgotten with foreign intervention and global geo-politics. Welcome to Dongmakgol can be quite goofy at times– see the green screen wild boar scene– but the comedy is a standout anti-war film because of its optimism towards human nature.

Genre: Comedy, Drama, War

Actor: Deok-hwan Ryu, Ha-kyun Shin, Ha-ryong Lim, Hye-jeong Kang, Hye-jung Kang, Im Ha-ryong, Jae-jin Jung, Jae-kyeong Seo, Jae-yeong Jeong, Jo Deok-hyeon, Jung Jae-young, Kang Hye-jung, Lee Yong-nyeo, Nam-hee Park, Ryu Deok-hwan, Shin Ha-kyun, Steve Taschler, Yoo Seung-mok, Young-yi Lee

Director: Bae Jong, Kwang-hyun Park

Rating: Not Rated

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, 2023

You don’t have to be a theater kid to enjoy this feel-good mockumentary set in a summer camp for junior thespians. While there are plenty of in-jokes here for those who might have spent a summer or two somewhere like AdirondACTS, Theater Camp also good-naturedly lampoons every instantly recognizable stereotype of theater kids and the classic failed-performer-turned-teacher. 

Amongst the note-perfect ensemble, particularly hilarious standouts include co-writer Ben Platt and co-director Molly Gordon as camp instructors and best friends Amos and Rebecca-Diane. Both are Juilliard rejects with codependency issues and a classic case of actorly self-indulgence — as encapsulated in the moment they accuse a young attendee of “doping” for using artificial tears during a performance (“Do you want to be the Lance Armstrong of theater?”). But even seasoned performers like Platt and Gordon can’t pull the spotlight away from the film’s absurdly talented young ensemble, who are just as game for poking fun at their passion: standouts include Luke Islam, Alexander Bello, and Minari’s Alan Kim as a pint-sized “aspiring agent” who skips dance class to make business calls. All this self-satirising never obscures the movie’s heart, though; what begins as a self-deprecating ribbing of theater-heads ultimately becomes a rousing love letter to those very same misfits.

Genre: Comedy, Music

Actor: Alan Kim, Alexander Bello, Amy Sedaris, Ayo Edebiri, Ben Platt, Caroline Aaron, David Rasche, Dean Scott Vazquez, Donovan Colan, Jimmy Tatro, Kyndra Sanchez, Luke Islam, Max Sheldon, Molly Gordon, Nathan Lee Graham, Noah Galvin, Olivia Puckett, Owen Thiele, Patti Harrison, Priscilla Lopez, Tyrone Mitchell Henderson

Director: Molly Gordon, Nick Lieberman

Rating: PG-13

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, 2018

Sometimes you can just tell a movie means way too much to the people who made it. That makes me want to watch it more than once, which is what I wanted to do with The Tale. But while I think it's such an amazing movie and everyone should watch it, I don't think I can stomach a second watch.. It is based on the director/writer Jennifer Fox's own story - recounting her first sexual experience at a very young age. It's about the stories we tell ourselves to deal with trauma, and in that sense, and with utmost honesty, it invites grief and closure for similar experiences. A powerful movie led by a powerful performance by Laura Dern as Jennifer.

Genre: Drama, Mystery, TV Movie

Actor: Chelsea Alden, Common, Daniel Berson, Deana Deatherage, Elizabeth Debicki, Ellen Burstyn, Emily Sandifer, Frances Conroy, Grant James, Gretchen Koerner, Isabella Amara, Isabelle Nélisse, Jaqueline Fleming, Jason Ritter, Jenson Cheng, Jered Meeks, Jessica Sarah Flaum, Jodi Long, John Heard, Juli Erickson, Katie Fairbanks, Laura Allen, Laura Dern, Lonnie Rashid Lynn Jr., Madara Jayasena, Madison David, Matthew Rauch, Mobin Khan, Noah Lomax, Paul Riley Fox, Pixie Hankins, Rebecca Chulew, Ricki Bhullar, Russell Bradley Fenton, Scott Takeda, Tarek Bishara, Thom Bishops, Tina Parker, Vincent Washington

Director: Jennifer Fox

Rating: Not Rated

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, 2020

“Youth is a state of mind,” a poet once said — but, young in spirit though they are, the elderly artist couple at the center of this fly-on-the-wall documentary must confront the harsh reality that aging isn’t something the body can avoid. Jackie and Don Seiden — a yin-and-yang pair who describe themselves as “a mouse and a crocodile” — still argue and make up with all the fierce vitality of a couple half their age. They haven’t yet lapsed into living life through the rear-view mirror: both still actively make art, Don his sketches and Jackie her slideshows and found-object arrangements. They live in a creaking yet beautiful home, decorated exclusively in pastel colors; as Don puts it, they’ve “made a life that’s really unusual […] a life only [they] could’ve made.”

As his health issues — and the weakening of her ability to care for them — threaten the end of that 50-year-long chapter in their lives, the couple confront mortality and find it brings them holding ever tighter to one another. Their abiding mutual affection makes this documentary a moving portrait of enduring love, while their fiery intellectual verve gives it a sharp honesty that prevents it from ever lapsing into sentimentality.

Genre: Documentary, Drama

Director: Daniel Hymanson

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, 2015

Five orphaned sisters are put under house arrest by their uncle and grandmother after they are seen horsing around with local boys from school. While their actions were purely innocent, their behavior is viewed as scandalous and shameful by the conservative elders in their small Turkish village. After this incident, their grandmother turns her attention towards marrying off her granddaughters. Each of the five sisters rebel in their own way, but it is the youngest and rowdiest sister, Lale, who is the central protagonist of the film. She watches helplessly as each of her older sisters is married off with an increasing sense of dread and desperation. While this may sound hopelessly depressing, the movie is equal parts beautiful and tragic and floats across the screen in a dreamlike manner. Not all of the sisters escape their oppressive surroundings or their assigned fate, but the message is clear: it’s crucial to try.

Genre: Drama

Actor: Ayberk Pekcan, Bahar Kerimoğlu, Bahar Kerimoğlu, Burak Yiğit, Burak Yigit, Doga Zeynep Doguslu, Elit Iscan, Erol Afsin, Güneş Nezihe Şensoy, Günes Sensoy, Ilayda Akdogan, Nihal Koldaş, Nihal Koldaş, Tugba Sunguroglu

Director: Deniz Gamze Ergüven

Rating: PG-13

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, 2024

There are three threads in Daughters that directors Natalie Rae and Angela Patton weave beautifully together. The first thread follows the incarcerated men who gather every week to talk about fatherhood, mostly, because of the program that they’re in, but also: masculinity, race, systemic poverty, social mobility, and the skewed prison system in America. The discussions are raw and enlightening. “This isn’t normal, that we’re all in here,” one of the men wisely says, and it feels special to witness that moment of shared empowerment. The second thread follows the daughters, whose ages range from 5 to 15. In line with the film’s honesty, it shows us girls who miss their fathers and girls who don’t; girls who know everything about them and those who can’t even remember their faces. One is oblivious, the other suicidal. This part is enlightening in a different way: you hope the kids are too young to realize what’s going on, but that’s almost never the case. The final thread is where the two others meet: it offers the most heartbreaking parts of the film, but also the most beautiful. Both parties dress up, take pictures, move on the dancefloor, and say their inevitable goodbyes, and all this is captured in the same darklit, grainy color as the film cameras the fathers and daughters are given to document the dance. The direction and editing is artistic, but never in a gratuitious way. Instead, like other parts of the film, it’s filled with gentleness and empathy.

Genre: Documentary

Director: Angela Patton, Natalie Rae

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