325 Best Touching Movies to Watch (Page 2)

Staff & contributors

Want that warm, fuzzy feeling? Some movies are made to stir curioisty, while others are made to kindle the soul. If you’re seeking stories that melt the heart, here are the best touching movies and shows to stream.

It’s hard to overstate just how lovely — and quietly radical — this largely improvised Canadian docudrama is. The scenario (seven elderly women and their tour bus driver are stranded in the Canadian wilderness for a few days) is contrived, but the rich, lively conversations that feature are all drawn from the women’s real lives. As they hunker down and get on with the business of surviving with meager food — something they manage to do largely thanks to the bushcraft skills of Mohawk elder Alice — the strangers reflect on their long lives and open up to each other about their lingering fears and still-burning hopes.

They’re a diverse bunch — featuring Cockney transplants, lesbian pioneers, and nuns — and the film’s brief cuts to real photos from the women’s earlier years both underscore the rawness of what they’re saying and serve as testaments to the rich fullness of their lives. The Company of Strangers grants these women the kind of serious consideration and space that they’re denied in so many public spaces, but it never feels like a strained exercise in redressing that imbalance. Instead, this is simply a gentle, gorgeous, and profoundly moving portrait of women who aren’t done living yet.

Genre: Adventure, Drama

Actor: Alice Diabo, Beth Webber, Catherine Roche, Cissy Meddings, Constance Garneau, Michelle Sweeney, Winifred Holden

Director: Cynthia Scott

While billed as a “ramen western”, Tampopo satirizes plenty of other American genres, including, but not limited to: 1) the inspirational sports film, with Tampopo’s diligent training, 2) the erotic, arthouse drama through its egg yolk kiss, 3) the witty, social comedy pointing out the absurd in dinnertime tables, and 4) the melodramatic mafia romance with its room-serviced hotel getaway. But the film doesn’t buckle under the weight of carrying all these genres– instead, the customer vignettes are all delicately plated to balance out the hearty journey of a store owner learning about ramen and the bemused, yet cohesive contemplation about food. Tampopo is one of a kind.

Genre: Comedy

Actor: Akio Tanaka, Chōei Takahashi, Fukumi Kuroda, Gō Awazu, Hideji Ōtaki, Hisashi Igawa, Hitoshi Takagi, Hyōe Enoki, Isao Hashizume, Izumi Hara, Ken Watanabe, Kenso Kato, Kinzō Sakura, Kōji Yakusho, Mariko Okada, Masahiko Tsugawa, Naritoshi Hayashi, Nobuko Miyamoto, Nobuo Nakamura, Rikiya Yasuoka, Ryutaro Otomo, Toshimune Kato, Toshiya Fujita, Tsutomu Yamazaki, Yoriko Dōguchi, Yoshi Katō, Zenpaku Kato

Director: Jūzō Itami

Rating: NR

Summer 1993 charts a formative summer in the life of young Frida (Laia Artigas), a brooding six-year-old who, having just been orphaned by AIDS, is sent from her home in Barcelona to live in the countryside with her uncle (David Verdaguer), his wife (Bruna Cusí), and their little girl (Paula Robles). Catalan director Carla Simón drew on her own childhood experiences for the film, making Summer 1993 feel intimately told. It’s shot from the perspective of its young protagonist and is guided by the unpredictable rhythms of memory: we experience Frida’s new life the way she might remember it when she’s older, via snapshots of moments that stand out to a child, like the day she spent amongst the chickens in a neighbor’s farm or the moment another kid asks her why she isn’t more visibly upset about her mother’s recent death.

That emotional enigmaticness is what makes Artigas’s naturalistic performance so absorbing: she never plays Frida in a predictable dramatic register, so much so that it’s easy to forget we’re not watching a documentary. The unexpected little ways her grief manifests itself — along with Simón’s assured, impressionistic directing — make this a profoundly heart-rending watch throughout, and especially so in its gut-punch of a final scene.

Genre: Drama

Actor: Bruna Cusí, David Verdaguer, Fermí Reixach, Isabel Rocatti, Laia Artigas, Quimet Pla

Director: Carla Simón

Winning him Best Director at the Academy Awards, Kenneth Lonergan's drama Manchester By the Sea is a delicate and profound study of loss and grief—and a true triumph. Its focus on characters, well-paced unfolding as well as world-class acting are only equal to the very best of European dramas. This type of quiet exploration of the possibility that grief cannot be overcome has rarely been successful in American cinema, if ever. The last best attempt was probably You Can Count on Me. Originally a playwright, this is Lonergan's third film and Manchester by the Sea is where he unveils his full potential. It follows a depressed handyman, Lee Chandler (Casey Affleck), who leads a quiet but angry life. After his brother dies, he returns to his hometown only to discover that he is the only left to take care of his teenage nephew. There, he is confronted with his past and the blue-collar community from which he was raised. Co-produced by Matt Damon, it grossed around $80 million on a budget of $8.5 million. One of the most noted films of 2016.

Genre: Drama

Actor: Allyn Burrows, Anna Baryshnikov, Anthony Estrella, Ben Hanson, Ben O'Brien, Brian A. White, C.J. Wilson, Carolyn Pickman, Casey Affleck, Christian J. Mallen, Danae Nason, Ellie Teves, Erica McDermott, Frank Garvin, Gretchen Mol, Heather Burns, Ivy O'Brien, Jackson Damon, Jami Tennille, Joe Stapleton, Josh Hamilton, Kara Hayward, Kenneth Lonergan, Kt Baldassaro, Kyle Chandler, Lewis D. Wheeler, Liam McNeill, Lucas Hedges, Matthew Broderick, Michelle Williams, Missy Yager, Nellie Lonergan, Oscar Wahlberg, Quincy Tyler Bernstine, Richard Donelly, Robert Sella, Ruibo Qian, Shawn Fitzgibbon, Stephen Henderson, Stephen McKinley Henderson, Susan Pourfar, Tate Donovan, Tom Kemp, Wendy Overly, William Bornkessel, Zain Ullah

Director: Kenneth Lonergan

Rating: R

When the world gets dark– when something bad happens that makes you lose your faith in the world around you– it can be hard to think that art would be of any help. After all, a piece of paper with scribbles on it can’t undo the wrong that’s happened, or help out directly with the concrete, solidified systems and solutions to the world’s problems. Look Back even acknowledges the possibility of art harming its creators, but through the friendship forged by Fujino and Kyomoto, it also acknowledges the way art can save you and the people who share that love, through some of the most beautiful animation ever created.

Genre: Animation, Drama

Actor: Daisuke Takahashi, Kota Oka, Kureha Maki, Maaya Sakamoto, Masumi Taira, Mizuki Yoshida, Rina Endou, Shinnosuke Tokudome, Toshiyuki Morikawa, Yoichiro Saito, Yuumi Kawai

Director: Kiyotaka Oshiyama

Rating: NR

Russel Crowe, Nicole Kidman, and the immensely talented young actor Lucas Hedges (Manchester By the Sea) form an amazing pack of talent in this excellent drama. The story is based on the memoir by Garrard Conley, a true story. Set among deeply pious Christians in Arkansas, Hedges plays 18-year-old Jared Eamons, who discovers that he is gay. Crowe plays the father, a car dealer and a preacher, and Kidman the mom, who is a sweet-natured hairdresser with traditional values. When their son comes out to them after concealing his sexuality for some time, they pressure Jared into going to a Christian conversion camp, where his “lifestyle choice” is to be “prayed away”. The unspeakable camp is led by the Victor Sykes, who is as sinister as he is stupid, played with aplomb by Joel Edgerton, the writer and director. It's a funny sidenote to a serious movie that many actors in this Southern drama are from Australia, including Edgerton, Crowe, and Kidman as well as Red Hot Chili Peppers bass player extraordinaire, Flea, who plays a drill-instructor-type PE teacher at the camp. The powerful performances are indeed what drive this drama and they contribute significantly to telling a story that needed to be told.

Genre: Drama

Actor: Brasher Russell, Britton Sear, Cherry Jones, David Ditmore, David Joseph Craig, Drew Scheid, Emily Hinkler, Flea, Frank Hoyt Taylor, Jason Davis, Jesse LaTourette, Jesse Malinowski, Joe Alwyn, Joel Edgerton, Joy Jacobson, Kevin Linehan, Lindsey Moser, Lucas Hedges, Madelyn Cline, Malerie Grady, Matt Burke, Nicole Kidman, Paige Henry, Randy Havens, Russell Crowe, Théodore Pellerin, Tim Ware, Troye Sivan, Victor McCay, Will Kindrachuk, William Ngo, Xavier Dolan

Director: Joel Edgerton

Rating: R

Based on Fredrick Backman's 2012 best-selling book of the same name, this Swedish hit comedy-drama introduces us to Ove, an elderly man who feels like his life is over. After losing his wife, the short-fused retiree spends his days grumpily enforcing block association rules in his neighborhood. He is your typical unhappy, old neighbor, somebody you would try to avoid. One new family does not give up and befriends Ove, played by an impeccable Rolf Lassgård, despite his best intentions to put them off. As the plot unfolds, however, you learn more about the story behind the man, and, in classic walk-a-mile-in-his-shoes fashion, start to find him rather loveable. After all, nobody is born grumpy and cynical. Naturally, this is a sweet and sentimental film. But an amazing lead performance and a charming, darkly funny script rescue it from drifting too far off the shore. The result is a wholesome, fun, and thoughtful dramedy with a beautiful message.

Genre: Comedy, Drama

Actor: Anna Granath, Bahar Pars, Borje Lundberg, Chatarina Larsson, Christoffer Nordenrot, Erik Ståhlberg, Filip Berg, Fredrik Evers, Ida Engvoll, Jerker Fahlström, Jessica Olsson, Johan Friberg, Johan Widerberg, Karin de Frumerie, Klas Wiljergard, Magnus Sundberg, Maja Rung, Poyan Karimi, Rolf Lassgård, Simon Edenroth, Simon Reithner, Sofie Gällerspång, Stefan Godicke, Tobias Almborg

Director: Hannes Holm

Rating: PG-13

From Drive My Car director Ryusuke Hamaguchi comes another film featuring long drives, thoughtful talks, and unexpected twists. An anthology of three short stories, Wheel of Fortune and Fantasy ponders over ideas of love, fate, and the all-too-vexing question, “what if?” 

What if you didn’t run away from the one you love? What if you didn’t give in to lust that fateful day? What if, right then and there, you decide to finally forgive?

Big questions, but without sacrificing depth, Hamaguchi does the incredible task of making every single second feel light and meaningful. Wheel of Fortune and Fantasy will leave you with mixed emotions: excited, startled, dejected, hopeful. But one thing you won’t feel is regret over watching this instant classic of a film.

Genre: Drama, Romance

Actor: Aoba Kawai, Aoba Kawai 河井清叶, Ayumu Nakajima, Fusako Urabe, Hitoshi Omika, Hyunri, Katsuki Mori, Kiyohiko Shibukawa, Kotone Furukawa, Shouma Kai

Director: Ryusuke Hamaguchi

Rating: R-13

In both documentaries and films, adoptees meeting their biological parents for the first time is an event often painted in a sweet light. Never mind the child’s mixed feelings about it or the tragic reality that caused the split in the first place—it’s a reunion between family members, so it must be unequivocally special. In Return to Seoul, director Davy Chou doesn’t just debunk that myth, he subverts it by making the adoptee, Freddie, as unapologetically complex and emotionally enigmatic as possible. She resists affection but wallows in loneliness. She craves reinvention but stays in the same place for years. She’s in constant motion while being absolutely stuck in life. In other words, she’s a realistic embodiment of a person struggling to find some semblance of home. Chou displays an intimate understanding of the foreign experience, and he couples it with captivating cinematography, a rousing soundtrack, and fantastic performances across the board to make a daring, inventive, and thoroughly exciting film.

Genre: Drama

Actor: Guka Han, Heo Jin, Hur Jin, Kim Dong-seok, Kim Sun-young, Louis-Do de Lencquesaing, Oh Gwang-rok, Oh Kwang-rok, Yoann Zimmer

Director: Davy Chou

Rating: R

Poignant, delightful, and simply gorgeous, Licorice Pizza just might be Paul Thomas Anderson's best work to date. The period dramedy follows two young people, one in her 20s and one in his teens, as they strike an unlikely but lovely friendship and try to find their place in the world. They may be 10 years apart, but they're stuck in the same swirl of rejection and confusion that trap a lot of ambitious people like them. The premise is far from original, but Alana Haim and Cooper Hoffman turn in captivating performances (made even more impressive by the fact that this is both their film debut). There is an ease and naturalism to both their chemistry and onscreen performances that’s hard not to love.

The thick and wistful patina of the ‘70s, the comedic asides, and the colorful supporting cast all also help paint an overall charming picture that shouldn't be missed.

Genre: Comedy, Drama, Romance

Actor: Adam Somner, AJ Carr, Alana Haim, Alex Canter, Alex Herschlag, Allegra Clark, Anna Cordell, Anthony Molinari, Ariel Rechtshaid, Austin Anderson, Benjamin Barrett, Benny Safdie, Bottara Angele, Bradley Cooper, Brandon Koen, Cassandra Kulukundis, Charlotte Townsend, Christine Ebersole, Ciara Williamson, Cooper Hoffman, Craig Stark, Dan Anderson, Dan Chariton, Danielle Haim, Danielle Miller, Delaina Mitchell, Demelza Cronin, Dennis McCarthy, Destry Allyn Spielberg, Dick Rudolph, Eloy Perez, Emily Althaus, Emma Dumont, Erica Sullivan, Este Haim, Fatimah Hassan, George DiCaprio, Gerren Hall, Harriet Sansom Harris, Hazel Schaffer, Ingrid Sophie Schram, Isabelle Kusman, Iyana Halley, Jeff Willy, John C. Reilly, John Michael Higgins, Jon Beavers, Jonathan Goetzman, Joseph Cross, Karen Kilgariff, Kat Barnette, Kimiko Kasai, Kirk Saduski, Lakin Valdez, Laura Gary, Laura Louise Richardson, Liz Cackowski, Louis Delavenne, Mark Flanagan, Mark Wolfson, Mary Eileen O'Donnell, Mary Elizabeth Ellis, Max Mitchell, Maya Rudolph, Megumi Anjo, Mick Giacchino, Nate Mann, Paige Locke, Patrick Hoelck, Patrick Salway, Pearl Minnie Anderson, Ray Chase, Ray Nicholson, Richard B. Larimore, Richard Rudolph, Rogelio Camarillo, Ryan Heffington, Sasha Spielberg, Savannah Ioakimedes, Sean Penn, Skyler Gisondo, Steven Herrera, Tim Conway Jr., Tom Waits, Tyler Young, Waylon Richling, Yumi Mizui, Zoe McLane

Director: Paul Thomas Anderson

This tender, autobiographical coming-of-age story about a working class family in post-war Liverpool is Terence Davies’ masterpiece—evoking memories through a series of loosely connected scenes that highlight the joys and woes of growing up. It is comprised of two films shot two years apart. The first details the tribulations of a young family surviving an abusive father in the ‘40s. The second part follows the kids grown up and finding their way in the ‘50s, and the influence of music and cinema on their lives. Davies uses a series of beautifully composed tableaux to tell the tale, which bring the setting and the characters intimately to life. Distant Voices, Still Lives is regarded as one of the greatest British films of all-time.

Genre: Drama, Music

Actor: Alan Bird, Andrew Schofield, Angela Walsh, Anne Dyson, Bill Moores, Carl Chase, Chris Darwin, Dean Williams, Freda Dowie, Ina Clough, Jean Boht, John Michie, Lorraine Ashbourne, Matthew Long, Michael Starke, Nathan Walsh, Pauline Quirke, Pete Postlethwaite, Roy Ford, Sally Davies, Susan Flanagan

Director: Terence Davies

Director Hirokazu Kore-eda’s feature debut is nothing short of a masterpiece, his style of serenity apparent from the get-go. With Kore-eda’s still frames and touching, relatable stories, it’s almost impossible not to find yourself caring for his characters like they are your own family. 

In Maborosi, Yumiko (Makiko Esumi) is haunted by one loss after another and struggles to accept these tragedies and move on with her life. Her story is probably the toughest Kore-eda has had to tell, yet there is still a certain beauty to it, especially in its quietness and moody atmosphere. Not forcing any of his characters’ feelings on the audience, Kore-eda manages to tell a harrowing tale in the gentlest of ways.

Genre: Drama

Actor: Akira Emoto, Hidekazu Akai, Hiromi Ichida, Makiko Esumi, Midori Kiuchi, Minori Terada, Mutsuko Sakura, Ren Osugi, Sayaka Yoshino, Tadanobu Asano, Takashi Inoue, Takashi Naito

Director: Hirokazu Kore-eda

Rating: Not Rated

After third-grader Ali loses the only pair of shoes his sister Zahra owns, the siblings agree to share Ali's sneakers for school. Zahra uses the tattered, ill-fitting footwear in the morning, and in the afternoon, she hands them over to Ali, who then races to get into school in time. The siblings wait for things to get better at home before they mention anything to their already-burdened parents, but in the meantime, they persevere, scooping up every bit of silver lining they find, whether it's popping soap bubbles or taking in the city's ultramodern sights. 

In this way, Children of Heaven is neither cynical nor cheesy. It presents the harsh reality of Tehran's poor without robbing them of hope and agency, giving the movie the right amount of self-aware and feel-good that elevates it into a classic. Thanks to this masterful balance, plus many awe-inspiring shots and lines, it should come as no surprise that Children of Heaven is the first Iranian film to be nominated for Best Foreign Language Feature at the Oscars.

Genre: Drama, Family, Kids

Actor: Amir Farrokh Hashemian, Bahare Seddiqi, Kamal Mirkarimi, Mohammad Amir Naji, Reza Naji

Director: Majid Majidi

This is an excellent Russian movie about an ambulance unit and the paramedic that leads it. 

His long-time relationship starts suffering from a combination of alcoholism and his devotion to his work, which are also linked together. This is set in a country where ambulances are underfunded and the health-care system is frail. 

As a consequence, the story of Arrhythmia is one of a worker dedicated to saving their patients' lives in a system that seems not to care. This is portrayed in the ambulance's everyday missions, but also in the paramedic's decaying relationship. It's Blue Valentine meets an Andrey Zvyagintsev movie like Elena. Sadly, it might be more realistic than both those movies, and added to the fact that it's Russian, it has stayed severely under-watched since it came out.

Genre: Drama

Actor: Albina Tikhanova, Aleksandr Samoylenko, Aleksandr Yatsenko, Anna Ichetovkina, Anna Kotova, Anton Figurovsky, Boris Dergachev, Eduard Chekmazov, Ekaterina Stulova, Elena Drobysheva, Evgeny Muravich, Igor Brovin, Iliya Kovrizhnykh, Irina Gorbacheva, Konstantin Adaev, Konstantin Zheldin, Maksim Lagashkin, Nadezhda Markina, Nicholay Kovbas, Nikolay Shrayber, Polina Ilyukhina, Polina Volkova, Sergey Nasedkin, Sergey Udovik, Tatyana Rasskazova, Valentina Mazunina, Vladimir Kapustin, Yevgeni Syty

Director: Boris Khlebnikov

After Love is a beautifully powerful and quietly moving outing by emerging British filmmaker Aleem Khan. It follows Mary (Joanna Scanlan), a white Muslim convert who discovers a life-changing secret her husband has managed to keep from her all these years.

Without spoiling anything, I will say that After Love is charged with the sort of deep-seated emotion we sometimes don’t know how to express. It’s also a powerful reminder that there’s no one way to love or grieve or celebrate the people around us; sometimes, there’s just feeling. And Scanlan does a wonderful job of restraining then conveying all of that in devastating and commanding moments throughout the film, a feat that earned her the much-deserved best actress award at the 2021 BAFTAs. 

Genre: Drama

Actor: Aaron Chawla, Adam Karim, Elijah Braik, Jabeen Butt, Jeff Mirza, Joanna Scanlan, Narayan David Hecter, Nasser Memarzia, Nathalie Richard, Nisha Chadha, Subika Anwar-Khan, Sudha Bhuchar, Talid Ariss

Director: Aleem Khan