269 Best Touching Movies to Watch (Page 10)

Staff & contributors

Want that warm, fuzzy feeling? Some movies are made to stir curioisty, while others are made to kindle the soul. If you’re seeking stories that melt the heart, here are the best touching movies and shows to stream.

Although it opens on Janet Frame’s first steps as a baby, this Jane Campion-directed biopic of the celebrated New Zealand writer doesn’t take an exhaustive approach to its subject’s life. We frequently only learn of milestones — the many awards she won, the death of her mother — later on and in passing. In a beautiful gesture that feels like a tiny righting of the many wrongs done to Janet, it’s her perspective that guides the film. 

That embedded approach also makes the emotions that come with her heartbreaking yet uplifting story more profound. And there is much heartbreak here: alongside the several tragic losses Janet experienced as a child, she was misdiagnosed as schizophrenic as a young woman and spent eight harrowing years in psychiatric hospitals. Throughout all of this, she wrote fiction and poetry, work that saved her life in more ways than one: as well as being a rare constant source of joy, it won her a literary prize just days before she was scheduled for a lobotomy, prompting her doctors to reconsider. Neither Campion nor Janet allowed this experience to define her, however, and the film empathetically grants her real moments of joy and choice throughout — making for a deeply sensitive and uplifting watch.

Genre: Drama

Actor: Alexia Keogh, Alison Bruce, Alistair Douglas, Andrew Robertt, Brenda Kendall, Brian Flegg, Celia Nicholson, David Letch, David Stott, Elizabeth McRae, Faye Flegg, Fiona Kay, Francesca Collins, Gerald Bryan, Iris Churn, Jessie Mune, Jim Rawdon, Julia Calvo, Karen Fergusson, Katherine Murray-Cowper, Kerry Fox, Kevin J. Wilson, Lilian Enting, Mark Clare, Mark Morrison, Martyn Sanderson, Melina Bernecker, Paul Norell, Peter Needham, Robert Jayne, Ruth Dudding, Sheryl Stewart, Tiffany de Castro, Timothy Bartlett, Willa O'Neill

Director: Jane Campion

Rating: R

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This charming documentary about one of the most brilliant, groundbreaking comedians alive strikes a delicate balance between accessible and deeply appreciative, making it both a great gateway for those yet to be uninitiated into the Albert Brooks fan club and a satisfying retrospective for us confirmed devotees. It’s directed and fronted by Rob Reiner, celebrated director himself and one of Albert Brooks’ oldest friends, and the choice is perfect: his rapport with Brooks is warm and easy, extracting real sincerity from the famously deadpan comedian-writer-actor-director.

Defending My Life features plenty of talking heads gushing about Brooks’ dazzling multi-hyphenate talents (among them Steven Spielberg and Sharon Stone), a standard convention for documentaries of this kind. But what elevates this into a portrait worthy of its subject are the scenes from a dinner shared by Brooks and Reiner, during which the former opens up about his childhood, reflects on his career, and divulges the autobiographical elements that informed his work. Their tete-a-tete flows with all the unforced rhythm of conversation between good friends; Reiner’s presence coaxes illuminating insight from Brooks, which makes watching the documentary feel as close to pulling up a seat at their table as you’d hope for. The 90 minutes just fly by.

Genre: Documentary

Actor: Alana Haim, Albert Brooks, Anthony Jeselnik, Ben Stiller, Brian Williams, Chris Rock, Conan O'Brien, David Letterman, James L. Brooks, Jon Stewart, Jonah Hill, Judd Apatow, Larry David, Neil deGrasse Tyson, Nikki Glaser, Rob Reiner, Robert De Niro, Sarah Silverman, Sharon Stone, Steven Spielberg, Tiffany Haddish, Wanda Sykes

Director: Rob Reiner

Rating: PG-13

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Twisted yet deep. Sad yet interesting. Slow yet exhilarating. A Ghost Story is an incredible artistic achievement. With hardly any dialog, and breathtakingly long takes in its first half, it manages to bring you in its own creepy world and not let go until you feel completely lonely. Starring Rooney Mara and Casey Affleck as a loving couple who are hit with a horrible tragedy, the beginning is slow, and it's not a plot driven movie, but if you give it a chance it will blow your mind.

Genre: Drama, Fantasy, Romance

Actor: Augustine Frizzell, Barlow Jacobs, Brandi Price, Brea Grant, Carlos Bermudez, Casey Affleck, Chris Gardner, David Lowery, David Pink, Giovannie Cruz, Grover Coulson, Jonny Mars, Kenneisha Thompson, Kesha, Kesha Rose Sebert, Liz Cardenas, Liz Cardenas Franke, Liz Franke, McColm Cephas Jr., Nikita Patel, Rob Zabrecky, Rooney Mara, Sonia Acevedo, Will Oldham, Yasmina Gutierrez

Director: David Lowery

Rating: R

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Over 100 hours of footage were shot for this documentary chronicling the fraught journey that thousands make to reach the US-Mexico border — but, watching the 93 minutes that made the cut, you get a sense that this is the story that was meant to be told. Editor Sofia Machado whittled down reams of footage into this gently conveyed single account of one woman’s journey. Twenty-nine at the time of filming, Lilian and her four children fled a violent husband and bleak prospects in Guatemala, setting out as part of a migrants’ caravan undertaking the 4000km-long journey separating them from the brighter future they hope is waiting for them in the US.

She meets exploitation, xenophobia, and other perils on the route (not least The Beast, the dangerous freight train she and her kids must hop to reach safety). Remarkably, though, there’s much solidarity and generosity to be found on the way, too, as Lilian and her kids forge moving family-like bonds with fellow migrants. What’s more, as the documentary unfolds, quiet revelations emerge, making it clear that Lilian is also looking for a type of liberation that many on the road already have — a dream that this documentary suggests might blessedly be closer than she originally envisioned.

Genre: Documentary

Director: Danilo Do Carmo, Jakob Krese

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In this documentary by Bianca Stigter, a three-minute home video of a nondescript Jewish town in Poland is examined in great detail to reveal the history and humanity behind it. Taken just before the Holocaust, it’s one of the few remaining proofs of life the town has before its population was decimated in the war. And so the footage is repeated and stretched in this documentary, because as the narrator puts it, “as long as we are watching, history is not over yet,” and the people have yet to be gone.

Glenn Kurtz, the grandson of the person who shot the home video, takes it upon himself to investigate the history of the town and its citizens: what they were and what became of them. The results are often grim and unsettling, and the eerie editing matches them with great effect. But when it's not haunting, the film is oddly hopeful—for a future that remembers its past and preserves it in meaningful ways. Couple this sentiment with the narrator’s own poetic observations, and you get a powerfully moving elegy about loss and memory. 

Genre: Documentary, Drama, History

Actor: Helena Bonham Carter

Director: Bianca Stigter

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If you’ve seen his stand-up, you’ll know that Pete Davidson likes to make fun of himself. But it’s also true that Davidson is honest. He speaks openly about his childhood traumas and mental health struggles, and this film about his life is no different than his live performances. It's darkly funny and deeply personal, this time plumbing new depths of his life with the help of director (and patron saint of comedians) Judd Apatow. 

Here, Apatow allows Davidson to hell his story in his own irreverent flavor, all while boosting him with directorial flair and his trademark balance of humor and humanity. A triumphant collaboration between Apatow and Davidson, King of Staten Island is rich with nuanced performances and relatable insights into the life of someone slowly but surely healing from pain and coming into his own. 

Genre: Comedy, Drama

Actor: Action Bronson, Alexis Rae Forlenza, Anthony Lee Medina, Bel Powley, Bill Burr, Bonnie McFarlane, Carly Aquilino, David S. Lomax, Derek Gaines, Domenick Lombardozzi, Gina Jun, Hank Strong, Jack Hamblin, Jessica Kirson, Jimmy Tatro, Keith Robinson, Ken Holmes, Kevin Corrigan, Laurence Blum, Liza Treyger, Lou Wilson, Luke David Blumm, Lynne Koplitz, Machine Gun Kelly, Marilyn Torres, Mario Polit, Marisa Tomei, Maude Apatow, Meredith Handerhan, Michelle Sohn, Mike Vecchione, Moises Arias, Nana Mensah, Nils Johnson, Nina Hellman, Nyla Durdin, Pamela Adlon, Pauline Chalamet, Pete Davidson, Rafael Poueriet, Rich Vos, Ricky Velez, Robert Smigel, Steve Buscemi, Teodorina Bello

Director: Judd Apatow

Rating: R

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In 1961, Francisco de Goya’s portrait of the Duke of Wellington was stolen from London’s National Gallery, but the theft was no slick heist pulled off by international art thieves. No, the improbable culprit was (the improbably named) Kempton Bunton, a retired bus driver and aspiring playwright who pinched the painting — which the gallery had recently acquired for £140,000 of UK taxpayers’ money — as a Robin Hood-esque “attempt to pick the pockets of those who love art more than charity.” The principled Bunton (played here by Jim Broadbent) was, at the time, waging a one-man campaign to convince the government to grant pensioners and veterans free TV licenses, and the Goya theft was his way of publicizing those efforts. It was an eccentric plan, but Broadbent leans fully into his status as a UK national treasure here, making oddball Bunton a deeply sympathetic and warm figure because of (not despite) those quirks. Thanks to his performance — and the note-perfect direction of the late, great Roger Michell — a quirky footnote of history becomes a sweet, unexpectedly moving story about solidarity and the power of the underdog.

Genre: Comedy, Drama, History

Actor: Aimee Kelly, Andrew Havill, Anna Maxwell Martin, Charlotte Spencer, Cliff Burnett, Craig Conway, Darren Charman, Dorian Lough, Fionn Whitehead, Heather Craney, Helen Mirren, Jack Bandeira, James Wilby, Jim Broadbent, John Heffernan, Joshua McGuire, Matthew Goode, Michael Hodgson, Richard McCabe, Sam Swainsbury, Sarah Beck Mather, Sian Clifford, Stephen Rashbrook, Val McLane, Will Graham

Director: Roger Michell

Rating: R

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Trying, that other Apple TV+ show that masterfully balances seriousness and silliness. Like them, Shrinking is warm and affecting, but it has one undeniable advantage: Harrison Ford. Ford plays Segel's boss, and if you aren't onboard yet, Shrinking is definitive proof that Harrison is actually, objectively hilarious.

Genre: Comedy

Actor: Christa Miller, Harrison Ford, Jason Segel, Jessica Williams, Luke Tennie, Lukita Maxwell, Michael Urie

Rating: TV-MA

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Michael Jackson’s death triggers the sudden unraveling of a young imam’s buttoned-up life in this idiosyncratic Egyptian character study. The news of the singer’s passing sets Khaled (Ahmed El-Fishawy) straining against reawakened memories of his youth as a mullet-sporting MJ fanatic, before his joyful creative spark was stamped out by two disparate forces: a mocking, macho dad who punished Khaled for his vulnerability and the conservative uncle who took him under his wing.

Sheikh Jackson mostly takes place across two intertwining timelines: Khaled’s free-spirited adolescence and his adulthood, which has so far been defined by a self-flagellating, fire-and-brimstone brand of Islam. These two strands form a neat illustration of the binary options Khaled was led to believe he had to choose from — but, as the movie’s title hints, he might not have to choose at all, a revelation that doesn’t come easy because it flies in the face of everything he’s been taught. Free from the judgemental impulses of Western cinema when it comes to characters like Khaled, Sheikh Jackson is both an introspective portrait of the universal struggle of defining one’s own identity and a refreshingly nuanced look at how that experience might play out in the modern Arab world.

Genre: Drama

Actor: Ahmed Al Fishawy, Ahmed Malek, Amina Khalil, Basma, Bassma, Dorra, Hazem Ehab, Ibrahim Farah, Maged El Kedwany, Mahmoud Al Bezzawy, Mahmoud Gomaa, Omar Ayman, Salma Abu Deif, Yasmin Raeis, Yasmine Raeis, حازم إيهاب, محمود البزاوي

Director: Amr Salama

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Whether or not you’re familiar with director Pedro Almodóvar’s body of work, Parallel Mother stands as a gorgeous melodrama, a striking story about motherhood and our ties to the past. On one level, it’s a simple but engaging drama about a misunderstanding that ensues between two women. But on another, it’s a deep dive into a nation’s cruel history, as well as an observation of people’s commitment to never letting that part of themselves go. 

The film references Almodóvar’s past films but it also works as a standalone, a perfect starting point for moviegoers interested in exploring his oeuvre. Of course, Penelope Cruz continues to be a powerhouse, each line delivery an emotional gut punch, while relative newcomer Milena Smit is stirring, a true revelation, as her director calls her.

Genre: Drama

Actor: Adelfa Calvo, Agustín Almodóvar, Aitana Sánchez-Gijón, Ana Peleteiro, Arantxa Aranguren, Carmen Flores, Chema Adeva, Daniela Santiago, Inma Ochoa, Israel Elejalde, José Javier Domínguez, Julieta Serrano, Milena Smit, Penélope Cruz, Rossy de Palma, Trinidad Iglesias

Director: Pedro Almodóvar

Rating: R

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A very touching film about Japanese children who are abandoned by their mother in their apartment and left on their own. It's movie that perfectly encapsulates the world of kids and its alignment with this story is both heartbreaking and joyful. Their innocence will make you smile from ear to ear until moments come where you will shed tears. This is a film everyone should have watched, it breaks my heart how little-known it is.

Genre: Drama

Actor: Ayu Kitaura, Hanae Kan, Hiei Kimura, Kazuyoshi Kushida, Ken'ichi Endô, Momoko Shimizu, Ryō Kase, Sei Hiraizumi, Susumu Terajima, You, Yuichi Kimura, Yukiko Okamoto, Yûya Yagira

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: PG-13

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There is so much simmering under the surface of Monica. When her mother Eugenia (Patricia Clarkson) falls gravely ill, the titular character (played by Trace Lysette) returns home for the first time since being turned out as a youngster for her transgender identity. But whatever illness Eugenia has has addled her brain, and she seemingly doesn’t suspect that the woman who has come to help care for her is the daughter she rejected all those years ago. 

Co-writer and director Andrea Pallaoro puts an understated spin on what could be an explosive scenario by letting much go unspoken, frequently framing Lysette’s face in long and wordless static shots. If the filmmaking edges towards being a little too patient at times, the naturally engaging Lysette keeps a firm hold of our attention with a vulnerable performance that expresses much without words. These infrequent wobbles aside, Monica’s restraint is to its credit: by not laying the drama on thick, all sorts of poignant nuances are allowed to bubble up, like the paradoxical difficulties and extraordinary intimacy that come with physically caring for a loved one. In choosing not to give Eugenia and Monica a direct confrontation or moment of revelation, too, the movie opens up to another beautiful possibility: acceptance, finally.

Genre: Drama

Actor: Adriana Barraza, Bryant Bentley, Emily Browning, Jean Zarzour, Joshua Close, Patricia Clarkson, Trace Lysette, Vladimir Perez

Director: Andrea Pallaoro

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