118 Best Touching Movies On Itunes Canada (Page 5)

Staff & contributors

Want that warm, fuzzy feeling? Some movies are made to stir curioisty, while others are made to kindle the soul. If you’re seeking stories that melt the heart, here are the best touching movies and shows to stream.

At once intimate and sweeping, A Thousand and One seamlessly weaves Inez's personal turmoil and familial troubles with the systemic inequality that was rampant in '90s New York. The hideous faces of gentrification, poverty, and police brutality are constantly appearing in the film, not merely because they lend weight to the story, but because they are inevitable for people like Inez. People who, despite their best efforts at achieving upward mobility are continually pushed down by self-serving institutions. 

It's easy for social issue dramas like this to buckle under the weight of their lofty goals, but nothing about A Thousand and One feels forced. Just the opposite, the film has an authentic quality to it—almost documentary-like in its precise depiction of Harlem throughout the years. It's deeply personal and achingly tender, and everything else—the social commentary and the political beats—stems from that specificity. 

Genre: Crime, Drama

Actor: Adriane Lenox, Amelia Workman, Aven Courtney, Bianca LaVerne Jones, Delissa Reynolds, Emmy Harrington, Jennean Farmer, Josiah Cross, Naya Desir-Johnson, Rudolph Giuliani, Terri Abney, Teyana Taylor, William Catlett

Director: A.V. Rockwell

Rating: R

Those unfamiliar with James Hamilton would be forgiven for asking “Why him?” Why does he get a documentary? What makes this photographer so special? But a few minutes in, those questions are immediately replaced with the more appropriate, “Well, why not him?” Hamilton’s work spans decades, and they capture in rich detail a New York that’s long gone, as well as an alternative form of journalism that used to thrive back then (in print no less!), but can now only be found few and far between. It’s enough to see his work, sectioned here in order of their appearance in iconic publications like Harper’s Bazaar, The Village Voice, and New York Observer. Still, they’re complemented by moving images and illuminating interviews beautifully shot in 35mm. Uncropped is reminiscent of other documentaries that also capture New York in its heyday, a distinguished roster that includes films like All The Beauty and the Bloodshed, Paris is Burning, and The Automat. But Uncropped, like Hamilton, has a distinctive edge that marks it as an instant classic. By the end, you can’t help but think, what a rich life Hamilton’s lived, and how lucky we are to see through his vivid, imaginative lens.

Genre: Documentary

Actor: Alexandra Jacobs, James Hamilton, Joe Conason, Mark Jacobson, Sylvia Plachy, Thulani Davis, Thurston Moore, Wes Anderson

Director: D.W. Young

Rating: NR

The sooner you adjust your expectations for Nomad—and realize that this isn't a travel documentary but Werner Herzog's own wonderfully offbeat way of remembering his dear friend—the better. Any uneven moments in this film's construction are smoothed over by the sheer authenticity of what Herzog puts on screen, from his own distinctive narration, to gorgeous excerpts from Bruce Chatwin's writings, to the sounds and images that make up the strange worlds that both men were fascinated in. No mysteries are solved here, but just being closer to the strange and surreal becomes a way for Herzog to come to terms with the strangest and most surreal of life's realities: death.

Genre: Documentary

Actor: Bruce Chatwin, Elizabeth Chatwin, Karin Eberhard, Marcus Wheeler, Michael Liddle Pula, Nicholas Shakespeare, Petronella Vaarzon-Morel, Stefan Glowacz, Werner Herzog

Director: Werner Herzog

Rating: PG

Only a writer of Albert Brooks’ comedic and perceptive talents could turn the premise of an insecure middle-aged man having romantic trouble into something genuinely funny and poignant. Brooks appears as his signature brand of self-loathing boomer here: he plays John Henderson, a middling novelist who's recently gone through a second divorce. When he finds himself in the unenviable position of having to start afresh in his forties, John first decides he needs to get to the bottom of his recurring failures with women. In keeping with the neurotic preoccupations of his characters, Brooks has John take the psychoanalytic approach by going back to the source: his mother. 

To better get to the root of his hang-ups, John temporarily moves back in with Mrs Henderson, whom Debbie Reynolds plays as a hilariously blithe foil to her manic, insecure son. Brooks and Reynolds’ fractious rapport is tortuously true to life: John finds her petty habits maddening, while she doesn’t seem to understand his life or his work — an obliviousness that, it turns out, might run the other way, too. Cleverly turning the self-obsessions of its lead character on its head, Mother is a wry comedy full of insight and unexpected sweetness.

Genre: Comedy, Drama

Actor: Albert Brooks, Anne Haney, Billye Ree Wallace, Debbie Reynolds, Ernie Brown, Greg Bronson, Harry Hutchinson, Isabel Glasser, James Gleason, Joey Naber, John C. McGinley, Kimiko Gelman, Lisa Kudrow, Matt Nolan, Michael Moertl, Paul Collins, Peter White, Richard Assad, Rob Morrow, Rosalind Allen, Spencer Klein, Vanessa Williams

Director: Albert Brooks

Rating: PG-13

Even if you aren't familiar with the original, Tony Award-winning Broadway production from Lin-Manuel Miranda, this adaptation of In the Heights is still infused with the same infectious energy and loaded with many of the same eclectic songs. This is musical theater at its most fundamental (cheesy, us-against-the-world romance; unstoppable optimism) and also at some of its most unique—with old-school Broadway numbers mixing seamlessly with hip hop, Latin dance, and cheery 2000s pop. But beyond its music, In the Heights offers a gorgeous tapestry of stories about life in a proud immigrant community and the challenges of staying rooted to home while reaching for the stars.

Genre: Drama, Family, Music, Romance

Actor: Anthony Ramos, Ariana Greenblatt, Christopher Jackson, Corey Hawkins, Daphne Rubin-Vega, Dascha Polanco, Dean Scott Vazquez, Gregory Diaz IV, Javier Muñoz, Jimmy Smits, Leslie Grace, Lin-Manuel Miranda, Marc Anthony, Mateo Gómez, Melissa Barrera, Olga Merediz, Olivia Perez, Patrick Page, Ryan Woodle, Seth Stewart, Stephanie Beatriz, Susan Pourfar, The Kid Mero, Valentina

Director: Jon M. Chu

Earnest, beautiful, and tender, Luca Guadagnino's Bones and All is many things: a road trip movie that sweeps the midwest deserts of 1980s America; a coming-of-age story that brings together two outsiders into an understanding world of their own; and a cannibal film that is unflinchingly flesh deep in its depiction of the practice. Bizarrely, these seemingly disparate elements work harmoniously to create a film that you won't soon forget, not least because of its rawness. 

As the aforementioned outsiders, Maren and Lee (Taylor Russell and Timothée Chalamet, respectively) are bewitching—individually sure but especially when they're together. They have a bond that is quite difficult to replicate onscreen, charged as it is with so much chemistry and warmth. The background players also bring their a-game when called for, especially Mark Rylance as the disturbing stalker Sully, Michael Stuhlbarg as the creepy but good-willed Jake, and Chloë Sevigny as Maren's stark mad mother. 

It's worth repeating that this movie goes all in on the gore, so steer clear if you don't have the heart for these sorts of things. But if you do, the viewing experience is rewarding. Bones and All is as romantic as they get, and rather than bury its message, the many layers on top of its core serve as a meaningful puzzle to unpack and unravel long after the credits roll.

Genre: Drama, Horror, Romance

Actor: Andre Holland, Anna Cobb, Brady Gentry, Chloe Sevigny, Christine Dye, David Gordon Green, Hannah Barlow, Jake Horowitz, Jenny McManus, Jessica Harper, Johanna McGinley, Madeleine Hall, Marcia Dangerfield, Mark Rylance, Michael Stuhlbarg, Sean Bridgers, Taylor Russell, Timothée Chalamet, Tom O'Brien

Director: Luca Guadagnino

Rating: R

Although it opens on Janet Frame’s first steps as a baby, this Jane Campion-directed biopic of the celebrated New Zealand writer doesn’t take an exhaustive approach to its subject’s life. We frequently only learn of milestones — the many awards she won, the death of her mother — later on and in passing. In a beautiful gesture that feels like a tiny righting of the many wrongs done to Janet, it’s her perspective that guides the film. 

That embedded approach also makes the emotions that come with her heartbreaking yet uplifting story more profound. And there is much heartbreak here: alongside the several tragic losses Janet experienced as a child, she was misdiagnosed as schizophrenic as a young woman and spent eight harrowing years in psychiatric hospitals. Throughout all of this, she wrote fiction and poetry, work that saved her life in more ways than one: as well as being a rare constant source of joy, it won her a literary prize just days before she was scheduled for a lobotomy, prompting her doctors to reconsider. Neither Campion nor Janet allowed this experience to define her, however, and the film empathetically grants her real moments of joy and choice throughout — making for a deeply sensitive and uplifting watch.

Genre: Drama

Actor: Alexia Keogh, Alison Bruce, Alistair Douglas, Andrew Robertt, Brenda Kendall, Brian Flegg, Celia Nicholson, David Letch, David Stott, Elizabeth McRae, Faye Flegg, Fiona Kay, Francesca Collins, Gerald Bryan, Iris Churn, Jessie Mune, Jim Rawdon, Julia Calvo, Karen Fergusson, Katherine Murray-Cowper, Kerry Fox, Kevin J. Wilson, Lilian Enting, Mark Clare, Mark Morrison, Martyn Sanderson, Melina Bernecker, Paul Norell, Peter Needham, Robert Jayne, Ruth Dudding, Sheryl Stewart, Tiffany de Castro, Timothy Bartlett, Willa O'Neill

Director: Jane Campion

Rating: R

Twisted yet deep. Sad yet interesting. Slow yet exhilarating. A Ghost Story is an incredible artistic achievement. With hardly any dialog, and breathtakingly long takes in its first half, it manages to bring you in its own creepy world and not let go until you feel completely lonely. Starring Rooney Mara and Casey Affleck as a loving couple who are hit with a horrible tragedy, the beginning is slow, and it's not a plot driven movie, but if you give it a chance it will blow your mind.

Genre: Drama, Fantasy, Romance

Actor: Augustine Frizzell, Barlow Jacobs, Brandi Price, Brea Grant, Carlos Bermudez, Casey Affleck, Chris Gardner, David Lowery, David Pink, Giovannie Cruz, Grover Coulson, Jonny Mars, Kenneisha Thompson, Kesha, Kesha Rose Sebert, Liz Cardenas, Liz Cardenas Franke, Liz Franke, McColm Cephas Jr., Nikita Patel, Rob Zabrecky, Rooney Mara, Sonia Acevedo, Will Oldham, Yasmina Gutierrez

Director: David Lowery

Rating: R

In this documentary by Bianca Stigter, a three-minute home video of a nondescript Jewish town in Poland is examined in great detail to reveal the history and humanity behind it. Taken just before the Holocaust, it’s one of the few remaining proofs of life the town has before its population was decimated in the war. And so the footage is repeated and stretched in this documentary, because as the narrator puts it, “as long as we are watching, history is not over yet,” and the people have yet to be gone.

Glenn Kurtz, the grandson of the person who shot the home video, takes it upon himself to investigate the history of the town and its citizens: what they were and what became of them. The results are often grim and unsettling, and the eerie editing matches them with great effect. But when it's not haunting, the film is oddly hopeful—for a future that remembers its past and preserves it in meaningful ways. Couple this sentiment with the narrator’s own poetic observations, and you get a powerfully moving elegy about loss and memory. 

Genre: Documentary, Drama, History

Actor: Helena Bonham Carter

Director: Bianca Stigter

If you’ve seen his stand-up, you’ll know that Pete Davidson likes to make fun of himself. But it’s also true that Davidson is honest. He speaks openly about his childhood traumas and mental health struggles, and this film about his life is no different than his live performances. It's darkly funny and deeply personal, this time plumbing new depths of his life with the help of director (and patron saint of comedians) Judd Apatow. 

Here, Apatow allows Davidson to hell his story in his own irreverent flavor, all while boosting him with directorial flair and his trademark balance of humor and humanity. A triumphant collaboration between Apatow and Davidson, King of Staten Island is rich with nuanced performances and relatable insights into the life of someone slowly but surely healing from pain and coming into his own. 

Genre: Comedy, Drama

Actor: Action Bronson, Adam Keane, Alexis Rae Forlenza, Angus Costello, Anthony Lee Medina, Bel Powley, Bill Burr, Bonnie McFarlane, Carly Aquilino, David S. Lomax, Derek Gaines, Domenick Lombardozzi, Gina Jun, Hank Strong, Jack Hamblin, Jessica Kirson, Jimmy Tatro, Keith Robinson, Ken Holmes, Kevin Corrigan, Laurence Blum, Lilly Brown, Liza Treyger, Lou Wilson, Luke David Blumm, Lynne Koplitz, Machine Gun Kelly, Marilyn Torres, Mario Polit, Marisa Tomei, Maude Apatow, Melania Zalipsky, Meredith Handerhan, Michelle Sohn, Mike Vecchione, Moises Arias, Nana Mensah, Nils Johnson, Nina Hellman, Nyla Durdin, Pamela Adlon, Pauline Chalamet, Pete Davidson, Rafael Poueriet, Rich Vos, Ricky Velez, Robert Smigel, Steve Buscemi, Teodorina Bello

Director: Judd Apatow

Rating: R

Michael Jackson’s death triggers the sudden unraveling of a young imam’s buttoned-up life in this idiosyncratic Egyptian character study. The news of the singer’s passing sets Khaled (Ahmed El-Fishawy) straining against reawakened memories of his youth as a mullet-sporting MJ fanatic, before his joyful creative spark was stamped out by two disparate forces: a mocking, macho dad who punished Khaled for his vulnerability and the conservative uncle who took him under his wing.

Sheikh Jackson mostly takes place across two intertwining timelines: Khaled’s free-spirited adolescence and his adulthood, which has so far been defined by a self-flagellating, fire-and-brimstone brand of Islam. These two strands form a neat illustration of the binary options Khaled was led to believe he had to choose from — but, as the movie’s title hints, he might not have to choose at all, a revelation that doesn’t come easy because it flies in the face of everything he’s been taught. Free from the judgemental impulses of Western cinema when it comes to characters like Khaled, Sheikh Jackson is both an introspective portrait of the universal struggle of defining one’s own identity and a refreshingly nuanced look at how that experience might play out in the modern Arab world.

Genre: Drama

Actor: Ahmed Al Fishawy, Ahmed Malek, Amina Khalil, Basma, Bassma, Dorra, Hazem Ehab, Ibrahim Farah, Maged El Kedwany, Mahmoud Al Bezzawy, Mahmoud Gomaa, Omar Ayman, Salma Abu Deif, Yasmin Raeis, Yasmine Raeis, حازم إيهاب, محمود البزاوي

Director: Amr Salama

Whether or not you’re familiar with director Pedro Almodóvar’s body of work, Parallel Mother stands as a gorgeous melodrama, a striking story about motherhood and our ties to the past. On one level, it’s a simple but engaging drama about a misunderstanding that ensues between two women. But on another, it’s a deep dive into a nation’s cruel history, as well as an observation of people’s commitment to never letting that part of themselves go. 

The film references Almodóvar’s past films but it also works as a standalone, a perfect starting point for moviegoers interested in exploring his oeuvre. Of course, Penelope Cruz continues to be a powerhouse, each line delivery an emotional gut punch, while relative newcomer Milena Smit is stirring, a true revelation, as her director calls her.

Genre: Drama

Actor: Adelfa Calvo, Agustín Almodóvar, Aitana Sánchez-Gijón, Ana Peleteiro, Arantxa Aranguren, Carmen Flores, Chema Adeva, Daniela Santiago, Inma Ochoa, Israel Elejalde, José Javier Domínguez, Julieta Serrano, Milena Smit, Penélope Cruz, Rossy de Palma, Trinidad Iglesias

Director: Pedro Almodóvar

Rating: R

Minari is a film written and directed by Lee Isaac Chung, about a Korean-American family in search of the so-called American Dream. It is an intimate drama that is powerful yet quiet, and filled with moments of innocence. With dreamlike scoring, unique characters, and a captivating climax, this movie tugs on the heartstrings, and serves as a great reminder of the beauty of gratitude.

Thanks to these, plus winning performances across the board, Minari earned plenty of nominations at the 2021 Oscars, with Youn Yuh-jung eventually bagging the Best Supporting Actress award—a monumental first for South Korea.

Genre: Drama, Family

Actor: Alan Kim, Ben Hall, Chloe Lee, Darryl Cox, Debbi Tucker, Ed Spinelli, Eric Starkey, Ernie Robinson, Esther Moon, Han Yeri, Jacob Wade, James Carroll, Jenny Phagan, Kaye Brownlee-France, Noel Kate Cho, Scott Haze, Skip Schwink, Steven Yeun, Tina Parker, Warren Lane, Will Patton, Youn Yuh-jung

Director: Lee Isaac Chung

Rating: PG-13

, 2023

Jules’ wacky premise — an extra-terrestrial crash-lands in eccentric widower Milton’s (Ben Kingsley) flowerbeds — is a bit of a misdirection. While the movie is technically a sci-fi (featuring, as it does, some very out-there alien engineering), it’s really a charming, mostly-human drama about the isolation and surreality of aging. 

Though the mute presence of the alien (nicknamed Jules and played brilliantly by a totally silent Jade Quon) is a constant reminder of the expansiveness of the universe and strange wonders yet to be discovered, the movie keeps its feet firmly on the ground with a sensitive exploration of just how small the worlds of lonely, dementia-struck Milton and two other isolated elderly townspeople (Jane Curtin and Harriet Sansom Harris) are. Rather than expand outwards into a story about the extra-terrestrial itself, Jules focuses on the painful disorientation felt by its lonely trio of protagonists, who all find therapeutic relief and connection by way of the alien and its “understanding eyes.” Though the movie's zany forays into sci-fi territory do sometimes boggle the mind, they never undermine the genuine emotion in Jules’ raw grappling with the experience of aging, as well as give the movie a quirky charm that ensures you won't see anything like this again soon — an increasingly rare experience in itself.

Genre: Comedy, Drama, Science Fiction

Actor: Andy Daly, Anna George, Ben Kingsley, Blair Baker, Brian Wiles, Christopher Kelly, Cody Kostro, Dann Fink, Daphne Gaines, Donald Paul, Edward James Hyland, Eric T. Miller, Eric Tiede, Harriet Sansom Harris, Jade Quon, Jane Curtin, Jeff Kim, Jeffrey Omura, Jessica Keenan Wynn, John Skelley, Laura Jordan, Lee Sellars, Michael Frederic, Patrick Noonan, Teddy Cañez, Zoe Winters

Director: Marc Turtletaub

Rating: PG-13

There is a chance we will be known as the generation that perfected mixing the two mediums of movie and theater. Think Hateful 8, Horace & Pete, Wild Tales, and Fences! A movie not only packed with Broadway talent, it's also based on a Pulitzer-winning play by August Wilson. The play element is both strong and visible, the movie is dialogue packed, and takes place almost exclusively in the characters' house, not to mention most of the events happen within the span of a few days. The movie element comes through beautiful aesthetics and rich scenery, as well as some of Hollywood's best talent: Denzel Washington (who is also the director) and Viola Davis. They had both actually won Tony Awards for their performances reviving the play back in 2010. Denzel is a black garbage collector who was once a promising baseball player and a victim of racial discrimination. His psyche is as rich as it is determined and he is used to taking out his deep-rooted feelings of anger on his loved ones. His wife (Davis), his son, and his friends are the targets of this hurt and anger, but they also have a lot to deal with on their own. A beautiful if maybe slow play-movie. Do not watch it expecting "things to happen", but watch it to be mesmerized by the acting, the writing, and the underlying tensions it addresses. 

Genre: Drama

Actor: Christopher Mele, Denzel Washington, Joe Fishel, Jovan Adepo, Lesley Boone, Mykelti Williamson, Russell Hornsby, Saniyya Sidney, Stephen Henderson, Stephen McKinley Henderson, Viola Davis

Director: Denzel Washington

Rating: PG-13