119 Best Touching Movies On Itunes Canada (Page 4)

Five orphaned sisters are put under house arrest by their uncle and grandmother after they are seen horsing around with local boys from school. While their actions were purely innocent, their behavior is viewed as scandalous and shameful by the conservative elders in their small Turkish village. After this incident, their grandmother turns her attention towards marrying off her granddaughters. Each of the five sisters rebel in their own way, but it is the youngest and rowdiest sister, Lale, who is the central protagonist of the film. She watches helplessly as each of her older sisters is married off with an increasing sense of dread and desperation. While this may sound hopelessly depressing, the movie is equal parts beautiful and tragic and floats across the screen in a dreamlike manner. Not all of the sisters escape their oppressive surroundings or their assigned fate, but the message is clear: it’s crucial to try.

Genre: Drama

Actor: Ayberk Pekcan, Bahar Kerimoğlu, Bahar Kerimoğlu, Burak Yiğit, Burak Yigit, Doga Zeynep Doguslu, Elit Iscan, Erol Afsin, Güneş Nezihe Şensoy, Günes Sensoy, Ilayda Akdogan, Nihal Koldaş, Nihal Koldaş, Tugba Sunguroglu

Director: Deniz Gamze Ergüven

Rating: PG-13

Belfast stars Outlander’s Caitríona Balfe as the mother of a working-class Northern Irish family during The Troubles. Religious tension and the lack of opportunities put the family in a difficult position: they're the first in many generations to think about leaving the city of Belfast. They all have to navigate so many difficult questions on belonging, religion, and identity.

The story,  based on the director’s own childhood, is packaged in a noise-canceling black and white format. Also stars Judi Dench.

Genre: Drama, History

Actor: Bríd Brennan, Caitriona Balfe, Chris McCurry, Ciarán Hinds, Colin Morgan, Conor MacNeill, Drew Dillon, Elly Condron, Gerard Horan, Gerard McCarthy, James O'Donnell, Jamie Dornan, John Sessions, Josie Walker, Jude Hill, Judi Dench, Kit Rakusen, Lara McDonnell, Leonard Buckley, Mairéad Tyers, Mark Hadfield, Michael Maloney, Olive Tennant, Oliver Savell, Orla McDonagh, Sid Sagar, Turlough Convery, Vanessa Ifediora, Victor Alli

Director: Kenneth Branagh

The Fabella Hospital in the Philippines is clearly overburdened and understaffed, and though it offers some of the lowest pregnancy delivery rates in the country, it remains unaffordable to most of its patients. It has been dubbed the world’s busiest maternity hospital because of this, and its boundless flurry of activity is what Ramona Diaz tries to capture in her cinéma-vérité film Motherland. 

What’s interesting and ultimately heartening about the documentary is that despite the difficulties the subjects face, they are always presented with warmth and humanity. We don’t observe them from a strict or stylized distance, but rather, we move with them when they laugh, befriend each other, worry about their babies, curse their partners, and eventually leave. Indeed, the film is a land of mothers, filled with their authentic stories before anything else.

Genre: Documentary, Drama

Actor: Anna Maxwell Martin, Diane Morgan, Ellie Haddington, Lucy Punch, Paul Ready, Phillipa Dunne

Director: Ramona S. Diaz

Rating: TV-MA

This small movie set over one summer weekend is a tender and affecting coming-of-age drama.

Jack is a bullied adolescent who lives in a run-down small town. When his aunt falls sick, he has to take care of his cousin, a younger and even more vulnerable kid. Their relationship evolves in this sensitive drama that spans a quick hour and 15 minutes.

Genre: Drama

Actor: Charlie Plummer, Chloë Levine, Christian Madsen, Cory Nichols, Danny Flaherty, Elijah Richardson, Yainis Ynoa

Director: Felix Thompson

Rating: Not Rated

Aptly for a film partly set in a fortune cookie factory, Fremont deals with luck — specifically, the other side of good luck: survivor’s guilt. Donya (played by real-life Afghan refugee Anaita Wali Zada) is a former translator for the US Army who fled her home city of Kabul on an emergency evacuation flight when the Taliban took over in 2021. Now living a safe, if drab, existence in the titular Californian town, insomniac Donya struggles to embrace her freedom, tormented by the knowledge that she lost some of her old colleagues to reprisal attacks and that her loved ones are still living under repressive rule in Afghanistan.

As Donya shuttles between her little apartment in Fremont, her job writing cryptic one-liners for a fortune cookie factory in San Francisco, and appointments with her eccentric psychiatrist (Gregg Turkington), Fremont balances a moving study of her melancholy with deadpan humor. Despite its black-and-white cinematography and tight Academy ratio, this is no austere drama, but an endlessly warm and understated portrait of someone rediscovering themselves and all of life’s unexpected moments of connection, like chance romantic encounters and sudden tears at karaoke.

Genre: Comedy, Drama

Actor: Anaita Wali Zada, Boots Riley, Gregg Turkington, Hilda Schmelling, Jeremy Allen White, Siddique Ahmed

Director: Babak Jalali

Rating: NR

It’s always fun to watch something that makes you second guess each move, that shifts seamlessly from one thing to another. Frantz is that kind of film, and as the deceptively simple premise unfolds—a widow befriends her late husband’s friend—you’re never really sure if what you’re watching is a romance, a mystery, or a sly combination of both. 

It helps that Frantz is also more than just a period piece, packed as it is with tiny but thoughtful details. When it is filled with color, for example, it does so in the muted palette of 1900s portraits, making each shot look like a picture come to life. When it talks about love, it goes beyond heterosexual norms and hints at something more potent and, at times, political. And when it takes a swing at melodrama, its actors ground the moment with enough restraint and reserve so that it never teeters on excess. All this results in a well-executed, gripping, and overall lovely film to watch.

Genre: Drama, History, Romance, War

Actor: Alice de Lencquesaing, Anton von Lucke, Axel Wandtke, Camille Grandville, Claire Martin, Cyrielle Clair, Eliott Margueron, Elizabeth Mazev, Ernst Stötzner, Étienne Ménard, Jean-Claude Bolle-Reddat, Jean-Paul Dubois, Jean-Pol Brissart, Jeanne Ferron, Johann von Bülow, Johannes Silberschneider, Laurent Borel, Louis-Charles Sirjacq, Lutz Blochberger, Marie Gruber, Merlin Rose, Michael Witte, Nicolas Bonnefoy, Paula Beer, Pierre Niney, Rainer Egger, Ralf Dittrich, Torsten Michaelis, Zimsky

Director: François Ozon

Rating: PG-13

This beautiful drama is set over a summer in New York State. Kathy and her son Cody drive to her estranged sister's house, who had just passed. Kathy plans to quickly sell the house and go back to her normal life but that doesn't happen when she learns that her sister was a hoarder. Forced to spend more time cleaning the house, her son sparks a friendship with the next-door neighbor, an old Korean War veteran. 

Now, I know what you're thinking, Gran Torino, right? The initial set up is the same but in Driveways is much more realistic, and its characters don't really need to be redeemed (no one is screaming "get off my lawn" with a shotgun). In fact, the actor who plays the old man, the fantastic Brian Dennehy, brings so much kindness and heart to the story. It ended up his last movie before his passing, and what a beautiful farewell his performance is.

Genre: Drama

Actor: Bill Buell, Brian Dennehy, Christine Ebersole, Fernando Mateo Jr., Hannah Bos, Hong Chau, Jack Caleb, James DiGiacomo, Jennifer Delora, Jerry Adler, Lucas Jaye, Raymond Lee, Robyn Payne, Rosemary Howard, Samantha Jones, Sophia DiStefano, Stan Carp, Wayne Pyle

Director: Andrew Ahn

The film unfolds in the rhythm of a cow’s life: birth, mating, feeding, milking, checkups. Soon, these events become regular occurrences. Instead of showcasing the more ‘spectacular’ parts of these animal lives in order to build a narrative that's engaging in a more conventional sense, British director Andrea Arnold opts for intimacy through banal instances. Even if female cows are symbolic of labour (reared for milk, meat, and reproduction), the actual cows in the documentary are not actors in a traditional sense. Yet, Cow opens up the dialogue about the on-screen role of animals beyond the call for activism. In it, the protagonists dictate the camera movements and positions just as any other human subject would, but since Arnold is an intuitive and sharp filmmaker, she embraces the opportunity to challenge cinema's status quo. A beautiful addition here is the presence of pop music needle drops, through which the film jolts us into being more attentive, helping us to experience everything we consume in everyday life unperturbed (milk, meat, or pop songs) anew.

Genre: Documentary

Actor: Lin Gallagher

Director: Andrea Arnold