429 Best Thrilling Movies to Watch (Page 16)

Genuinely exciting but with more than enough heart to keep its genre trappings from overwhelming the story, The Kidnapping Day wastes no time setting the stakes and its plot into motion. Several crimes occur seemingly at the same time, which not only keeps the show's various mysteries equally interesting, but emphasizes how our protagonist (the kidnapper Myeong-joon) is ultimately just a naive person caught in the crosshairs of something larger. But because of his poverty and desperation, he becomes a natural target of suspicion by the  people who don't know his full story.

And accompanying Myeong-joon from the beginning of the series is 11-year-old Ro-hee, who wakes from a dazed state with no recollection of who she is, but with knowledge beyond her years. The somewhat antagonistic but tender bond she gradually forms with her reluctant kidnapper is the furthest thing from Stockholm syndrome. Instead, their relationship becomes a window into a particular class dynamic that runs throughout The Kidnapping Day (as well as a host of other South Korean films and shows). In these first two episodes watched for this review, the series already presents a world characterized by a deep yet normalized divide between the rich and the poor.

Genre: Comedy, Crime, Drama, Mystery

Actor: Jeon Yu-na, Kim Sang-ho, Kim Shin-rock, Park Sung-hoon, Yoon Kye-sang

Director: Park Yoo-young

Mazher Mahmood’s true story is so rich, improbable, and dramatic, that it almost seems like a movie. It’s certainly edited like one. The Fake Sheikh is filled with quotable one-liners and thrilling reenactments, and at the center of it all is the compelling anti-hero, Mahmood. Director Ceri Isfryn does a commendable job of balancing the facts about her controversial subject, interviewing both Mahmood’s champions and critics, colleagues and victims, while also interweaving narratives of race and class into his story. After all, this is a man who was initially denied the chance to cover anything other than race and immigration, and so he carved his own (warped) path as a celebrity journalist. There are times when it seems like Isfryn tips the scales a bit to favor Mahmood, but it all falls in line with her movie narrative. The Fake Sheikh is just as enthralling as any good fictional thriller out there.

Genre: Documentary

Director: Ceri Isfryn

After the ending of the show Suburra: Blood on Rome, it had seemed like there was nowhere else for the franchise to go, with plenty of the main cast dead. But after three years, the world of Suburra is back on Netflix in Suburræterna, and despite the chaos that reigns in Rome, there are still opportunistic survivors circling over remaining scraps of control. One survivor is Spadino Anacleti, who, after he had left for a more tolerant Berlin, is now forced to return home, with no other suitable heir for the family. While new viewers might be lost with the names referencing previous characters, fans of the franchise would enjoy the way Suburræterna unfolds, as the Suburra story, inspired by the real life Mafia Capitale, takes on a life of its own.

Genre: Crime, Drama

Actor: Carlotta Antonelli, Federica Sabatini, Federigo Ceci, Filippo Nigro, Giacomo Ferrara, Giorgia Spinelli, Marlon Joubert, Paola Sotgiu

Rating: TV-MA

Mike Atlas is a former police detective now living on the streets as he reopens a supposedly solved murder case with a rookie prosecutor living in her mother's shadow. As they dig deeper, they uncover a sinister conspiracy that reaches deep into the core of the police and justice system. The series is well-acted, with Max Riemelt giving an outstanding performance of a troubled detective suffering from trauma, guilt, and regret. Now homeless, with gaps in his memories, Atlas uses his dormant detective skills to discover the truth from eight months ago and protect his now-estranged family. There's never a dull moment as mysteries unfold from multiple angles and pieces fall into place as theories fall apart. Sleeping Dog is an addictive guessing game until the end.

Genre: Crime, Drama, Mystery

Actor: Antonio Wannek, Bernd Hölscher, Carlo Ljubek, Luise von Finckh, Martin Wuttke, Max Riemelt, Melika Foroutan, Mélodie Wakivuamina, Peri Baumeister

After titles like Tár (2022) and the Dutch film The Conductor (2018), Western female conductors continue to intrigue audiences as they strive to succeed in the last glass ceiling in music. But classical music isn’t restrained to the West, and South Korea’s orchestral world is now showcased in Maestra: Strings of Truth. A remake of the French television series Philharmonia, the series goes through the trials and tribulations Cha Se-eum goes through to establish her leadership in the conductor role back home, as well as the multiple mysteries that might have caused her to leave in the first place. While the show’s first two episodes slowly portray her backstory, Lee Young-ae holds the show on her shoulders, and grounds the drama with her stoic and charismatic presence. It’s a compelling drama, with such a compelling personality, and it’s scored with some of the best classical pieces in the world.

Genre: Drama, Mystery

Actor: Hwang Bo-reum-byeol, Jin Ho-eun, Jung Dong-hwan, Kim Min-kyu, Kim Young-jae, Lee Byung-joon, Lee Moo-saeng, Lee Mu-saeng, Lee Si-won, Lee Young-ae, Lim Se-joo, Park Ho-san, Ye Su-jeong

Director: Kim Jeong-kwon