771 Best Thought-provoking Movies to Watch (Page 12)

Challenging movies serve beyond entertainment, pushing us to ask new questions about humanity and the world around us. If you’re hungry for some food for thought, here are the best thought-provoking movies and shows available to stream now.

Read also:

166. The Sacrifice, 1986

	
The end of the world, of course, forces people to contemplate one’s life purpose, the choices they made, and the opportunities they chose over others. Andrei Tarkovsky examines this idea in The Sacrifice– juxtaposing a hypothetical third World War with main character Alexander’s choices, the choices that led him to a successful acting career, but also led him to regret that he hasn’t done more to take action, until the deal he made with a cross between the Christian God and pagan sacrifice. The ideas are philosophically heavy, marked with Tarkovsky’s dreamlike imagery, long takes, and slow pacing, but it feels much more personal considering the sacrifice he made in leaving his family to create his last two films abroad. The Sacrifice is a masterful meditation on life itself, a deeply moving anti-war film that was a decent send-off of one of the greatest filmmakers ever to have existed.Genre: Drama
Actor: Allan Edwall, Erland Josephson, Guðrún Gísladóttir, Helena Brodin, Jan-Olof Strandberg, Jane Friedmann, Susan Fleetwood, Sven Wollter, Tintin Anderzon, Tommy Kjellqvist, Valérie Mairesse
Director: Andrei Tarkovsky

Read also:

167. The Royal Hotel, 2023

The Royal Hotel sees Hanna (Julia Garner) and Liv (Jessica Henwick) resorting to take up a dire live-in job behind the bar in a remote desert part of Western Australia. Although they're warned that they'd "have to be okay with a little male attention" in the outcast mining town, their financial precarity overrides the potential fear. Curiously enough, the fiction film is based on a real story, already told in the 2016 documentary Hotel Coolgardie by Pete Gleeson, but The Assistant director Kitty Green pulls no punches when representing how suffocating it must feel to be encircled by such unmediated male aggression. The brawls, the spilled beer, the c-word as a greeting all form the unnerving paraphernalia of life then and there. For Australian independent film devotees, there is actor Toby Wallace, who reprises his bad boy role from Babyteeth, and he's joined by the ranks of Herbert Nordrum (The Worst Person in the World) and an utterly terrifying Hugo Weaving (The Matrix).

Genre: Drama, Mystery, Thriller

Actor: Alex Malone, Barbara Lowing, Baykali Ganambarr, Bree Bain, Bruce R. Carter, Daniel Henshall, Herbert Nordrum, Hugo Weaving, James Frecheville, Jessica Henwick, Julia Garner, Kate Cheel, Len Firth, Patrick Frost, Toby Wallace, Ursula Yovich, Valerie Berry

Director: Kitty Green

Rating: R

Read also:

168. The Monk and the Gun, 2024

	
To plenty of countries around the globe, democracy has become so ubiquitous that we forget it’s relatively new, at least relative to the rest of human history. Bhutan is one of the last countries that became a democracy, and writer-director Pawo Choyning Dorji chose to depict a slice of how they made the shift in The Monk and the Gun. As Tashi sets out to obtain two weapons for his mentor, and Ron seeks a specific antique gun, Dorji presents slice-of-life moments of the beautiful Bhutan countryside, intercut with the subtle ways tradition still persists amidst modernity, and the funny ways change can clash with culture. It’s no wonder The Monk and the Gun was chosen as the Bhutanese entry for the Best International Feature at the 96th Academy Awards.Genre: Comedy, Drama
Actor: Choeying Jatsho, Deki Lhamo, Pema Zangmo Sherpa, Tandin Sonam, Tandin Wangchuk
Director: Pawo Choyning Dorji

Read also:

169. The Measure of a Man, 2015

If you’ve ever seen a movie by kings of social realism Ken Loach or the Dardenne brothers, you’ll recognize the cinematic tradition The Measure of a Man is coming from, but if you haven’t, don’t fear. The filmmaking here isn’t complicated, academic, or laden with references — in fact, the opposite is true. Stylistically pared back, the intensely modern and human story at the movie’s center expands to fill the frame so we have nowhere else to look.

With a disabled son to provide for, middle-aged Thierry (Vincent Lindon) desperately searches for a job, undergoing several state-required indignities — such as practice interview sessions in which fellow jobseekers critique everything from his body language to his tone of voice — just for a shot at being able to pay his bills. So many scenes and conversations here are palpably laden with the anxieties of real life, both economic and personal. And yet, for all the dehumanization and desperation clouding its edges, Measure of a Man isn’t a hopeless movie. We’re reminded by happy scenes at home just how rich Thierry’s life is, unemployed or not — but it's perhaps his moral compass, which begins to twitch when he takes a security job with an unscrupulous corporate employer, that’s most heartening of all.

Genre: Drama

Actor: Christophe Rossignon, Karine de Mirbeck, Mathieu Schaller, Soufiane Guerrab, Vincent Lindon, Xavier Mathieu, Yves Ory

Director: Stéphane Brizé

Read also:

170. The Letdown, 2019

	

If you're like us, there's always room for good 20-minute comedy show in your life. But we also live in the “age of the cerebral”, so you're typically getting some really deep stuff to go with it. Written with a lot of heart by Alison Bell (who you might know from Laid), the female lead, and Sarah Scheller, The Letdown perfectly captures the transition from being a care-free thirty-something to becoming a mother, where everything feels too much and failing feels only a second away. It doesn't help that new mother Audrey Holloway seeks help at a parenting group with a rather unhelpful maternal health nurse (Noni Hazlehurst). Audrey's career-focused husband Jeremy (Duncan Fellows) also has a penchant for being unhelpful and so it's up to her to somehow make things right. Anybody who has had a child or knows somebody that does will be able to confirm the hilarious honesty of The Letdown's writing and performances. And from that honesty comes a lot of dramatic realness but also a very funny, well-paced show.
Genre: Comedy
Actor: Alison Bell, Celeste Barber, Duncan Fellows, John Leary, Leah Vandenberg, Leon Ford, Lucy Durack, Noni Hazlehurst, Patrick Brammall, Sacha Horler, Sarah Peirse, Xana Tang
Rating: N/A

Read also:

171. The Keepers, 2017

	

With true crime hitting an all-time high, and Making a Murderer making millions, here comes Netflix's The Keepers. However, while the two shows share a common genre and general tone of voice, The Keepers is a much more interesting show. For one, it focuses on the victims and their stories, instead of the grisly perpetrators. Second, it trades cliffhangers for substance without compromising on breathtaking twists and revelations. Across seven taut episodes, it meticulously examines the unsolved murder of Catherine Cesnik, a Baltimore nun in 1969, who is suspected of being murdered to cover up sexual abuse at the Catholic high school she taught at. Adroitly edited, beautifully shot, and featuring great music by Blake Neely, The Keepers unfolds a horrific tale and emphatically captures the pain still lingering on five decades later.
Genre: Crime, Documentary, Mystery
Actor: Abbie Schaub, Gemma Hoskins, Jean Hargadon Wehner, Tom Nugent, Virginia Anzengruber
Director: Ryan White
Rating: TV-MA

Read also:

172. Thank You for Smoking, 2005

As black a comedy as they come. Nick Naylor (superbly portrayed by Aaron Eckhart) is the chief spokesperson for tobacco and shows the world why smoking is as key to protect as any other liberal value. This movie is funny, smart, thoughtful and raises some good questions about the ego, the morale and what we leave behind, from unexpected sides.

Genre: Comedy, Drama

Actor: Aaron Eckhart, Aaron Lustig, Adam Brody, Aloma Wright, Brian Palermo, Bruce French, Cameron Bright, Catherine Reitman, Christopher Buckley, Connie Ray, Courtney Taylor Burness, Dana E. Glauberman, Daniel Travis, David Koechner, David O. Sacks, Dennis Miller, Earl Billings, Elon Musk, Eric Haberman, Eva La Dare, J.K. Simmons, Jeff Witzke, Joan Lunden, Jordan Garrett, Katie Holmes, Kim Dickens, Marc Scizak, Maria Bello, Marianne Muellerleile, Mary Jo Smith, Melora Hardin, Michael Mantell, Nancy O'Dell, Rachel Thorp, Renée Graham, Richard Speight Jr., Rob Lowe, Robert Duvall, Robert Malina, Roy Jenkins, Sam Elliott, Sean Patrick Murphy, Spencer Garrett, Terry James, Timothy Dowling, Todd Louiso, William H. Macy

Director: Jason Reitman

Rating: R

Read also:

173. Skin, 2018

This true story of a white-supremacist and the civil rights unit that tried to stop his group was so gripping.

You might recognize the title from the Oscars ceremony, as a shorter version of Skin (same director but different actors) won the Academy Award for Best Short Film.

The longer movie provides much more time for the characters to develop, and room for more of a commentary on the current political situation in the U.S.

Fun fact: see that scary man in the picture? That’s Billy Elliot star Jamie Bell who went through a transformation for the role, including always wearing a device to pull his ears closer to his head because they were “too cute”.

Genre: Crime, Drama, History, Romance

Actor: Ari Barkan, Bill Camp, Cecil Blutcher, Colbi Gannett, Daniel Henshall, Danielle Macdonald, Jaime Ray Newman, Jamie Bell, Jenna Leigh Green, Joanna Herrington, Justin L. Wilson, Kylie Rogers, Louisa Krause, Maliq Johnson, Mary Stuart Masterson, Michael Villar, Mike Colter, Portia, Rob Figueroa, Rob Giumarra, Russell Posner, Samantha Jones, Seán Cullen, Vera Farmiga, Zoe Colletti

Director: Guy Nattiv

Rating: R

Read also:

174. Shinjuku Boys, 1995

Directed by Kim Longinotto and Jano Williams, this documentary combines intimate interviews, fly-on-the-wall observation, and striking cinematography to present a compelling glimpse into the lives of three transgender individuals working as hosts in Tokyo's bustling Shinjuku district. With unprecedented access to the subjects' lives, the documentary delves deep into their emotional journeys, capturing their hopes, fears, and aspirations surrounding identity, gender, and societal acceptance. An eye-opening documentary that wastes none of its 53-minute runtime, Shinjuku Boys challenges preconceived notions and invites viewers to empathize with individuals navigating a world that often marginalizes them.

Genre: Documentary, Drama

Director: Jano Williams, Kim Longinotto

Read also:

175. Private Life, 2018

	
Paul Giamatti, man. Ever watched Win/Win? What a performance. I didn’t think he could do any better than that. But here he did. 

This movie is now on Netflix. It’s about a couple that is trying to have a kid but can’t. Their frustration grows, but so does their willingness to do whatever it takes to become parents. They try to adopt, go to fertility clinics and ultimately ask their niece to donate her eggs. To really work, such a plot requires well-written, multifaceted characters one can relate to. I did, and it really worked.Genre: Comedy, Drama
Actor: Alyssa Cheatham, Amaya Press, Caroline Martin, Danny Deferrari, Denis O'Hare, Desmin Borges, Emily Robinson, Fenton Lawless, Francesca Root-Dodson, Gabrielle Reidy, Hettienne Park, John Carroll Lynch, Kathryn Hahn, Katrine Hoyt, Kayli Carter, Kelly Miller, Kerry Flanagan, Lizzy DeClement, Maddie Corman, Molly Shannon, Paul Giamatti, Samantha Buck, Siobhan Fallon Hogan, Tracee Chimo
Director:  Tamara Jenkins
Rating: R

Read also:

176. Not Me, 2021

After years of separation, White returns to Thailand and disguises himself as his twin brother Black to investigate who attacked Black and put him in a coma. As he infiltrates his brother's life, he discovers the violent activism Black was a part of, deciding to join the gang to find more information. Soon he gets caught up in this struggle to justify the violent means and how it affects the very people they are trying to protect. With strong social commentary on Thailand and its laws, it is a powerful look at the mistreatment of the working class and marginalized groups like the LGBTQ community.

Genre: Action & Adventure, Crime, Mystery

Actor: Atthaphan Phunsawat, Bhasidi Petchsutee, Chanunphat Kamolkiriluck, Gawin Caskey, Harit Cheewagaroon, Jumpol Adulkittiporn, Kanaphan Puitrakul, Phromphiriya Thongputtaruk, Rachanun Mahawan

Director: Anucha Boonyawatana

Read also:

177. Mustang, 2015

Five orphaned sisters are put under house arrest by their uncle and grandmother after they are seen horsing around with local boys from school. While their actions were purely innocent, their behavior is viewed as scandalous and shameful by the conservative elders in their small Turkish village. After this incident, their grandmother turns her attention towards marrying off her granddaughters. Each of the five sisters rebel in their own way, but it is the youngest and rowdiest sister, Lale, who is the central protagonist of the film. She watches helplessly as each of her older sisters is married off with an increasing sense of dread and desperation. While this may sound hopelessly depressing, the movie is equal parts beautiful and tragic and floats across the screen in a dreamlike manner. Not all of the sisters escape their oppressive surroundings or their assigned fate, but the message is clear: it’s crucial to try.

Genre: Drama

Actor: Ayberk Pekcan, Bahar Kerimoğlu, Bahar Kerimoğlu, Burak Yiğit, Burak Yigit, Doga Zeynep Doguslu, Elit Iscan, Erol Afsin, Güneş Nezihe Şensoy, Günes Sensoy, Ilayda Akdogan, Nihal Koldaş, Nihal Koldaş, Tugba Sunguroglu

Director: Deniz Gamze Ergüven

Rating: PG-13

Read also:

178. La Haine, 1995

At the risk of being cliché, I'm going to state that only the French could have made a movie about racial issues and the troubles of youngsters in the suburbs and still make it elegant. I've tried looking for other adjectives, but I couldn't find one that better describes those long takes shot in a moody black and white. But despite the elegance of the footage, the power of the narrative and the acting makes the violence and hate realistic as hell, dragging you into the story and empathizing with the characters until you want to raise your arm and fight for your rights. Aside from this unusual combination of fine art and explicit violence, the most shocking thing about La Haine is how much the issues it addresses still make sense right now, even though the movie was released 20 years ago.

Genre: Drama

Actor: Abdel Ahmed Ghili, Andrée Damant, Anthony Souter, Benoit Magimel, Bernie Bonvoisin, Choukri Gabteni, Christian Moro, Christophe Rossignon, Cut Killer, Edouard Montoute, Félicité Wouassi, Florent Lavandeira, François Levantal, François Toumarkine, Heloise Rauth, Hubert Koundé, Joseph Momo, Julie Mauduech, Karim Belkhadra, Karin Viard, Laurent Labasse, Marc Duret, Mathieu Kassovitz, Mathilde Vitry, Nabil Ben Mhamed, Olga Abrego, Patrick Médioni, Peter Kassovitz, Philippe Nahon, Rywka Wajsbrot, Saïd Taghmaoui, Sandor Weltmann, Sébastien Tavel, Solo, Souleymane Dicko, Thang-Long, Vincent Cassel, Vincent Lindon, Virginie Montel, Zinedine Soualem

Director: Mathieu Kassovitz

Rating: Not Rated

Read also:

179. La Belle Noiseuse, 1991

	
When it comes to work, most apply to a job, take a 9-5 role for some decades, and then retire once enough funds have been acquired, the body gives out, or they reach the statutory age in their respective countries. This path isn’t as straightforward for the artist. La Belle Noiseuse is a portrait of an artist in his later years, only making a return due to an unexpected muse. It is quite lengthy, almost four hours, so it may feel like a daunting task for casual film viewers, as much as it is for the painter, but the way Rivette dedicates the time to the etching, the turn of the page, the brush of the paint upon the paper feels so calming, with the artist and their muse at their most natural. It’s easy to deduce the inevitable connection that forms, but La Belle Noiseuse is much more interested in the creative process, rather than the romantic drama, more interested in exploring the way art endeavors to capture the soul, even when the muse continues to remain elusive.Genre: Drama
Actor: David Bursztein, Emmanuelle Béart, Jane Birkin, Marianne Denicourt, Michel Piccoli
Director: Jacques Rivette

Read also:

180. Irma Vep, 1996

In this film-within-a-film, we and a fictional version of actress Maggie Cheung are brought through the disorienting experience of French filmmaking. The film’s washed-up director wants to remake the classic silent film Les Vampires to revive his career. But as with all plans, everything inevitably goes wrong. On top of depicting the regular chaos of a movie set, this film presents the anxieties of the modern-day French film industry—about how it may be past its prime, and how it can still compete on a global level. And through the steady, inscrutable face of Maggie Cheung, we remember the creative collaborations we've had ourselves—the energetic passion, the behind-the-scenes power dynamics, and the pure chaos of the process.

Genre: Comedy, Drama

Actor: Alex Descas, Antoine Basler, Arsinée Khanjian, Balthazar Clémenti, Bernard Nissile, Bulle Ogier, Dominique Faysse, Estelle Larrivaz, François-Renaud Labarthe, Françoise Clavel, Françoise Guglielmi, Guy-Patrick Sainderichin, Jacques Fieschi, Jean-Pierre Léaud, Laurent Jacquet, Lou Castel, Maggie Cheung, Maggie Cheung Man-Yuk, Maurice Najman, Nathalie Boutefeu, Nathalie Richard, Nicolas Giraudi, Olivier Torres, Philippe Landoulsi, Pierre Amzallag, Smaïl Mekki, Valerie Guy

Director: Olivier Assayas

Rating: Not Rated

Read also:

1 … 8 9 10 11 12 13 14 15 16 … 52