338 Best Slow Movies to Watch (Page 23)

Staff & contributors

Slow pacing is a surprisingly common factory across some of the most engrossing movies in history. If you love to take your time and bask in the scenery, check out the best slow movies and shows to stream now.

While at first it seems like this third installment in Antoine Fuqua's series of Denzel Washington star vehicles is setting itself up to be a more serious and thoughtful story of personal absolution, it gradually becomes clear that The Equalizer 3 has no story to tell. Very, very little happens in this movie, and all the time we spend with Washington (still somehow compelling, even when he's on autopilot) drinking tea and chatting with locals doesn't lead to any character relationships worth caring for. Fuqua and screenwriter Richard Wenk seem to want to create a sense of familiarity with this Italian town, through which we should ideally see the things Robert McCall grows to value in his violent life. But even the prettiest landscapes (shot by Robert Richardson) can't make up for how empty and misjudged the writing is.

There are approximately two short action scenes in The Equalizer 3, neither of which has the clockwork precision of the fights in the first film, or the environmental inventiveness of the climax of the second film. And while an action movie can aspire to something beyond its action, the fact that this installment has abandoned it completely is a genuinely perplexing choice.

Genre: Action, Crime, Thriller

Actor: Adolfo Margiotta, Agostino Chiummariello, Andrea Dodero, Andrea Scarduzio, Arcangelo Iannace, Beatrice Aiello, Bruno Bilotta, Dakota Fanning, Daniele Ornatelli, Daniele Perrone, Danilo Capuzi, David Denman, Dea Lanzaro, Denzel Washington, Diego Riace, Eugenio Mastrandrea, Gaia Scodellaro, Gianluigi Scilla, Giovanni Scotti, Lucia Zotti, Luigi Catani, Marco Giuliani, Mariarosaria Mingione, Marta Zoffoli, Mauro Cremonini, Melissa Leo, Niccolò Senni, Remo Girone, Salvatore Ruocco, Simona Distefano, Sonia Ammar, Valerio Da Silva, Zakaria Hamza

Director: Antoine Fuqua

Rating: R

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I appreciate what Famous, the movie, tries to do with its small budget. To portray the wealthy and luxurious life Famous, the character, supposedly leads, the movie opts for clean minimalist designs and tasteful close-ups that don’t betray the scruffy studio it’s actually set in. And the music, produced by Friyie, provides a nice ambiance to Famous and Wayne’s fraught relationship. But those are the only good things you could say about this film; everything else is a flat-out mess. The story feels limp, the acting forced, the dialogue loaded with exposition, and the overall execution clunky. Also, tell me why doesn’t Famous rap even once in a movie centered around him? We’re constantly told that Famous is a celebrated rapper, but not once are we made privy to his skills. What was the reason? This choice, like pretty much everything about the movie, is just baffling.

Genre: Drama

Actor: Brendan Jeffers, Farid Yazdani, Jas Dhanda, Lovina Yavari, Patrick Kwok-Choon, Ric Reid

Director: Martha McGrath

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For some people, grief isn’t easy when a parent dies, especially if that parent is someone you wish you would never become. Grief can stir up a mix of uncomfortable emotions, like shame, anger, and guilt, and it can be very confusing to explain what’s happening to people who aren’t experiencing the same. There’s plenty of that here in South African drama Prime, with Marius losing his racist father, but the way the film depicts this grief is quite hard to follow because of the way it handles its other genres. The human horror of becoming someone you’ve hated is muddled with the randomly arranged sequences, sluggish pace, and mumbled dialogue, which is a shame, because the ideas and images could have made a better movie.

Genre: Drama, Horror, Thriller

Actor: Gérard Rudolf, Jasmine Hazi, Michael Lawrence Potter, Nomsa Twala, Richard Gau, Sharon Spiegel Wagner, Sizo Mahlangu

Director: Thabiso Christopher

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It’s got a main character, 10-year-old Tochtli (Miguel Valverde Uribe), with the most unforgettably forgettable idiosyncrasies. The emotional anchor of this whole thing is entirely dependent on our inclination to be protective of children, but it gives surface level characterization of both the young boy and his father Yolcaut (Manuel Garcia-Rulfo). The most interesting thing it almost pulls off is the father trying to reconcile his commitment to his son and to being macho, but it’s barely a chapter in this 2-hour story. It has some potential with the teachings and aphorisms, but it never really leans into it. It fails four different times, never with fireworks.

Genre: Comedy, Drama

Actor: Alfredo Gatica, Daniel Giménez Cacho, Debi Mazar, Manuel Garcia-Rulfo, Mercedes Hernández, Miguel Valverde, Pierre Louis, Raúl Briones, Teresa Ruiz

Director: Manolo Caro

Rating: R

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