Slow pacing is a surprisingly common factory across some of the most engrossing movies in history. If you love to take your time and bask in the scenery, check out the best slow movies and shows to stream now.
Genre: Drama, Mystery
Actor: Asavapatr Ponpiboon, Chartchai Ketnust, Duangjai Hiransri, Gandhi Wasuvitchayagit, Nattawin Wattanagitiphat, Nutthasid Panyangarm, Ornanong Panyawong, Phakphum Romsaithong, Pradit Prasartthong, Sornchai Chatwiriyachai, Teerawat Mulvilai, Thanayut Thakoonauttaya
Director: Bhanbhassa Dhubthien, Chartchai Ketnust, Krisda Witthayakhajorndet
There's a way to get tragedy right, in a way that keeps the drama engaging even as bad things continue to happen. The Damned Don't Cry gets its approach half-right, with the lead performances by Aïcha Tebbae and Abdellah El Hajjouji remaining sturdy all throughout, and never slipping into easy histrionics. But as the cycle of misfortune continues plaguing their characters, the filmmaking itself doesn't give us anything more to latch onto, with little progression in their arcs and a frustrating lack of insight into the very promising central relationship. There's no mistaking the film's good intentions, but the message arrives in an unfortunately clunky manner.
Genre: Drama
Actor: Abdellah El Hajjouji, Aïcha Tebbae, Antoine Reinartz
Director: Fyzal Boulifa
Genre: Drama, Romance, Thriller
Actor: Alon Pdut, Chelli Goldenberg, Huda Al Imam, Jameel Khoury, Khawlah Hag-Debsy, Loai Nofi, Michael Aloni, Moris Cohen, Nicholas Jacob, Shimon Mimran
Director: Michael Mayer
There is a version of Moon Students that solely focuses on the students of color themselves, victims of racial profiling and injustice, instead of their white teacher and his overbearing white guilt. That would’ve been a slightly better movie to watch, but even then, Moon Students seems broken beyond repair. The film is riddled with technical blunders. The timeframe is confusing, the pacing is off, and the dialogue is unrealistic (and unintentionally funny, because what young person actually says, with full sincerity, “You know what time is it? Party time!”). The actors deserve credit for breathing a bit of life into a limp script, and the cinematography can be nice at times—fuzzy and hazy like an LA dream. But the film’s misguided sense of justice ultimately brings it down.
Genre: Drama
Actor: B.A. Tobin, Cedrick Terrell, Eddie Navarro, Nicholas Heard, Nicholas Thurkettle, Sydney Carvill
Director: Daniel Holland
Unsatisfying as the marriage depicted, Let’s Get Divorced had a promising premise but its approach to its themes betray its message. The couple, actress Kurosawa Yui (Naka Riisa) and incompetent political heir Shoji Taishi (Matsuzaka Tori), wants to split, much to the disapproval of Kurosawa’s agent and Shoji’s mother. At its most interesting, the show attempts to critique Japan’s attitudes towards divorce and the expectations surrounding famous couples, but it mostly shies away from the root of these views. However, what doesn’t help is how uninterested the show is in making us root for either character. Shoji is so incompetent that it’s downright infuriating. But it’s mostly the show’s treatment of Kurosawa that makes this comedy deeply unfunny. Gags about her (actually reasonable) anger reveal an underlying misogyny rooted in the show’s approach.
Genre: Comedy, Drama
Actor: Arata Furuta, Fuju Kamio, Kōji Yamamoto, Lisa Oda, Reiko Takashima, Riisa Naka, Ryo Nishikido, Shin Yazawa, Tori Matsuzaka, Yuka Itaya
While at first it seems like this third installment in Antoine Fuqua's series of Denzel Washington star vehicles is setting itself up to be a more serious and thoughtful story of personal absolution, it gradually becomes clear that The Equalizer 3 has no story to tell. Very, very little happens in this movie, and all the time we spend with Washington (still somehow compelling, even when he's on autopilot) drinking tea and chatting with locals doesn't lead to any character relationships worth caring for. Fuqua and screenwriter Richard Wenk seem to want to create a sense of familiarity with this Italian town, through which we should ideally see the things Robert McCall grows to value in his violent life. But even the prettiest landscapes (shot by Robert Richardson) can't make up for how empty and misjudged the writing is.
There are approximately two short action scenes in The Equalizer 3, neither of which has the clockwork precision of the fights in the first film, or the environmental inventiveness of the climax of the second film. And while an action movie can aspire to something beyond its action, the fact that this installment has abandoned it completely is a genuinely perplexing choice.
Genre: Action, Crime, Thriller
Actor: Adolfo Margiotta, Agostino Chiummariello, Andrea Dodero, Andrea Scarduzio, Arcangelo Iannace, Beatrice Aiello, Bruno Bilotta, Dakota Fanning, Daniele Ornatelli, Daniele Perrone, Danilo Capuzi, David Denman, Dea Lanzaro, Denzel Washington, Diego Riace, Eugenio Mastrandrea, Gaia Scodellaro, Gianluigi Scilla, Giovanni Scotti, Lucia Zotti, Luigi Catani, Marco Giuliani, Mariarosaria Mingione, Marta Zoffoli, Mauro Cremonini, Melissa Leo, Niccolò Senni, Remo Girone, Salvatore Ruocco, Simona Distefano, Sonia Ammar, Valerio Da Silva, Zakaria Hamza
Director: Antoine Fuqua
One would hope that, even with a premise like this, My Life with the Walter Boys could have some sort of emotional center to pin everything down, but if the first two episodes watched for this review are any indication, the series is too content playing out as an odd romantic fantasy. It's not even necessarily that this show skirts the grey area of falling for one's foster brothers; it's that all of these romantic feelings sprout up far too abruptly. It doesn't help that the rest of the series that surrounds these cliche moments of teens staring longingly at each other seems to be caught between wanting to be a serious study of grief and a typical fish-out-of-water young adult drama. In either mode the show is dull, and all its production values can't conceal how contrived so much of this story is for no reason.
Genre: Comedy, Drama, Romance
Actor: Ashby Gentry, Connor Stanhope, Corey Fogelmanis, Jaylan Evans, Johnny Link, Marc Blucas, Nikki Rodriguez, Noah LaLonde, Sarah Rafferty, Zoë Soul
Quick to start and slow to deliver, Devil's Advocate follows Bader, a renowned football player who is tried for being the primary suspect in his wife Dalal's murder. After the series' initial commentary on how the court of public opinion affects a case, nothing else about it stands out. It's mostly just the lawyer Loulwa desperately proving Bader's innocence, going against her father (the prosecutor), and avoiding her ex-fiance (the officer assigned to the case). All of those things collectively sound like a good setup, but they somehow have no impact. In two of the six episodes, there are countless conversations and baseless speculating, and yet nothing progresses past emphasizing Dalal's mental illness. So our two options, by that point, are to trust Bader or (if you can) believe that Dalal stabbed herself 14 TIMES. There's certainly more to the story, but the allure is no more than an ignorable simmer.
Genre: Crime, Drama
Actor: Haya Abdulsalam
I appreciate what Famous, the movie, tries to do with its small budget. To portray the wealthy and luxurious life Famous, the character, supposedly leads, the movie opts for clean minimalist designs and tasteful close-ups that don’t betray the scruffy studio it’s actually set in. And the music, produced by Friyie, provides a nice ambiance to Famous and Wayne’s fraught relationship. But those are the only good things you could say about this film; everything else is a flat-out mess. The story feels limp, the acting forced, the dialogue loaded with exposition, and the overall execution clunky. Also, tell me why doesn’t Famous rap even once in a movie centered around him? We’re constantly told that Famous is a celebrated rapper, but not once are we made privy to his skills. What was the reason? This choice, like pretty much everything about the movie, is just baffling.
Genre: Drama
Actor: Brendan Jeffers, Farid Yazdani, Jas Dhanda, Lovina Yavari, Patrick Kwok-Choon, Ric Reid
Director: Martha McGrath
For some people, grief isn’t easy when a parent dies, especially if that parent is someone you wish you would never become. Grief can stir up a mix of uncomfortable emotions, like shame, anger, and guilt, and it can be very confusing to explain what’s happening to people who aren’t experiencing the same. There’s plenty of that here in South African drama Prime, with Marius losing his racist father, but the way the film depicts this grief is quite hard to follow because of the way it handles its other genres. The human horror of becoming someone you’ve hated is muddled with the randomly arranged sequences, sluggish pace, and mumbled dialogue, which is a shame, because the ideas and images could have made a better movie.
Genre: Drama, Horror, Thriller
Actor: Gérard Rudolf, Jasmine Hazi, Michael Lawrence Potter, Nomsa Twala, Richard Gau, Sharon Spiegel Wagner, Sizo Mahlangu
Director: Thabiso Christopher
It’s got a main character, 10-year-old Tochtli (Miguel Valverde Uribe), with the most unforgettably forgettable idiosyncrasies. The emotional anchor of this whole thing is entirely dependent on our inclination to be protective of children, but it gives surface level characterization of both the young boy and his father Yolcaut (Manuel Garcia-Rulfo). The most interesting thing it almost pulls off is the father trying to reconcile his commitment to his son and to being macho, but it’s barely a chapter in this 2-hour story. It has some potential with the teachings and aphorisms, but it never really leans into it. It fails four different times, never with fireworks.
Genre: Comedy, Drama
Actor: Alfredo Gatica, Daniel Giménez Cacho, Debi Mazar, Manuel Garcia-Rulfo, Mercedes Hernández, Miguel Valverde, Pierre Louis, Raúl Briones, Teresa Ruiz
Director: Manolo Caro