435 Best Slice-of-Life Movies to Watch (Page 26)

Staff & contributors

Art imitates life, and so it is with cinema that depitcs the mundanity of everyday life. Slip away from your to-do-list and inhabit another character’s everyday universe with our roun-dup of the best slice of life movies to stream.

This is a slightly weird and not so slightly quirky movie to be avoided by anyone with a low tolerance to the weird or quirky. Greta Gerwig (Lady Bird, Frances Ha) and Noah Baumbach (The Squid and the Whale, also Frances Ha) write the story, while Gerwig plays a lead role. Two girls, one a New Yorker and the other having just arrived in New York for a writing program, get in touch because their parents will marry. The writer is fascinated by the personality of the New Yorker and follows her everywhere to understand her more, and eventually write about her. Mistress America is their journey through friendship and through New York. Stick around the first 40 minutes or so, because the second half of this 82-minute movie is hilarious.

Genre: Comedy, Drama

Actor: Amy Warren, Andrea Chen, Charlie Gillette, Cindy Cheung, Clare Foley, Colin Stokes, Dean Wareham, Greta Gerwig, Heather Lind, Jasmine Cephas-Jones, Jessie Austrian, Juliet Brett, Kathryn Erbe, Lola Kirke, Mary Beth Minthorn, Matthew Shear, Michael Chernus, Mickey Sumner, Morgan Lynch, Nat Baldwin, Noah Baumbach, Rebecca Henderson, Rebecca Naomi Jones, Seth Barrish, Shana Dowdeswell, Sharon Washington, Shoba Narayan

Director: Noah Baumbach

Rating: R

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The death of the matriarch is, of course, sad, but the countryside wake of May Fools seems to be the opposite at first. Just before the heat of summer, the family reunion seems quaint, idyllic, and occasionally eccentric with Milou’s penchant for beekeeping and crayfish catching. The inevitable family squabble over the estate also gets humorous, and this all seems unimportant to the larger May 68 protests that threatened to escalate into civil war. But director Louis Malle finds the small personal changes of Milou’s family and presents them, not as more or less important, but genuine all the same, finding the humanity within each of these characters.

Genre: Comedy, Drama

Actor: Bruno Carette, Dominique Blanc, Étienne Draber, François Berléand, Harriet Walter, Hubert Saint-Macary, Jacqueline Staup, Jeanne Herry, Martine Gautier, Michel Duchaussoy, Michel Piccoli, Miou-Miou, Paulette Dubost, Rozenne Le Tallec, Valérie Lemercier

Director: Louis Malle

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While better known for Pride & Prejudice, Emma, and Sense & Sensibility, Jane Austen wrote Mansfield Park, a novel that garnered differing critical interpretations, but still intrigued readers even today. The 1999 film adaptation does capture some of the original novel’s ideas, such as Fanny’s modesty, the Cinderella-like submissiveness as means for survival, and the quiet strength to remain as herself, but it also expands on certain elements that were mostly only alluded to in the original, such as the elements pulled from Jane Austen’s actual life and her own sympathies for anti-slavery. While the film isn’t fully faithful to the original novel and should be considered its own, Mansfield Park does retain some of the essentials that makes it distinctly Austen.

Genre: Drama, Romance

Actor: Alessandro Nivola, Amelia Warner, Anna Popplewell, Bruce Byron, Charles Edwards, Danny Worters, Elizabeth Earl, Embeth Davidtz, Frances O'Connor, Gordon Reid, Hannah Taylor-Gordon, Harold Pinter, Hilton McRae, Hugh Bonneville, James Purefoy, Jonny Lee Miller, Justine Waddell, Lindsay Duncan, Philip Sarson, Sheila Gish, Sophia Myles, Victoria Hamilton

Director: Patricia Rozema

Rating: PG-13

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Even if you aren't familiar with Akira Kurosawa classics like Rashomon and Seven Samurai, Madadayo works as a portrait of a great man who seemed to feel nothing at the end of his career other than gratitude. Made up of long, wholesome conversations between real-life Japanese academic Hyakken Uchida (Tatsuo Matsumura) and his former students, the film finds plenty of wisdom in observing the little things. And as hard as his students try to make sure Uchida's twilight years are as comfortable as possible, there's still something elusive about this man overwhelmed by all the good and bad fortune in his life.

Genre: Comedy, Drama

Actor: Akira Terao, Asei Kobayashi, Eiji Bandô, George Tokoro, Hidetaka Yoshioka, Hisashi Igawa, Kazuhiko Kasai, Kinzō Sakura, Kōjirō Kusanagi, Kyōko Kagawa, Masahiko Tanimura, Masayuki Yui, Masuo Amada, Mie Suzuki, Minoru Hirano, Mitsuru Hirata, Nobuto Okamoto, Noriko Honma, Norio Matsui, Shigeo Katô, Shû Nakajima, Takao Zushi, Takeshi Kusaka, Tatsuo Matsumura, Tetsu Watanabe, Tetsuya Ito, Tomoko Ôtakara, Toshihiko Nakano, Yoshitaka Zushi

Director: Akira Kurosawa

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This fun drama is about a 90-year-old who’s still searching for answers to life’s existential questions. Lucky smokes, drinks, and is pretty angry (a not-so-chill atheist); but he’s still around.

Harry Dean Stanton, in what feels like an extension to his character Lucky, passed away a year after the film premiered in 2017. This was the last role of the legendary Alien and The Godfather actor.

Genre: Drama

Actor: Ana Mercedes, Barry Shabaka Henley, Bertila Damas, Beth Grant, David Lynch, Ed Begley Jr., Harry Dean Stanton, Hugo Armstrong, James Darren, Ron Livingston, Tom Skerritt, Yvonne Huff

Director: John Carroll Lynch

Rating: Not Rated

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Women are rarely depicted in prison for a serious drama– usually, it mostly happens in exploitation films. So when Lion’s Den was released in Cannes, it’s no wonder that it garnered attention, even to the point of being submitted as Argentina’s entry for the Oscars. It’s really mostly a realistic depiction of how an incarcerated mother raised her child, as per Argentine law, they remain together for only four years. However, it’s because of sticking to that fact that the law ends up becoming a time limit that helps drive the story forward. It’s a simple approach, but writer-director Pablo Trapero sticks to this straightforward style, and it ultimately works because of Martina Gusmán’s star-making performance. It’s tough to watch, with the assault, strip searches, and riots, but Leonera is a much more empathetic depiction that’s sadly rare to see.

Genre: Drama

Actor: Elli Medeiros, Laura García, Martina Gusmán, Rodrigo Santoro, Tomás Plotinsky

Director: Pablo Trapero

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Adults and kids can be friends, but there’s obviously a line that shouldn’t be crossed. This line is why most people would look at a friendship like this and automatically assume terrible things, but Lawn Dogs depicts one such connection in such a way that it’s clear how easy and disproportionate these assumptions are made for marginalized and less powerful people, over the affluent sociopaths that can and have gotten away with the accusations they lobby against others. The fairy tale ending, and of course, the disgusting behavior done by the rich guys, might turn some viewers off from the movie, but there’s also something genuine with the way screenwriter Naomi Wallace depicts a girl with a literally different heart who just wants to befriend someone real.

Genre: Drama

Actor: Angie Harmon, Beth Grant, Bruce McGill, Christopher McDonald, David Barry Gray, Eric Mabius, Kathleen Quinlan, Miles Meehan, Mischa Barton, Sam Rockwell, Tom Aldredge

Director: John Duigan

Rating: R

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Madeleine (Embeth Davidtz) runs a high-brow art gallery in Chicago and has to take a trip to North Carolina to meet with an artist she wants to sign. She uses this opportunity to also meet her husband’s family, who is originally from there.

She is introduced into the small world of rural North Carolina, personified in Ashley (Amy Adams), the wife of her husband’s brother. Ashley is a wide-eyed but good-hearted person who has never left her town and who is in a bad relationship but pregnant with her first child. 

Ashley is the true main character of this movie (even if all Adams accolades were for ‘best supporting’ awards). Her joyfulness, her pregnancy, and her interactions with Madeliene are studied closely in this subtle but touching family drama.

Genre: Comedy, Drama

Actor: Alessandro Nivola, Alicia Van Couvering, Amy Adams, Ben McKenzie, Bobby Tisdale, Celia Weston, David Kuhn, Embeth Davidtz, Frank Hoyt Taylor, Jerry Minor, Jill Wagner, Joanne Pankow, Matt Besser, R. Keith Harris, Scott Wilson, Will Oldham

Director: Phil Morrison

Rating: R

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With the austere ethos of Dogme 95, most Dogme films tend to be naturalistic, serious dramas, dealing with heavy topics. Italian for Beginners is a Dogme film, but it’s one of the only lighthearted comedies considered to be one. It makes for a more casual, realistic approach to the romantic comedy, as students in an Italian class naturally build up connections through a subtle, dry humor, and consistent attempts to understand each other, as one does in a language class. It’s understated and subtle, but director and writer Lone Scherfig manages to make Italian for Beginners seem all the more charming.

Genre: Comedy, Drama, Romance

Actor: Anders W. Berthelsen, Anette Støvelbæk, Ann Eleonora Jørgensen, Ann Eleonora Jørgensen, Bent Mejding, Carlo Barsotti, Claus Gerving, Elsebeth Steentoft, Jesper Christensen, Karen-Lise Mynster, Lars Kaalund, Lene Tiemroth, Martin Brygmann, Peter Gantzler, Rikke Wölck, Sara Indrio Jensen, Steen Svare

Director: Lone Scherfig

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Anthology films are interesting because it’s not just one film on screen– it’s multiple stories, one after the other, that might have different plots, but share similar themes, ideas, and styles that the filmmaker(/s) would like to display. Involuntary does have five separate short films, but rather than play one by one, writer-director Ruben Östlund chops them up and alternates between them, starting with small instances where the group pushes someone into a behavior, then eventually escalating and accelerating into much more difficult consequences. This makes for a very slow start to the one and a half hour film, but it also allows Östlund some scope, with this simple group dynamic directly affecting larger ideas such as public morality, masculinity, and high-risk behavior in teens amongst others.

Genre: Comedy, Drama

Actor: Cecilia Milocco, Henrik Vikman, Leif Edlund, Leif Ericson, Linnea Cart-Lamy, Lola Ewerlund, Maria Lundqvist, Olle Liljas, Sara Eriksson, Simeon Nordius, Vera Vitali, Villmar Björkman

Director: Ruben Östlund

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You would think that a film made with Demi Moore, Sissy Spacek and Cher would be a major theatrical release, but even in 1996, the topic of abortion rights was still quite controversial. If These Walls Could Talk may be relegated to the small screen because of this, or because of being an anthology of shorts, but with each lead starring each segment, the film outlines real experiences with abortion, from the dangerous ways women had to resort to without it, to the way, that even with the Court’s support, these rights were actively suppressed. Of course, it’s a harrowing, unsubtle watch, and it would have been great to have a segment depicting the safety of modern day procedures, but if you have a friend that’s unconvinced of the procedure’s necessity, or if they’re entirely new to the conversation, If These Walls Could Talk is a place to start.

Genre: Drama, TV Movie

Actor: Aaron James Cash, Aaron Lustig, Anne Heche, Ben Marley, Brendan Ford, Carmen Thomas, Catherine Keener, CCH Pounder, Cher, Chris Ellis, Christine Avila, Craig T. Nelson, Demi Moore, Diana Scarwid, Eileen Brennan, Geoffrey Nauffts, Georganne LaPiere, Harris Yulin, Hedy Burress, Ian Bohen, Jack Kehler, Jada Pinkett Smith, Janna Michaels, Jason London, Joanna Gleason, Jordana Spiro, Judith Drake, Kevin Cooney, Lindsay Crouse, Lorna Scott, Lorraine Toussaint, Mary Portser, Matthew Lillard, Phyllis Lyons, Rita Wilson, Rob Camilletti, Robert Wisdom, Robin Gammell, Rusty Schwimmer, Sally Murphy, Sarah Koskoff, Shirley Knight, Sissy Spacek, Susie Spear Purcell, Tim DeKay, Vaughn Armstrong, Xander Berkeley, Zack Eginton

Director: Cher, Nancy Savoca

Rating: R

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With nearly a century to cover, If These Walls Could Sing had the daunting task of giving justice to the history of the iconic Abbey Roads Studios. In 89 minutes, Mary McCartney outlines the studio’s history through archival footage and a stacked selection of artist interviews, popping only in random moments to organize the timeline. With the wide selection of artists, the film can feel scattered, as it jumps from classical music, to rock and roll, and to film scoring. The documentary doesn’t really go in-depth into how the studio developed its sound, but there are some interesting insights into certain tracks, like how the studio approached contracts, experimentation, different genres, and technology. While the film relies too much on nostalgia, it’s still an interesting tour based on the subject matter alone.

Genre: Documentary, Music

Actor: Brian Epstein, Cilla Black, Cliff Richard, David Gilmour, Elton John, George Harrison, George Lucas, George Martin, Giles Martin, Jimmy Page, John Legend, John Lennon, John Williams, Kanye West, Kate Bush, Liam Gallagher, Linda McCartney, Mary McCartney, Nile Rodgers, Noel Gallagher, Paul McCartney, Ringo Starr, Roger Waters

Director: Mary McCartney

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If you’re new to the story, I Don’t Expect Anyone to Believe Me feels difficult to understand. The film adaptation portrays the novel through abruptly cut sequences, meticulously framed naturalistic frames, and monologue and dialogue that mean more than what’s being said, on top of Juan Pablo’s gradual descent into a criminal network. It’s as disorienting as being in Barcelona feels for Mexican couple Juan Pablo and Val. However, this film feels like a new approach in adapting novels – the multiple perspectives and epistolary portions adeptly portrayed through typed up screens and alternating perspectives (and direction) between the couple. It doesn’t feel like something that you’ve likely seen before.

Genre: Comedy, Crime, Drama

Actor: Aimar Vega, Alexis Ayala, Ángel Zermen, Anna Castillo, Ariana Van X, Bel Gris, Bruna Cusí, Carmen Beato, Clara Roquet, Darío Rocas, Dario Yazbek Bernal, Jelen García, Juan Carlos Remolina, Juan Daniel Garcia Treviño, Juan Minujín, Natalia Portnoy, Natalia Solián

Director: Luis Fernando Frías de la Parra

Rating: R

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