435 Best Slice-of-Life Movies to Watch (Page 25)

Staff & contributors

Art imitates life, and so it is with cinema that depitcs the mundanity of everyday life. Slip away from your to-do-list and inhabit another character’s everyday universe with our roun-dup of the best slice of life movies to stream.

When travelling to another place, another city, another town, there’s a certain anonymity that frees one’s self. No one knows who you are, so you’re not expected to maintain a certain personality, and that can be necessary for young people trying to find their way. The Breaking Ice shows this in a fairly sentimental way, juxtaposing the wintry, snowy landscape with the warm but fleeting connection forming between three lonely adults, but there’s just something honest in the way the three try to hide but still share the same youthful ennui, even if they come from vastly different backgrounds. The Breaking Ice might not be daring enough to delve into the queer aspect of this trio, but it’s still a lovely, well-crafted drama contemplating the youth’s melancholy.

Genre: Drama

Actor: Liu Baisha, Liu Haoran, Qu Chuxiao, Ruguang Wei, Zhao Wenhao, Zhou Dongyu

Director: Anthony Chen

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The Best Exotic Marigold Hotel invites us to an earnest meditation on old age and change. The film centers on a group of British retirees traveling to the titular hotel in India, in hopes of a good retirement. The group cast is an excellent choice: prominent names from British movies and television line the cast, and it’s a pleasure to see them act alongside each other with equal screen time and their own detailed plotlines. Their plotlines inspire empathy towards different struggles that the elderly face: finding love again, dealing with accumulated debt, and handling loss. All of these are tough, but especially when you feel your time has run out. The best of these plotlines are the ones that acknowledge loss but still persist through accepting changing circumstances and actively going for one's desires.

Genre: Comedy, Drama

Actor: Bill Nighy, Celia Imrie, Dev Patel, Diana Hardcastle, Glen Davies, Honey Chhaya, Hugh Dickson, Jay Villiers, Judi Dench, Lillete Dubey, Liza Tarbuck, Louise Brealey, Lucy Robinson, Maggie Smith, Nina Kulkarni, Patrick Pearson, Paul Bentall, Paul Bhattacharjee, Penelope Wilton, Rajendra Gupta, Ramona Marquez, Richard Cubison, Ronald Pickup, Sara Stewart, Seema Azmi, Siddharth Makkar, Simon Wilson, Tina Desai, Tom Wilkinson, Vishnu Sharma

Director: John Madden

Rating: PG-13

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Ballet has always captivated with its grace and poise, so of course it captivated cinema as well, with classics such as The Red Shoes and Black Swan centered on the dance, the culture, and of course, the drama. The juxtaposition of the ideal feminine form and the ugliness of competition, the sabotage, and the objectification are regular topics, but The American adds the national identity into its themes, tackling the anxieties of a young American in an academy that isn't friendly to outsiders. It's stunning. It gives justice to the journey of the real ballerina Joy Womack, portrayed excellently by Talia Ryder with breathtaking ease, and given dramatic flourish through the direction of James Napier Robertson. While it doesn’t quite surpass classic ballet films, Joika proves that real life ballet can be more emotional, more traumatic than any drama made about the dance.

Genre: Drama

Actor: Andrzej Andrzejewski, Andrzej Kłak, Borys Szyc, Charlotte Ubben, Dariusz Majchrzak, Diane Kruger, Edyta Torhan, Karolina Gruszka, Maciej Nawrocki, Marek Kasprzyk, Natalia Osipova, Natasha Alderslade, Oleg Ivenko, Robert Gulaczyk, Talia Ryder, Tomasz Kot

Director: James Napier, James Napier Robertson

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Stan Lee, the documentary, is a charming introduction to the iconic creator. He enthusiastically narrates his journey into comics – from lowly intern to famous publisher – giving a seemingly modest account of events. With his voice making most of the narrative, Lee’s voice reveals his creative process and mindset, detailing the day-to-day writing process and the Marvel method. However, the documentary isn’t Lee’s voice alone. Director David Gelb brings a charming approach to this documentary, as seen in his previous work, that helps turn his subject palatable, despite the disagreement displayed by other people. Overall, the film is an okay introduction, though the full story behind Lee’s most contentious events, deserves a documentary of its own.

Genre: Documentary, Drama

Actor: Jack Kirby, Joan Lee, Joe Simon, Kevin Feige, Roy Thomas, Stan Lee

Director: David Gelb

Rating: TV-14

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In this sweet-natured British comedy filmed mostly in black and white, Marek is a Polish boy who lives with his alcoholic father in London. He meets Tomo, a kid from the British Midlands who escaped his family and came to London alone.

They form a friendship that this movie follows for a few days. With nowhere to stay, Tomo moves in with Marek without Marek’s father noticing. The two end-up plotting a scheme that turns things around both for them and for the styling of the movie.

Genre: Comedy, Drama

Actor: Elisa Lasowski, Huggy Leaver, Ireneusz Czop, Kate Dickie, Mark Monero, Perry Benson, Piotr Jagiello, Steven Hillman, Thomas Turgoose, Trevor Cooper

Director: Shane Meadows

Rating: Not Rated

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College seems to be teeming with possibility, in a more substantial way than adulthood or high school feels, since for many people, it’s the only time where one lives alone and makes decisions for their lives selfishly. Shithouse captures that moment with a candid sentimentality, all marked by a shared late night that changes the way the whole college life feels. Cooper Raiff captures this time of a freshman uncertainty with actual palpable emotions, acting, writing, and directing with a freshness that filmmakers aspire to but never seem to get on screen, and it’s this mumblecore-inspired feature debut that made him a filmmaker to look out for. Shithouse is pure college nostalgia.

Genre: Comedy, Drama, Romance

Actor: Abby Quinn, Adam Foster Ballard, Adan Rocha, Amy Landecker, Ashley Padilla, Ayo Edebiri, Chinedu Unaka, Chris Kleckner, Colin McCalla, Cooper Raiff, Denny McAuliffe, Dylan Gelula, Eva Victor, Grant Harling, Jay Duplass, Joy Sunday, Juan Wood, Leonora Pitts, Logan Miller, Mallory Low, Nick Saso, Olivia Scott Welch, Tessa Hope Slovis, Tre Hall, Will Youmans

Director: Cooper Raiff

Rating: R

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She Taught Love has a familiar romance film plotline– a guy that’s lost meets a girl that sets him straight, and through a course of a connection, they challenge each other’s perspective to become better people– but there’s a naturalness to the conversations writer and male lead Darrell Britt-Gibson creates through his performance, casual, genuine moments that is pairs well with easy, relaxed vibe formed by director Nate Edwards. It’s gorgeously graded, meticulously framed, with slow zoom-ins and pans that gradually switch between aspect ratios to create a sense of openness or restriction, depending on the moment. And with Arsema Thomas’ unshakeable poise as female lead, She Taught Love feels elegant in a way not many indie romance films are.

Genre: Drama, Romance

Actor: Alexander Hodge, Angela Elayne Gibbs, Arsema Thomas, D'Arcy Carden, Darrell Britt-Gibson, Edwin Lee Gibson, Hayley Law, Kevin Carroll, Kwame Patterson, Natasha Marc, Taissa Farmiga, Treisa Gary

Director: Nate Edwards

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Why a bar in the middle of the Belgian countryside is named Texas, we aren’t given an explanation. But North Sea Texas has a bit of the Southern small town charm that marked plenty of old American indies, with its retro neighborhood, lovers next door, and a more grounded approach to romance compared to its European neighbors of the time. The surrounding drama is a bit convoluted and, well, melodramatic, with a love triangle involving Pim’s mom, as well as a funeral, but there's a sweet simplicity to the way Pim and Gino’s romance unfolds. North Sea Texas doesn't reinvent the genre, but it's just a nice coming-of-age story that refreshingly doesn't have to deal with discrimination.

Genre: Drama, Romance

Actor: Ben Van den Heuvel, Ella-June Henrard, Eva van der Gucht, Jelle Florizoone, Luk Wyns, Mathias Vergels, Nathan Naenen, Patricia Goemaere, Thomas Coumans

Director: Bavo Defurne

Rating: NR

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Why do we cling to the people that we love, but who clearly don’t treat us well? It’s a common question in romance films, one that often leads to a conclusion that people shouldn’t feel shackled to partners that don’t treat them right, but sometimes other films seem to shame these unfortunate lovers for making the wrong choice. My King doesn’t do that. Sure, Georgio can seem like an obvious asshole (he is), but writer-director Maïwenn makes clear that the same things that make him erratic– his spontaneity, his enjoyment of life, and his open acceptance– which Vincent Cassel superbly embodies, are also the same things that attracted Tony in the first place. And as Tony recovers her knee, the careful interstitching between her time at the center and her romance with Georgio visually parallels the physical and emotional wounds in an interesting way. Mon Roi is familiar romance stuff, but it’s the approach that makes the film work.

Genre: Drama, Romance

Actor: Chrystèle Saint-Louis Augustin, Emmanuelle Bercot, Félix Bossuet, Isild Le Besco, Laetitia Dosch, Louis Garrel, Paul Hamy, Vincent Cassel

Director: Maïwenn

Rating: NR

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Aspiring writer-director Vita of My First Film is insufferable. When she starts out making her first feature, she’s pleasantly surprised by the people who came to help her, but the repetition of the shoot, the scene not matching the idea in her head, which she tries to put into image and word, but can’t quite make the vision clear, the anxiety and pressure to be a professional filmmaker blinding her from the concerns of her cast and crew all combine to an inevitable failure of her first feature, which also happens to inspired by Vita’s actual life. Vita is insufferable, but writer-director Zia Anger manages to make her real in an eclectic meta multimedia patchwork that won’t work for everyone, but uniquely depicts an experience filmmakers, aspiring or otherwise, haven’t wanted to talk about.

Genre: Drama

Actor: Cole Doman, Devon Ross, Eamon Farren, Eléonore Hendricks, Jane Wickline, Joanna Fang, Odessa Young, Philip Ettinger, Sage Ftacek, Zia Anger

Director: Zia Anger

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When it comes to romance films, Hollywood casts young women with older men so often that this age gap is rarely questioned, even when the characters are supposed to be around the same age range. Murphy’s Romance does have an age gap, but it’s one of the few romances that actually cares to examine the age difference, having the age dynamic in canon and with casting intentionally reflecting it. It’s also one of the few that justifies it with the folksy, old-fashioned charm exuded by James Garner, the stability, wisdom, and kindness Emma isn’t used to, and good ol’ chemistry between two leads that’s more heartwarming than heartracing. Murphy’s Romance won’t be the feet-sweeping romance that Hollywood placed on the pedestal, but it’s just the right two people finding each other at the right time, albeit interstitched with randomly added saxophone and a lot of barn-fixing scenes.

Genre: Comedy, Drama, Romance

Actor: Anna Thomson, Brian Kerwin, Bruce French, Carole King, Charles Lane, Corey Haim, Dennis Burkley, Georgann Johnson, Henry Slate, Irving Ravetch, James Garner, Michael Crabtree, Peggy McCay, Sally Field, Ted Gehring

Director: Martin Ritt

Rating: PG-13

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Most of us don't get to live our lives with our first loves, but sometimes that separation leads us to the love of our lives. This is true of the Orked trilogy, the third installment of which is named after the one other love Orked had before Jason. Without the interracial dynamic, one might expect that the dynamic between Orked and Mukhsin would be more simple, and sure, with her tomboyish self-confidence, it starts in that familiar way we would expect from a coming-of-age movie. However, writer-director Yasmin Ahmad challenges this expectation through a nostalgic, but no less honest, depiction of this love in a rural Malay village. It may not have the same obvious challenges, but Mukhsin proves through an endearing first love story that there are much more factors that could make or break even the most innocent childhood relationships, specifically Orked doesn't exactly fit in the ideal her community expects of her. It's not totally groundbreaking, but Mukhsin nonetheless sets the stage for Orked, and girls like her, to understandably seek for connection elsewhere.

Genre: Comedy, Drama, Family

Actor: Adibah Noor, Ho Yuhang, Mislina Mustaffa, Noorkhiriah, Sharifah Aleya, Sharifah Amani, Sharifah Aryana, Syafie Naswip, Taiyuddin Bakar, Yasmin Ahmad

Director: Yasmin Ahmad

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