48 Best Slice-of-Life Movies On Netflix Canada (Page 3)

Staff & contributors

Art imitates life, and so it is with cinema that depitcs the mundanity of everyday life. Slip away from your to-do-list and inhabit another character’s everyday universe with our roun-dup of the best slice of life movies to stream.

When it comes to ghosts, plenty of films are centered around personal, unresolved business in the living world, but rarely do films examine how the spirit world would be, unless it’s for fantastical fights or horrific terror. The Parades instead focuses on a world of lost, but ordinary, and thankfully kind, souls. And as the film builds its calm world, Minako (and the viewers) get to meet the people who would form her eventual found family, whose various lives uncover the intimate and personal hopes of ordinary people, shaped by the events of their respective times. While the film doesn’t fully resolve all their stories, The Parades celebrates life, in all forms, and the powerful ways storytelling and community helps us go through it.

Genre: Drama

Actor: Akari Takaishi, Ayumu Nakajima, Daiken Okudaira, Denden, Go Ayano, Hana Kino, Hiroshi Tachi, Kentaro Sakaguchi, Kotone Hanase, Lily Franky, Mai Fukagawa, Masami Nagasawa, Nana Mori, Ron Mizuma, Ryusei Yokohama, Shinobu Terajima, Shun Sugata, Suon Kan, Takuya Wakabayashi, Tetsushi Tanaka, Yuina Kuroshima, Yukiya Kitamura

Director: Michihito Fujii

Rating: PG-13

Dakota Johnson and Casey Affleck star in this comedy-drama as a small-town couple, one of whom gets diagnosed with a terminal illness. Their best friend (Jason Segel) puts his life on hold and moves in with them, picking up the husband when he faints at the hospital, shaving his head in solidarity with the wife, and even taking care of the dog who also gets sick.

It might seem like just another terminal illness drama, but Our Friend is based on a true story, and it’s as much about the illness as it is about how to be there for people, and reversely, the power of people being there for you.

Genre: Comedy, Drama, Romance

Actor: Ahna O'Reilly, Azita Ghanizada, Casey Affleck, Chandler Head, Cherry Jones, Dakota Johnson, Denée Benton, Gerald Brodin, Gwendoline Christie, Hali Everette, Isabella Kai, Jacinte Blankenship, Jake Owen, Jason Bayle, Jason Segel, Jennifer Pierce Mathus, Jeronimo Spinx, John McConnell, Lindsey Reimann, Marielle Scott, Mark Costello, Michael Papajohn, Mike Lutz, Paige King, Reed Diamond, Richard Speight Jr., Ritchie Montgomery, Sampley Barinaga, Susan Williams, T.C. Matherne, Violet McGraw

Director: Gabriela Cowperthwaite

Narrated by the familiar voice of Jack Black, Apollo 10 ½ is a throwback story told with admirable specificity and imagination. Black plays a grown-up Stan, who looks back on his younger years with a mix of fondness and wonder: how did they get away with the things they did then? American suburbia in the 1960s was both loose and conservative, caught between a generation holding on to the reins of the earlier century and one eager to launch into the next. 

Stan, as the youngest child of a big, rowdy family, gives us a charming look into the times, as well as a projection of his own fascination: Apollo 11 and the space age. He inserts himself in this monumental narrative and generously brings us along in his fantasy. Sometimes it’s hard to tell whether Stan’s recruitment by NASA is actually fact or fiction, but that’s part of the fun, especially since Stan himself doesn’t seem to mind at all.

Genre: Adventure, Animation, Comedy, Drama, Family, History, Sci-Fi & Fantasy, Science Fiction

Actor: Bill Wise, Brent A. Riggs, Brian Villalobos, Buzz Aldrin, Christian Moran, David DeLao, Glen Powell, Holt Boggs, Jack Black, Janis Joplin, Jennifer Griffin, Jessica Brynn Cohen, John F. Kennedy, John Kaler, Josh Wiggins, Keslee Blalock, Larry Jack Dotson, Lee Eddy, Milo Coy, Mona Lee Fultz, Natalie L'Amoreaux, Neil Armstrong, Nick Stevenson, Richard Nixon, Samuel Davis, Walter Cronkite, Zachary Levi

Director: Richard Linklater

Rating: PG-13

Unlike in many films about old people on the doorstep of death, the titular grandmother in this movie is excited to leave for good. But when her town insists on celebrating her bid to be named the oldest in the world, unresolved conflict among her descendants begins to resurface. Quiet and unabashedly sentimental, Lola Igna offers a uniquely offbeat perspective on death—one that starts from a place of contentment, and only gets more conflicted as more characters reveal how much still has to be said and done. It has all the charm of a low-budget Filipino film, made all the more poignant by Angie Ferro's authentic and deceptively layered performance.

Genre: Comedy, Drama

Actor: Angie Ferro, Chamyto Aguedan, Joel Saracho, Maria Isabel Lopez, Meryll Soriano, Peewee O'Hara, Royce Cabrera, Soliman Cruz, Yves Flores

Director: Eduardo Roy Jr.

This slow romance is set in a Seoul bakery during the 1990s. A boy fresh out of juvenile detention and a part-time employee fall for each other while working there. For a while, their existence is joyful and quiet as they sell bread and bond. However, the Asian financial crisis of 1997 forces the bakery to close. This makes them seek different jobs away from each other. As a romance, Tune in for Love is not original but it doesn’t need to. It’s just easy and enjoyable.

Genre: Drama, Romance

Actor: Choi Jun-young, Hae-In Jung, Heo Ji-na, Jang Se-won, Jung Eu-gene, Jung Eugene, Jung Hae-in, Jung Ji-woo, Jung Yoo-jin, Kim Go-eun, Kim Guk-hee, Kim Hyun, Kim Kuk-hee, Na Chul, Nam Moon-chul, Nam Mun-cheol, Park Hae-joon, Park Hae-jun, Park Se-hyun, Shim Dal-gi, Sim Dal-gi, Song Duk-ho, Yoo Yeol

Director: Ji-woo Jung, Jung Ji-woo

If you’re new to the story, I Don’t Expect Anyone to Believe Me feels difficult to understand. The film adaptation portrays the novel through abruptly cut sequences, meticulously framed naturalistic frames, and monologue and dialogue that mean more than what’s being said, on top of Juan Pablo’s gradual descent into a criminal network. It’s as disorienting as being in Barcelona feels for Mexican couple Juan Pablo and Val. However, this film feels like a new approach in adapting novels – the multiple perspectives and epistolary portions adeptly portrayed through typed up screens and alternating perspectives (and direction) between the couple. It doesn’t feel like something that you’ve likely seen before.

Genre: Comedy, Crime, Drama

Actor: Aimar Vega, Alexis Ayala, Ángel Zermen, Anna Castillo, Ariana Van X, Bel Gris, Bruna Cusí, Carmen Beato, Clara Roquet, Darío Rocas, Dario Yazbek Bernal, Jelen García, Juan Carlos Remolina, Juan Daniel Garcia Treviño, Juan Minujín, Natalia Portnoy, Natalia Solián

Director: Luis Fernando Frías de la Parra

Rating: R

Family is one of the bonds we don’t really get to choose, and for better or for worse, they’re the bonds that form the foundation of our lives. Familia depicts this bond faithfully, as Leo’s remaining family, his three adult daughters, all travel back to the family’s olive orchard to decide on its fate. The way the bond is depicted feels realistic, as each of the family members can confront each other with their choices in the one time of the year they can do so. The film is able to make it work with its excellent cast, and carefully written dialogue that makes the conversation flow naturally. While Familia isn’t a holiday film, it’s a fairly realistic depiction of a family gathering and a timely film to watch before heading home to your family for the holidays.

Genre: Drama

Actor: Ángeles Cruz, Brian Shortall, Cassandra Ciangherotti, Daniel Giménez Cacho, Ilse Salas, Maribel Verdú, Natalia Solián, Vicky Araico

Director: Rodrigo García

Rating: R

Director Rachel Mason’s first documentary is an amusing study of accidental allies. Her mother Karen insists that there are better subjects for the film, but what would be better than the mom-and-pop bookstore that sells sex toys and gay pornography? The subject alone is inherently interesting, as these mild-mannered Jewish parents describe their unintentional journey through day-to-day selling and distribution. However, Mason is able to expand her discussion by contrasting her parents’ actions against the wider conservative moves done by the US government in the 1980s. Amidst censorship and epidemics, Circus of Books stood as a safe haven for the LGBTQ+ community, made possible by her parents. In learning about the store, we (and Mason) learn more about her parents. While their job choice was unplanned, the journey of accepting those other than themselves is one that we all should take.

Genre: Documentary, Drama, History

Actor: Alaska Thunderfuck, Jeff Stryker, Larry Flynt

Director: Rachel Mason

Rating: Not Rated

With a new, fast-paced media landscape, Call Me Chihiro might feel too slow for people new to the story. Composed of serene, slice-of-life moments, the film starts off feeling plotless, as the titular protagonist builds random interactions with the townspeople. She makes friends with people who seemingly don’t have much in common with her. Despite this, each interaction feels meaningful and genuine, thanks to the subtle acting of Kasumi Arimura. And as these scenes build up, and Chihiro’s friends begin to become friends with each other, these day-to-day moments form a character study of a lonely woman whose kindness and appreciation for life make her feel so admirable. For those wistful Sunday nights, Call Me Chihiro might be a great watch, but only if you’re in that certain mood.

Genre: Drama

Actor: Fusako Urabe, Hana Toyoshima, Itsuki Nagasawa, Jun Fubuki, Kasumi Arimura, Keiichi Suzuki, Lily Franky, Mitsuru Hirata, Miwako Ichikawa, Ryuya Wakaba, Shigeo Ôsako, Toshie Negishi, Van, Wakaba Ryuuya, Yoichiro Saito, Yui Sakuma

Director: Rikiya Imaizumi

Rating: R, TV-14

American Girl follows 13-year-old Fen as she returns to Taiwan from the US and tries to make sense of a culture that’s supposedly her own. In addition to her awkward but relatable attempts to understand identity and adolescence, Fen also struggles to connect with her mother Lily, whose own problems further push her away from her teenage daughter. If you’ve seen Lady Bird, you may recognize a bit of Christine and Marion in Fen and Lily as they throw themselves into an endless tug-of-war of emotions. Their fights are genuinely frustrating, but only because of how true-to-life they are.

As painful as it sometimes is to see them clash, it’s their love-hate dynamic that charges much of the film’s emotional energy and makes it ultimately irresistible to watch. 

Genre: Drama, Family

Actor: Blaire Chang, Bowie Tsang, Caitlin Fang, Hsia Yu-chiao, Jia-Yin Tsai, Kaiser Chuang, Karena Lam, Karena Lam Kar-Yan, Ming-shiou Tsai, Teng-Hui Huang, Winnie Chang, Winnie Shih-Ying Chang

Director: Feng-I Fiona Roan, Fiona Roan

Rating: Not Rated

With social media inextricably linked to our lives, the way we navigate relationships is different now. Kho Gaye Hum Kahan is a visually stunning debut that depicts this unique modern anxiety, and its different facets through three childhood friends. Adarsh Gourav, Siddhant Chaturvedi, and Ananya Panday have the easy, breezy dynamic that grounds the film. This, along with the chill soundtrack and stylish approach of writer-director Arjun Varain Singh took in depicting their issues, definitely match the aesthetic appeal we’re used to from the online world. The film’s conclusion doesn’t fully resolve things– after all, there’s no stopping the interconnectedness between real life and the online world– but Kho Gaye Hum Kahan’s struggles feel relatable, even if it’s as surface-level as the world it wishes to criticize.

Genre: Comedy, Drama

Actor: Adarsh Gourav, Ananya Panday, Anya Singh, Divya Jagdale, Farhan Akhtar, Kalki Koechlin, Kashyap Kapoor, Malaika Arora, Narendra Jetley, Rahul Vohra, Rohan Gurbaxani, Siddhant Chaturvedi, Suchitra Pillai, Vijay Maurya

Director: Arjun Varain Singh

Rating: PG-13

Parenting is hard by itself, but it’s moreso hard when done alone, especially if there was supposed to be a partner alongside the journey. Thank You, I’m Sorry depicts this through Sara, who has to deal with her husband’s absence and difficulties in connecting with her husband’s family in his stead, on top of her pregnancy, but it’s her connection with her estranged sister Linda that can make or break her journey. The dynamic between the sisters is what drives the film. Sanna Sundqvist and Charlotta Björck manage to depict the strained yet clearly loving relationships naturally, and it’s lovely to see the mundane ways they reestablish their bond. It’s a unique story, though it does feel rushed and some of the humor can be totally off-putting.

Genre: Comedy, Drama

Actor: Charlotta Björck, Ia Langhammer, Jonatan Rodriguez, Sanna Sundqvist, Ville Virtanen

Director: Lisa Aschan

Rating: PG-13

There’s a sense of disconnectedness in RedLife, as the film isn’t centered on one storyline, but rather two storylines that at first don’t seem connected. Ter, a young snatcher, marries a sex worker named Mild, while Som is a student who aspires to escape her prostitute mom’s poverty, especially after she falls for the more affluent Peach. At first, the film depicts their lives in stunningly framed, slice-of-life moments that captures a different side of Bangkok, one that’s tough to depict, but one people know about. But they do intersect, later on in the movie, in a series of events that leads them trapped in tragedy, despite all they did to escape it. The unexpected twist makes their lives surprisingly poignant, though RedLife’s journey might take too long to get there.

Genre: Drama, Thriller

Actor: D Gerrard, Karnpicha Pongpanit, Sumitra Duangkaew, Supitcha Sangkhachinda, Thiti Mahayotaruk

Director: Ekalak Klunson

Third dates usually feel more casual than that depicted in Longest Third Date, but with 2020 shifting everyone’s plans, it’s not surprising it shifted romantic relationships too. The documentary doesn’t feel like a factual and organized documentary, cobbled up together from the couple’s vlog and filmed interviews once they got back to the States, but it’s definitely a unique story, one that’s only been saved because of Matt’s influencer aspirations. It’s certainly watchable, with a spry 75-minute runtime, and with understandable conflicts, like flight cancellations and tipped over cars. The film does feel like it glosses things over, and Khani seems to be the private type of person, uncomfortable with the camera, but Longest Third Date, even with all its reality TV style, also feels somewhat like a cultural artifact. It’s not deep, but it does feel like opening a time capsule.

Genre: Documentary

Actor: Khani Le, Matt Robertson

Director: Brent Hodge

Rating: R

Sometimes, to get to know one’s self, one has to get out of their usual life. This is what makes the idea of travel so alluring, and Dhak Dhak is one such movie that portrays that idea, with some twists. Instead of a car, four women ride with motorcycles, and instead of flat plains, the leads go through one of the highest mountain passes in the world. That being said, we don’t really get to know the women beyond the common issues that women in India go through. The cast tries to make the best of it, and Sanjana Sanghi, Dia Mirza, Fatima Sana Shaikh, and Ratna Pathak Shah portray their characters excellently, but instead of learning who they are, we mostly receive more product placement instead. It’s still a pleasant ride, though Dhak Dhak takes predictable and well-trodden routes in their approach.

Genre: Drama

Actor: Dia Mirza, Fatima Sana Shaikh, Kallirroi Tziafeta, Nishank Verma, Poonam Gurung, Ratna Pathak Shah, Sanjana Sanghi

Director: Tarun Dudeja