31 Best Raw Movies On Tubi (Page 2)

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Usually, what makes a movie memorable are the scenes and provoke raw, unadulterated emotions. Whether you’re into suspenseful thrillers or emotional dramas, we’ve rounded up the best movies and shows to stream now for a raw emotional experience.

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, 2000

Alejandro González Iñárritu's cleverly layered directorial feature film debut follows three persons whose lives are connected by a car crash in Mexico City. It directly involves two of them: a young man who enters the world of dogfighting to earn enough to elope with his sister-in-law, and a supermodel whose life is changed for the worse after she is fatally injured. The third segment of the film centers on a mysterious homeless man on the street who witnesses the crash.

The title, Amores Perros, refers to the characters’ love of dogs as well as love being a source of misery, and it’s a hint of the chaotic, unforeseen circumstances they each face. Iñárritu’s film shows his brilliance in direction. Despite the film being an early work, his ingenuity shines through and the compelling performances propel all three stories to gritty heights.

Cut-throat editing, handheld cinematography, and Guillermo Arriaga’s intricate screenplay flesh out each character. The viewers are pushed to the edge of their seats as we navigate the gripping miseries of life along with the rest of the cast. The tightly woven film is a painful must-watch, a brutal and uncompromising look at despair and animalistic aggression among humans that is also mirrored in the cruelty their dogs suffer.

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Genre: Drama, Thriller

Actor: Adriana Barraza, Alvaro Guerrero, Dagoberto Gama, Dunia Saldívar, Emilio Echevarría, Gael García Bernal, Gerardo Campbell, Goya Toledo, Gustavo Muñoz, Gustavo Sánchez Parra, Humberto Busto, Jorge Salinas, José Sefami, Laura Almela, Marco Perez, Mauricio Martínez, Patricio Castillo, Ricardo Dalmacci, Roberto Medina, Rodrigo Murray, Rodrigo Ostap, Rosa María Bianchi, Vanessa Bauche

Director: Alejandro González Iñárritu

Rating: R

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, 2022

Dhuin is evidently influenced by the Iranian filmmaker whose work its characters discuss: Abbas Kiarostami. Featuring non-professional actors and full of long observational takes that center everyday conversations in the life of an aspiring actor in a small Northern Indian city, it’s guided by the same social realist impulses that shaped Kiarostami’s work. What’s more, it even ends on an explicit reference to Close-Up. 

But what elevates Dhuin above homage is the acute internal struggle it depicts. Set during COVID lockdown, the film follows Pankaj (Abhinav Jha) as he works on his acting in a bedroom adorned with images of Hollywood stars, chafing against the much less glamorous reality of the home he shares with his financially struggling parents. He's on the cusp of having enough money to fulfill his dream and move to Mumbai (where he hopes to advance his career), but several meetings with puffed-up filmmakers who are visiting from Mumbai give Pankaj a new perspective on the world he’s desperate to join. A testament to the torment of difficult choices, Dhuin also gently offers an alternative to the trope of abandoning home for the big city, suggesting that there might be greater beauty in the reality of where you’ve always been than the places you dream of.

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Genre: Drama

Actor: Abhinav Jha, Prashant Rana

Director: Achal Mishra

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, 2004

More than a decade before she made Toni Erdmann, German filmmaker Maren Ade turned her eye on a small-town school, a socially awkward teacher, and the inarticulate in between. Even with her debut, Ade showcased a talent for spotting the hidden comic potential of situations that can be wounding, turning vulnerabilities into power through comedy. The Forest For the Trees is a dilemma-film, in the ways in which it both invites and rejects identification with Melanie. A frighteningly optimistic person, she misreads most if not all social cues and finds herself in embarrassing situations. Even more, her devotion to making it all work, after moving away from the big city for said teaching job, is something a lot of viewers can recognize and support, but her borderline unlikeability is sometimes too hard to ignore. However, a majestic finale crowns the film with a scene that is worth rewatching again and again, like a dream you wish to appropriate for yourself.

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Genre: Comedy, Drama

Actor: Daniela Holtz, Eva Löbau, Ilona Schulz, Jan Neumann, Robert Schupp

Director: Maren Ade

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, 1988

If you enjoy wondering aloud to yourself how filmmakers were able to make a movie at all, 1988's almost wordless tale of two bears trying to survive the Canadian mountains was somehow shot with real, expressive bear "actors," despite the film being a work of fiction. A cross between a stunningly photographed nature documentary and a brutal folktale, The Bear gets right to the uncompromising conditions out in the wild, where human beings are portrayed as just as savage—and just as merciful—as the beasts they hunt. Clever editing and Jean-Jacques Annaud's directorial vision hide all the seams in the movie's magic tricks, allowing us to fall in love quickly with these majestic bears and the all-too-human emotions they seem to be expressing.

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Genre: Adventure, Drama, Family

Actor: André Lacombe, Bart The Bear, Jack Wallace, Tchéky Karyo, Youk the Bear

Director: Jean-Jacques Annaud

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, 1992

Slow, contemplative, but captivating, Baraka uses no narration, dialogue, or text to connect its images. The documentary stitches together shots with different subjects from different locations around the world. At first, it seems very peaceful—gorgeous, high-definition shots of nature paired with a soothing, resonant score that lulls you into hypnosis—but as the film progresses, director and cinematographer Ron Fricke presents more scenes with people, from the cities to the countryside, to places rarely documented on film. Depending on how you look at it, Baraka will either feel like just a compilation of screensavers or a profound meditation on how intrinsically connected everything is. It’s totally breathtaking either way.

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Genre: Documentary, Drama

Director: Ron Fricke

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, 2021

It's an incredible story, but it's one that only really deserves to be told a certain way, which director Arthur Harari gets right. Onoda's one-man crusade to continue World War II is nothing short of delusional, and Harari spends most of the film following the soldier as his companions die one by one, worsening his delusions even further. Unfortunately, even with how impressively strange this story is, 10,000 Nights in the Jungle still misses the opportunity to look through the lens of Onoda's victims. He is, after all, a literal embodiment of colonization's lingering effects, so it's sad that the Philippines here is just window dressing more than anything.
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Genre: Adventure, Drama, History, War

Actor: Angeli Bayani, Chiba Tetsuya, Issey Ogata, Kai Inowaki, Kanji Tsuda, Kuu Izima, Kyūsaku Shimada, Mutsuo Yoshioka, Nobuhiro Suwa, Ryu Morioka, Shinsuke Kato, Taiga Nakano, Tomomitsu Adachi, Yuya Endo, Yuya Matsuura

Director: Arthur Harari

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, 2017

Two best friends chase the ultimate high in this Italian movie set in the 90s. Vittorio and Cesare are inseparable, they get in trouble together, fight together, and party together. Suddenly, they start moving at different speeds and one of them wants out, effectively abandoning the other. 

Don’t be Bad is director Claudio Caligari’s last movie before his death, the last installment in his catalog of well-crafted drug-centered stories.

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Genre: Crime, Drama

Actor: Alessandro Bernardini, Alessandro Borghi, Angelica Cacciapaglia, Elisabetta De Vito, Emanuel Bevilacqua, Emanuela Fanelli, Giulia Greco, Luca Marinelli, Luciano Miele, Manuel Rulli, Massimo De Santis, Roberta Mattei, Silvia D'Amico, Silvia D'Amico Bendico, Valentino Campitelli

Director: Claudio Caligari

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, 2014

When we think about dog films, we think about overly sentimental, feel-good flicks, with the dogs sometimes voiced by famous actors, that affirm the relationship between man and his best friend. White God is a dog movie, but it’s not that kind of dog movie. The dogs are not voiced, but yet they feel so personable as co-writer and director Kornél Mundruczó turns Hagen’s time in the street into a series of escapades, some exciting and some downright terrifying, where he evades the cruelty of man. And as the film alternates between Hagen and the young Lili, Mundruczó questions the ways we treat our furball best friends, the way we also treat those that are in our care.
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Genre: Drama

Actor: András Réthelyi, Attila Mokos, Body, Diána Magdolna Kiss, Edit Frajt, Erika Bodnár, Ervin Nagy, Gera Marina, Gergely Bánki, János Derzsi, Kata Wéber, Kornél Mundruczó, László Gálffi, Lili Horvát, Lili Monori, Luke, Natasa Stork, Orsolya Tóth, Roland Rába, Sándor Terhes, Sándor Zsótér, Szabolcs Thuróczy, Tamás Polgár, Virág Marjai, Zsófia Psotta

Director: Kornél Mundruczó

Rating: R

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, 1986

As a comedy made in the 80’s all about a gay couple, viewers not familiar with this indie film might expect something tragic, raunchy, or insensitive, but Parting Glances is surprisingly understated. The main relationship is refreshingly treated with the same domesticity as a straight couple would, and the main conflict isn’t concerned with acceptance– after all, Michael and Robert were already accepted by their urban Manhattan community. In writing this, first-time director Bill Sherwood is able to focus on the upcoming long-distance relationship, Michael realizing Robert wants the distance, while Robert feels uncertain over Michael’s feelings for his ex dying from AIDS. The film doesn’t shy away from the touching, but even with the difficult pain of losing parts of the community, it’s still straightforward, unsentimental, and so funny with the witty repartee between the well-written characters. Parting Glances is a true gem.
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Genre: Comedy, Drama

Actor: Adam Nathan, Bob Koherr, Cam Brainard, John Bolger, Kathy Kinney, Michael Medeiros, Nicholas Hill, Patrick Tull, Richard Ganoung, Steve Buscemi, Victor Rivers, Yolande Bavan

Director: Bill Sherwood

Rating: NR

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, 2014

Kilo Two Bravo (Originally named Kajaki) is a must-watch for anyone who likes war dramas. It tells the true story of British soldiers in the Afghanistan war who find themselves trapped in a minefield during a mission, with their rescue team coming in a helicopter that might set off mines if it lands. It's a slow, dialogue driven film that is interested in taking you to the war zone more than it cares about entertaining you. Ultimately, it becomes an essay on the horrors of war, and an anti-war war film. Because of this and given the blood and gore, this movie is definitely not for those who would feel nauseated at sight of blood. Great setting, good cinematography, realistic acting and script all do justice to the true story. It's a film that will grip your senses and keep you at the edge of the seat throughout.

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Genre: Adventure, Drama, Thriller, War

Actor: Ali Cook, Andy Gibbins, Benjamin O'Mahony, Bryan Parry, David Elliot, Grant Kilburn, Joe Corrigall, John Doughty, Jon-Paul Bell, Liam Ainsworth, Malachi Kirby, Mark Stanley, Paul Katis, Paul Luebke, Robert Mitchell, Scott Kyle, Thomas Davison

Director: Paul Katis

Rating: R

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, 2012

Without a shadow of a doubt, one of the most gripping thrillers in recent years. It starts in a morgue where a corpse of a deceased femme fatale goes missing. Her husband is the first person to be suspected as evidence starts pointing to him for killing his wife and hiding the body. He is called by the police to the crime scene to help with the investigation that is led by a shady detective. The film then takes you on a journey filled with reflections on marriage, deceit and the character's urge to safeguard whats their own and the territories they are willing to cross to keep it. Drawing you into the atmosphere from the very start, it refuses to let you go out of it. All while maintaining a simple premise.  
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Genre: Mystery, Thriller

Actor: Ahmed Adel, Aida Oset, Aina Planas, Aura Garrido, Belén Rueda, Camilo García, Carlota Olcina, Cristina Plazas, Hugo Silva, Jordi Planas, José Coronado, Juan Pablo Shuk, Manel Dueso, Miquel Gelabert, Montse Guallar, Nausicaa Bonnín, Oriol Vila, Paco Moreno, Patrícia Bargalló, Pere Brasó, Sílvia Aranda

Director: Oriol Paulo

Rating: Not Rated

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, 2013

Based off the real life experiences of the film's writer, Jack Asser, Starred Up is a gritty crime drama set within a violent offenses prison in the UK. The film's name references a youthful offender who, by virtue of his crimes, is sent to an adult facility. The film hums along like a taut bit of wire, keeping the viewer on the edge of their seat as the enormity of the prison subculture is unfolded in front of them.  Unlike many other prison dramas, this film isn't afraid to break cliches and explore new ground, and is populated with disturbingly real character studies, slices of dark and broken humanity.

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Genre: Drama

Actor: Aisha Bywaters, Amma Boateng, Anthony Adjekum, Anthony Welsh, Ashley Chin, Basil Abdul-Latif, Ben Mendelsohn, C.C. Smiff, David Ajala, David Avery, Duncan Airlie James, Edna Caskey, Frederick Schmidt, Gershwyn Eustache Jnr, Gilly Gilchrist, Ian Beattie, Jack O'Connell, Jack O'Connell, James Doran, Jonathan Asser, Mark Asante, Paddy Rocks, Peter Ferdinando, Raphael Sowole, Rupert Friend, Ryan McKenna, Sam Spruell, Sian Breckin, Tommy McDonnell

Director: David Mackenzie

Rating: Not Rated

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, 2013

Ask yourself how many Palestinian movies you have seen before. You will want to give this smart and twisty Academy Award nominee by Golden Globe winning director Hany Abu-Assad a chance to change your answer. Omar, a Palestinian baker, climbs the West Bank Wall to see his lover, Nadia, whom he wants to marry. When Israeli soldiers catch and humiliate him, he gets implicated in the shooting of an Israeli soldier, and eventually gets arrested and faces an extremely lengthy sentence. Later, his captors’ motives and his own get tangled up in politics, friendship, trust, and love. Omar is a highly realistic, compelling crime drama you don’t want to miss.
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Genre: Drama, Romance, Thriller

Actor: Adam Bakri, Adi Krayem, Doraid Liddawi, Eyad Hourani, Leem Lubany, Samer Bisharat, Waleed Zuaiter, Walid Abed Elsalam

Director: Hany Abu-Assad

Rating: Not Rated, Unrated

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, 2021

Most computer screen films take the horror film route as a cautionary tale about technology and how we use it. However, when the world was on lockdown, one screenlife film takes a look at its positive side. Simple, straightforward, and comforting, Language Lessons celebrates technology as a means for connection. Through surprise Spanish lessons purchased by his husband, Adam (Mark Duplass) forms a friendship with his instructor Cariño (Natalie Morales). At times, watching the film feels like listening into someone else’s Zoom call, however, their back-and-forth feels engaging because of Morales and Duplass’ chemistry. And when loss hits, on both sides, it’s only natural that their relationship deepens as they console each other. Expressive without being melodramatic and intimate without being too pushy, Language Lessons is a rare optimistic take towards the way we connect to each other through technology.

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Genre: Comedy, Drama, Romance

Actor: Desean Terry, Mark Duplass, Natalie Morales

Director: Natalie Morales

Rating: Not Rated

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, 2011

Always follows the story of Jeong-hwa and Cheol-min, both very different individuals who are gentle in their own way. The story starts off by demonstrating how different the leads are in terms of their personality and their outlook on life. The plot can be a little predictable and cliche in some moments, but Always is not a complicated movie—though in addition to being a romance, it also includes some surprising violence that may intensify your viewing experience. Still, Always is about the two leads’ struggle against fate as they try to survive their tough situations, with strong chemistry between the lead actors from start to finish.

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Genre: Adventure, Drama, Romance

Actor: Cho Seong-ha, Goo Seung-hyun, Han Hyo-joo, Jin Goo, Jung Jae-jin, Kang Shin-il, Kim Jung-hak, Kim Jung-pal, Kim Mi-kyeong, Kim Seon-hwa, Lee Chae-won, Oh Gwang-rok, Oh Kwang-rok, Park Cheol-min, Park Chul-min, Park Seong-geun, So Ji-sub, Yeom Hye-ran

Director: Song Il-gon

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