114 Best Raw Movies On Itunes (Page 6)

Staff & contributors

Usually, what makes a movie memorable are the scenes and provoke raw, unadulterated emotions. Whether you’re into suspenseful thrillers or emotional dramas, we’ve rounded up the best movies and shows to stream now for a raw emotional experience.

, 2022

It’s a bold move, centering a drama around a creature as docile as a donkey, but EO pulls it off without ever leaning on the crutch of CGI. Instead, the film makes ingenious use of a hundred-year-old film technique: the Kuleshov effect. By splicing the image of the titular donkey’s placid, expressionless face against visual stimulus, the illusion of a genuine reaction is produced.

But don’t be mistaken: this is no twee Disney-esque tale of anthropomorphism. Inspired by the classic Au Hasard Balthasar, EO tracks the haphazard journey of a former circus donkey across Europe — one that is often depicted in surreal psychedelic reds instead of idyllic picture-book tones, and punctured by more horrors than joys (though we do, thankfully, get to see him munch away on some well-deserved carrot treats). EO’s docility frames him as a kind of holy innocent, making the cruelty meted out to him feel all the more like a grave violation of something sacrosanct. Seeing the world through his oft-neglected perspective also makes this a movie about humans by proxy — a fresh, empathetic approach that, even in its obvious dramatic liberties, makes us meditate on both the depth of experience that may be unfolding in our animal neighbors and our role in shaping it.

Genre: Drama

Actor: Isabelle Huppert, Kateřina Holánová, Lolita Chammah, Lorenzo Zurzolo, Mateusz Kościukiewicz, Sandra Drzymalska, Tomasz Organek, Waldemar Barwiński

Director: Jerzy Skolimowski

Rating: NR

Slow, contemplative, but captivating, Baraka uses no narration, dialogue, or text to connect its images. The documentary stitches together shots with different subjects from different locations around the world. At first, it seems very peaceful—gorgeous, high-definition shots of nature paired with a soothing, resonant score that lulls you into hypnosis—but as the film progresses, director and cinematographer Ron Fricke presents more scenes with people, from the cities to the countryside, to places rarely documented on film. Depending on how you look at it, Baraka will either feel like just a compilation of screensavers or a profound meditation on how intrinsically connected everything is. It’s totally breathtaking either way.

Genre: Documentary, Drama

Director: Ron Fricke

Even for the greatest, things can change enough that what was once popular is now ignored, what was once appreciated is now neglected, and things eventually lose their spark. Originally written by iconic French filmmaker Jacques Tati for one of his daughters, the screenplay for The Illusionist landed in the hands of Sylvain Chomet, who turned Tati’s live-action script into a devastating animated father-daughter drama, where the titular Tatischeff meets Alice, whose childlike belief sparks inspiration again in his own art, whether it be straightforward vaudeville acts or advertisements he resorts to in order to sustain their living. While the hand-drawn animation enables the physical comedy, it does conceal the tragic reality behind Tati’s script, but even as it does so, it somehow mirrors how both Tati and Chomet’s genre created magic, however ephemeral it may be.

Genre: Animation, Drama

Actor: Didier Gustin, Eilidh Rankin, Jacques Tati, Jean-Claude Donda, Jil Aigrot

Director: Sylvain Chomet

Rating: PG

Somehow an art house film, horror, and romance all in one, Let the Right One In explores the boundaries of its genres with unprecedented finesse, and offers a stunning alternative for those disappointed with recent vampire love stories. From its haunting minimalist imagery to its incredible score, it is persistently beautiful. The film follows twelve-year-old Oskar and Eli, drawing on numerous aspects of traditional undead lore, and still manages an impressive feat in feeling entirely fresh and devoid of cliche. Those in search of a terrifying movie might need to look elsewhere, but if what you're looking for is simply a great watch, don't pass this one up.

Genre: Drama, Horror

Actor: Anders T. Peedu, Henrik Dahl, Ika Nord, Johan Sömnes, Kåre Hedebrant, Karin Bergquist, Karl-Robert Lindgren, Lina Leandersson, Malin Cederblad, Mikael Rahm, Pale Olofsson, Patrik Rydmark, Per Ragnar, Peter Carlberg, Tom Ljungman

Director: Tomas Alfredson

Rating: R

Surreal, off-putting, and extremely disturbing, Infinity Pool plays with the concepts of cloning and the death penalty to craft an examination on colonial tourism. It’s a thematically rich horror film, with hazy neon-lit sex scenes and absolutely terrible behavior, enabled by their wealth and advanced technology that could have been put to better use. Mia Goth, in particular, is strikingly unhinged, as Gabi taunts and lures James into bigger and more terrible crimes, crimes that he can only pay off with the wealth of his father-in-law. And Alexander Skarsgård as James believably gets sucked into this extremely libertine lifestyle, fuelled by the nepotistic anxiety of not living up to his own potential. The film presents a scary notion that pushed by wealth and playground tactics, one will willingly kill their own conscience, again and again, to belong to their cohort.

Genre: Horror, Science Fiction, Thriller

Actor: Alexander Skarsgård, Amanda Brugel, Amar Bukvić, Caroline Boulton, Cleopatra Coleman, Géza Kovács, Jalil Lespert, Jeff Ricketts, John Ralston, Mia Goth, Roderick Hill, Romina Tonković, Thomas Kretschmann

Director: Brandon Cronenberg

Rating: R

Already featuring some of the desperation and melancholy that would go on to characterize most of his work, Paul Thomas Anderson's Hard Eight manages to draw palpable suspense and drama out of, essentially, three characters and a couple of seedy locations. We learn perhaps too little about these characters and why this veteran gambler is drawn to a young homeless man, but there's also something intriguing about how Anderson suggests much larger and much crueler stories going on just out of sight. It truly feels like these people are just trying to hold on to the smallest things that ease their pain—which works because of incredibly compelling work from Philip Baker Hall, John C. Reilly, and a young Gwyneth Paltrow already at the top of her game.

Genre: Crime, Drama

Actor: Ernie Anderson, F. William Parker, Gwyneth Paltrow, Jake Cross, John C. Reilly, Kathleen Campbell, Melora Walters, Nathanael Cooper, Philip Baker Hall, Philip Seymour Hoffman, Richard Gross, Robert Ridgely, Samuel L. Jackson, Wendy Weidman, Wynn White

Director: Paul Thomas Anderson

Taking inspiration from neorealist classics, Chop Shop tells a thoroughly modern story about a pair of orphans contending with hard choices and blunt truths as they hustle to survive in New York City. But rather than take place in the concrete jungle, Ramin Bahrani’s third feature is set in an area of the city most of us aren’t familiar with: Queens’ “Iron Triangle,” an industrial zone crammed with scrapyards and car mechanic shops.

It’s in the upstairs room of one such shop that the bright young Ale (Alejandro Polanco) and his teen sister Isamar (Isamar Gonzalez) live, working days and nights downstairs to save up for the food truck that will give them a more stable life. This daily grind drives them into dark corners and onto the paths of unscrupulous adults, forcing the two kids to grow up beyond their years. Despite their plucky resilience, there’s still a childlike sweetness about them, which only further deepens the heartbreak of their situation. Polanco and Gonzalez give such emotionally raw and entirely believable performances that you’d almost think they were real siblings living lives like these. The fact that neither were professional actors before starring here makes their extraordinarily fluid performances all the more impressive, and helps burnish Chop Shop’s golden aura of genuine discovery.

Genre: Drama

Actor: Carlos Ayala, Laura Patalano, Nick Jasprizza

Director: Ramin Bahrani

If the sheer intensity of The Novice's storytelling can at times feel like it's trying too hard to be in-your-face—rather than authentically disturbed—the ambition of Laura Hadaway's direction is still quite the spectacle to behold. Where some of the film's relationships don't come off as complex as they should be, Hadaway and her team more than makes up for with frantic editing, shallow camera focus, panicked strings as a musical score, and heavy breathing mixed deep into the sound design. There's just something violent about how the movie is put together, as Alex (played by Isabelle Fuhrman) tears herself apart for seemingly no other reason than to prove to herself that she can do it.

Genre: Drama, Thriller

Actor: Al Bernstein, Amy Forsyth, Dilone, Isabelle Fuhrman, Jeni Ross, Jonathan Cherry, Kate Drummond, Nikki Duval, Robert Ifedi

Director: Lauren Hadaway

Rating: R

It's an incredible story, but it's one that only really deserves to be told a certain way, which director Arthur Harari gets right. Onoda's one-man crusade to continue World War II is nothing short of delusional, and Harari spends most of the film following the soldier as his companions die one by one, worsening his delusions even further. Unfortunately, even with how impressively strange this story is, 10,000 Nights in the Jungle still misses the opportunity to look through the lens of Onoda's victims. He is, after all, a literal embodiment of colonization's lingering effects, so it's sad that the Philippines here is just window dressing more than anything.

Genre: Adventure, Drama, History, War

Actor: Angeli Bayani, Chiba Tetsuya, Issey Ogata, Kai Inowaki, Kanji Tsuda, Kuu Izima, Kyūsaku Shimada, Mutsuo Yoshioka, Nobuhiro Suwa, Ryu Morioka, Shinsuke Kato, Taiga Nakano, Tomomitsu Adachi, Yuya Endo, Yuya Matsuura

Director: Arthur Harari

Two best friends chase the ultimate high in this Italian movie set in the 90s. Vittorio and Cesare are inseparable, they get in trouble together, fight together, and party together. Suddenly, they start moving at different speeds and one of them wants out, effectively abandoning the other. 

Don’t be Bad is director Claudio Caligari’s last movie before his death, the last installment in his catalog of well-crafted drug-centered stories.

Genre: Crime, Drama

Actor: Alessandro Bernardini, Alessandro Borghi, Angelica Cacciapaglia, Elisabetta De Vito, Emanuel Bevilacqua, Emanuela Fanelli, Giulia Greco, Luca Marinelli, Luciano Miele, Manuel Rulli, Massimo De Santis, Roberta Mattei, Silvia D'Amico, Silvia D'Amico Bendico, Valentino Campitelli

Director: Claudio Caligari

Even with its occasional technical hitches and structural rough edges (maybe because of how personal it is), Last Flight Home makes for a difficult but important look at the process of assisted death. The most important insight this documentary offers is how often and how certainly family patriarch Eli Timoner gives his consent to his family to help him die. It may be hard to fathom such a thing especially if one comes from a tightly-knit family or collectivist culture, but Last Flight Home emphasizes how this decision does come from a place of love, constant communication, and deep self-reflection.

Genre: Documentary

Director: Ondi Timoner

Amy Berg’s documentary offers an insightful account of one of the most revered and iconic rock and roll singers of all-time, from her musical rise in the 1960s to her battle with alcohol and heroin addiction. Janis Joplin’s independent spirit and sense of not fitting in are meticulously presented in the film through archival footage, rare personal letters, and interviews with her school friends, family members, and fellow musicians. Powerfully narrated by musician Cat Power, Janis: Little Girl Blue presents a profoundly nuanced and very personal portrait of Janis Joplin, in a well-curated homage to an artist who changed music forever.

Genre: Documentary, Drama, Music

Actor: Cat Power, D. A. Pennebaker, Dick Cavett, Janis Joplin, Karleen Bennett, Laura Joplin, Peter Albin

Director: Amy J. Berg

When we think about dog films, we think about overly sentimental, feel-good flicks, with the dogs sometimes voiced by famous actors, that affirm the relationship between man and his best friend. White God is a dog movie, but it’s not that kind of dog movie. The dogs are not voiced, but yet they feel so personable as co-writer and director Kornél Mundruczó turns Hagen’s time in the street into a series of escapades, some exciting and some downright terrifying, where he evades the cruelty of man. And as the film alternates between Hagen and the young Lili, Mundruczó questions the ways we treat our furball best friends, the way we also treat those that are in our care.

Genre: Drama

Actor: András Hidvégi, András Réthelyi, Attila Mokos, Body, Diána Magdolna Kiss, Edit Frajt, Erika Bodnár, Ervin Nagy, Gera Marina, Gergely Bánki, Gergely Kovács, János Derzsi, Károly Ascher, Kata Wéber, Kornél Mundruczó, Krisztián Vranik, László Gálffi, László Melis, Lili Horvát, Lili Monori, Luke, Natasa Stork, Orsolya Tóth, Roland Rába, Sándor Terhes, Sándor Zsótér, Szabolcs Thuróczy, Tamás Polgár, Virág Marjai, Zsófia Psotta

Director: Kornél Mundruczó

Rating: R

Kilo Two Bravo (Originally named Kajaki) is a must-watch for anyone who likes war dramas. It tells the true story of British soldiers in the Afghanistan war who find themselves trapped in a minefield during a mission, with their rescue team coming in a helicopter that might set off mines if it lands. It's a slow, dialogue driven film that is interested in taking you to the war zone more than it cares about entertaining you. Ultimately, it becomes an essay on the horrors of war, and an anti-war war film. Because of this and given the blood and gore, this movie is definitely not for those who would feel nauseated at sight of blood. Great setting, good cinematography, realistic acting and script all do justice to the true story. It's a film that will grip your senses and keep you at the edge of the seat throughout.

Genre: Adventure, Drama, Thriller, War

Actor: Ali Cook, Andy Gibbins, Benjamin O'Mahony, Bryan Parry, David Elliot, Grant Kilburn, Joe Corrigall, John Doughty, Jon-Paul Bell, Liam Ainsworth, Malachi Kirby, Mark Stanley, Paul Katis, Paul Luebke, Robert Mitchell, Scott Kyle, Thomas Davison

Director: Paul Katis

Rating: R

With the powerful duo of queer aesthetics and rock n roll, Hedwig and the Angry Inch questions the duality between genders, lovers, and everything in between. Like the 1998 stage musical, the film follows the titular Hedwig and her band as they navigate the music scene for fame and love. The adaptation gives justice to their performances, giving the vibe of 70s glam rock music videos. The film is not without its flaws. Hedwig’s relationship with the younger Tommy Gnosis remains controversial. However, while Hedwig may not be a perfect representation of the trans experience– after all, she only chooses gender reassignment purely to leave East Germany– this cult film still remains a landmark for queer representation.

Genre: Comedy, Drama, Music

Actor: Alan Mandell, Alberta Watson, Andrea Martin, Ben Mayer-Goodman, Ermes Blarasin, Gene Pyrz, John Cameron Mitchell, Karen Hines, Maggie Moore, Mary Krohnert, Maurice Dean Wint, Michael Aronov, Michael Pitt, Michael Stevens, Miriam Shor, Rob Campbell, Rosie O'Donnell, Sook-Yin Lee, Stephen Trask, Taylor Abrahamse, Thérèse DePrez

Director: John Cameron Mitchell