115 Best Raw Movies On Itunes (Page 5)

Staff & contributors

Usually, what makes a movie memorable are the scenes and provoke raw, unadulterated emotions. Whether you’re into suspenseful thrillers or emotional dramas, we’ve rounded up the best movies and shows to stream now for a raw emotional experience.

Earnest, beautiful, and tender, Luca Guadagnino's Bones and All is many things: a road trip movie that sweeps the midwest deserts of 1980s America; a coming-of-age story that brings together two outsiders into an understanding world of their own; and a cannibal film that is unflinchingly flesh deep in its depiction of the practice. Bizarrely, these seemingly disparate elements work harmoniously to create a film that you won't soon forget, not least because of its rawness. 

As the aforementioned outsiders, Maren and Lee (Taylor Russell and Timothée Chalamet, respectively) are bewitching—individually sure but especially when they're together. They have a bond that is quite difficult to replicate onscreen, charged as it is with so much chemistry and warmth. The background players also bring their a-game when called for, especially Mark Rylance as the disturbing stalker Sully, Michael Stuhlbarg as the creepy but good-willed Jake, and Chloë Sevigny as Maren's stark mad mother. 

It's worth repeating that this movie goes all in on the gore, so steer clear if you don't have the heart for these sorts of things. But if you do, the viewing experience is rewarding. Bones and All is as romantic as they get, and rather than bury its message, the many layers on top of its core serve as a meaningful puzzle to unpack and unravel long after the credits roll.

Genre: Drama, Horror, Romance

Actor: Andre Holland, Anna Cobb, Brady Gentry, Chloe Sevigny, Christine Dye, David Gordon Green, Hannah Barlow, Jake Horowitz, Jenny McManus, Jessica Harper, Johanna McGinley, Madeleine Hall, Marcia Dangerfield, Mark Rylance, Michael Stuhlbarg, Sean Bridgers, Taylor Russell, Timothée Chalamet, Tom O'Brien

Director: Luca Guadagnino

Rating: R

The Earth Is Blue as an Orange chronicles the lives of a single mother and her four children as they live in the war-torn Donbas region of Ukraine. Despite the constant threat of violence, the family finds solace in the arts (more specifically in filmmaking). While striving for normalcy in these tumultuous times, they channel their efforts into creating a film about the effect of war on their family. Even as they try to lead individual lives, nurturing this collective project, bombs, debris, and their reality is unavoidable. 

This film is a moving testament to the power of art, creativity, and hope in the darkest times. 

Genre: Documentary, Drama

Director: Iryna Tsilyk

This fiery coming-of-age drama has an unlikely origin story: director Jonas Carpignano was first introduced to the sprawling Roma clan that makes up most of the movie’s cast when one of them stole his car while he shot another film. The charismatic Amato family made such an impression on him that he decided to center a movie around their real lives, naming it for the insular neighborhood they live in on the outskirts of a Southern Italian town.

The Amatos are part of a much-maligned ethnic minority, but not the only one in the film. The Ciambra pokes at the idea of solidarity between the Amatos and local African migrants: while his elders are quick to reject the idea, plucky 14-year-old Pio (Pio Amato) flits across these invisible borders and bonds with Ayiva (Koudous Seihon). But Pio is desperate to win the respect of the men in his family, who might then allow him to take part in their criminal exploits — a crisis point The Ciambra chronicles with raw emotion. This is a movie whose grit and bleakness often recall the uncompromising gaze of neo-realist classics, as a child is heartbreakingly forced to declare his allegiances in the dog-eat-dog world his elders can’t imagine an alternative to.

Genre: Crime, Drama

Actor: Damiano Amato, Francesco Papasergio, Iolanda Amato, Koudous Seihon, Patrizia Amato, Pio Amato, Rocco Amato, Susanna Amato

Director: Jonas Carpignano

Daniel Day-Lewis earned his breakout performance as Johnny, a reformed skinhead in this tale of  interracial gay romance in Thatcher’s Britain. Gordon Warnecke plays Johnny's lover Omar, the aimless son of a Pakistani intellectual who is given a leg-up by a successful uncle when he’s put in charge of rescuing a failing laundrette in gritty South London. Remarkably, Omar and Johnny’s romance isn’t presented as all that transgressive; far more central are the experiences and attitudes towards “assimilation” of Omar’s British-Pakistani family, the elders of whom live double lives and indulge both their financial and sexual greed. My Beautiful Laundrette is transgressive in many ways, but mostly in the dizzying array of tensions it sets its sights on — racial, ideological, class, generational, and gender — an ambitious quality that can, admittedly, overwhelm at times. But ambition is an admirable flaw for a film to have, particularly one as sharp and groundbreaking as this.

Genre: Comedy, Drama, Romance

Actor: Ayub Khan-Din, Badi Uzzaman, Bhasker Patel, Charu Bala Chokshi, Chris Pitt, Colin Campbell, Daniel Day-Lewis, Dawn Archibald, Derrick Branche, Dulice Liecier, Garry Cooper, Gerard Horan, Gordon Warnecke, Gurdial Sira, Jonathan Moore, Neil Cunningham, Nisha Kapur, Ram John Holder, Richard Graham, Rita Wolf, Roshan Seth, Saeed Jaffrey, Shirley Anne Field, Souad Faress, Stephen Marcus, Walter Donohue

Director: Stephen Frears

The idea of representation in movies is often limited to superficial gestures of putting on screen people who look a certain way. Kokomo City is a reminder of cinema's possibilities when one really tries to queer filmmaking itself, with genuine queer voices driving a production. This documentary is messy and incredibly playful in its style—in ways that might read to some as lacking cohesiveness, or as tonally inconsistent. But the way director D. Smith is able to capture the dynamic energy of a series of conversations makes these powerful, funny, tragic anecdotes and dialogues feel truly grounded in people's everyday experiences, and makes the plea for protection of trans lives all the more urgent.

Throughout Kokomo City, this collection of individuals goes off on various tangents that never become difficult to follow. They speak about the nature of sex work, hidden desires felt by traditionally masculine male clients, and various degrees of acceptance within the Black community. And between these statements alternating from impassioned to emotional to humorously candid, Smith injects cheeky cutaway footage, layers text on screen, and plays an eclectic rotation of music throughout. It's about as real and as three-dimensional as these trans lives have ever been shown on screen.

Genre: Documentary

Actor: Daniella Carter, Dominique Silver, Koko Da Doll, Liyah Mitchell, XoTommy

Director: D. Smith

Rating: R

The Harry Potter movies undoubtedly changed the lives of its young stars forever — but a stuntman whose future the films had more tragic consequences for is the deserved focus of this moving documentary. David Holmes was just 17 when he was hired as Daniel Radcliffe’s stunt double, a role he held throughout the series. The two formed a close brotherly bond on set, growing up alongside one another for 10 years until a terrible accident during the final movie’s filming left him paralyzed from the chest down, a condition that has deteriorated over the years following post-surgery complications. 

This doc is an inspiring portrait of David, from his fearless childhood and dream-fulfilling work to the incredible resilience he’s shown since the accident. It’s also, though, a poignant testament to the loving, supportive community that Holmes inspired at work — friendships that only reached greater depths following the accident and the end of the movies. The doc’s focus empathetically expands from Holmes’ story to include its impact on his bond with Radcliffe (who features prominently here) and Holmes’ fellow stunt doubles — and, while the sheer force of Holmes’ personality would make for a compelling documentary on its own, it’s the tenderness and honesty that all of these participants show that makes this so poignant.

Genre: Documentary

Actor: Andy Holmes, Bonnie Wright, Chris Columbus, Daniel Radcliffe, David Holmes, David Yates, Emma Watson, Greg Powell, Marc Mailley, Rupert Grint, Sue Holmes, Tolga Kenan, Tom Felton

Director: Dan Hartley

Rating: PG-13

Focusing on the personal over the global, 76 Days serves as a valuable reminder for generations to come, of the catastrophic human cost of a pandemic. The film's directors (including one or more filmmakers who have had to keep themselves anonymous) take an entirely boots-on-the-ground approach in Wuhan, China. Together they find both humanity and the loss of humanity in these individual cases of COVID that are stalled by small inconveniences or a general lack of understanding of the disease. And all of this confusion is punctuated by the humbling fact that we never see the nurses' faces. It's a harrowing watch, but it tells us everything we need to know about how much assistance our health workers need and the kind of superhuman things they're tasked with doing every single day.

Genre: Documentary

Director: Hao Wu, Weixi Chen

A Cormac McCarthy novel adaptation (like No Country for Old Men), The Road is an apocalypse movie set in a 'scorched Earth' rendition of the world. It follows a father (played by Viggo Mortensen) and his son as they battle to survive everyday life. Throughout the movie, the son's trust in his father grows and shrinks depending on choices the father makes, as he attempts to protect his son from cannibals, bandits, and the threat of starvation. The gritty realism this movie presents sets it apart from many other more theatrical releases, with the setting of a charred world illustrating a rather depressing new reality. A very down to earth and heartfelt story. Definitely worth the watch if you're willing to feel like you've been punched in the gut.

Genre: Adventure, Drama

Actor: Agnes Herrmann, Bob Jennings, Buddy Sosthand, Charlize Theron, Garret Dillahunt, Guy Pearce, Jack Erdie, Kodi Smit-McPhee, Mark Tierno, Michael Kenneth Williams, Molly Parker, Robert Duvall, Viggo Mortensen, Wilson Moore

Director: John Hillcoat

Rating: R

The Innocents is a Norweigan thriller that follows four kids who discover they have supernatural powers over the summer. They play around and experiment in the woods nearby, but what begins as harmless fun quickly develops into something much more disturbing and sinister.

This unnerving film, a blend of fantasy and horror, doesn't waste time explaining the origins of its mysticism. Instead, it goes straight into action—bending, twisting, and splitting open anything and anyone that gets in its way. This kind of rawness is shocking given the age range of the characters, but it also works to subvert what we've come to expect from kids, youth, and goodness. The Innocents isn't for the faint of heart, but if you can manage some bloody and unhindged scenes, then it's sure worth checking out. Directed by Eskil Vogt, co-writer of critically-acclaimed films like Thelma and The Worst Person in the World

Genre: Drama, Fantasy, Horror, Thriller

Actor: Alva Brynsmo Ramstad, Ellen Dorrit Petersen, Irina Eidsvold Tøien, Lisa Tønne, Marius Kolbenstvedt, Mina Yasmin Bremseth Asheim, Morten Svartveit, Rakel Lenora Fløttum, Sam Ashraf

Director: Eskil Vogt

The Banshees of Inisherin is an Irish dark comedy film that begins with the breakup of longtime friends Pádraic (Colin Farrell) and Colm (Brendan Gleeson). Averse to the sudden split, Pádraic tries to repair their relationship, but instead of achieving goodwill, he inadvertently sets off even more unrest in their little town of Inisherin. Set in 1923 against the backdrop of the Irish Civil War, the film doubles as a fable about the consequences of war. 

The last time Farrell and Gleeson were together was in the expert thriller In Bruges, and their reunion in The Banshees of Inisherin shows how powerful and chemistry-filled their pairing is. Theirs is a knockout turn, but it's also far from the only good thing in the movie. Packed with gorgeously lush images of rural Ireland, strong performances from an all-Irish cast, and a whipsmart script from writer-director Martin McDonagh, The Banshees of Inisherin is an impactful watch that will give you lots to unpack long after the credits roll. 

Genre: Comedy, Drama

Actor: Aaron Monaghan, Barry Keoghan, Brendan Gleeson, Bríd Ní Neachtain, Colin Farrell, David Pearse, Gary Lydon, Jon Kenny, Kerry Condon, Pat Shortt, Sheila Flitton

Director: Martin McDonagh

Rating: R

A great example of frank, emotionally honest filmmaking with three totally vulnerable lead performances, Passages takes a subject that can so easily be reduced into clichés—infidelity—and approaches it with a genuine sense of melancholy. It can still be frustrating to watch fully developed adults refuse to communicate more clearly about their feelings, but director and co-writer Ira Sachs also understands the nuanced gender dynamic that informs some of these bad decisions. Tomas understands that his commitment to Martin may not give him the "easy" satisfaction of a traditional romance, but there is also a sense that his attraction to Agathe (supposedly the first time he's truly fallen for a woman) might be more of an impulsive attempt to settle for something safer, something that he has more control over.

Ben Whishaw is reliably sympathetic as Martin, and Adèle Exarchopoulos carries herself with the unembellished authenticity that many of the best French actors do. And Franz Rogowski makes Tomas both entirely pathetic and still so very heartbreaking in the predicament he's put himself into. There are no cheap histrionics or outbursts of emotion here—just performers living fully within each moment and selling us on the situation they're in.

Genre: Drama, Romance

Actor: Adèle Exarchopoulos, Arcadi Radeff, Ben Whishaw, Caroline Chaniolleau, Erwan Kepoa Falé, Franz Rogowski, Olivier Rabourdin, Radostina Rogliano, Théo Cholbi, William Nadylam

Director: Ira Sachs

Rating: NR

While named as a “how-to”, How to Have Sex is less of an instruction manual, and more of a collection of summer break moments presented as is. At the start, when Tara, Em, and Skye run to the freezing ocean water, the film seemed like it would have all the nostalgic coming-of-age moments that they would remember forever. But as the film progresses, and the girls meet other teenagers at the resort, there’s an eerie, foreboding feel that starts to build up, with every beer bottle, with every whisper, and with every insinuation Tara receives. And rather than preach about consent, writer-director Molly Manning Walker makes them fumble around without the concept of it, the same way teens tend to do, making it much more potent than a cautionary tale.

Genre: Drama

Actor: Anna Antoniades, Daisy Jelley, Eilidh Loan, Elliot Warren, Enva Lewis, Eric Manaka, Guy Lewis, Lara Peake, Mia McKenna-Bruce, Samuel Bottomley, Shaun Thomas

Director: Molly Manning Walker

Rating: NR

Led by Rosy McEwen's commanding performance brimming with fear and self-loathing, Blue Jean pours all of the anguish and defiance felt by the LGBTQ+ community under Margaret Thatcher's administration into a single character. Writer-director Georgia Oakley keeps her plot light, but through conversations with other beautifully portrayed queer women (especially those played by Kerrie Hayes and Lucy Halliday), she piles on one conflicted emotion after another about what this lesbian woman's responsibility is toward herself and her community when they find themselves threatened. But even as the film takes a definite stance, it validates every response as authentic—borne out of a need to protect the people whom one loves.

Genre: Drama

Actor: Amy Booth-Steel, Aoife Kennan, Becky Lindsay, Deka Walmsley, Edmund Wiseman, Farrah Cave, Gavin Kitchen, Kate Soulsby, Kerrie Hayes, Lainey Shaw, Lucy Halliday, Lydia Page, Rosy McEwen, Scott Turnbull, Stacy Abalogun

Director: Georgia Oakley

The Promise has all the trappings of a sleazy crime drama, but there's a sense of innocence buried underneath all the dirt that helps set it apart. Even as Igor helps his father do the shadiest things to exploit the illegal immigrants under their care, you can see the boy slowly wake up to the realization that life can't just be a series of transactions, rewards, and punishments. As writers and directors, the Dardenne brothers present Igor's coming of age with frankness and without pretension—even when a hint of the mystical begins to compel him to tell the truth. It might not seem all that complex at first, but the details that make up this world are fully immersive from start to finish.

Genre: Drama

Actor: Frédéric Bodson, Jean-Michel Balthazar, Jérémie Renier, Norbert Rutili, Olivier Gourmet, Sophia Leboutte

Director: Jean-Pierre Dardenne, Luc Dardenne

If you enjoy wondering aloud to yourself how filmmakers were able to make a movie at all, 1988's almost wordless tale of two bears trying to survive the Canadian mountains was somehow shot with real, expressive bear "actors," despite the film being a work of fiction. A cross between a stunningly photographed nature documentary and a brutal folktale, The Bear gets right to the uncompromising conditions out in the wild, where human beings are portrayed as just as savage—and just as merciful—as the beasts they hunt. Clever editing and Jean-Jacques Annaud's directorial vision hide all the seams in the movie's magic tricks, allowing us to fall in love quickly with these majestic bears and the all-too-human emotions they seem to be expressing.

Genre: Adventure, Drama, Family

Actor: André Lacombe, Bart The Bear, Jack Wallace, Tchéky Karyo, Youk the Bear

Director: Jean-Jacques Annaud