326 Best Quirky Movies to Watch (Page 6)

Staff & contributors

When the mildly weird and funny come together, great things happen—especially in film. Whether you’re up for some alternative comedies or romantic dramedies, here are the best quirky movies and show to stream now.

If it weren’t for his knack for writing, Max Fischer (Jason Schwartzman) would never have gotten into a prep school like Rushmore. But his art secures him a scholarship, and what he lacks in smarts and money, he makes up for in school pride. As he flunks more and more of his academics, however, he is eventually kicked out, and it’s outside the halls of his beloved Rushmore, stripped of all titles and insignia, where he learns to be his true self.  

As the film’s comedic and emotional core, Schwartzman is a revelation as the ambitious and sharp-tongued Max. Equally captivating is Bill Murray’s deadpan but lovable turn as Max’s millionaire friend, Herman Blume. It’s a role so fitting, in fact, that the poor-rich-man character will follow Murray well into his career, long after the curtains close on Mr. Blume. Meanwhile, Wes Anderson will go on to do more colorful and stylized pictures than Rushmore, but thanks to its unbeatable wit and down-to-earth charm, the film remains to be one of the auteur’s most delightful and hilarious works to date. 

Genre: Comedy, Drama

Actor: Alexis Bledel, Andrew Wilson, Antoni Scarano, Bill Murray, Brandon Trost, Brian Cox, Brian Tenenbaum, Connie Nielsen, Dipak Pallana, Ed Geldart, Eric Chase Anderson, George Farish, Jason Schwartzman, Jason Trost, Kim Terry, Kumar Pallana, Lucille Sadikin, Luke Wilson, Marietta Marich, Mason Gamble, Morgan Redmond, Olivia Williams, Paul Schiff, Sara Tanaka, Seymour Cassel, Stephen Dignan, Stephen McCole, Wallace Wolodarsky

Director: Wes Anderson

Mind Game is a mind-bending and exhilarating animated film that takes the viewer on a journey through the depths of the human psyche. The story follows a young man who, after a near-death experience, finds himself on a self-discovery journey through surreal and constantly shifting worlds. The film's unconventional and experimental animation style, combined with its complex and philosophical themes, create a truly immersive and unforgettable experience. Admittedly, the story's progression and wild tangents may not be worth it for some viewers. But Yuasa’s signature film (now a cult classic) is a bold and visionary work of art that pushes the boundaries of animation and storytelling.

Genre: Animation, Comedy, Drama, Fantasy, Romance

Actor: Koji Imada, Rintaro Nishi, Seiko Takuma, Takashi Fujii, Tomomitsu Yamaguchi

Director: Masaaki Yuasa

, 2021

This offbeat drama is about a Syrian refugee who gets sent to a remote island in northern Scotland. “There was a better signal in the middle of the Mediterranean,” another refugee tells him when he arrives. Omar is as the title suggests stuck: until his asylum request is processed he can't work or continue his journey onwards. His situation is frustrating and difficult, but it's also full of absurdities, as Omar is stuck around some very weird people.

Limbo perfectly portrays the duality between sad and nonsensical in the refugee experience. In the entrance to the isolated and rundown facility that houses Omar, a handmade sign said "refugees welcome". The next day a "not" is added between "refugees" and "welcome", in the exact same paint. 

If you like Finnish director Aki Kaurismäki's work, this has a similar brand of dark humor to his also refugee-themed 2017 drama The Other Side of Hope.

Genre: Comedy, Drama

Actor: Amir El-Masry, Amir ElMasry, Cameron Fulton, Ellie Haddington, Grace Chilton, Kais Nashif, Kenneth Collard, Kwabena Ansah, Lewis Gribben, Ola Orebiyi, Qais Nashif, Raymond Mearns, Sanjeev Kohli, Sidse Babett Knudsen, Sodienye Ojewuyi, Vikash Bhai

Director: Ben Sharrock

Rating: R

Comedy special John Early: Now More Than Ever is shot like a monumental concert documentary: it’s all nostalgic ‘70s cinematography, with intercutting backstage scenes that detail pretentious pre-show prayers and spikes of tension melodramatically flaring up between the performers. All this self-aggrandizement is the special’s overarching joke, though — it literalizes what Early does with his ultra-narcissist onscreen persona, last explored in sketch special Would It Kill You To Laugh? with Kate Berlant.

Early’s decision to blend comedy and musical performance here means you can count the actual stand-up bits on one hand. It’s also true that his observations on subjects like the Access Hollywood tape and app permissions would struggle to carry a conventional special (sharp and heightened by physical comedy though they may be). But the interplay between music, outright jokes, and the tongue-in-cheek framing of the special is what makes Now More Than Ever such a rich and layered show. Early is a master at character-building, and the way he manages to unearth sincerity even amidst all this self-satirization speaks to both his comedic and dramatic genius, making this hourlong show a testament to just how deserving he is of the spotlight.

Genre: Comedy, Music

Actor: Dominique Toney, John Early

Director: Emily Allan, Leah Hennessey

Rating: R

TV’s Alan Partridge — Steve Coogan’s brilliant skewering of small-time celebrity vanity — gets the big-screen treatment in this suitably parochial action thriller. The premise feels like the kind of ridiculous scenario the radio DJ would fantasize about in between songs: Pat (Colm Meaney), an ex-employee of North Norfolk Digital, returns to the station armed and takes his former colleagues hostage, refusing to negotiate with anyone but Alan. Those familiar with Coogan’s painfully self-absorbed character will foresee that going straight to his already delusions-of-grandeur-filled head, and it does; as one character puts it, he’s like a puffed-up robin.

Much of the hilarity comes from the way Alan’s obvious glee at the heroic position he’s found himself in distracts him from actually saving the day, but there is equally sharply drawn satire in the supporting characters, too. Favorites from the TV series, like Alan’s put-upon assistant Lynn (Felicity Montagu) — herself a brilliant feat of perceptive comedy — make welcome returns here, but, like Alan, their eccentricities are made accessible enough that Partridge virgins won’t feel their ignorance. With all the original writers back onboard (including Armando Iannucci, the comedy genius behind The Death of Stalin and Veep), Alpha Papa is another reliably hilarious entry in the Partridge canon. Back of the net.

Genre: Comedy

Actor: Alan Rothwell, Anna Maxwell Martin, Anna Stockton, Colm Meaney, Dan Mersh, Darren Boyd, Diane Morgan, Dustin Demri-Burns, Eleanor Matsuura, Elizabeth Berrington, Felicity Montagu, Jayne Secker, Jessica Knappett, John Boyd, Karl Theobald, Kieran Hodgson, Lucy Briers, Martin Glyn Murray, Monica Dolan, Nigel Lindsay, Peter Singh, Phil Cornwell, Rita Davies, Robert Whitelock, Sean Pertwee, Simon Delaney, Simon Greenall, Simon Kunz, Steve Coogan, Tim Key

Director: Declan Lowney

Rating: PG-13

That one of 1990’s scariest movies is a kids’ movie makes sense when you know it’s an adaptation of a Roald Dahl story (and directed by horror legend Nicolas Roeg, no less). The Witches dispenses with most of the trappings of kids’ films, swapping bright bubbliness and cute animal CGI for macabre thrills and uncanny valley puppetry courtesy of Jim Henson. It’s astonishingly scary, given its PG certification — not just for its intended audience but for adults, too. Death, grief, and evildoers who prey on children all make an early appearance and never leave the film’s frame, stalking young Luke (Jasen Fisher) and his grandmother (Mai Zetterling) across countries as they try to make a new start in England following a family tragedy in Norway. In typical Dahl style though, The Witches — with its creepy premise and high camp touches — finds a clever balance between being nightmare-inducing and deliciously fun, a tonal blend that harks back to the twisted appeal of traditional fairy tales.

Genre: Comedy, Family, Fantasy, Horror

Actor: Anjelica Huston, Annabel Brooks, Anne Lambton, Anne Tirard, Bill Paterson, Brenda Blethyn, Brian Hawksley, Charlie Potter, Debra Gillett, Emma Relph, Jane Horrocks, Jasen Fisher, Jenny Runacre, Jim Carter, Leila Hoffman, Mai Zetterling, Michael Palin, Nicolas Roeg, Roberta Taylor, Rosamund Greenwood, Rose English, Rowan Atkinson, Sukie Smith, Sverre Røssummoen, Vincent Marzello

Director: Nicolas Roeg

Rating: PG