64 Best Quirky Movies On Itunes Australia (Page 3)

Animated in every sense of the word, The Mitchells vs. the Machines is a fun and lively watch for anyone of any age. On the surface, it’s about a tech company’s AI going haywire as it turns against humans and takes over the world (an obvious and much-deserved dig at Big Tech). It also immediately stands out as an energetic and inventive film bursting with love for the animation genre.

But at its core, it's about family and learning to love them even and especially when the going gets tough. Teenager Katie and her father Rick are at that precarious moment in their relationship where everything they do seems to annoy the other, while Katie's mother Linda tries and fails and tries again to keep the peace. The Mitchells are filled with love, but they’re not quite sure how to express it to each other, and it's both funny and relatable how it takes a literal apocalypse for them to realize that. This is a family story elevated by dynamic animation and a bizarro storyline. Expect it to go off the rails in the best possible way.

Genre: Adventure, Animation, Comedy, Drama

Actor: Abbi Jacobson, Adam Wylie, Alex Hirsch, Alison Rich, Andrew Morgado, Ashley Peldon, Beck Bennett, Blake Griffin, Caitlin McKenna, Charlyne Yi, Chrissy Teigen, Conan O'Brien, Danny McBride, Doug Nicholas, Elle Mills, Eric André, Fred Armisen, Greg Levitan, Grey DeLisle, Griffin McElroy, Illya Owens, Jay Pharoah, Jeff Rowe, Jim Pirri, John Legend, Juan Pacheco, Justin Shenkarow, Lex Lang, Lisa Wilhoit, Madeleine McGraw, Maya Rudolph, Melissa Sturm, Michael Rianda, Michelle Ruff, Mike Rianda, Natalia del Riego, Natalie Canizares, Olivia Colman, Sasheer Zamata, Shane Sweet, Todd Hansen, Will Allegra, Zeno Robinson

Director: Jeff Rowe, Michael Rianda, Mike Rianda

Rating: PG

In Last Night in Soho, director Edgar Wright has so much to play with. The old lady character serves an unexpected role, while Ellie (Thomasin McKenzie) faces an interesting morality crisis as she tries to decide who to help at the end of the film. Just as fascinating is the film’s Ghibli-esque premise: we follow a hero going on an adventure far away from home and into a world where it's unclear where reality ends and fantasy begins. However, a lot of the time, it feels like the film was made to serve a big twist that doesn't have enough weight to it. The fantasy is far more intriguing than any tame interaction the film has to offer, so it doesn't feel like it lives up to its potential. But there is one obvious exception: Anya Taylor-Joy’s magnetic presence as Sandie—it’s a presence powerful enough to hold a film together.

Genre: Horror, Mystery, Thriller

Actor: Al Roberts, Alan Ruscoe, Andrew Bicknell, Anya Taylor-Joy, Celeste Dring, Colin Mace, Derek Lea, Diana Rigg, Elizabeth Berrington, Jacqui-Lee Pryce, James Phelps, Jessie Mei Li, Josh Zaré, Kassius Nelson, Katrina Vasilieva, Lati Gbaja, Lisa McGrillis, Margaret Nolan, Matt Smith, Michael Ajao, Michael Jibson, Michael Mears, Oliver Phelps, Paul Brightwell, Pauline McLynn, Rita Tushingham, Sam Claflin, Sam Parks, Synnøve Karlsen, Terence Stamp, Thomasin McKenzie

Director: Edgar Wright

Rating: R

Set in 1970s Italian countryside, this is a quirky movie that’s full of plot twists.

Lazzaro is a dedicated worker at a tobacco estate. His village has been indebted to a marquise and like everyone else, he works without a wage and in arduous conditions.

Lazzaro strikes a friendship with the son of the marquise, who, in an act of rebellion against his mother, decides to fake his own kidnapping. The two form an unlikely friendship in a story that mixes magical realism with social commentary.

Genre: Drama, Fantasy

Actor: Adriano Tardiolo, Agnese Graziani, Alba Rohrwacher, Alessandro Genovesi, Alice Rohrwacher, Antonio Salines, Carlo Massimino, Carlo Tarmati, Daria Deflorian, Daria Pascal Attolini, David Bennent, Elisabetta Rocchetti, Gala Othero Winter, Leonardo Nigro, Luca Chikovani, Natalino Balasso, Nicoletta Braschi, Pasqualina Scuncia, Sergi Lopez, Tommaso Ragno

Director: Alice Rohrwacher

Rating: PG-13

Amongst the google searches for this one you'll find "Is Slotherhouse a real film?" and that says a lot. When the first poster and trailer dropped, I suspected it the work of AI, but now that the film is out on streaming, we should be glad it exists. A ludicrous horror-comedy that hits all the right notes in gore, cringe, and puns, Slotherhouse is quintessential fun cinema. It may be set in a college where internalized misogyny is completely off the charts as young women bruise and batter each other's egos in service of the queen bee Brianna (Sydney Craven) and may attempt just a tiny bit of character development to keep the ball rolling, but honestly, who cares? It's a film that completely leans into the absurd, the over the top, the ridiculous, and it does it surprisingly well.

Genre: Comedy, Horror, Thriller

Actor: Andrew Horton, Annamaria Serda, Bianca Beckles-Rose, Bradley Fowler, Cady Lanigan, Grace Patterson, Jelena Rakočević, Juliana Sada, Kelly Lynn Reiter, Lisa Ambalavanar, Milica Vrzić, Olivia Rouyre, Stefan Kapičić, Sydney Craven, Tiana Upcheva, Tiff Stevenson

Director: Matthew Goodhue

Rating: PG-13

Isle of Dogs has all the hallmarks of a Wes Anderson picture—it's stylish, otherworldly, and deadpan hilarious. But the film is also uniquely its own thing, a stop-motion animation deeply and gorgeously immersed in Japanese history and lore. Instead of merely relegating culture in the background for mere aesthetic purposes (as Anderson has done in the past with The Darjeeling Limited), culture here plays a vital role in the adventure and overall plot of the film. It's up to the viewer to decide whether Isle of Dogs is a case of appropriation or appreciation, but what can't be denied is that this is a movie with a strong and unforgettable bite to it. 

Genre: Adventure, Animation, Comedy, Drama

Actor: Akira Takayama, Alex Orman, Anjelica Huston, Bill Murray, Bob Balaban, Bryan Cranston, Chris Benz, Courtney B. Vance, Edward Norton, Elaiza Ikeda, Erica Dorn, F. Murray Abraham, Fisher Stevens, Frances McDormand, Frank Wood, Greta Gerwig, Harvey Keitel, Jake Ryan, Jeff Goldblum, Kara Hayward, Ken Watanabe, Koyu Rankin, Kunichi Nomura, Liev Schreiber, Mari Natsuki, Nijiro Murakami, Roman Coppola, Ryuhei Matsuda, Scarlett Johansson, Shota Matsuda, Taichi Kodama, Takayuki Yamada, Tilda Swinton, Yojiro Noda, Yoko Ono

Director: Wes Anderson

Rating: PG-13

Before “burnout,” “bullshit jobs,” and “quiet quitting” became part of our everyday lexicon, there was a film in the ‘90s that prophesied the rise of these workplace problems. Office Space follows three co-workers who, having had enough of their dreary low-paying jobs, fight back against their company via an embezzlement scheme. 

Office Space makes the most out of its indie budget as it mostly takes place in the cramped quarters of a company, effectively bottling us into the cubicled windowless world of the characters. But the real beauty of the film is in the details, from its quick zingers and thoughtful takes on the essence of work down to its elaborate “planning to plan” scheme in the background and the employees’ forced politeness singing happy birthday to their boss. Modern viewers will notice that Office Space sits right in between the dystopian thriller Severance and the beloved sitcom The Office—a dark comedy that highlights the necessity of humanity in everyday work. 

Genre: Comedy, Drama

Actor: Ajay Naidu, Alexandra Wentworth, Ali Wentworth, Barbara George-Reiss, Cassie Townsend, Charissa Allen, David Herman, Diedrich Bader, Gabriel Folse, Gary Cole, Greg Pitts, Heath Young, Jack Betts, Jackie Belvin, Jennifer Aniston, Jennifer Jane Emerson, Jesse De Luna, Joe Bays, John C. McGinley, Josh Bond, Justin Possenti, K. Todd Lytle, Kinna McInroe, Kyle Scott Jackson, Linda Wakeman, Michael McShane, Mike Judge, Orlando Jones, Paul Willson, R.C. Keene, Richard Riehle, Ron Livingston, Rupert Reyes, Samantha Inoue Harte, Spencer Kayden, Stephen Root, Todd Duffey, Tom Schuster

Director: Mike Judge

Rating: R

With the powerful duo of queer aesthetics and rock n roll, Hedwig and the Angry Inch questions the duality between genders, lovers, and everything in between. Like the 1998 stage musical, the film follows the titular Hedwig and her band as they navigate the music scene for fame and love. The adaptation gives justice to their performances, giving the vibe of 70s glam rock music videos. The film is not without its flaws. Hedwig’s relationship with the younger Tommy Gnosis remains controversial. However, while Hedwig may not be a perfect representation of the trans experience– after all, she only chooses gender reassignment purely to leave East Germany– this cult film still remains a landmark for queer representation.

Genre: Comedy, Drama, Music

Actor: Alan Mandell, Alberta Watson, Andrea Martin, Ben Mayer-Goodman, Ermes Blarasin, Gene Pyrz, John Cameron Mitchell, Karen Hines, Maggie Moore, Mary Krohnert, Maurice Dean Wint, Michael Aronov, Michael Pitt, Michael Stevens, Miriam Shor, Rob Campbell, Rosie O'Donnell, Sook-Yin Lee, Stephen Trask, Taylor Abrahamse, Thérèse DePrez

Director: John Cameron Mitchell

Lauren Greenfield’s film follows the Siegel family’s decline from opulent abundance to gaudy ruin. Mega wealth, delusions of grandeur, and grotesquely opulent taste—the Siegel family were the perfect subjects for the film, which sets out to document their most lavish expense: their Versailles home, a mansion sprawling more than 85,000 square feet and modeled after the Palace of Versailles.

The Siegels, no doubt, are entirely out of touch with reality. David Siegel, the owner of one of the world’s largest timeshare developers, married Jackie, a former Mrs. Florida who is 30 years younger. The Versailles home is to be Jackie’s castle, an enormous home for her eight kids and numerous pets.

But the 2008 recession does not spare the Siegels, and their company is devastated. After layoffs and desperate attempts to recover financially, the family struggles to pay back the banks. Construction halts. The Versailles home remains vacant and unfinished.

While the film does not sympathize with the Siegels, Greenfield creates a space where pity is possible as well as criticism. And from there comes the universal: desperation, longing, hope for better, if not also more, more, more.

Genre: Documentary, Drama

Actor: Jacqueline Siegel, Virginia Nebab

Director: Lauren Greenfield