308 Best Original Movies to Watch (Page 7)

Remarkably for a movie about women being shunned and exploited by those more powerful than them, I Am Not A Witch is often wryly funny. That’s because this satire about Zambia’s labor camps for "witches" is told with a matter-of-fact-ness that brings out both the heartbreak and absurdity of the film’s events. The bitter gravity of the predicament nine-year-old Shula (Maggie Mulubwa) finds herself in — she’s been accused of witchcraft on the back of some very flimsy evidence — is never glossed over, but neither is its farcicality. Appropriately for its subject, there are also touches of magical realism here, notes that elevate the film into something even more complex than a wry commentary on this morbidly fascinating form of misogyny. This hybrid tonal approach is executed with the kind of fluidity filmmakers might hope to one day master late on in their career — which makes the fact that this is director Rungano Nyoni’s debut all the more extraordinary.

Genre: Drama

Actor: Dyna Mufuni, Gloria Huwiler, Henry B.J. Phiri, Maggie Mulubwa, Nancy Murilo, Nellie Munamonga, Ritah Mubanga, Travers Merrill

Director: Rungano Nyoni

A film written by screenwriter Charlie Kaufman, about screenwriter Charlie Kaufman as he struggles to adapt a book about poaching a rare plant into a successful movie. Through Kaufman's clever writing and Spike Jones' unique style of directing, the film unfolds using "mise en abîme" as the viewer sees the lessons the writer in film comes across to improve his script more or less subtly influence the events he encounters as the narrative advances. Nicolas Cage's performance is also particularly good as a highly intelligent and self-obsessed screen writer with low self-esteem.

Genre: Comedy, Crime, Drama

Actor: Bob Stephenson, Bob Yerkes, Brian Cox, Cara Seymour, Caron Colvett, Catherine Keener, Chris Cooper, Curt Clendenin, Curtis Hanson, David O. Russell, Donald Dowd, Doug Jones, Gary Farmer, Gregory Itzin, Jay Tavare, Jim Beaver, John Cusack, John Malkovich, Judy Greer, Larry Krask, Lisa Love, Litefoot, Maggie Gyllenhaal, Meryl Streep, Nancy Lenehan, Nicolas Cage, Peter Jason, Roger E. Fanter, Roger Willie, Ron Livingston, Sandra Lee Gimpel, Stephen Tobolowsky, Tilda Swinton

Director: Spike Jonze

Rating: R

Taking 23 years until its completion, The Tragedy of Man is quite possibly the most ambitious film ever made, not just in its animation, but also in its scope. It’s quite fitting, as an adaptation of the classic Hungarian play, as Imre Madách’s story sets out to question not just the individual’s purpose, but the purpose of humanity as a whole, with writer-director Marcell Jankovics giving life to the play through the historical art styles of past civilizations that shifted today’s Western world, as well as adding what has happened after the play’s publication in 1861. While the film’s length can be daunting, being the Western animated feature in the world, the dialectic hits at the heart of this absurd existence, informed by the cynicism formed after Hungary’s fall of communism in 1989. The Tragedy of Man isn’t an easy film to watch, considering the themes, but it’s an interesting vision of humanity, illustrated in such an interesting way.

Genre: Animation, Drama, History

Actor: Ágnes Bertalan, Mátyás Usztics, Piroska Molnár, Tamás Széles, Tibor Szilágyi

Director: Marcell Jankovics

The magic of this movie — and every other one directed by Aki Kaurismäki — is in the way it inspires so much hope despite the darkness of its subject. When a man (Markku Peltola) is beaten and robbed one night, he wakes up without any memory of who he is. Forced to start life all over again, he’s subjected to yet more cruelty at the hands of a greedy slum landlord and callous authorities, but finds sympathy and support from his equally downtrodden neighbors. Though the street thugs have emptied his wallet, the unquestioning generosity of the people around him suggests he’s now richer than he was at the film’s outset — as does the sweetly simple romance he strikes up with a lonely Salvation Army worker (Kati Outinen). 

Kaurismäki doesn’t just make films about the disenfranchised for the sake of it: he shows us how easy — and yet momentous — acts of human kindness and solidarity can be, how radical they are in a bleak world. It’s not often a movie can so persuasively reassure us of people’s inherent goodness, but it’s even rarer still for it to be done with as much deceptive, charming simplicity as here.

Genre: Comedy, Drama, Romance

Actor: Aarre Karén, Aino Seppo, Andrey Chernyshov, Anneli Sauli, Antti Reini, Elina Salo, Esko Nikkari, Janne Hyytiäinen, Juhani Niemelä, Kaija Pakarinen, Kati Outinen, Liisa Mustonen, Markku Peltola, Olli Varja, Outi Mäenpää, Panu Vauhkonen, Pentti Auer, Pertti Sveholm, Sakari Kuosmanen, Silu Seppälä, Sulevi Peltola, Vesa Mäkelä

Director: Aki Kaurismäki

Feminism has made plenty of strides in multiple areas, but even in the era of free love, talking about sex was difficult, and certain figures were dismissed just because of it. The Disappearance of Shere Hite reexamines the titular forgotten feminist figure that simply focused on the female orgasm, giving a second look at her immediate rise and fall in the American media, and the reasons for her leaving the country. With Dakota Johnson’s soft voice, an excellent selection of archival footage, and Hite’s deeply personal words, the film paints a portrait of a mild-mannered, self-possessed woman, but it also reveals the heartbreakingly repetitive vitriol that affects these open discussions today.

Genre: Documentary

Actor: Dakota Johnson, Shere Hite

Director: Nicole Newnham

Spike Lee burst onto the filmmaking scene with this, his groundbreaking debut feature. Low in budget but high in confidence, She’s Gotta Have It fizzes with unadulterated energy and style, from its kaleidoscopic opening montage of stills depicting life in Brooklyn (where the film is set) to the joyous direct addresses of its credits sequence.

The film helped to kick off the independent movie movement in the US, and it’s not hard to see why: Lee and his collaborators (including members of his own family) do so much with so little here. Along with its visual and formal inventiveness — including ample fourth wall breaks and cinematographer Ernest Dickerson’s momentary, audacious switch from black-and-white to vibrant color — She’s Gotta Have It also broke new ground with Nola (Tracy Camilla Johns), the young, Black, unapologetically polyamorous artist whom the film’s forthright exploration of sexuality and feminism is centered on. Lee has since expressed regret about one scene in the film — an ill-judged moment that unavoidably dilutes some of its brilliance — but this aside, She’s Gotta Have It stands overall as a radical, exuberant, and impressively assertive lightning bolt of an entry into the medium that Lee changed forever.

Genre: Comedy, Romance

Actor: Bill Lee, Cheryl Burr, Eric Payne, Erik Dellums, Ernest R. Dickerson, Fab 5 Freddy, John Canada Terrell, Joie Lee, Monty Ross, Raye Dowell, Reginald Hudlin, S. Epatha Merkerson, Spike Lee, Tiziano Cortini, Tommy Redmond Hicks, Tracy Camilla Johns

Director: Spike Lee

Rating: R

Marona’s Fantastic Tale is a rich story about life and death and everything in between, told entirely through the eyes of a dog. With breathtaking visuals and unmatched empathy, the film implores us to think about what might count as joyous and heartbreaking for our four-legged friends. Told normally and in any other way, we might not care as much, but in a story as artful and compassionate as this, we can't help but listen. 

Unlike other films about pets, Marona’s Fantastic Tale isn’t cutesy—its art is dizzying and demanding, but beautiful nonetheless. And isn't afraid to confront tragedy (in fact, it begins with it). But it buoys reality with dreamy art sequences and even finds humor along the way. All in all, it’s a mature film that poses big existential questions that will intrigue adults as well as kids.

Genre: Animation, Drama, Family

Actor: Annie Mercier, Bruno Salomone, Georges Claisse, Isabelle Vitari, Lizzie Brocheré, Maïra Schmitt, Nathalie Boutefeu, Thierry Hancisse

Director: Anca Damian