Genre: Action & Adventure
Actor: Aju Makita, Kengo Kora, Kento Kaku, Tae Kimura, Yosuke Eguchi
Thanks to technological and artistic innovations, in the past couple of decades inventiveness in film has become truly limitless. From novel formats to unusual scripts and cinematography, here are the most original movies and shows to stream now.
Genre: Action & Adventure
Actor: Aju Makita, Kengo Kora, Kento Kaku, Tae Kimura, Yosuke Eguchi
When people think of football, they think of teams, and if not teams, they think of individual goalscorers. Higuita: the Way of the Scorpion focuses instead on a single goalkeeper from Latin America. To be fair, this goalkeeper is René Higuita – even just checking his Wikipedia is bound to pull some curiosity. But the documentary does a great job in introducing the man and his life story, starting with his fantastic scorpion kick before delving into the more personal and sensitive aspects of his life. With the wild gameplays and crazy controversies linked to the man, it’s actually unbelievable how a documentary like this hasn’t been made yet.
Genre: Documentary
Actor: René Higuita
Director: Luis Ara
Genre: Drama, Thriller
Actor: Bea Alonzo, Camille Penaverde, Charlie Dizon, Gie Onida, Micko Laurente, Milo Elmido Jr., Mina Cruz, Paulo Avelino, Sheenly Gener
Director: Antoinette Jadaone
Making a good erotic thriller out on Wall Street is no easy feat, but Fair Play has just the right ratio of wit, sex, and sleaze to spice up a Friday night viewing. There's also undeniable pleasure in watching a fairytale love story corrode, especially under the influence of money and power—here's one for the romantic capitalists! And even if the script feels a bit uneven and Emily's character a bit too silent until the film's third act, it's a heightened yet realistic depiction of exactly how solidified heteronormative standards still are: in bed, at home, at the workplace. Who would have guessed that's where the true horror lies?
Genre: Drama, Romance, Thriller
Actor: Alden Ehrenreich, Brandon Bassir, Buck Braithwaite, Eddie Marsan, Filip Todorovic, Geraldine Somerville, Greg De Cuir, Ivona Kustudić, Jamie Wilkes, Jelena Stupljanin, Jim Sturgeon, Katarina Gojković, Laurel Lefkow, Leopold Hughes, Linda Ljoka, Patrick Fischler, Phoebe Dynevor, Rich Sommer, Sebastian de Souza, Sia Alipour, Yacine Ramoul
Director: Chloe Domont
Renowned choreographer Benjamin Millepied brings an 1875 opera leaping into the 21st century with this modern retelling — through dance and drama — of Carmen. The plot is reimagined along the US border and recenters the titular character (Melissa Barrera), a newly orphaned refugee from Mexico making her way to her godmother (a fabulous Rossy de Palma) in LA. In places, Carmen recalls Baz Luhrmann’s Romeo + Juliet: aided by Nicholas Britell’s operatic score, it embraces its grand origins to evoke a star-crossed sense of looming tragedy over the romance that blossoms when reluctant border patrol guard Aidan (Paul Mescal) saves Carmen’s life and flees with her to California.
Where Carmen really soars is in its translation of drama into dance. It’s an inspired move, pairing this almost mythical story with such a primal medium — but, while the movie achieves visceral emotion that words would struggle to produce in its choreographed scenes, there’s something lacking in the moments where dialogue is crucial. The conversations never move as fluidly as the dancing bodies do, and the passion and the fury falter as a result. That being said, this is largely still a boldly inventive filmmaking experiment, one that spotlights the thrilling potency of pure movement as a storytelling medium.
Genre: Drama, Music
Actor: Benedict Hardie, Elsa Pataky, Kaan Guldur, Kevin MacIsaac, Melissa Barrera, Morgan Smallbone, Nico Cortez, Nicole da Silva, Paul Mescal, Pip Edwards, Richard Brancatisano, Rossy de Palma, Tara Morice, The D.O.C., Zac Drayson
Director: Benjamin Millepied
Butter Man: The Slickest Mexican Thief has gone under the radar the same way the titular criminal has evaded capture for years. Which is quite a shame, because Él Mantequilla has the charming, slick style of heist films from decades past. Through eight parts, Emiliano Escamilla takes on multiple fake identities, five of which happen to be the main identity Escamilla takes on in each episode. It’s funny to see how Escamilla gets away with some of these disguises, especially when he gets away with pulling millions from oblivious rich people just by dumb luck. However, what makes these scams compelling is how closer these get him to his real goal: reconnecting with his father and finding out the truth. Butter Man turns the caper series into a drama centered on family, mixing fun nostalgia with some heart.
Genre: Comedy, Drama
Actor: Abril Schreiber, Alberto Guerra, Enrique Arreola, Iván Aragón, Mayra Batalla, Rafael Sánchez Navarro
Boy is the highest-grossing New Zealand film of all time, and a masterpiece of compassion and good humor. Set in New Zealand's rural East Coast in 1984, the film's protagonist, Boy, imagines a world outside, dreaming of meeting Michael Jackson and having adventures. These fantasies serve to distract him from the sad circumstances of his life, living with his grandmother while his father serves out a prison sentence. However, adventure comes to Boy suddenly when his ex-convict father returns to find a long hidden bag of money. Written, directed, and starring Taika Waitit and featuring the new comer James Rolleston as Boy, it's a hilarious and heartwarming tale.
Genre: Comedy, Drama
Actor: Cherilee Martin, Chris Graham, Cohen Holloway, Craig Hall, Darcy Ray Flavell-Hudson, Haze Rewiti, Hoanihuhi Takotohiwi, James Rolleston, Jarod Rawiri, Maakariini Butler, Madeleine Sami, Manaia Callaghan, Mavis Paenga, Moerangi Tihore, Ngapaki Emery, Pana Hema-Taylor, Rachel House, Rajvinder Eria, RickyLee Waipuka-Russell, Stu Rutherford, Stuart Rutherford, Taika Waititi, Te Aho Aho Eketone-Whitu, Te Aho Eketone-Whitu, Tuhoro Ranihera Christie, Waimihi Hotere
Director: Taika Waititi, Topaz Adizes
Ashkal takes an audaciously hybrid approach to genre: it’s part-noir, part-supernatural thriller, and full political allegory. The investigation at the center of this slow-burn Tunisian police procedural is a gripping one, as burnt naked bodies keep turning up in abandoned construction sites in Tunis with no trace of a struggle or even a combustible on them. In post-revolution Tunisia, the deaths are an uncomfortable reminder of recent history: it was a young Tunisian man’s self-immolation that sparked the Arab Spring, after all.
The revolution’s complicated legacy looms over the film, as we watch the country’s Truth and Dignity Commission begin its work of uncovering the former government’s corruption and abuses. Ashkal’s two protagonists — the young Fatma (Fatma Oussaifi) and her more seasoned police partner Batal (Mohamed Grayaa) — find themselves on opposite sides of that political divide, he having been implicated in the abuses of power that are now being investigated by Fatma’s father. There are fascinating elements at play here, and the results of Ashkal’s ambitious genre experiment are mostly inspired. Much of the film’s energies are spent on building a paranoid atmosphere — efforts that can, at times, frustratingly slacken the tension — but its fantastical touches tauten things up enough to make it a haunting political commentary in the end.
Genre: Drama, Thriller
Director: Youssef Chebbi
Sophie Compton and Reubyn Hamlyn's British-American documentary about the harm of deepfakes won the SXSW Special Jury Award for its innovative storytelling and deservingly so. The two filmmakers use a clever and considerate way to let a young woman fictitiously named Taylor share her story of how she found deepfake pornography of herself online. With testaments, desktop form reconstructions, and lots of deepfakes, Compton and Hamlyn alert the audience to how terrifyingly widespread this kind of abuse is, and even more: how unregulated it is. Across the globe and 48 US states deepfake pornography is legal to make and spread, while victims remain helpless and unprotected. More than 90% of them are women. These chilling statistics are only part of the reason this documentary takes an activist stance and wants to raise awareness against the uncontrolled spread of face-swapping algorhythms amidst heated discussions around AI and ethics.
Genre: Documentary
Director: Reuben Hamlyn, Sophie Compton
In the Mexican film A Cop Movie, director Alonso Ruizpalacios mixes fact and fiction, documentary and narrative, to tell the tale of Teresa and Montoya, two police officers whose dreams are dashed by the corruption of their trade and who, eventually, find love and comfort in each other.
Ruizpalacios takes thrilling risks in structuring this genre-bending story—cutting stories into parts, jumping back and forth between the harrowingly real and captivatingly non-real. For all the experimental maneuvers he makes, however, the through-line is always Teresa and Montoya: particularly, their love for each other and for an institution that should have, in an ideal world, supported them and the people they vowed to protect.
To its credit, instead of merely humanizing the controversial police force, A Cop Movie adds some much-needed nuance to the big picture. At the end of the day, they’re no different than any other underpaid laborers working desperately to make end meets. A Cop Movie doesn’t gloss over the fact that the police, like so many other workers, are stuck in a rotten system that’s long overdue for a major overhauling.
Genre: Action, Crime, Documentary, Drama, Thriller
Actor: Leonardo Alonso, Mónica Del Carmen, Olivia Lagunas, Raúl Briones
Director: Alonso Ruizpalacios
Genre: Comedy, Drama
Actor: Agnès Hurstel, Blanche Gardin, Caroline Piette, Charlotte Laemmel, Félix Bossuet, Jean-Paul Solal, Laurent Nicolas, Mustapha Abourachid, Pio Marmaï, Raphaël Quenard, Sava Lolov, Sébastien Chassagne, Stéphane Pezerat
Director: Quentin Dupieux
With an accounting mistake leading to being stranded in the desert, it’s hard to predict where VIVANT would lead us to. As corporate employee Yusuke tries to undo his supposed accounting error, he gets into a series of surprising events including having to negotiate with a terrorist, being accused of a bombing, and escaping to a Japanese embassy… and that’s just in the first episode. But rather than feeling overly complicated, the story feels exciting, like something akin to a spy thriller, with its large-scale sets, multi-country stakes, and the mystery of a secret organization. Vivant feels totally unexpected and out of left field, but it’s definitely a unique and entertaining watch.
Genre: Drama
Actor: Fumi Nikaido, Hiroshi Abe, Kazunari Ninomiya, Masato Sakai, Tori Matsuzaka
Director: Katsuo Fukuzawa
This satire takes place in the year 2033 when it’s possible to “upload” oneself to a specific software-powered afterlife. In the variety of afterlives possible, there is no heaven or hell. Instead, class struggles persist: ads are everywhere, you have to pay for data, and there are many levels of luxury available.
Created by Greg Daniels (The Office, Parks and Recreation), Upload is an easy and funny show with an interesting and relevant premise. If you liked The Good Place, Silicon Valley, or Black Mirror, you will surely love this.
Genre: Comedy, Mystery, Sci-Fi & Fantasy, Science Fiction
Actor: Allegra Edwards, Andy Allo, Josh Banday, Kevin Bigley, Mackenzie Cardwell, Robbie Amell, Zainab Johnson
The poetic title of this debut feature from Chilean filmmaker Francisca Alegría does not tell a lie: a cow does indeed sing. More than one, in fact, because the film uses an entire herd — plus a flock of birds and a school of fish — as a kind of Greek chorus to comment on human mistreatment of animals and the wider environment. The Cow Who Sang never approaches sanctimonious territory, gently weaving from these ideas an expansive and evenly empathetic worldview. The magical realism that allows the animals to speak is the same device that brings the long-dead Magdalena (Mia Maestro) back to life — and, as her family’s fraught history is gradually revealed, it’s movingly suggested that the objectification that the cows and the local polluted river are subjected to is part of the same culture of devaluation that marred the lives of Magdalena and her female descendants. If there’s one complaint to be had, it’s that the relatively short runtime limits the film's ability to really expound on its many threads — the bond Magdalena instinctively forges with her trans granddaughter, for example. Ultimately, though, its symbolic storytelling and emotionally articulate cast allow The Cow Who Sang to communicate much of its sweeping philosophy to profound effect.
Genre: Drama
Actor: Alfredo Castro, Enzo Ferrada, Fernanda Urrejola, Leonor Varela, Luis Dubó, Marcial Tagle, Mía Maestro
Director: Francisca Alegría
The directorial debut of Australian twin brothers Danny and Michael Philippou—more popularly known together as the YouTube creators RackaRacka—Talk to Me finds a surprisingly unique way of exploring themes that contemporary horror films have made commonplace. At its heart this is still a movie about one's inability to come to terms with loss, but the emotions that come with this experience are filtered through suburban ennui and the numbing effect that social media has on depictions of tragedy. It's in this specific milieu where Mia (a terrific Sophie Wilde) feels compelled to act irresponsibly and continue inviting a malevolent presence into her life. Her feelings are real, but because her peers and the adults around her aren't the best at being vulnerable, Mia begins to underestimate how destructive her grief really is.
Talk to Me only grows more despairing the longer it goes. But impressively, the film doesn't rely on the usual jump scares and excesses that would normally make a YouTube horror short go viral. The situations escalate organically (if you can suspend a little disbelief for the moments when the characters simply watch terrible things happen) and as the supernatural forces haunting these teenagers get stronger, so do Mia's isolation and her desperation to make up for her mistakes. It's bleak stuff, but sharp direction and great performances (especially from Wilde and young Joe Bird) make this a particularly exciting vision of horror.
Genre: Horror, Thriller
Actor: Alexandra Jensen, Alexandria Steffensen, Ari McCarthy, Chris Alosio, Ethan Payne, Harli Ames, Harry Lewis, Jacek Koman, Jodie Dry, Joe Bird, Josh Bradley, Kelly Butler, KSI, Leeanna Walsman, Marcus Johnson, Mark Duncan, Miranda Otto, Otis Dhanji, Robin Northover, Simon Minter, Sophie Wilde, Tobi Brown, Vik Barn, Zoe Terakes
Director: Danny Philippou, Michael Philippou