355 Best Original Movies to Watch (Page 15)

Thanks to technological and artistic innovations, in the past couple of decades inventiveness in film has become truly limitless. From novel formats to unusual scripts and cinematography, here are the most original movies and shows to stream now.

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211. maboroshi, 2023

Unlike plenty of time torn films, Maboroshi is the kind of film that doesn’t have a straightforward explanation for the town of Mifuse standing still in time. But even when it doesn’t have a logical reason, the way the film unfolds has a distinct feeling as it explores the illusions the town either could cling to, or release to grow. This kind of storytelling would be familiar to fans of the prolific screenwriter Mari Okada, who just started directing in 2018 with Maquia: When the Promised Flower Blooms, but even those new to her work would appreciate the pure emotion driving Maboroshi, if they can let go of reality and enjoy MAPPA’s exquisite art for a moment.

Genre: Animation, Drama, Fantasy, Romance

Actor: Ayaka Saito, Daiki Kobayashi, Junya Enoki, Kento Hayashi, Koji Seto, Maki Kawase, Misaki Kuno, Reina Ueda, Setsuji Sato, Taku Yashiro, Tasuku Hatanaka, Yukiyo Fujii

Director: Mari Okada, Seimei Kidokoro

Rating: PG-13

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212. Los Espookys, 2022

Los Espookys is the name of a horror-loving group of friends, who, following their passion, provide gory services to those who seek them. Their clients range from fearmongering priests to greedy insurance claimants, all of whom demand the most bizarre out of the Los Espookys team. They’re a bit like the Scooby-Doo team in that sense, except instead of solving spooky crimes, they’re called in to initiate them.

It’s an absurd yet surprisingly sweet show that asks you to leave any self-serious viewing lens you might have at the door. Anything goes in this hazy, unnamed part of South America, and you would do well to let its boundless imagination carry you wherever it may lead, and its dry humor ground you on your feet.

Genre: Adventure, Comedy, Fantasy, Horror, Science Fiction

Actor: Ana Fabrega, Bernardo Velasco, Cassandra Ciangherotti, Julio Torres

Rating: TV-14

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213. Killer Soup, 2024

How far would you go to please the one you love? You might indulge your spouse with a white lie every now and then like the men in Swathi Shetty’s life each time she asks about her cooking, but Killer Soup takes it a whole step further when she asks Umesh to impersonate her similar-looking husband. And, as the lies pile up, and the cover-ups escalate, it’s delicious to see the lovers dig themselves into a deeper hole, even if they manage to throw off other people from the scent temporarily. While the story gets slightly convoluted later on due to many subplots, Killer Soup proves to at least be tastier than Swathi’s paya soup with its delightfully twisted lovers.

Genre: Comedy, Crime

Actor: Konkona Sen Sharma, Lal, Manoj Bajpayee, Nassar, Sayaji Shinde

Director: Abhishek Chaubey

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214. Kaala Paani, 2023

	
There’s a lot happening in Netflix’s first Hindi survival thriller series Kaala Paani. The main plot follows the discovery of a new disease with inky rashes that confounds scientists and policymakers, which would remind viewers of the botched response towards COVID-19, but there are multiple subplots including a love story with a traumatized former nurse, a family drama between separated parents and children, and the ecological commentary on the indigenous population that survived the disease once before. But Kaala Paani is able to balance these plots, tweaking the series’ disease to visually carry the show’s science in order to dedicate more weight to each subplot. It allows showrunner Sameer Saxena to play with more philosophical themes, and allows his compelling cast to play with more complex and dynamic roles.Genre: Drama
Actor: Amey Wagh, Arushi Sharma, Ashutosh Gowariker, Chinmay Mandlekar, Mona Singh, Sukant Goel, Vikas Kumar
Director: Amit Golani, Sameer Saxena
Rating: TV-MA

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215. Jury Duty, 2023

Between HBO's The Rehearsal and Peacock's Paul T. Goldman, it would seem that genre-bending reality-based shows are having a moment. Among the more lighthearted and enjoyable ones out there is Jury Duty, which follows a trial involving improvisational actors, save for one: Ronald Gladden, a friendly everyman who has yet to realize that everything around him, from the inane case to his oddball co-jurors, is fake. Every now and then though, thanks to the sheer ridiculousness of it all, Ronald looks like he's at the cusp of figuring it out, but the guy (bless his soul) is just too damn nice to get there.

And that's what makes Jury Duty so watchable. It finds a heart in the ever-hopeful Ronald who, as the appointed foreman, goes out of his way to help his fellow jurors. Whether that means reading a script with James Marsden (who plays a hilariously narcissistic version of himself here), building up nerdy genius Todd's confidence, or even just encouraging ol' Barbara to stay awake, he's there every step of the way. More than just laugh at Ronald's ignorance, we're also asked to look at his capacity for caring for people, which makes Jury Duty not just funny and experimental, but unexpectedly endearing as well. If you're looking for a show that's both easy and eccentric, familiar and new, then you should put this on.

Genre: Comedy, Mockumentary, Reality

Actor: Ben Seaward, Cassandra Blair, James Marsden, Kirk Fox, Maria Russell, Mekki Leeper, Pramod Kumar, Ross Kimball, Susan James Berger, Trisha LaFache, Whitney Rice

Director: Jake Szymanski

Rating: TV-14

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216. Institute Benjamenta, or This Dream People Call Human Life, 1995

	
Upon the first few minutes of Institute Benjamenta, or This Dream People Call Human Life, it’s obvious that the Brothers Quay’s first live-action film is highly unusual. First, it’s entirely black and white, with embellished, serif subtitles translating the initial German. Second, many of the film’s shots take the form of moody, gothic close-ups, reminiscent of 1920s silent films, like when Johannes examines his new pupil’s health, or when Lisa directs Jakob with an animal’s hoof next to his cheek. And third, the plot itself is strange, as the students are taught not to think anything of themselves, with only Jakob questioning their instruction. But there’s a certain beauty in the surreal approach the Brothers Quay takes in adapting the Swiss-German novel, a certain intuitive feel that allows the story to expand past its stilted movement, restrained frames, and the school’s oppressive tutelage. Institute Benjamenta is bizarre, but it’s undeniably a fascinating film, even at its most disturbing.Genre: Drama
Actor: Alice Krige, César Saratxu, Daniel Smith, Gottfried John, Jonathan Stone, Joseph Alessi, Mark Rylance, Peter Lovstrom, Uri Roodner
Director: Stephen Quay, Timothy Quay

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217. Inside Llewyn Davis, 2013

	
Inside Llewyn Davis tells the interesting and captivating story of a young, struggling singer navigating through the Greenwich Village folk scene in 1961. The movie conveys all sorts of emotions, thanks to Coen brothers’ stroke of genius: it is strange, funny, dramatic and satisfying at the same time. Not to mention, the ensemble cast is superb, and the music is absolutely great. It is the kind of movie that will put an unfamiliar yet wondrous feeling into you as you live through Llewyn Davis' eyes and feel his pain.Genre: Drama, Music
Actor: Adam Driver, Alex Karpovsky, Benjamin Pike, Bonnie Rose, Bradley Mott, Carey Mulligan, Charlotte Booker, Declan Bennett, Diane Findlay, Ethan Phillips, F. Murray Abraham, Frank Ridley, Garrett Hedlund, Helen Hong, Ian Blackman, Ian Jarvis, Jack O'Connell, Jake Ryan, James Colby, Jeanine Serralles, Jerry Grayson, John Ahlin, John Goodman, Justin Timberlake, Marcus Mumford, Max Casella, Mike Houston, Oscar Isaac, Ricardo Cordero, Roberto Lopez, Robin Bartlett, Sam Haft, Stark Sands, Stephen Payne, Steve Routman, Susan Blommaert, Sylvia Kauders
Director: Ethan Coen, Joel Coen
Rating: R

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218. Huesera: The Bone Woman, 2023

Huesera: The Bone Woman might not be the scariest film horror fans would see, but it does strike at the heart of the scary experience of motherhood. Through eerie sounds of breaking bones and weirdly contorted hands at the edge of beds, the film depicts new mother Valeria being haunted by the titular spirit, despite her prayer to the Virgin Mary. Valeria pleads for her husband and family to listen, though each time she does becomes proof of her faults as a mother. The terror in newcomer Natalia Solián’s face makes it all feel believable, but it’s the folk-inspired imagery of first-time feature director Michelle Garza Cervera that turns this film into a feminist masterpiece.

Genre: Drama, Horror, Mystery

Actor: Aida López, Alfonso Dosal, Emilram Cossío, Enoc Leaño, Gina Morett, Martha Claudia Moreno, Mayra Batalla, Mercedes Hernández, Natalia Solián, Pablo Guisa Koestinger, Samantha Castillo, Sonia Couoh

Director: Michelle Garza Cervera

Rating: NR

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219. Ghosts of the Abyss, 2003

Six years after blowing box-office records out of the water with Titanic, director James Cameron once again plunged into the deep for Ghosts of the Abyss. This documentary charts several 12500-foot-deep trips that Cameron, actor Bill Paxton (who played a treasure-hunter in the 1997 movie), and others took in submersibles down to the ship’s wreckage on the pitch-black bed of the Atlantic. The images they captured there are eerie and awe-inspiring: the camera floats through the skeleton of the once-grand ship, now colonised by sea life but still bearing haunting reminders of the people who perished with it. Digital superimpositions of the original layout help to bring the rusted interiors back to life, while ghostly, translucent images of actors are overlaid to recreate the panic and tragedy of the Titanic’s last night.

Granted, it isn’t the romantic epic the 1997 movie was, but Ghosts of the Abyss is an absorbing opportunity for Titanic fans to geek out and a window into the plucky logistics of these undersea trips (which have themselves become an object of great interest, given more recent, ill-fated journeys). Stripping back the Hollywood glamor and diving more deeply into the tragic reality of the Titanic, this is a companion piece that works just as compellingly on its own.

Genre: Documentary

Actor: Bill Paxton, Charles Pellegrino, Don Lynch, Federico Zambrano, James Cameron, John Broadwater, Ken Marschall, Lewis Abernathy, Lori Johnston, Mike Cameron, Tava Smiley

Director: James Cameron

Rating: G, PG

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220. Fancy Dance, 2024

	
Before she captivated the film world with her performance in Scorcese’s crime drama Killers of the Flower Moon, Lily Gladstone starred in Erica Tremblay’s feature film debut Fancy Dance, earlier in 2023. It’s a tragic drama, wherein Gladstone portrays Jax, a lesbian woman dealing with the government that failed to find her sister, and that currently seeks to transfer her niece’s custody to her white father. But it’s also an uplifting drama, one that celebrates the connection between Jax and her niece Roki, the Cayuga culture and language, and the connection with their community and tribe that continues to persist despite state disenfranchisement. Pacing issues do make the film a tad rushed, but nevertheless, Fancy Dance is a subtle and poignant debut, made much more grounded with the excellent lead performances.Genre: Drama
Actor: Arianne Martin, Audrey Wasilewski, Colleen Elizabeth Miller, Cory Hart, Crystle Lightning, Isabel Deroy-Olson, Jason Alan Smith, Lily Gladstone, Patrice Fisher, Ryan Begay, Shea Whigham, Tamara Podemski
Director: Erica Tremblay
Rating: R

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221. EO, 2022

It’s a bold move, centering a drama around a creature as docile as a donkey, but EO pulls it off without ever leaning on the crutch of CGI. Instead, the film makes ingenious use of a hundred-year-old film technique: the Kuleshov effect. By splicing the image of the titular donkey’s placid, expressionless face against visual stimulus, the illusion of a genuine reaction is produced.

But don’t be mistaken: this is no twee Disney-esque tale of anthropomorphism. Inspired by the classic Au Hasard Balthasar, EO tracks the haphazard journey of a former circus donkey across Europe — one that is often depicted in surreal psychedelic reds instead of idyllic picture-book tones, and punctured by more horrors than joys (though we do, thankfully, get to see him munch away on some well-deserved carrot treats). EO’s docility frames him as a kind of holy innocent, making the cruelty meted out to him feel all the more like a grave violation of something sacrosanct. Seeing the world through his oft-neglected perspective also makes this a movie about humans by proxy — a fresh, empathetic approach that, even in its obvious dramatic liberties, makes us meditate on both the depth of experience that may be unfolding in our animal neighbors and our role in shaping it.

Genre: Adventure, Drama

Actor: Agata Sasinowska, Anna Rokita, Delfina Wilkońska, Isabelle Huppert, Kateřina Holánová, Lolita Chammah, Lorenzo Zurzolo, Marcin Drabicki, Mateusz Kościukiewicz, Mateusz Murański, Sandra Drzymalska, Tomasz Organek, Waldemar Barwiński

Director: Jerzy Skolimowski

Rating: NR

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222. Daily Dose of Sunshine, 2023

Like plenty of medical dramas, Daily Dose of Sunshine portrays the day-to-day dynamics of a hospital department, this time in the department of mental health in a country that has one of the highest suicide rates in the world. Based on the webtoon from a former nurse, the series might have some laughs from the department's dynamics, but never at the expense of their patients. In fact, the show takes great care in depicting mental illness, taking care to visualize the patient’s episodes, as well as the way Da-eun tries to fit into her new department. It’s sweet and earnest, but not too cloying, and as substantial as the mugwort rice cakes Da-eun brings for her co-workers.

Genre: Drama

Actor: Chang Ryul, Jang Dong-yoon, Lee Jung-eun, Park Bo-young, Yeon Woo-jin

Director: JQ Lee

Rating: TV-MA

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223. Better Off Ted, 2009

	
Every episode of Better Off Ted starts with a satirical commercial from Veridian Dynamics, a multinational that does just about anything: biotech, weaponry, food, clothes, furniture. A soothing, soulless voice narrates the ad as happy, empty stock footage fills the screen: they can get you anything you please as long as it pleases them more. Money before people, goes the company motto, and there seems to be nothing that can stop them from achieving this goal.

Except perhaps for Ted and his small research and development team. As the conscience of Veridian Dynamics, he mediates between his amoral supervisors and hardworking colleagues and sticks up for the little guy as best as he can. He looks for the slim silver lining in every project he’s assigned, but the hijinks that ensue are both silly and sinister, highlighting the inherent contradiction of ideas like “family company” or “work-life balance.”

Released in 2009 and cut short by ABC after its second-season run, Better Off Ted is an impressively prescient show that holds its own in a TV age obsessed with satirizing corporate culture. It tackles topics like racially-biased tech and meatless meat before they’ve even entered mainstream knowledge. It lacks some of the warmth and character depth you may be used to in typical half-hour sitcoms, but if you’re looking for something wickedly sharp, Better Off Ted is the way to go.Genre: Comedy
Actor: Andrea Anders, Isabella Acres, Jay Harrington, Jonathan Slavin, Malcolm Barrett, Portia de Rossi
Rating: TV-PG

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224. Baraka, 1992

Slow, contemplative, but captivating, Baraka uses no narration, dialogue, or text to connect its images. The documentary stitches together shots with different subjects from different locations around the world. At first, it seems very peaceful—gorgeous, high-definition shots of nature paired with a soothing, resonant score that lulls you into hypnosis—but as the film progresses, director and cinematographer Ron Fricke presents more scenes with people, from the cities to the countryside, to places rarely documented on film. Depending on how you look at it, Baraka will either feel like just a compilation of screensavers or a profound meditation on how intrinsically connected everything is. It’s totally breathtaking either way.

Genre: Documentary, Drama

Actor: Patrick Disanto

Director: Ron Fricke

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225. The Velvet Underground, 2021

Directed by Todd Haynes (I’m Not There, Carol), The Velvet Underground takes an avant-garde approach to tell the story of the 1960s rock band. Like their music, nothing about this documentary is linear and expected. Screens are split to show two different things at once, seemingly unrelated clips are stitched to create a patchwork of feelings, and strobes of light flash multiple times onscreen. It's like an art installation come to life.

The film is dynamic and dazzling, infused with the same underground atmosphere as their early performances. If you’re looking to know more about the band, this film might not be for you. But if you’re looking to experience the band, to feel and see and hear what it was like to catch them at their peak, then this is for you.

Genre: Documentary, Drama, Music

Actor: Allen Ginsberg, Amy Taubin, Andy Warhol, Bill Graham, Billy Name, Cass Elliot, Danny Fields, David Bowie, Frank Zappa, Jackson Browne, John Cale, John Waters, Jonas Mekas, Jonathan Richman, Lou Reed, Marian Zazeela, Mary Woronov, Maureen Tucker, Nico, Sterling Morrison, Tony Conrad

Director: Todd Haynes

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