355 Best Original Movies to Watch (Page 12)

Daniel Day-Lewis earned his breakout performance as Johnny, a reformed skinhead in this tale of  interracial gay romance in Thatcher’s Britain. Gordon Warnecke plays Johnny's lover Omar, the aimless son of a Pakistani intellectual who is given a leg-up by a successful uncle when he’s put in charge of rescuing a failing laundrette in gritty South London. Remarkably, Omar and Johnny’s romance isn’t presented as all that transgressive; far more central are the experiences and attitudes towards “assimilation” of Omar’s British-Pakistani family, the elders of whom live double lives and indulge both their financial and sexual greed. My Beautiful Laundrette is transgressive in many ways, but mostly in the dizzying array of tensions it sets its sights on — racial, ideological, class, generational, and gender — an ambitious quality that can, admittedly, overwhelm at times. But ambition is an admirable flaw for a film to have, particularly one as sharp and groundbreaking as this.

Genre: Comedy, Drama, Romance

Actor: Ayub Khan-Din, Badi Uzzaman, Bhasker Patel, Charu Bala Chokshi, Chris Pitt, Colin Campbell, Daniel Day-Lewis, Dawn Archibald, Derrick Branche, Dulice Liecier, Garry Cooper, Gerard Horan, Gordon Warnecke, Gurdial Sira, Jonathan Moore, Neil Cunningham, Nisha Kapur, Ram John Holder, Richard Graham, Rita Wolf, Roshan Seth, Saeed Jaffrey, Shirley Anne Field, Souad Faress, Stephen Marcus, Walter Donohue

Director: Stephen Frears

Sometimes, all you need to make a good movie is to get two vastly different characters and force them to stay together. It’s probably why Kiss of the Spider Woman was made in the first place– the novel dumps hardened, self-sacrificial activist Valentin and flamboyant gay man Molina in a jail cell. But rather than depict Molina and Valentin just talking, the film visually recreates the stories they tell to each other as films-within-a-film. Molina’s fictional love stories are given all the glamor and drama of classic 60s romances, and Valentin’s life story depicted with a straightforward, gritty realism that matches the hard experiences he had. So as they tell their stories and challenge each other with their respective approaches to life, director Héctor Babenco ensures that as the two finally feel heard by each other, the audience, too, can easily empathize with the perspectives they take. It also ensures that the plot twist holds a strong punch. Though its escapist approach may suggest otherwise, Kiss of the Spider Woman realistically explores the way storytelling has always meant freedom.

Genre: Drama

Actor: Ana Maria Braga, Denise Dumont, Herson Capri, José Lewgoy, Lineu Dias, Luis Roberto Galizia, Miguel Falabella, Milton Gonçalves, Miriam Pires, Nildo Parente, Nuno Leal Maia, Patricio Bisso, Raúl Juliá, Sônia Braga, William Hurt

Director: Héctor Babenco

Rating: R

This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will enjoy this small, well-acted film.

Genre: Comedy, Crime, Drama, Mystery, Thriller

Actor: Asha Sawyer, Audrey Walker, Chris Doubek, Christine Woods, Dana Millican, David Yow, Derek Mears, Devon Graye, Elijah Wood, Gary Anthony Williams, Jana Lee Hamblin, Jane Levy, Jared Roylance, Jason Manuel Olazabal, Jeb Berrier, Lana Dieterich, Lee Eddy, Macon Blair, Marilyn Faith Hickey, Matt Orduna, Maxwell Hamilton, Melanie Lynskey, Michelle Moreno, Myron Natwick, Ray Buckley, Robert Longstreet, Sharae Foxie, Taylor Tunes, Wrick Jones

Director: Macon Blair

Rating: Not Rated, TV-MA

This fascinating documentary traces the roots of freestyling back to the rhythmic sermons of Baptist preachers, the improvisational energy of jazz music, and the spoken word artistry of the civil rights era’s Last Poets — but, like the form of rap it chronicles, it largely exists in the moment. The ephemeral nature of freestyling makes it a tricky thing to bottle, but The Art of Rhyme does so by mimicking the freewheeling energy of the MCs onscreen. And there are many legends of the medium featured here: from underground titans like Supernatural and Craig G (whose epic battles are shown here) to big names who crossed over into recording success like Talib Kweli, Mos Def, and even precious footage of a 17-year-old Notorious BIG. It’s as enlightening as you’d hope, but what makes this documentary such an impressive portrait of freestyle are all the ways it mirrors the impulsive, quick-thinking philosophy of the form in little over an hour.

Genre: Documentary, Music

Actor: Akim Funk Buddah, Bahamadia, Bobbito Garcia, Boots Riley, Debi Mazar, DJ Kool Herc, Eluard Burt, John Coltrane, Muhammad Ali, Planet Asia, The Notorious B.I.G., Tupac Shakur, Yasiin Bey

Director: Kevin Fitzgerald

Before he developed his signature dollhouse visual style, Wes Anderson made his feature debut with this lowkey, heartwarming, and decidedly not-symmetrically-perfect comedy about a bunch of misfits. Bottle Rocket isn’t as much of an outlier in its director’s storied filmography as might initially seem, however. Written in partnership with college buddy Owen Wilson — who, along with brothers Luke and Andrew, made his acting debut here — the film is delightfully offbeat and unexpectedly moving in the way we’ve come to expect from Anderson. Dignan (Owen Wilson) and Anthony (Luke Wilson) are two drifting, boyish twenty-somethings, although only Anthony seems aware of his directionlessness, as Dignan has graciously developed a 50-year life plan for the two of them (complete with hilariously vague bullet-points such as “Make wise investments” and “Own multiple accommodations”). The means to these ambitious ends is a life of crime — specifically, pulling off grand heists. But Dignan’s meticulousness hasn’t accounted for distractions, and his madcap scheme falls at the first hurdle when Anthony falls in love with a housekeeper at the motel they hide out in (Lumi Cavazos). Their sweet romance is one of the film’s many delights, as is its barrelling deadpan humor, which never betrays the warmth of the Wilson brothers’ heartwarming depiction of ride-or-die friendship.

Genre: Comedy, Crime, Drama

Actor: Amanda Welles, Andrew Wilson, Antonia Bogdanovich, Brian Tenenbaum, Darryl Cox, Dipak Pallana, James Caan, Jenni Tooley, Jill Parker-Jones, Julio Cedillo, Julio Cesar Cedillo, Kumar Pallana, Luke Wilson, Lumi Cavazos, Melinda Renna, Ned Dowd, Nena Smarz, Owen Wilson, Robert Musgrave, Russell Towery, Stephen Dignan, Tak Kubota

Director: Wes Anderson

Rating: R

In the Mexican film A Cop Movie, director Alonso Ruizpalacios mixes fact and fiction, documentary and narrative, to tell the tale of Teresa and Montoya, two police officers whose dreams are dashed by the corruption of their trade and who, eventually, find love and comfort in each other. Ruizpalacios takes thrilling risks in structuring this genre-bending story—cutting stories into parts, jumping back and forth between the harrowingly real and captivatingly non-real. For all the experimental maneuvers he makes, however, the through-line is always Teresa and Montoya: particularly, their love for each other and for an institution that should have, in an ideal world, supported them and the people they vowed to protect. To its credit, instead of merely humanizing the controversial police force, A Cop Movie adds some much-needed nuance to the big picture. At the end of the day, they’re no different than any other underpaid laborers working desperately to make end meets. A Cop Movie doesn’t gloss over the fact that the police, like so many other workers, are stuck in a rotten system that’s long overdue for a major overhauling.

Genre: Action, Crime, Documentary, Drama, Thriller

Actor: Carlos Corona, Juan Carlos Medellin, Leonardo Alonso, Mónica Del Carmen, Olivia Lagunas, Raúl Briones, Yoshira Escárrega

Director: Alonso Ruizpalacios

Rating: R

Given a budget from Netflix to make a documentary on Korean film, some would have chosen instead to make one for big Korean filmmaking personalities like Academy Award winner Bong Joon-ho, who is featured here. However, director Lee Hyuk-rae instead creates Yellow Door, a love letter to the ‘90s film club that inspired a generation. The warm way each member tries to remember the club made decades ago, and the handy, almost cheeky, animations makes it feel like we’re there in the club with them, just listening to friends reminisce about the way they obsessed about film, even if it wasn’t the major they were studying in. It’s so nostalgic and sentimental, and in shifting its focus, it celebrates the lovely experience of finding a community of like-minded people that’s just obsessed with film as you are.

Genre: Documentary

Actor: Ahn Nae-sang, Bong Joon-ho, Choi Jong-tae, Ju Sung-chul, Kim Hong-joon, Kim Hye-ja, Kim Hyung-oak, Lee Hyuk-rae, Woo Hyeon

Director: Lee Hyuk-rae

Rating: PG-13