125 Best Original Movies On Itunes (Page 6)

Staff & contributors

Thanks to technological and artistic innovations, in the past couple of decades inventiveness in film has become truly limitless. From novel formats to unusual scripts and cinematography, here are the most original movies and shows to stream now.

, 2014

Theeb is set in the Hejaz (now part of Saudi Arabia) on the eve of the Great Arab Revolt against the Ottoman Empire in 1916 — but you don’t need to be clued up on its historical backdrop, because its protagonist isn’t. Jacir Eid plays the titular adolescent (the name meaning “wolf”), the youngest son of a now-dead Bedouin leader. When his older brother Hussein (Hussein Al-Sweilhiyeen) is called upon to help guide a suspiciously tense British soldier (Jack Fox) to a well, Theeb disobeys an order to stay put and follows them into the unforgiving desert. Then, tragedy strikes in the middle of nowhere, throwing him into an uneasy alliance with an enemy, without whom he won't survive the treacherous journey home.

Era-ending political machinations are unfolding all around him, but Theeb lends the film his childlike perspective so that it plays out more like the coming-of-age story of a young cub than a Lawrence of Arabia-style epic. Even as it boldly subverts that classic, though, Theeb's cinematography mirrors the haunting, hostile beauty of David Lean’s film — making the desert feel as much a character as the boy. Deftly balancing a sense of earth-shattering personal stakes with one of looming historical portent, Theeb earned a well-deserved nomination at the 2016 Oscars.

Genre: Adventure, Drama, Thriller

Actor: Hassan Mutlag, Hussein Salameh, Jacir Eid, Jack Fox, Marji Audeh

Director: Naji Abu Nowar

At 80 minutes, Smoking Causes Coughing is another slice of perfectly paced absurdist fun from Quentin Dupieux, the zany mind behind Rubber (in which a car tire turns serial killer) and Deerskin, the tale of a motorcycle jacket that wants to rule the world. This time around, the protagonists aren’t inanimate objects: they’re Tobacco Force, a Power Rangers-style band of lightly idiotic superheroes who harness the toxic power of cigarettes to defeat Earth’s enemies, and are each named after one of their harmful components (Benzene, Nicotine, Mercury, Ammonia, and Methanol). They’re led by Chief Didier, a rat who inexplicably dribbles green goo — and, even more inexplicably, casts an intense erotic spell over Tobacco Force’s female members.

Smoking Causes Coughing leans deliriously, hilariously far into its absurdist premise. Citing a lack of “group cohesion,” Chief Didier sends the Force to the woods on a team-building retreat. While they swap “scary” stories over a campfire, however, a reptilian galactic supervillain plots to put Earth “out of its misery” because it’s a “sick planet” (can’t really argue with that). Full of insane plot twists and without a tired trope in sight, Smoking Causes Coughing never approaches the realm of predictability — no small achievement in this era of superhero fatigue.

Genre: Comedy, Drama, Fantasy

Actor: Adèle Exarchopoulos, Alain Chabat, Anaïs Demoustier, Anthony Sonigo, Benoît Poelvoorde, Blanche Gardin, Charlotte Laemmel, David Marsais, Doria Tillier, Frédéric Bonpart, Gilles Lellouche, Grégoire Ludig, Jean-Pascal Zadi, Jérôme Niel, José Da Silva, Julia Faure, Marie Bunel, Olivier Afonso, Oulaya Amamra, Raphaël Quenard, Sava Lolov, Vincent Lacoste

Director: Quentin Dupieux

Remarkably, Steven Soderbergh was only 26 years old when he directed this coolly assured debut, the searingly candid script of which he also wrote in just eight days. Despite the pornographic implications of its title, this is more concerned with exploring whether honesty — not sex — is the means to real intimacy. In fact, the only nakedness glimpsed here is of the emotional kind, as twenty-something drifter Graham’s (James Spader) total aversion to lying has an infectious influence on everyone around him.

The primary recipient of that disarming effect is Ann (Andie MacDowell), the wife of Graham’s old college buddy who is blasé about sex and neurotic about everything else. Talking to Graham has a therapeutic effect on her, but he takes something else away from conversation: chronically impotent, he simulates the sexual experience by conducting erotically themed interviews with women on videotape. Preferring to sublimate his desires through his camcorder, Spader’s physically aloof character is a disturbingly prescient one for what it suggested then about technology’s future impact on human relationships. That Soderbergh managed to conduct such a complex psychosexual drama all through dialogue — on his first feature, no less — makes him exceedingly worthy of the record this earned him of the youngest solo Palme d’Or-winning director ever.

Genre: Drama

Actor: Alexandra Root, Andie MacDowell, David Foil, Earl T. Taylor, James Spader, Laura San Giacomo, Peter Gallagher, Ron Vawter, Steve Brill, Steven Brill

Director: Steven Soderbergh

Rating: R

As the third instalment in Paul Schrader's "man in a room" trilogy after First Reformed (2017) and The Card Counter (2021), Master Gardner rounds up the issues at stake in a most profound way. For anyone who's seen a film either scripted by Schrader (such as Taxi Driver) or directed by him, there will be no surprises here: lost men, despairing men, men who are desperate to believe in something. But the salvation of love lurks around the corner and the new film makes no exception. An unconventional couple, Joel Edgerton and Quintessa Swindell (as Maya) make up the beating heart of this suspenseful drama with an emotional push and pull delivered in small doses. What could have been a kitschy, insensitive work blossoms into a treatise on how gentle the harshness of life can be. 

Genre: Drama, Romance, Thriller

Actor: Amy Le, Eduardo Losan, Esai Morales, Ja'Quan Monroe-Henderson, Jared Bankens, Joel Edgerton, Matt Mercurio, Quintessa Swindell, Rick Cosnett, Sean Richmond, Sigourney Weaver, Suzette Lange, Timothy McKinney, Victoria Hill

Director: Paul Schrader

Rating: R

Strange things are happening in the sleepy cul-de-sac where Cameron Edwin (comic Jim Gaffigan) lives: cars are falling from the sky, space rockets are crash-landing in his backyard, and his doppelgänger has just moved in next door and stolen his job. Unnerved by all these weird occurrences and feeling like a failure in light of his looming divorce, Cameron goes full midlife crisis and decides to rebuild the damaged rocket as a last-ditch attempt to fulfill his lifelong dream of being an astronaut. It’d be giving too much away to say anything more about the plot, but suffice it to say that the uncanniness lurking under Linoleum’s surface comes to mind-bending fruition as the rational and the fantastic meld into one. Though it’s already deeply affecting on first watch, this is the kind of movie you’ll immediately want to rewind to absorb the full weight of.

Genre: Comedy, Drama, Science Fiction

Actor: Amy Hargreaves, Gabriel Rush, Jay Walker, Jim Gaffigan, Katelyn Nacon, Michael Ian Black, Rhea Seehorn, Tony Shalhoub, Twinkle Burke, West Duchovny, Willoughby Pyle

Director: Colin West

The film for which Kristen Stewart became the first American actress to win the César Award. The Twilight star turned indie prodigy plays next to another award favorite, Juliette Binoche, as her assistant. When rehearsing for the play that launched her career many years earlier, Binoche's character, Maria, blurs the line between fiction and reality, her old age and her assistant's young demeanor, and the romance story portrayed in the play and her own life. The movie itself is stylized as a play, adding another interesting layer of artistic creativity to the complex plot line. A film for film lovers.

Genre: Drama

Actor: Aljoscha Stadelmann, Angela Winkler, Ben Posener, Benoit Peverelli, Brady Corbet, Caroline De Maigret, Chloë Grace Moretz, Claire Tran, Gilles Tschudi, Hanns Zischler, Jakob Köhn, Jerry Kwarteng, Johnny Flynn, Juliette Binoche, Kristen Stewart, Lars Eidinger, Luise Berndt, Nora von Waldstätten, Nora Waldstätten, Ricardia Bramley, Sean McDonagh, Steffen Mennekes, Stuart Manashil

Director: Olivier Assayas

Rating: R

When he’s accepted into the prestigious Islamic university Al-Azhar, fisherman’s son Adam (Tawfeek Barhom) gets an eye-opening education — but not the kind he expected. A place associated with notions of purity is imagined as a hotbed of hypocrisy and corruption here, as naive young Adam finds himself unwittingly embroiled in a state plot to seize control of Al-Azhar (because, as one government official puts it, “We can’t accept having two pharaohs in the land”). Cairo Conspiracy's intricate plot confronts monsters in government and strips away religious leaders’ veneer of divinity as a reminder that they’re merely fallible men. What's more, the film grapples with the knotty mess of politics raging inside the institution’s walls in such a way that even its palatial courtyard feels claustrophobic. Rife with paranoia and subterfuge, Cairo Conspiracy feels utterly unique thanks to this skillful transposing of the shadowy machinations of courtly intrigue dramas and '70s paranoid thrillers into a very contemporary Egyptian setting.

Genre: Drama, Thriller

Actor: Fares Fares, Jalal Altawil, Makram J. Khoury, Mehdi Dehbi, Mohammad Bakri, Sherwan Haji, Tawfeek Barhom

Director: Tarik Saleh

You don’t have to have seen a single game of tennis to enjoy this mockumentary about the longest match that (n)ever took place in the sport’s history. Andy Samberg plays Aaron Williams, the mullet-sporting adopted brother of Serena and Venus (whose family “reverse Blind-Sided” him) made immortal by his record-smashing, week-long battle with posh, dim-witted English prodigy Charles Poole (Kit Harington) at Wimbledon. Things only get more riotously ridiculous from the premise: the team behind sports spoof Tour de Pharmacy chronicle the winding journeys the rivals took to that climactic seven-day showdown, from forays into the world of innovative underwear design to stints in Swedish jails, by way of a surreal tangent into the storied faux-history of courtroom sketch art. Suffice it to say: the tennis isn’t really the point here.

Real-life figures from the sport (including Serena Williams and John McEnroe) ground the spoof in enough reality to make the zany humor pop, with the comedy coming from a very game Fred Armisen, Michael Sheen, Lena Dunham, Will Forte, and Howie Mandel. With eccentric humor in spades — from the puerile to the surreal — and a lean runtime, 7 Days in Hell packs in as many dizzying jokes as Aaron and Charles do volleys in their absurd history-making rally.

Genre: Comedy, TV Movie

Actor: Andy Samberg, Chris Evert, Chris Romano, David Copperfield, Destiny Soria, Dolph Lundgren, Filip Hammar, Fred Armisen, Howie Mandel, Jerry Gregorio, Jim Lampley, John McEnroe, Jon Hamm, June Squibb, Karen Gillan, Kit Harington, Lena Dunham, Ludwig Manukian, Lyssa Roberts, Mary Steenburgen, Michael Sheen, Serena Williams, Soledad O'Brien, Will Forte

Director: Jake Szymanski

, 2021

Beautifully directed and blessed to be led by the wonderfully gentle and curious dog Zeytin, Stray commits to its unique point of view by reimagining Istanbul as a place made up of cars, torsos, and trash on the street. Such constraints on one's filmmaking might make it seem like director Elizabeth Lo is in the perfect position to manipulate her animal characters in order to get the "story" she wants, but it genuinely never feels that way. If anything, Zeytin is the one who pulls Lo into orbit, and there's a sense that the director is simply recording what the dog is revealing to us about human beings' daily rituals and how they end up creating structure, culture, and (sadly) outcasts from this culture.

Genre: Documentary

Director: Elizabeth Lo

Rating: NR

With a script that seems to have been written for a medieval fantasy, but set in a present-day Ivorian jail, Night of the Kings immediately situates itself between the realms of reality and imagination. Whether or not one thinks that certain details about the prison's strange rituals have been lost in translation, the mysticism surrounding the events of the movie remains impossible to shake. The idea of improvising one's way out of trouble should make sense in any cultural context after all, and this is what keeps the film on edge—and what helps Night of the Kings work as such a singular vision from an often underrepresented region of world cinema.

Genre: Drama, Fantasy

Actor: Denis Lavant, Digbeu Jean Cyrille, Issaka Sawadogo, Koné Bakary, Rasmané Ouédraogo, Simon Rieber, Steve Tientcheu

Director: Philippe Lacôte

Is courage still courage when you have no choices left? What do you do when you're pressed to the wall and have no way to go? Maria, a pretty, modest and hardworking girl living in a small Colombian town, where the only career choice (thus not being a choice, really) is working in a floral plant, packing and distributing flowers - a dead-end job with killer hours and zero-tolerance boss. Yet, it's money. Until the day Maria gets pregnant and her choices become even more limited. By accident, she makes acquaintance with a guy who turns out to be her way out - and the way is out to become a drug mule, transporting drugs in your stomach across the border to the American soil. A job dangerous in many aspects, illegal and potentially deadly, but also paid well. Maria decides to take the only way out, a way that may be a one-way street. Maria Full of Grace is a gut-wrenching story about survival in a seemingly hopeless situation. It's about taking that one chance that has all the potential to go south, and investing in it all the hope you have left, and all the survival instinct you have in your heart and soul. And when everything that could go bad does, and everything turns from bad to worse beyond imagination, it's about standing strong and not giving up, no matter what. Though technically not a documentary, it's real beyond belief, and you can be sure Colombia is full of Marias - just hoping for a decent life, ready to sacrifice the very life itself to obtain it. It's a masterpiece of its genre and it also boasts one of the best posters in the history of the cinema. Highly recommended.

Genre: Crime, Drama, Thriller

Actor: Catalina Sandino Moreno, Charles Albert Patiño, Guilied Lopez, Jaime Osorio Gómez, Jhon Álex Toro, Johanna Andrea Mora, John Álex Toro, Orlando Tobón, Patricia Rae, Selenis Leyva, Victor Macias

Director: Joshua Marston

Rating: R

Inside Llewyn Davis tells the interesting and captivating story of a young, struggling singer navigating through the Greenwich Village folk scene in 1961. The movie conveys all sorts of emotions, thanks to Coen brothers’ stroke of genius: it is strange, funny, dramatic and satisfying at the same time. Not to mention, the ensemble cast is superb, and the music is absolutely great. It is the kind of movie that will put an unfamiliar yet wondrous feeling into you as you live through Llewyn Davis' eyes and feel his pain.

Genre: Drama, Music

Actor: Adam Driver, Alex Karpovsky, Benjamin Pike, Bonnie Rose, Bradley Mott, Carey Mulligan, Charlotte Booker, Declan Bennett, Ethan Phillips, F. Murray Abraham, Frank Ridley, Garrett Hedlund, Helen Hong, Ian Blackman, Ian Jarvis, Jack O'Connell, Jake Ryan, James Colby, Jeanine Serralles, Jerry Grayson, John Ahlin, John Goodman, Justin Timberlake, Marcus Mumford, Max Casella, Mike Houston, Oscar Isaac, Ricardo Cordero, Roberto Lopez, Robin Bartlett, Sam Haft, Stark Sands, Stephen Payne, Steve Routman, Susan Blommaert, Sylvia Kauders

Director: Ethan Coen, Joel Coen

Rating: R

Huesera: The Bone Woman might not be the scariest film horror fans would see, but it does strike at the heart of the scary experience of motherhood. Through eerie sounds of breaking bones and weirdly contorted hands at the edge of beds, the film depicts new mother Valeria being haunted by the titular spirit, despite her prayer to the Virgin Mary. Valeria pleads for her husband and family to listen, though each time she does becomes proof of her faults as a mother. The terror in newcomer Natalia Solián’s face makes it all feel believable, but it’s the folk-inspired imagery of first-time feature director Michelle Garza Cervera that turns this film into a feminist masterpiece.

Genre: Drama, Horror, Mystery

Actor: Aida López, Alfonso Dosal, Emilram Cossío, Enoc Leaño, Gina Morett, Martha Claudia Moreno, Mayra Batalla, Mercedes Hernández, Natalia Solián, Pablo Guisa Koestinger, Samantha Castillo, Sonia Couoh

Director: Michelle Garza Cervera

Rating: NR

Six years after blowing box-office records out of the water with Titanic, director James Cameron once again plunged into the deep for Ghosts of the Abyss. This documentary charts several 12500-foot-deep trips that Cameron, actor Bill Paxton (who played a treasure-hunter in the 1997 movie), and others took in submersibles down to the ship’s wreckage on the pitch-black bed of the Atlantic. The images they captured there are eerie and awe-inspiring: the camera floats through the skeleton of the once-grand ship, now colonised by sea life but still bearing haunting reminders of the people who perished with it. Digital superimpositions of the original layout help to bring the rusted interiors back to life, while ghostly, translucent images of actors are overlaid to recreate the panic and tragedy of the Titanic’s last night.

Granted, it isn’t the romantic epic the 1997 movie was, but Ghosts of the Abyss is an absorbing opportunity for Titanic fans to geek out and a window into the plucky logistics of these undersea trips (which have themselves become an object of great interest, given more recent, ill-fated journeys). Stripping back the Hollywood glamor and diving more deeply into the tragic reality of the Titanic, this is a companion piece that works just as compellingly on its own.

Genre: Documentary

Actor: Bill Paxton, Charles Pellegrino, Don Lynch, Federico Zambrano, James Cameron, John Broadwater, Ken Marschall, Lewis Abernathy, Lori Johnston, Mike Cameron, Tava Smiley

Director: James Cameron

Rating: G, PG

, 2022

It’s a bold move, centering a drama around a creature as docile as a donkey, but EO pulls it off without ever leaning on the crutch of CGI. Instead, the film makes ingenious use of a hundred-year-old film technique: the Kuleshov effect. By splicing the image of the titular donkey’s placid, expressionless face against visual stimulus, the illusion of a genuine reaction is produced.

But don’t be mistaken: this is no twee Disney-esque tale of anthropomorphism. Inspired by the classic Au Hasard Balthasar, EO tracks the haphazard journey of a former circus donkey across Europe — one that is often depicted in surreal psychedelic reds instead of idyllic picture-book tones, and punctured by more horrors than joys (though we do, thankfully, get to see him munch away on some well-deserved carrot treats). EO’s docility frames him as a kind of holy innocent, making the cruelty meted out to him feel all the more like a grave violation of something sacrosanct. Seeing the world through his oft-neglected perspective also makes this a movie about humans by proxy — a fresh, empathetic approach that, even in its obvious dramatic liberties, makes us meditate on both the depth of experience that may be unfolding in our animal neighbors and our role in shaping it.

Genre: Drama

Actor: Isabelle Huppert, Kateřina Holánová, Lolita Chammah, Lorenzo Zurzolo, Mateusz Kościukiewicz, Sandra Drzymalska, Tomasz Organek, Waldemar Barwiński

Director: Jerzy Skolimowski

Rating: NR