85 Best Without plot Movies to Watch (Page 5)

Staff & contributors

If you’re less about adventurous plots, and more about the aesthetics and character arcs, we’ve got you covered. Here are the best plot-less movies and shows to stream right now.

Though it doesn't provide a more holistic view of Chinese society even in the context of work and industry, Ascension remains an impressive collection of images that manage to be both awe-inspiring and disconcerting. The film deliberately chooses not to take a stance on any of the things we see on screen, which makes for a uniquely challenging experience for the active viewer; many images that we might initially describe as dystopian here are usually followed by scenes that remind us of the humanity working within these capitalist structures. What you really end up learning from Ascension may be limited in scope, but getting to see modern life presented this way is still a unique opportunity.

Genre: Documentary

Director: Jessica Kingdon

Almost more like an audiobook than a traditional movie, the first and unfortunately final film from Icelandic composer Jóhann Jóhannsson pairs soothing narration by Tilda Swinton with surreal images of alien structures on a desolate planet for a piece of sci-fi that may very well be un-categorizable. As a "story" ostensibly meant to carry some sort of urgency, Last and First Men isn't entirely convincing. But as an example of pure imagination that challenges how you think of biological life, it's totally fascinating. As Swinton details the continuous cycle of death and rebirth that humanity goes through over an impossible span of time, it's hard not to feel the hope and tragedy of it all—while also making you reconsider how things are in our present day.

Genre: Drama, Science Fiction

Actor: Tilda Swinton

Director: Jóhann Jóhannsson

Written like a stage play, directed like the viewer is a fly on the wall, and shot with a love for deep shadows and warm candlelight, Flowers of Shanghai is about as immersive a chamber drama as one could ask for. Having most of the "action" take place off screen, director Hou Hsiao-hsien draws our eye instead to how his characters (including one played by an exceptionally stoic Tony Leung) continue to negotiate for their own freedom against patriarchal norms, pushing against cultural notions of proper decorum. It's a film brimming with repressed emotion, but without ever raising its voice. The vibes, as the kids say, are immaculate.

Genre: Drama

Actor: Annie Shizuka Inoh, Carina Lau, Jack Kao, Michelle Reis, Michiko Hada, Moon Wang, Pauline Chan, Rebecca Pan, Stephanie Fong Shuan, Tony Leung Chiu-Wai, Vicky Wei

Director: Hou Hsiao-hsien

A quiet movie about an unpredictable convict who gets enrolled in a wild mustang taming program. These initiatives, common around the country, offer fascinating parallels: both the horses and the inmates are emprisoned, both innately fight against their condition but are actively being made to comply. The central performance by Matthias Schoenaerts is nothing short of a masterpiece. He doesn't speak much and you almost don't want him to: everything else he does communicates so much more than words. Watching this movie just for him is reason enough.

Genre: Drama

Actor: Bruce Dern, Connie Britton, Gideon Adlon, Heath Hensley, Jasmeet Baduwalia, Jason Mitchell, John Logsdon, Josh Stewart, Kelly Richardson, Kieth Johnson, Matthias Schoenaerts, Noel Gugliemi, Santina Muha, Thomas Smittle

Director: Laure de Clermont-Tonnerre

Rating: R

One of those long-lost mid-budget dramas that's content with observing the rich yet uneventful lives of average folk, Nobody's Fool reminds us that nothing exciting or shocking needs to happen to make a good story. The late, eternally charismatic Paul Newman leads an ensemble of character actors in relaxed, memorable roles—Bruce Willis, Philip Seymour Hoffman, Margo Martindale, and Jessica Tandy, among others. It's the authentic, neither-love-nor-hate relationship among all these characters that drives all their individual drama forward and keeps the film from stagnating into anything less than endearing. Here, the idea of things never really changing in this small community is meant to be a comfort, not a lament.

Genre: Comedy, Drama

Actor: Alexander Goodwin, Alice Drummond, Angela Pietropinto, Angelica Page, Anibal O. Lleras, Bruce Willis, Carl J. Matusovich, Catherine Dent, Drenda Spohnholtz, Dylan Walsh, Elizabeth Wilson, Gene Saks, Gerry Robert Byrne, Jay Patterson, Jerry Mayer, Jessica Tandy, Joe Paparone, Josef Sommer, Marcus Powell, Margo Martindale, Melanie Griffith, Page Johnson, Paul Newman, Philip Bosco, Philip Seymour Hoffman, Pruitt Taylor Vince, Richard Mawe, Shannah Laumeister Stern

Director: Robert Benton

Following is the first movie Christopher Nolan ever directed, a mesmerizing low-budget effort that introduced the world to the genius who will later give us Memento, Inception, The Dark Knight, and many other classics. Shot in "extreme" conditions to quote Nolan himself, for just over £3000, it had to be filmed in the span of a year on Saturdays only and in friends' houses. But almost none of that is visible in the sharp camera work, the magnificent acting (most of it was first or second takes), and the twisted script. It tells the story of an unsuccessful writer (The Young Man) who tries to find inspiration in following random people in the street, and doing it via strict rules. One day he follows a man in a suit (Cobb), who catches him and becomes intrigued by him. It turns out that Cobb has his own fascination with people's intimate lives, of criminal nature, which he lets The Young Man into. Using the same non-linear plot technique as in Memento, this movie is halfway between a thriller and a film noir. The inspiration for it came when Nolan's own apartment in London was robbed, and he was fascinated by the act of strangers going through his personal items. If you take into consideration the conditions of its making, this movie is a masterpiece.

Genre: Drama, Mystery, Thriller

Actor: Alex Haw, Barbara Stepansky, David Julyan, Dick Bradsell, Emma Thomas, Gillian El-Kadi, Jennifer Angel, Jeremy Theobald, John Nolan, Lucy Russell, Nicolas Carlotti, Paul Mason, Rebecca James

Director: Christopher Nolan

Rating: R

Shot almost entirely in one take and on a tiny budget, and yet the central performance in this movie is still better than most big-budget dramas I’ve seen this year.

Two indigenous women, one upper-class and the other impoverished, meet on the day that the rich one gets an IUD and the other one, pregnant, finds herself kicked out of her home. They spend a few hours together: they talk, they take cabs, walk, etc; and you as a viewer, follow them throughout their intimate yet difficult moments.

If you like subtle movies that showcase how people live and interact with one another, beyond plot-obsessiveness, this is for you.

Genre: Drama

Actor: Aidan Dee, Anesha Bailey, Anthony Bolognese, Barbara Eve Harris, Charles Jarman, Charlie Hannah, Elle-Máijá Tailfeathers, Elle-Maija Tailfeathers, James Angus Cowan, Jay Cardinal Villeneuve, Kathleen Hepburn, Lissa Neptuno, Paul Jarrett, Sonny Surowiec, Tony Massil, Violet Nelson

Director: Elle-Máijá Tailfeathers, Elle-Maija Tailfeathers, Kathleen Hepburn

Rating: TV-MA

It’s very interesting, if not startling, to see an earnest movie made about the white upper class these days. Metropolitan is one such film, and even though it was released in the ’90s, it still stands the test of time precisely because it neither judges nor defends the group of WASPs it follows. It simply shows them in all their elegance and sophistication, as well as their insulation and irony. 

Metropolitan takes place in the upper crust of New York debutante society, during Christmas vacation, where soirees are rampant and afterparties even more so. The young-adult leads who navigate the scene in their expensive clothes and self-important aura recall a Scott Fitzgerald novel, or if you like, Gossip Girl episode. But instead of falling into tragedies, these characters just end up in silly but relatable mishaps and misunderstandings: they’re just kids after all. And as high and mighty as they may seem, whiling away in tall Park Avenue apartments, they’re still prone to the universal pains that haunt and shape teenagers. Expect to see heartbreak, jealousy, and longing even among the brightest and wealthiest of New York. 

Genre: Comedy, Drama, Romance

Actor: Alice Connorton, Carolyn Farina, Chris Eigeman, Donal Lardner Ward, Francis Creighton, Isabel Gillies, Taylor Nichols, Thomas R. Voth, Will Kempe

Director: Whit Stillman

Rating: PG-13

Even if you aren't familiar with Akira Kurosawa classics like Rashomon and Seven Samurai, Madadayo works as a portrait of a great man who seemed to feel nothing at the end of his career other than gratitude. Made up of long, wholesome conversations between real-life Japanese academic Hyakken Uchida (Tatsuo Matsumura) and his former students, the film finds plenty of wisdom in observing the little things. And as hard as his students try to make sure Uchida's twilight years are as comfortable as possible, there's still something elusive about this man overwhelmed by all the good and bad fortune in his life.

Genre: Comedy, Drama

Actor: Akira Terao, Asei Kobayashi, Eiji Bandô, George Tokoro, Hidetaka Yoshioka, Hisashi Igawa, Kazuhiko Kasai, Kinzō Sakura, Kōjirō Kusanagi, Kyōko Kagawa, Masahiko Tanimura, Masayuki Yui, Masuo Amada, Mie Suzuki, Minoru Hirano, Mitsuru Hirata, Nobuto Okamoto, Noriko Honma, Norio Matsui, Shigeo Katô, Shû Nakajima, Takao Zushi, Takeshi Kusaka, Tatsuo Matsumura, Tetsu Watanabe, Tetsuya Ito, Tomoko Ôtakara, Toshihiko Nakano, Yoshitaka Zushi

Director: Akira Kurosawa

A character study in the absolute purest sense, Anne at 13,000 Ft. doesn't even have the kind of satisfying closure one would expect from any story, nor does it explain anything about its protagonist's difficult, erratic behavior in the context of mental health. It's an exercise in testing how much empathy a character can earn solely on account of their being a human being having a hard time. Appropriately, the filmmaking on display makes for a deliberately uncomfortable experience, with tension ratcheting up in practically every given situation, enhanced by the fact that director Kazik Radwanski and star Deragh Campbell improvised much of the movie as they were making it.

Genre: Drama

Actor: Deragh Campbell, Dorothea Paas, Helly Chester, Joseph Simon, Lawrene Denkers, Lisa Aitken, Matt Johnson, Michael Kuthe, Suzanne Pratley, Tiffany Blom

Director: Kazik Radwanski

Waking Life is composed exclusively of a series of conversations involving the main character, with him sometimes participating and sometimes just as a spectator. The discussions revolve around issues such as metaphysics, free will, social philosophy or the meaning of life. The title refers to a quote from Jorge Santayana: "sanity is a madness put to good uses; waking life is a dream controlled.", and the whole movie wanders around the state of a lucid dream, emphasized by the rotoscoping technique in which it was filmed. Waking Life is not just a movie worth watching, it is a movie worth watching a thousand times, because you will always notice something that you have previously missed out.

Genre: Animation, Drama, Fantasy

Actor: Adam Goldberg, Alex Jones, Bill Wise, Caveh Zahedi, Charles Gunning, Ethan Hawke, Glover Gill, Jason Liebrecht, Jeanine Attaway, John Christensen, Julie Delpy, Kim Krizan, Lorelei Linklater, Louis Black, Mona Lee Fultz, Nicky Katt, Peter Atherton, Richard Linklater, Steve Brudniak, Steve Fitch, Steven Prince, Steven Soderbergh, Timothy "Speed" Levitch, Trevor Jack Brooks, Wiley Wiggins

Director: Richard Linklater

Rating: R

Vive L'Amour is a slow-building film that dives deep into the loneliness and longing of urban life, weaving together the lives of three lost souls searching for connection and meaning in a bustling city. Though the film's slow pace and minimal dialogue brilliantly convey the characters' inner turmoil, there are times when the (probably purposeful) lack of direction doesn't quite land. You might also find that director Tsai Ming-liang's evocative cinematography does not hold up this sparse yet bloated plot. Still, Vive L'Amour encapsulates the signature solemn air of Taiwanese cinema, presenting a contemplative exploration of human relationships and urban alienation. It may be polarizing, but one thing is for sure: it will leave you introspective and moved by its profound examination of the human condition.

Genre: Drama

Actor: Chen Chao-jung, Lee Kang-sheng, Lu Yi-Ching, Yang Kuei-Mei

Director: Tsai Ming-liang

The pulp and machismo that defined the ‘80s is very much present in Vengeance Is Mine, All Others Pay Cash, but instead of glorifying the era, Indonesian auteur Edwin smartly flips the script and puts the headstrong Iteung (Ladya Cheryl) front and center in this subversive and heady action film. As the anti-damsel-in-distress, Iteung expertly wrestles her way through love, all while retaining an endearing cheekiness and independence about her. 

Excellently choreographed, impeccably detailed, and skewed with enough of a feminist bent to keep it fresh, Vengeance Is Mine fittingly won the top prize at the 74th Locarno International Film Festival.

Genre: Action, Comedy, Crime, Drama, Fantasy, Mystery, Romance

Actor: Arie Dagienkz, Ayu Laksmi, Brilliana Desy Dwinawati, Cecep Arif Rahman, Christine Hakim, Djenar Maesa Ayu, Eduwart Manalu, Elang El Gibran, Elly D. Luthan, Kevin Ardilova, Kiki Narendra, Ladya Cheryl, Lukman Sardi, Marthino Lio, Maryam Supraba, Max Yanto, Piet Pagau, Ratu Felisha, Reza Rahadian, Sal Priadi

Director: Edwin

Rating: TV-MA

It shouldn’t be a surprise to anyone that the mix of ideas and aesthetics that gave us Her has roots in Japan. Borrowing from the country’s poeticism, attention to detail and just appreciation for beauty; Tony Takitani is Her’s quiet and delicate elder brother-film, and one of the best this genre has to give. After spending a solitary childhood, a Japanese kid with the American name Tony grows up to be a successful technical illustrator. Without the time for the outside world or any luck with it, Tony indulges in his work and by extension his loneliness until he suddenly falls a distinctive young woman. Tony Takitani is a slow film, which quickly becomes a memorable experience due to its profound study of loneliness.

Genre: Drama

Actor: Hidetoshi Nishijima, Issei Ogata, Issey Ogata, Miho Fujima, Rie Miyazawa, Shinohara Takahumi

Director: Jun Ichikawa

Rating: Unrated