42 Best Without plot Movies On Itunes (Page 3)

Staff & contributors

If you’re less about adventurous plots, and more about the aesthetics and character arcs, we’ve got you covered. Here are the best plot-less movies and shows to stream right now.

Though it doesn't provide a more holistic view of Chinese society even in the context of work and industry, Ascension remains an impressive collection of images that manage to be both awe-inspiring and disconcerting. The film deliberately chooses not to take a stance on any of the things we see on screen, which makes for a uniquely challenging experience for the active viewer; many images that we might initially describe as dystopian here are usually followed by scenes that remind us of the humanity working within these capitalist structures. What you really end up learning from Ascension may be limited in scope, but getting to see modern life presented this way is still a unique opportunity.

Genre: Documentary

Director: Jessica Kingdon

Written like a stage play, directed like the viewer is a fly on the wall, and shot with a love for deep shadows and warm candlelight, Flowers of Shanghai is about as immersive a chamber drama as one could ask for. Having most of the "action" take place off screen, director Hou Hsiao-hsien draws our eye instead to how his characters (including one played by an exceptionally stoic Tony Leung) continue to negotiate for their own freedom against patriarchal norms, pushing against cultural notions of proper decorum. It's a film brimming with repressed emotion, but without ever raising its voice. The vibes, as the kids say, are immaculate.

Genre: Drama

Actor: Annie Shizuka Inoh, Carina Lau, Jack Kao, Michelle Reis, Michiko Hada, Moon Wang, Pauline Chan, Rebecca Pan, Stephanie Fong Shuan, Tony Leung Chiu-Wai, Vicky Wei

Director: Hou Hsiao-hsien

A quiet movie about an unpredictable convict who gets enrolled in a wild mustang taming program. These initiatives, common around the country, offer fascinating parallels: both the horses and the inmates are emprisoned, both innately fight against their condition but are actively being made to comply. The central performance by Matthias Schoenaerts is nothing short of a masterpiece. He doesn't speak much and you almost don't want him to: everything else he does communicates so much more than words. Watching this movie just for him is reason enough.

Genre: Drama

Actor: Bruce Dern, Connie Britton, Gideon Adlon, Heath Hensley, Jasmeet Baduwalia, Jason Mitchell, John Logsdon, Josh Stewart, Kelly Richardson, Kieth Johnson, Matthias Schoenaerts, Noel Gugliemi, Santina Muha, Thomas Smittle

Director: Laure de Clermont-Tonnerre

Rating: R

One of those long-lost mid-budget dramas that's content with observing the rich yet uneventful lives of average folk, Nobody's Fool reminds us that nothing exciting or shocking needs to happen to make a good story. The late, eternally charismatic Paul Newman leads an ensemble of character actors in relaxed, memorable roles—Bruce Willis, Philip Seymour Hoffman, Margo Martindale, and Jessica Tandy, among others. It's the authentic, neither-love-nor-hate relationship among all these characters that drives all their individual drama forward and keeps the film from stagnating into anything less than endearing. Here, the idea of things never really changing in this small community is meant to be a comfort, not a lament.

Genre: Comedy, Drama

Actor: Alexander Goodwin, Alice Drummond, Angela Pietropinto, Angelica Page, Anibal O. Lleras, Bruce Willis, Carl J. Matusovich, Catherine Dent, Drenda Spohnholtz, Dylan Walsh, Elizabeth Wilson, Gene Saks, Gerry Robert Byrne, Jay Patterson, Jerry Mayer, Jessica Tandy, Joe Paparone, Josef Sommer, Marcus Powell, Margo Martindale, Melanie Griffith, Page Johnson, Paul Newman, Philip Bosco, Philip Seymour Hoffman, Pruitt Taylor Vince, Richard Mawe, Shannah Laumeister Stern

Director: Robert Benton

Following is the first movie Christopher Nolan ever directed, a mesmerizing low-budget effort that introduced the world to the genius who will later give us Memento, Inception, The Dark Knight, and many other classics. Shot in "extreme" conditions to quote Nolan himself, for just over £3000, it had to be filmed in the span of a year on Saturdays only and in friends' houses. But almost none of that is visible in the sharp camera work, the magnificent acting (most of it was first or second takes), and the twisted script. It tells the story of an unsuccessful writer (The Young Man) who tries to find inspiration in following random people in the street, and doing it via strict rules. One day he follows a man in a suit (Cobb), who catches him and becomes intrigued by him. It turns out that Cobb has his own fascination with people's intimate lives, of criminal nature, which he lets The Young Man into. Using the same non-linear plot technique as in Memento, this movie is halfway between a thriller and a film noir. The inspiration for it came when Nolan's own apartment in London was robbed, and he was fascinated by the act of strangers going through his personal items. If you take into consideration the conditions of its making, this movie is a masterpiece.

Genre: Drama, Mystery, Thriller

Actor: Alex Haw, Barbara Stepansky, David Julyan, Dick Bradsell, Emma Thomas, Gillian El-Kadi, Jennifer Angel, Jeremy Theobald, John Nolan, Lucy Russell, Nicolas Carlotti, Paul Mason, Rebecca James

Director: Christopher Nolan

Rating: R

When travelling to another place, another city, another town, there’s a certain anonymity that frees one’s self. No one knows who you are, so you’re not expected to maintain a certain personality, and that can be necessary for young people trying to find their way. The Breaking Ice shows this in a fairly sentimental way, juxtaposing the wintry, snowy landscape with the warm but fleeting connection forming between three lonely adults, but there’s just something honest in the way the three try to hide but still share the same youthful ennui, even if they come from vastly different backgrounds. The Breaking Ice might not be daring enough to delve into the queer aspect of this trio, but it’s still a lovely, well-crafted drama contemplating the youth’s melancholy.

Genre: Drama

Actor: Liu Baisha, Liu Haoran, Qu Chuxiao, Ruguang Wei, Zhao Wenhao, Zhou Dongyu

Director: Anthony Chen

It’s very interesting, if not startling, to see an earnest movie made about the white upper class these days. Metropolitan is one such film, and even though it was released in the ’90s, it still stands the test of time precisely because it neither judges nor defends the group of WASPs it follows. It simply shows them in all their elegance and sophistication, as well as their insulation and irony. 

Metropolitan takes place in the upper crust of New York debutante society, during Christmas vacation, where soirees are rampant and afterparties even more so. The young-adult leads who navigate the scene in their expensive clothes and self-important aura recall a Scott Fitzgerald novel, or if you like, Gossip Girl episode. But instead of falling into tragedies, these characters just end up in silly but relatable mishaps and misunderstandings: they’re just kids after all. And as high and mighty as they may seem, whiling away in tall Park Avenue apartments, they’re still prone to the universal pains that haunt and shape teenagers. Expect to see heartbreak, jealousy, and longing even among the brightest and wealthiest of New York. 

Genre: Comedy, Drama, Romance

Actor: Alice Connorton, Carolyn Farina, Chris Eigeman, Donal Lardner Ward, Francis Creighton, Isabel Gillies, Taylor Nichols, Thomas R. Voth, Will Kempe

Director: Whit Stillman

Rating: PG-13

A character study in the absolute purest sense, Anne at 13,000 Ft. doesn't even have the kind of satisfying closure one would expect from any story, nor does it explain anything about its protagonist's difficult, erratic behavior in the context of mental health. It's an exercise in testing how much empathy a character can earn solely on account of their being a human being having a hard time. Appropriately, the filmmaking on display makes for a deliberately uncomfortable experience, with tension ratcheting up in practically every given situation, enhanced by the fact that director Kazik Radwanski and star Deragh Campbell improvised much of the movie as they were making it.

Genre: Drama

Actor: Deragh Campbell, Dorothea Paas, Helly Chester, Joseph Simon, Lawrene Denkers, Lisa Aitken, Matt Johnson, Michael Kuthe, Suzanne Pratley, Tiffany Blom

Director: Kazik Radwanski

Vive L'Amour is a slow-building film that dives deep into the loneliness and longing of urban life, weaving together the lives of three lost souls searching for connection and meaning in a bustling city. Though the film's slow pace and minimal dialogue brilliantly convey the characters' inner turmoil, there are times when the (probably purposeful) lack of direction doesn't quite land. You might also find that director Tsai Ming-liang's evocative cinematography does not hold up this sparse yet bloated plot. Still, Vive L'Amour encapsulates the signature solemn air of Taiwanese cinema, presenting a contemplative exploration of human relationships and urban alienation. It may be polarizing, but one thing is for sure: it will leave you introspective and moved by its profound examination of the human condition.

Genre: Drama

Actor: Chen Chao-jung, Lee Kang-sheng, Lu Yi-Ching, Yang Kuei-Mei

Director: Tsai Ming-liang

A doorway opens at the beginning of Spring, Summer, Fall, Winter... and Spring, and through this doorway you are brought into the movie's world. Explanations or plot transitions rarely exist, and dialogue is kept at a minimum level. And yet this movie remains an incredibly simple film. Following a Buddhist master and his apprentice, it is a fable very much in the 'cycle of life' form, offering gentle complexity in the timeless and sole framework of a floating Buddhist monastery. That's all I can say without saying too much. If you are into aesthetically pleasing films, go watch this.

Genre: Drama, Romance

Actor: Choe Min, Ha Yeo-jin, Ji Dae-han, Jong-ho Kim, Ki-duk Kim, Kim Jong-ho, Kim Jung-young, Kim Ki-duk, Kim Young-min, Oh Yeong-su, Oh Young-soo, Park Ji-a, Park Zia, Seo Jae-kyeong, Yeong-su Oh

Director: Ki-duk Kim, Kim Ki-duk

Rating: R

Painfully intimate and told with very, very little dialogue, All Dirt Roads Taste of Salt resembles the experience of flipping through a photo book and pausing to admire every page. Which is to say that this is a film that requires not only one's complete attention but—like many other arthouse dramas—a willingness to sit with the mundane until it reveals something more profound. The nearly silent nature of its storytelling can be a little awkward, given how lifelike the rest of the movie is, but one should hopefully get used to the idea that this is an attempt to represent something closer to memory than reality. Whether or not the experience sticks or strikes an emotional chord, it's all beautifully put together, with lush cinematography, impeccably detailed sound design, and thoughtful sequencing of one image after another.

Genre: Drama

Actor: Charleen McClure, Chris Chalk, Kaylee Nicole Johnson, Moses Ingram, Reginald Helms Jr., Sheila Atim, Zainab Jah

Director: Raven Jackson

Rating: PG

As a sluggishly paced, three-hour spiritual drama with little dialogue and even less plot, Inside the Yellow Cocoon Shell certainly won't convert anybody who isn't already interested in slow cinema. Even those who don't mind these types of films in which "nothing happens" might feel that it doesn't weave its themes of faith and suffering tightly enough. But there's more than enough beauty to contemplate here, courtesy of Dinh Duy Hung's stunning cinematography, which invites us to simply inhabit the world and to stop looking for answers. This may sound like a copout, but it's quite the experience to have a film force you to rethink how you're viewing it, as you're viewing it.

Genre: Drama

Actor: Le Phong Vu, Nguyen Thi Truc Quynh, Nguyen Thinh, Vu Ngoc Manh

Director: Pham Thien An