40 Best Without plot Movies On Itunes Canada (Page 3)

Staff & contributors

If you’re less about adventurous plots, and more about the aesthetics and character arcs, we’ve got you covered. Here are the best plot-less movies and shows to stream right now.

Following is the first movie Christopher Nolan ever directed, a mesmerizing low-budget effort that introduced the world to the genius who will later give us Memento, Inception, The Dark Knight, and many other classics. Shot in "extreme" conditions to quote Nolan himself, for just over £3000, it had to be filmed in the span of a year on Saturdays only and in friends' houses. But almost none of that is visible in the sharp camera work, the magnificent acting (most of it was first or second takes), and the twisted script. It tells the story of an unsuccessful writer (The Young Man) who tries to find inspiration in following random people in the street, and doing it via strict rules. One day he follows a man in a suit (Cobb), who catches him and becomes intrigued by him. It turns out that Cobb has his own fascination with people's intimate lives, of criminal nature, which he lets The Young Man into. Using the same non-linear plot technique as in Memento, this movie is halfway between a thriller and a film noir. The inspiration for it came when Nolan's own apartment in London was robbed, and he was fascinated by the act of strangers going through his personal items. If you take into consideration the conditions of its making, this movie is a masterpiece.

Genre: Drama, Mystery, Thriller

Actor: Alex Haw, Barbara Stepansky, David Julyan, Dick Bradsell, Emma Thomas, Gillian El-Kadi, Jennifer Angel, Jeremy Theobald, John Nolan, Lucy Russell, Nicolas Carlotti, Paul Mason, Rebecca James

Director: Christopher Nolan

Rating: R

When travelling to another place, another city, another town, there’s a certain anonymity that frees one’s self. No one knows who you are, so you’re not expected to maintain a certain personality, and that can be necessary for young people trying to find their way. The Breaking Ice shows this in a fairly sentimental way, juxtaposing the wintry, snowy landscape with the warm but fleeting connection forming between three lonely adults, but there’s just something honest in the way the three try to hide but still share the same youthful ennui, even if they come from vastly different backgrounds. The Breaking Ice might not be daring enough to delve into the queer aspect of this trio, but it’s still a lovely, well-crafted drama contemplating the youth’s melancholy.

Genre: Drama

Actor: Liu Baisha, Liu Haoran, Qu Chuxiao, Ruguang Wei, Zhao Wenhao, Zhou Dongyu

Director: Anthony Chen

Shot almost entirely in one take and on a tiny budget, and yet the central performance in this movie is still better than most big-budget dramas I’ve seen this year.

Two indigenous women, one upper-class and the other impoverished, meet on the day that the rich one gets an IUD and the other one, pregnant, finds herself kicked out of her home. They spend a few hours together: they talk, they take cabs, walk, etc; and you as a viewer, follow them throughout their intimate yet difficult moments.

If you like subtle movies that showcase how people live and interact with one another, beyond plot-obsessiveness, this is for you.

Genre: Drama

Actor: Aidan Dee, Anesha Bailey, Anthony Bolognese, Barbara Eve Harris, Charles Jarman, Charlie Hannah, Elle-Máijá Tailfeathers, Elle-Maija Tailfeathers, James Angus Cowan, Jay Cardinal Villeneuve, Kathleen Hepburn, Lissa Neptuno, Paul Jarrett, Sonny Surowiec, Tony Massil, Violet Nelson

Director: Elle-Máijá Tailfeathers, Elle-Maija Tailfeathers, Kathleen Hepburn

Rating: TV-MA

It’s very interesting, if not startling, to see an earnest movie made about the white upper class these days. Metropolitan is one such film, and even though it was released in the ’90s, it still stands the test of time precisely because it neither judges nor defends the group of WASPs it follows. It simply shows them in all their elegance and sophistication, as well as their insulation and irony. 

Metropolitan takes place in the upper crust of New York debutante society, during Christmas vacation, where soirees are rampant and afterparties even more so. The young-adult leads who navigate the scene in their expensive clothes and self-important aura recall a Scott Fitzgerald novel, or if you like, Gossip Girl episode. But instead of falling into tragedies, these characters just end up in silly but relatable mishaps and misunderstandings: they’re just kids after all. And as high and mighty as they may seem, whiling away in tall Park Avenue apartments, they’re still prone to the universal pains that haunt and shape teenagers. Expect to see heartbreak, jealousy, and longing even among the brightest and wealthiest of New York. 

Genre: Comedy, Drama, Romance

Actor: Alice Connorton, Carolyn Farina, Chris Eigeman, Donal Lardner Ward, Francis Creighton, Isabel Gillies, Taylor Nichols, Thomas R. Voth, Will Kempe

Director: Whit Stillman

Rating: PG-13

A character study in the absolute purest sense, Anne at 13,000 Ft. doesn't even have the kind of satisfying closure one would expect from any story, nor does it explain anything about its protagonist's difficult, erratic behavior in the context of mental health. It's an exercise in testing how much empathy a character can earn solely on account of their being a human being having a hard time. Appropriately, the filmmaking on display makes for a deliberately uncomfortable experience, with tension ratcheting up in practically every given situation, enhanced by the fact that director Kazik Radwanski and star Deragh Campbell improvised much of the movie as they were making it.

Genre: Drama

Actor: Deragh Campbell, Dorothea Paas, Helly Chester, Joseph Simon, Lawrene Denkers, Lisa Aitken, Matt Johnson, Michael Kuthe, Suzanne Pratley, Tiffany Blom

Director: Kazik Radwanski

Vive L'Amour is a slow-building film that dives deep into the loneliness and longing of urban life, weaving together the lives of three lost souls searching for connection and meaning in a bustling city. Though the film's slow pace and minimal dialogue brilliantly convey the characters' inner turmoil, there are times when the (probably purposeful) lack of direction doesn't quite land. You might also find that director Tsai Ming-liang's evocative cinematography does not hold up this sparse yet bloated plot. Still, Vive L'Amour encapsulates the signature solemn air of Taiwanese cinema, presenting a contemplative exploration of human relationships and urban alienation. It may be polarizing, but one thing is for sure: it will leave you introspective and moved by its profound examination of the human condition.

Genre: Drama

Actor: Chen Chao-jung, Lee Kang-sheng, Lu Yi-Ching, Yang Kuei-Mei

Director: Tsai Ming-liang

A doorway opens at the beginning of Spring, Summer, Fall, Winter... and Spring, and through this doorway you are brought into the movie's world. Explanations or plot transitions rarely exist, and dialogue is kept at a minimum level. And yet this movie remains an incredibly simple film. Following a Buddhist master and his apprentice, it is a fable very much in the 'cycle of life' form, offering gentle complexity in the timeless and sole framework of a floating Buddhist monastery. That's all I can say without saying too much. If you are into aesthetically pleasing films, go watch this.

Genre: Drama, Romance

Actor: Choe Min, Ha Yeo-jin, Ji Dae-han, Jong-ho Kim, Ki-duk Kim, Kim Jong-ho, Kim Jung-young, Kim Ki-duk, Kim Young-min, Oh Yeong-su, Oh Young-soo, Park Ji-a, Park Zia, Seo Jae-kyeong, Yeong-su Oh

Director: Ki-duk Kim, Kim Ki-duk

Rating: R

A deadpan anthology of three interconnected stories set in a run-down hotel in Memphis, Tennessee. The film's deliberate pacing, minimalist approach, and observational style are present throughout, capturing the essence of each character and their encounters with the city. 

Director Jim Jarmusch's indie film displays its characters' quirks and desires, all underlined with a love letter to Elvis Presley. Each unique segment has some charm, humor, and soundtrack that creates a palpable sense of time and place even if the sum displaces the overall narrative.

Genre: Comedy, Drama

Actor: Calvin Brown, Cinqué Lee, Elizabeth Bracco, Jim Stark, Jodie Markell, Joe Strummer, Masatoshi Nagase, Nicoletta Braschi, Richard Boes, Rick Aviles, Rockets Redglare, Rufus Thomas, Sara Driver, Screamin' Jay Hawkins, Steve Buscemi, Sy Richardson, Tom Noonan, Tom Waits, Vondie Curtis-Hall, Youki Kudoh

Director: Jim Jarmusch

Painfully intimate and told with very, very little dialogue, All Dirt Roads Taste of Salt resembles the experience of flipping through a photo book and pausing to admire every page. Which is to say that this is a film that requires not only one's complete attention but—like many other arthouse dramas—a willingness to sit with the mundane until it reveals something more profound. The nearly silent nature of its storytelling can be a little awkward, given how lifelike the rest of the movie is, but one should hopefully get used to the idea that this is an attempt to represent something closer to memory than reality. Whether or not the experience sticks or strikes an emotional chord, it's all beautifully put together, with lush cinematography, impeccably detailed sound design, and thoughtful sequencing of one image after another.

Genre: Drama

Actor: Charleen McClure, Chris Chalk, Kaylee Nicole Johnson, Moses Ingram, Reginald Helms Jr., Sheila Atim, Zainab Jah

Director: Raven Jackson

Rating: PG

As a sluggishly paced, three-hour spiritual drama with little dialogue and even less plot, Inside the Yellow Cocoon Shell certainly won't convert anybody who isn't already interested in slow cinema. Even those who don't mind these types of films in which "nothing happens" might feel that it doesn't weave its themes of faith and suffering tightly enough. But there's more than enough beauty to contemplate here, courtesy of Dinh Duy Hung's stunning cinematography, which invites us to simply inhabit the world and to stop looking for answers. This may sound like a copout, but it's quite the experience to have a film force you to rethink how you're viewing it, as you're viewing it.

Genre: Drama

Actor: Le Phong Vu, Nguyen Thi Truc Quynh, Nguyen Thinh, Vu Ngoc Manh

Director: Pham Thien An