22 Best Without plot Movies On Itunes Australia (Page 2)

Staff & contributors

If you’re less about adventurous plots, and more about the aesthetics and character arcs, we’ve got you covered. Here are the best plot-less movies and shows to stream right now.

Jim Jarmusch’s latest film is the story of a pair of vampires, Adam and Eve (Tom Hiddleston and Tilda Swinton), married for thousand of years and living thousands of miles apart, subsequently reunited in modern-day Detroit to find Hiddleston in state of disrepair and depression. Their lives are shaken up by the sudden appearance of Swinton’s wayward young vampire sister Ava (Mia Wasikowska) that sets their lives into tumult. It's the type of evenly-paced and wryly amusing dramedy that only Jarmusch could craft. I loved the atmosphere and sensibility of this film, not to mention the various literary allusions along with the dark, somber soundtrack. Less of a narrative and more of a modern-day-vampire-slice-of-life, this is one of those films that gets under skin and stays awhile (and not in a bad way).

Genre: Drama, Romance

Actor: Ali Amine, Anton Yelchin, Aurélie Thépaut, Carter Logan, Ego Sensation, Jeffrey Wright, John Hurt, Marc Codsi, Mia Wasikowska, Slimane Dazi, Tilda Swinton, Tom Hiddleston, Wayne Brinston, Yasmine Hamdan

Director: Jim Jarmusch

Rating: R

Though it doesn't provide a more holistic view of Chinese society even in the context of work and industry, Ascension remains an impressive collection of images that manage to be both awe-inspiring and disconcerting. The film deliberately chooses not to take a stance on any of the things we see on screen, which makes for a uniquely challenging experience for the active viewer; many images that we might initially describe as dystopian here are usually followed by scenes that remind us of the humanity working within these capitalist structures. What you really end up learning from Ascension may be limited in scope, but getting to see modern life presented this way is still a unique opportunity.

Genre: Documentary

Director: Jessica Kingdon

Written like a stage play, directed like the viewer is a fly on the wall, and shot with a love for deep shadows and warm candlelight, Flowers of Shanghai is about as immersive a chamber drama as one could ask for. Having most of the "action" take place off screen, director Hou Hsiao-hsien draws our eye instead to how his characters (including one played by an exceptionally stoic Tony Leung) continue to negotiate for their own freedom against patriarchal norms, pushing against cultural notions of proper decorum. It's a film brimming with repressed emotion, but without ever raising its voice. The vibes, as the kids say, are immaculate.

Genre: Drama

Actor: Annie Shizuka Inoh, Carina Lau, Jack Kao, Michelle Reis, Michiko Hada, Moon Wang, Pauline Chan, Rebecca Pan, Stephanie Fong Shuan, Tony Leung Chiu-Wai, Vicky Wei

Director: Hou Hsiao-hsien

A quiet movie about an unpredictable convict who gets enrolled in a wild mustang taming program. These initiatives, common around the country, offer fascinating parallels: both the horses and the inmates are emprisoned, both innately fight against their condition but are actively being made to comply. The central performance by Matthias Schoenaerts is nothing short of a masterpiece. He doesn't speak much and you almost don't want him to: everything else he does communicates so much more than words. Watching this movie just for him is reason enough.

Genre: Drama

Actor: Bruce Dern, Connie Britton, Gideon Adlon, Heath Hensley, Jasmeet Baduwalia, Jason Mitchell, John Logsdon, Josh Stewart, Kelly Richardson, Kieth Johnson, Matthias Schoenaerts, Noel Gugliemi, Santina Muha, Thomas Smittle

Director: Laure de Clermont-Tonnerre

Rating: R

Following is the first movie Christopher Nolan ever directed, a mesmerizing low-budget effort that introduced the world to the genius who will later give us Memento, Inception, The Dark Knight, and many other classics. Shot in "extreme" conditions to quote Nolan himself, for just over £3000, it had to be filmed in the span of a year on Saturdays only and in friends' houses. But almost none of that is visible in the sharp camera work, the magnificent acting (most of it was first or second takes), and the twisted script. It tells the story of an unsuccessful writer (The Young Man) who tries to find inspiration in following random people in the street, and doing it via strict rules. One day he follows a man in a suit (Cobb), who catches him and becomes intrigued by him. It turns out that Cobb has his own fascination with people's intimate lives, of criminal nature, which he lets The Young Man into. Using the same non-linear plot technique as in Memento, this movie is halfway between a thriller and a film noir. The inspiration for it came when Nolan's own apartment in London was robbed, and he was fascinated by the act of strangers going through his personal items. If you take into consideration the conditions of its making, this movie is a masterpiece.

Genre: Drama, Mystery, Thriller

Actor: Alex Haw, Barbara Stepansky, David Julyan, Dick Bradsell, Emma Thomas, Gillian El-Kadi, Jennifer Angel, Jeremy Theobald, John Nolan, Lucy Russell, Nicolas Carlotti, Paul Mason, Rebecca James

Director: Christopher Nolan

Rating: R

It’s very interesting, if not startling, to see an earnest movie made about the white upper class these days. Metropolitan is one such film, and even though it was released in the ’90s, it still stands the test of time precisely because it neither judges nor defends the group of WASPs it follows. It simply shows them in all their elegance and sophistication, as well as their insulation and irony. 

Metropolitan takes place in the upper crust of New York debutante society, during Christmas vacation, where soirees are rampant and afterparties even more so. The young-adult leads who navigate the scene in their expensive clothes and self-important aura recall a Scott Fitzgerald novel, or if you like, Gossip Girl episode. But instead of falling into tragedies, these characters just end up in silly but relatable mishaps and misunderstandings: they’re just kids after all. And as high and mighty as they may seem, whiling away in tall Park Avenue apartments, they’re still prone to the universal pains that haunt and shape teenagers. Expect to see heartbreak, jealousy, and longing even among the brightest and wealthiest of New York. 

Genre: Comedy, Drama, Romance

Actor: Alice Connorton, Carolyn Farina, Chris Eigeman, Donal Lardner Ward, Francis Creighton, Isabel Gillies, Taylor Nichols, Thomas R. Voth, Will Kempe

Director: Whit Stillman

Rating: PG-13

A doorway opens at the beginning of Spring, Summer, Fall, Winter... and Spring, and through this doorway you are brought into the movie's world. Explanations or plot transitions rarely exist, and dialogue is kept at a minimum level. And yet this movie remains an incredibly simple film. Following a Buddhist master and his apprentice, it is a fable very much in the 'cycle of life' form, offering gentle complexity in the timeless and sole framework of a floating Buddhist monastery. That's all I can say without saying too much. If you are into aesthetically pleasing films, go watch this.

Genre: Drama, Romance

Actor: Choe Min, Ha Yeo-jin, Ji Dae-han, Jong-ho Kim, Ki-duk Kim, Kim Jong-ho, Kim Jung-young, Kim Ki-duk, Kim Young-min, Oh Yeong-su, Oh Young-soo, Park Ji-a, Park Zia, Seo Jae-kyeong, Yeong-su Oh

Director: Ki-duk Kim, Kim Ki-duk

Rating: R