227 Best No-brainer Movies to Watch (Page 13)

Staff & contributors

Sometimes, you just need a good movie that poses neither an emotional rollercoaster, nor an intellectual challenge. Here are the best no-brainer movies and shows to stream now for a carefree and uplifting watch, from the funny to the offbeat.

The Perfect Find follows Jenna (Gabrielle Union), a fashion editor trying to make a comeback after a public breakup and a high-profile firing. She lands a job at a new fashion magazine, but this is complicated when she falls for her charming and much younger coworker, Eric (Keith Powers), who just so happens to be the son of her boss. Admittedly, the plot is as cliche as can be, with a few shenanigans, quirky best friends, and an ex or two popping up in the third act. But it's also easy to fall for, especially with Union as the charismatic lead. The jokes about her character and Eric's age gap land well most times, and many parts of the film are beautiful enough, most notably: the talent, the color grading, and the eye-catching New York landscape. 

Genre: Comedy, Romance

Actor: Aisha Hinds, D.B. Woodside, Gabrielle Union, Gina Torres, Godfrey, Janet Hubert, Keith Powers, La La Anthony, Leigh Davenport, Numa Perrier, Remy Ma, Shayna McHayle, Sterling 'Steelo' Brim, Ts Madison, Winnie Harlow, Yrsa Daley-Ward

Director: Numa Perrier

Rating: R

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The Machine wants us to assume many unlikely things, with Bert Kreischer’s global fame being the most improbable. It also wants to be both high stakes as we follow Bert and his father (Mark Hamill) being chased by the mafia and comedic as they make lighthearted jokes along the way. But it never really achieves that balance. Though it looks sleek and high-budgeted, its contents are lopsided and messy, not once hitting the mark on its many targets. Moreover, it's based on a premise so thin, that it loses all credibility midway through the film. After that, it simply becomes a parody of itself. To be sure, there are some noteworthy moments in between, like when Kreischer and Hamill share genuine father-and-son moments, but for the most part, it’s just too overbearing to warrant anyone’s attention.

Genre: Action, Comedy, Crime

Actor: Aleksandar Srećković 'Kubura', Amelie Child-Villiers, Bert Kreischer, Brian Caspe, Dobrila Stojnic, Đorđe Simić, Iva Babić, Jess Gabor, Jimmy Tatro, Mark Hamill, Marko Nedeljković, Martyn Ford, Mercedes De La Cruz, Milena Predić, Miodrag Dragičević, Nikola Đuričko, Oleg Taktarov, Rita Bernard-Shaw, Robert Maaser, Set Sjöstrand, Stephanie Kurtzuba, Tea Wagner, Vladimir Gvojić

Director: Peter Atencio

Rating: R

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The suggestion that life gets better if only you stand up for yourself is a helpful one. After all, self-confidence is something young kids could use a lot more of. But it’s also not true, and for Sid to instantly get his dream life once he starts applying himself just doesn’t ring true. Things unfold a little too smoothly and conveniently in this movie, making it less of an actual coming-of-age journey (which is complicated and messy) and more of a young boy’s simpleminded fantasy (that is, idealistic and egotistic). I just don’t buy that Sid, a kid who has been shy and avoidant all his life, gains all the wisdom, courage, and charisma of a hero overnight. And it certainly doesn’t help that everyone in his high school looks like they’ve long graduated from college. Ultimately, Sid is Dead lacks the authenticity to stand out from the wealth of excellent teen dramas we’ve been spoiled with in recent years. 

Genre: Comedy, Drama

Actor: Anjelica Bette Fellini, Aubrey Cleland, Audrey Whitby, Belissa Escobedo, Carla Gallo, Denisea Wilson, Eileen Galindo, Genevieve Hannelius, Helen Hong, Jack Griffo, Joey Bragg, Luke Massy, Mary Stuart Masterson, Suraj Partha, Tyler Alvarez

Director: Eli Gonda

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Seemingly engineered in a lab to appeal strictly to romantic comedy enthusiasts who are familiar with every trope, Make Me Believe is charming and enjoyable in the moment, but ultimately does little with its ingredients. The things that it gets right are pretty foolproof: beautiful Turkish locales, steamy PG-rated romance, and a good dose of humor from supporting characters who can see the spark of love even before the couple does. Unfortunately this is all window dressing for a story built on flimsy foundations. The protagonist's assignment to book an interview doesn't actually carry that much weight, which makes the risk of pursuing and/or seemingly betraying her childhood neighbor feel inconsequential. And when these two characters inevitably meet in the middle, their connection is unconvincing, draining the excitement out of everything that follows.

Genre: Comedy, Romance

Actor: Ayça Ayşin Turan, Çağrı Çıtanak, Ekin Koç, Naz Çağla Irmak, Yıldız Kültür, Zerrin Sümer

Director: Evren Karabıyık Günaydın, Murat Saraçoğlu

Rating: R

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Amid energetic lights and obnoxious airhorns, Katt Williams makes his way to the stage and quickly greets you with the gospel of crass. His descriptions and premises aren’t anything to write home about as his style is more a boisterous NSFW style that resembles a night of gossip. But for most of this set, you’ll just be thinking about how his performer voice sounds like a cartoon grandma, a southern Spongebob, and “Macho Man” Randy Savage preaching to you all at once. The set had a touchy mental health bit that sucked the life out the room for a moment, but would take an empowering turn in its final third as Williams talks about racism in 2024. It’s a mess, but it finishes strong, at least.

Genre: Comedy

Actor: Katt Williams

Rating: R

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Set in the capital of Peru, How to Deal with a Heartbreak is a follow-up to the mildly successful romantic comedy How to Get Over a Breakup. The titles are pretty self-explanatory, but where the first film is strictly about romance, the sequel experiments with more tender themes like family and friendship. It features everyday characters meant to seem relatable and endearing, but halfway through watching, one can’t help but wonder why any of this matters. The stakes are so low and the premise so ordinary, it feels like a huge effort to simply care about the movie. Some rom-coms are saved by a funny script or a charming cast, but this has none of that. The most rousing part of the film is when one character (I won’t divulge who) dies, and so Maria Fe is forced to grapple with the heaviness of death. It’s the one moment in the movie that feels real, but sadly it’s tossed aside to make way for more generic fare.

Genre: Comedy

Actor: Ana María Orozco, Carlos Carlín, Christopher Von Uckermann, Gisela Ponce de León, Jason Day, Jely Reategui, Karina Jordán, Norma Martínez, Salvador del Solar

Director: Joanna Lombardi

Rating: R

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Five Blind Dates is a squeaky clean, hopelessly boring film pretending to be a raunchy romcom. Despite Lia (Shuang Hu) going on five (or four, really) dates, she doesn’t find real chemistry with any one of them. There’s no heat, no passion, no inane fun to be had, or reckless experimentation. It’s clear that what she’s after isn’t really love but a partner who accepts her traditional whims, which I guess counts as a happy ending if this were airing on Hallmark or any other wholesome TV channel. But it isn’t, and instead of embracing its true form—that is, family drama—it instead postures as a modern and exciting romcom, even though it contains zero spice. To be fair, the film has its funny moments, and I do think the first date’s premise, while played for laughs, has the potential to spark an interesting discussion about our generation’s willingness to sacrifice intimacy for financial security. But the film doesn’t really go there, nor anywhere, and remains as stale and safe as can be.

Genre: Comedy, Romance

Actor: Desmond Chiam, Ilai Swindells, Jon Prasida, Rob Collins, Shuang Hu, Tzi Ma, Yoson An

Director: Shawn Seet

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If nothing else, Chris Moukarbel's Tribeca Film Festival-winning narrative feature really forces us to think about the form of the documentary and the layers of interpretation through which we're shown an ostensibly factual account. Cypher begins as a music doc, before taking on true-crime qualities, then turning into a full-blown found footage thriller—the movie itself practically being brainwashed into its own conspiracy. Unfortunately, this is all much less interesting in execution, as the film goes long stretches without keeping up the momentum of its eerier moments. Its eventual twists are particularly uninspired, coming up with a vision of the music industry that doesn't say anything all that meaningful.

Genre: Documentary, Drama, Music, Mystery

Actor: Brian Jordan Alvarez, Chris Anthony, Chris Moukarbel, Jamila Curry, Johnny Montina, Kenete Simms, Nick Canonica, Tierra Whack, Vanya Asher

Director: Chris Moukarbel

Rating: R

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There's a novel idea at the center of World's First Christmas, but the film's unfortunately takes it through the least interesting route available. There's a rich opportunity here to unpack what the holiday season really means to people, or to poke fun at how this occasion for togetherness and celebration has been co-opted by corporations trying to make a buck. But the film never gets there, running through a series of occasionally funny scenarios only to end up becoming an unconvincing advertisement for Christmas as a consumer holiday. The main gag here is that everyone has been left miserable by the absence of Christmas, which is an idea that falls apart immediately once you start asking even the simplest questions about it.

Genre: Comedy, Drama, Family, Fantasy

Actor: Fabiana Karla, Ígor Jansen, Ingrid Guimarães, Lázaro Ramos, Rafael Infante, Theo Mattos, Wilson Rabelo

Director: Gigi Soares, Susana Garcia

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