236 Best Grown-up Comedy Movies to Watch (Page 10)

While produced by Wong Kar Wai, Chinese Odyssey 2002 isn’t a moody, melancholy drama that we’re used to. Instead, the Ming Dynasty-set adventure directed by Jeffrey Lau comically spoofs plenty of the beloved genres that captivated Chinese audiences– wuxia epics, musical dramas, and historical romances. The ludicrous crossdressing plot is played in such an over-the-top way, with Lau visually delivering his jabs, with a narrator providing droll commentary on the events, and with intercuts of faux interviews and excerpts from everyone, even including the disgruntled innkeeper spying on the crossdressing princess and the confused restaurant owner. It’s actually quite impressive how the ridiculous plot leads to such a wholesome, moving conclusion.

Genre: Action, Comedy, Romance

Actor: Athena Chu, Chang Chen, Eric Kot Man-Fai, Faye Wong, Jeff Lau Chun-Wai, Ning Jing, Peter Chan Lung, Rebecca Pan, Roy Cheung, Tony Leung Chiu-Wai, Wang Wang, Wang Xudong, Wong Wing-Ming, Zhao Wei

Director: Jeff Lau Chun-Wai

After being held captive his whole life, a man sets out to finish the only show he's ever seen. Thoughtfully written with a creative cast; it is not a film you would expect to laugh at and enjoy so thoroughly with such an unconventionally dark premise. However, it is a hilarious, wholesome, and loving film that will leave your heart feeling warm.

Genre: Comedy, Drama

Actor: Alexa Demie, Andy Samberg, Angella Joy, Beck Bennett, Chance Crimin, Chris Provost, Claire Danes, Gerry Garcia, Greg Kinnear, James Anthony Green, Jane Adams, John Forker, Jorge Lendeborg Jr., Joseph Paul Branca, Kami Christiansen, Kate Lyn Sheil, Kim Fischer, Kyle Mooney, Marilyn Miller, Mark Hamill, Matt Walsh, Michaela Watkins, Nick Rutherford, Nikolas Mikkelsen, Ryan Simpkins, Teresa Duran-Norvick, Tim Heidecker, Yvonne D Bennett

Director: Dave McCary

Rating: PG-13

"Imagine a nightmare when you had to relive your adolescence," says Cecilia Aldarondo at the beginning of her third film, You Were My First Boyfriend. Indeed, the scene recalls a teen prom that could easily be yours (if you were one of the unpopular girls): neon lights, prettier dresses that are never yours, disapproving looks, and the impression that everyone around you is having the time of their lives, while you sit awkwardly in a corner. This image sets the tone for a self-exploration in documentary form that relies on a simple, yet imaginative premise, what if you could re-enact the formative events from back then, but do so today, by directing actors to step in for your past selves. Aldarondo approaches the topic sincerely and with curiosity. Not a pang of nostalgia there, but the heartfelt doc manages to reflect on the pasts that shape us in a witty way to promote self-acceptance and, ultimately, healing.

Genre: Documentary, Drama

Actor: Cecilia Aldarondo, Gabriel Kristal, Laura Gallegos, Melissa Baker, Sarah Baker Butterfield

Director: Cecilia Aldarondo

Rating: PG

If you're a fan of musical theater of any kind, Topsy-Turvy pays tribute to that notoriously tricky art form with a stunning attention to detail and a dedication to telling its story without any unnecessary drama whatsoever. It's hard not to get swept up in the humor, entertainment, and simple joy found in the writing process and in rehearsals of entire scenes. Come for the Oscar-winning costumes and makeup, stay for the wonderfully old-timey musical numbers, the brilliantly grounded performance from Jim Broadbent, and the sense of satisfaction of just watching everything finally come together to thunderous applause.

Genre: Comedy, Drama, History, Music

Actor: Adam Searles, Akemi Otani, Alison Steadman, Allan Corduner, Andy Serkis, Angela Curran, Anna Francolini, Ashley Artus, Ashley Jensen, Bríd Brennan, Cathy Sara, Charles Simon, David Neville, Debbie Chazen, Dexter Fletcher, Dorothy Atkinson, Eiji Kusuhara, Eleanor David, Eve Pearce, Francis Lee, Gary Yershon, Gemma Page, Geoffrey Hutchings, Heather Craney, Jim Broadbent, John Warnaby, Jonathan Aris, Julia Rayner, Julian Bleach, Kacey Ainsworth, Kate Doherty, Katrin Cartlidge, Keeley Gainey, Kenneth Hadley, Kevin McKidd, Lavinia Bertram, Lesley Manville, Lorraine Brunning, Louise Gold, Mark Benton, Martin Savage, Mary Roscoe, Matt Bardock, Matthew Mills, Mia Soteriou, Michael Simkins, Michelle Chadwick, Monica Dolan, Naoko Mori, Nicholas Boulton, Nicholas Woodeson, Nick Bartlett, Paul Barnhill, Paul Rider, Richard Attlee, Richard Coyle, Roger Heathcott, Ron Cook, Rosie Cavaliero, Sam Kelly, Sarah Howe, Shirley Henderson, Sophie Duval, Stefan Bednarczyk, Steve Speirs, Sukie Smith, Teresa Gallagher, Theresa Watson, Timothy Spall, Togo Igawa, Vincent Franklin, Wendy Nottingham

Director: Mike Leigh

Miso may be living day to day on her meager earnings as a cleaner, but she is decidedly content. She insists that all she needs to get by are cigarettes, whiskey, and time with her boyfriend, so when a spike in rent and prices invites her to reassess her priorities, she doesn’t budge. Instead of forgoing these luxuries, she gives up her tiny place and couch surfs with her old bandmates. What follows is a reunion of sorts, where darkly humorous epiphanies are had on both ends about adulthood, responsibilities, and what it really means to be happy in an increasingly indifferent, profit-oriented world.  

Microhabitat treads on very grave themes, and the images it conjures can be unsettling. But it is also surprisingly light on its feet, displaying sharp satire and sweet empathy for its unyielding protagonist. Miso is portrayed with a smartness and softness that evades rational judgment, and this endearment makes the story, especially the ending, all the more painfulul, poignant, and impactful.

Genre: Drama, Romance

Actor: Ahn Jae-hong, An Jae-hong, Cho Soo-hyang, Choi Deok-moon, Esom, Hwang Mi-young, Jang Sung-kyu, Kang Jin-ah, Kim Hee-won, Kim Jae-hwa, Kim Jae-rok, Kim Kuk-hee, Kim Yae-eun, Lee Seong-wook, Lee Sung-wook, Lee Yo-sup, Lee Yong-nyeo, Park Ji-young, Woo Moon-gi

Director: Jeon Go-woon

Rating: Not Rated

Welcome to the Dollhouse tells the story of Dawn, an unpopular seventh-grader mercilessly bullied at school and ignored at home. Her day-to-day is painful to watch; her classmates make fun of her, her teachers never believe her, and her parents punish her, blatantly favoring her other siblings over her. But all this she puts up with, as if going through the murky in-between stage that is adolescence isn't confusing enough. Dawn finds no respite elsewhere, except perhaps in her friend Ralphy (another target of bullying) and her crush, the high schooler Steve.  

A Sundance jury winner back in '96, Welcome to the Dollhouse is as darkly funny as it is grim. It takes on a deadpan approach in handling its more serious topics; it doesn't make fun of them so much as it shines them in a new and blinding light. It's difficult to look away from this frank and well-balanced film; a sure good watch for anyone curious to know what it's really like to be a teenage loner.

Genre: Comedy, Drama

Actor: Angela Pietropinto, Bill Buell, Brendan Sexton III, Christina Brucato, Christina Vidal, Daria Kalinina, Elizabeth Martin, Eric Mabius, Heather Matarazzo, Ken Leung, Matthew Faber, Molly Howe, Rica Martens, Richard Gould, Siri Howard, Stacey Moseley, Teddy Coluca, Telly Pontidis, Victoria Davis, Will Lyman

Director: Todd Solondz

Rating: R

At first glance, The Madness of King George seemed like a history lesson about King George III. Like plenty of British royalty dramas, the film has all the opulent trappings in its sets and costumes, as well as some of the best actors from the British isles. However, unlike other depictions of the monarchy, the film depicts the king not as a benevolent ruler or oppressive tyrant– instead, King George III is terribly human, with his memory failing, being unsettled by loss, and concern over his health, which involves having to look at his urine. But the historical satire, based on the 1991 stage play, still manages to have the same mockery towards the opportunistic court, while still retaining sympathy for the very nobility it mocks, through original playwright Alan Bennett’s adept writing, as well as the excellent performance of the stacked ensemble cast.

Genre: Comedy, Drama, History

Actor: Adrian Scarborough, Alan Bennett, Amanda Donohoe, Anthony Calf, Barry Stanton, Caroline Harker, Charlotte Curley, Clive Brunt, Colin McPhillamy, Cyril Shaps, David Leon, Dermot Keaney, Geoffrey Palmer, Helen Mirren, Iain Mitchell, Ian Holm, Janine Duvitski, Jeremy Child, Jim Carter, Joanna Hall, John Wood, Julian Rhind-Tutt, Julian Wadham, Michael Grandage, Nicholas Irons, Nicholas Selby, Nick Sampson, Nigel Hawthorne, Paul Corrigan, Peter Woodthorpe, Robert Swann, Roger Ashton-Griffiths, Roger Hammond, Rupert Everett, Rupert Graves, Selina Cadell, Struan Rodger

Director: Nicholas Hytner

Rating: PG-13

In The Kid Detective, Adam Brody stars as Abe Applebaum, a once-beloved child prodigy turned pathetic P.I. stuck in the glory days of his past. At 32 years old, he’s still solving petty mysteries and coasting on his parents’ money, but things start to change when he is finally dealt with a real, adult case: a murder that confounds even the local police. As Abe uncovers more details about the case, he also unwittingly finds a connection to his traumatic past and begins a long-overdue coming-of-age journey. 

Released during the first year of the pandemic, The Kid Detective understandably flew under the radar when it first came out, garnering sufficient critical praise but not enough fanfare. It will no doubt find a second life among film lovers, though; it’s too smart and riveting to go unnoticed. Most impressive is how director Evan Morgan, in his feature debut, deftly balances multiple genres in a movie that often feels as if Wes Anderson's The Royal Tenenbaums, Roman Polanski's Chinatown, and modern stoner humor were somehow rolled into one. The gags consistently amuse, the drawn-out mysteries pay off, and the human element persists throughout. Adam Brody, himself a kid celebrity back in the day, expertly carries this delightful and sobering film. 

Genre: Comedy, Drama, Mystery

Actor: Adam Brody, Alan Catlin, Alicia Brand, Amalia Williamson, Avery Esteves, Barbara Rajnovich, Bethanie Ho, Brent Skagford, Bruce McFee, Dallas Edwards, David Rosser, Deborah Tennant, Devin Myler, Giovanna Moore, Isaac Kragten, Jake Bell-Webster, Jesse Noah Gruman, Jonathan Whittaker, Kaitlyn Chalmers-Rizzato, Kaleb Horn, Kevin Hoffman, Kira Gelineau, Lisa Truong, Marcia Bennett, Marcus Zane, Marlaina Andre, Maurice Dean Wint, Peter MacNeill, Sarah Sutherland, Sharon Crandall, Sophia Webster, Sophie Nélisse, Sophie Nélisse, Steve Gagne, Tracy Rowland, Tyler Duke, Tzi Ma, Wayne St-George, Wendy Crewson

Director: Evan Morgan

Rating: R

Familiarity breeds contempt, and Swedish Netflix’s new horror-comedy takes this idea to the extreme. Based on the novel by Mats Strandberg, who’s known as the Swedish Stephen King, The Conference is centered around a group of employees on their company retreat. With its ensemble, the film crafts a relatable dynamic, with the exact petty back-and-forth and the same exact corporate politics many adults have to deal with. It’s no wonder one of them snaps, and takes them out one by one. The film isn’t exactly new, with the decades’ collection of slashers all over the world, but this Swedish thriller is a fun take on it, with match cut transitions, quick paced sequences, and the gruesome murders of the group most adults spend time with - their colleagues. It’s an interesting watch as the world gets back to the office.

Genre: Comedy, Horror, Thriller

Actor: Adam Lundgren, Amed Bozan, Bahar Pars, Cecilia Nilsson, Christoffer Nordenrot, Claes Hartelius, Eva Melander, Jimmy Lindström, Katia Winter, Lola Zackow, Maria Sid, Marie Agerhäll, Martin Lagos, Robert Follin

Director: Patrik Eklund