51 Best Grown-up Comedy Movies On Netflix UK (Page 3)

It's slower and stranger than most comedies you may be used to, but there's still lots of heart to be found in the way Classmates Minus follows the lapsed hopes and wishes of its core characters. Beneath all its stereotypically male yearnings for control and romantic wish fulfillment, there are potent ideas here about how a tired economy and jaded political culture can turn those in their middle age into completely different people. Writer/director Huang Hsin-yao provides narration for his own film, but rather than being distracting or conceited, his words add a level of needed sympathy to everything we see on screen.

Genre: Comedy, Drama

Actor: Ada Pan, Chen Yi-wen, Chen Yiwen, Cheng Jen-shuo, Cres Chuang, Evelyn Yu-Tong Cheng, Evelyn Zheng Yu-tong, Hung Shiao-ling, Jacqueline Zhu, Jacqueline Zhu Zhi-Ying, Jennifer Hong, Joanne Yang, Kuan-Ting Liu, Lan Wei-Hua, Liu Kuan-ting, Lotus Wang, Ming-Shuai Shih, Na-Do, Nadow Lin, Rexen Cheng Jen-Shuo, Shih Ming-shuai, Taka Katou, Tong Chih-Wei, Yi-Wen Chen

Director: Huang Hsin-Yao

As host Hannah Gadsby explains at the beginning of this stand-up showcase, Netflix only really gave her and these other queer comedians this special after Gadsby sent a strongly worded message to the streaming service first. So as expected from a move that feels more like a business decision than a sincere gesture, Hannah Gadsby's Gender Agenda doesn't dive too deeply into trans rights or totally reignite the conversation surrounding the issue. It does, however, give us generally consistent laughs over the course of its 75 minutes, from seven comics with very distinct personalities and perspectives. No comedy showcase is perfectly coherent, and Gender Agenda definitely has its share of awkward moments. But even in its weaker moments, there's still something refreshing about watching these queer comics simply exist as themselves, separate from all the cartoonish vitriol that transphobic comedians have for them on the same type of stage. And while these seven comedians center their routines on their respective identities, they're never obnoxious or angry (like those other comedians may want you to believe). There's a generosity in how they educate and deconstruct things for the audience, and a self-awareness of the conflicts that continue to exist around them—which they still look at with good humor.

Genre: Comedy

Actor: Alok, Ashley Ward, Chloe Petts, DeAnne Smith, Graham Norton, Hannah Gadsby, Jes Tom

Director: Julian Smith

Rating: R

It took a while to get going, but this packed hour was filled with the many fascinating gripes of Fern Brady, who comes across relatable in the most absurd way. I don't know if I just wasn't properly lubed up until about 25 minutes in, but the more you hear her talk about her aversion to marriage and muse about death and decline, her range as an animated and insightful person starts to really shine. And as engrossing as her stories can get, perhaps the most consistent thing she does is her voices—she is a hilarious character. Which is to say this felt honest, friendly, and absurd, in all the best ways.

Genre: Comedy

Actor: Fern Brady

Director: Phoebe Bourke

Rating: R

It’s slower and talkier than you’d expect from a semi-erotic film, but Ehnegard lives up to its title well enough to satisfy. It’s titillating, but in a cheeky rather than provocative way. The dialogues are lengthy, but they’re alternately witty and poetic, so despite the pace they never actually bore. Ehnegard’s real delight, however, is its beauty. Set in the old kingdom of Babenhausen, Ehnegard looks like a fairy tale come to life. The towering castles, the sprawling meadows, the twinkling forest lakes, and of course, the smartly costumed people who populate the scenery—all these and more ensure that each frame has a picturesque glow to it. And with Sidse Babett Knudsen (Borgen, Westworld) taking charge of an appealing cast, Ehnegard proves to be a charming watch. 

Genre: Comedy, Drama, Romance

Actor: Alice E. Bier Zandén, Christopher Laesso, Emilie Kroyer Koppel, Jacob Ulrik Lohmann, Mikkel Boe Følsgaard, Paul Hüttel, Sara-Marie Maltha, Sidse Babett Knudsen

Director: Bille August

Rating: R

Straight to the point and without any overly elaborate set-ups or personal anecdotes, Shane Gillis' Beautiful Dogs is a sort of back-to-basics approach to stand-up comedy that proves surprisingly effective. Over the course of about 50 minutes, Gillis' jokes move smoothly and freely—loose in structure but still clearly centering around very American notions of authority and masculinity (revolving around the military and U.S. history), which the comedian is quick to poke holes in. Gillis' humor is definitely of the lowbrow variety though, and while this in itself isn't a bad thing, a number of his jokes begin to repeat their point to no additional effect, usually relying on low-hanging fruit. Gillis skirts and occasionally dips into offensive territory, which he fully acknowledges. And while some of the stuff in this special is a little tasteless, at least Gillis is sheepishly honest about it.

Genre: Comedy, Documentary

Actor: Shane Gillis

Director: John McKeever

In depictions of organized crime, we’re used to the stone-cold crime boss, and the conflicted, unwilling crime lord, but Miss Shampoo presents a new version of the gangster– one that’s fallen head over heels in love. The film plays out in hilarious ways, with the humor expected from writer-director Giddens Ko, and Daniel Hong and Vivian Sung are able to inject some heart into their performances with surprising chemistry. That being said, the film is clearly more interested in mocking organized crime, so the film feels more skewed towards Tai rather than Fen. It’s still really entertaining, though Miss Shampoo had so much more it could have shown, had it focused equally on Fen’s perspective.

Genre: Comedy, Crime, Drama, Romance

Actor: Bai Jing Yi, Bruce He, Chih-ju Lin, Chu Chung-heng, Duan Chun-hao, Duncan Lai, Honduras, Hong Yu Hong, Hsin-Ling Chung, Kai Ko, Ke-Li Miao, Kent Tsai, Mei-Man Jin, Teng-Hung Hsia, Tsai Chang-Hsien, Vivian Sung, Wei-min Ying

Director: Giddens Ko

Parenting is hard by itself, but it’s moreso hard when done alone, especially if there was supposed to be a partner alongside the journey. Thank You, I’m Sorry depicts this through Sara, who has to deal with her husband’s absence and difficulties in connecting with her husband’s family in his stead, on top of her pregnancy, but it’s her connection with her estranged sister Linda that can make or break her journey. The dynamic between the sisters is what drives the film. Sanna Sundqvist and Charlotta Björck manage to depict the strained yet clearly loving relationships naturally, and it’s lovely to see the mundane ways they reestablish their bond. It’s a unique story, though it does feel rushed and some of the humor can be totally off-putting.

Genre: Comedy, Drama

Actor: Charlotta Björck, Ia Langhammer, Jonatan Rodriguez, Sanna Sundqvist, Ville Virtanen

Director: Lisa Aschan

Rating: PG-13

If Red Ollero's first special on Netflix doesn't have the most consistent laughs or the most original punchlines to make, it still serves as a good introduction for users of the platform to crass, everyday Filipino humor. Whether due to editing or Ollero's writing itself, there are a number of times during his set when he stays on a topic for far too long without adding much insight to it or building on things he's already said. But as the special goes on, there's still something to be taken from how Ollero treats the mundane with an almost hyperfixation. Intentionally or not, he sketches out an absurd view of ordinary life in the Philippines with the self-assurance of someone who doesn't care whether you're grossed out or not.

Genre: Comedy

Actor: Red Ollero

Director: Ryan Puno

For the entirety of Where Was I, Trevor Noah is comfortably in his pocket—speaking to an audience that's clearly familiar with his style and his views (if the respectful silences and occasional cheering are any indication) and branching off into sharing more serious facts between the jokes. And Noah's style is clearly refined, as he speaks clearly and sticks to a coherent structure at all times. But at a certain point his level of comfort here also leads to punchlines that are too easy or unsurprising, with too much focus placed on the kinds of voices and accents he can put on rather than the content of what he's saying. Noah remains a strong entertainer, but when you know how scathing he can get, this feels more like a warmup round.

Genre: Comedy, Documentary

Actor: Trevor Noah

Director: David Paul Meyer

Rating: PG-13

Taylor Tomlinson clearly has more of a writer's approach to stand-up than a performer's, for better or worse. On the one hand, every word in this special feels considered (even those that she has to come up with on the spot during audience interactions), with a cadence meant to draw you towards the writing itself. On the other hand, this means that her comedy can come off too mannered—more knowingly clever than spontaneously funny. It certainly helps that Tomlinson has the energy to commit to her jokes even if they aren't particularly interesting, though; she has a clear vision for how her routine should flow, and that's worth respecting.

Genre: Comedy

Actor: Taylor Tomlinson

Director: Kristian Mercado Figueroa

Rating: R

In terms of the quality of the material delivered in Son I Never Had, this special is really just okay at best. Heather McMahan has charisma and personality, but she has a tendency to run directly into the set-ups for her jokes, without the kind of build-up between segments that would make the whole hour flow better. And the comedy here is pretty standard, lightly raunchy fare that's often amusing but never really cuts deep into the various topics McMahan brings up. Where she's really successful, instead, is in the way she uses humor to contrast the lingering but gentle grief she feels over her father's passing. Son I Never Had, in its own roundabout way, becomes a sort of extended eulogy, emphasizing how our loved ones remain with us in our every memory.

Genre: Comedy

Actor: Heather McMahan

Director: Jen Zaborowski

Rating: R

There's a very clear target audience for Steve Treviño's comedy, and for that particular group it's easy to see his appeal: he says what a lot of married couples probably have on their minds during moments of conflict, but he still doesn't take any of it too seriously. However, to an outsider, Treviño's comedy can't help but come off as one-sided complaining, lacking the willingness to make himself look just as silly as the people he rants about. Not that there's anything too mean about the things he says—the jokes as they're written just aren't particularly clever and don't really say much about married life that can't just be resolved through a little more basic empathy.

Genre: Comedy

Actor: Steve Trevino

Director: Renae Trevino

Rating: R

With every chaotic fight scene, ridiculous stunts, and crazy scheme, All-Time High is a wild ride where two scammers lie to each other and fall in love. It’s fun to see these irresponsible people reap the consequences, and it’s fun to see the way Youssef and Stéphanie recognize that they’ve met their match, made all the more fun with the natural chemistry between Nassim Lyes and Zoé Marchal. That being said, the film’s irreverent humor depends a bit too much on stereotypes and gags, and can be a bit too specific for viewers outside of France.

Genre: Comedy, Romance

Actor: Adèle Exarchopoulos, Adrien Essamir, Alexandre Kominek, Ciryl Gane, Guillaume Canet, Gustave Kervern, Hakim Jemili, Hedi Bouchenafa, Ichem Bougheraba, Kenza Fortas, Nassim Lyes, Panayotis Pascot, Yassine Stein, Yousef Ramal, Yovel Lewkowski, Zoé Marchal

Director: Julien Royal

The new stand-up special from Pete Davidson won't win over any skeptics, but there's something to admire in how the comedian heads straight towards edgy material, tells us he's going to go there, and still manages to surprise when he follows through. Which is to say Davidson's audacity might be more impressive than any of his actual writing in this special, with a good number of his jokes highlighting the bizarre situations his fame leads him into, but little more than that. It's stoner comedy for better or worse—observations about a strange world from a hazy point of view that may not always be coherent.

Genre: Comedy

Actor: Pete Davidson

Director: Jason Orley

Rating: R