335 Best Gripping Movies to Watch (Page 9)

Even a director of William Friedkin’s caliber had his work cut out for him with this remake of the towering 1957 drama tracking a jury's fraught deliberations in an apparently open-and-shut murder trial. Wisely, he changes little: most of the incisive dialogue remains the same, and the film still only takes place in one sweltering room on New York’s hottest day.

There are some key differences, though: namely, in a few of the characters (most notably Mykelti Williamson’s ex-Nation of Islam member Juror #10, who helps update the story to the '90s) and the intensification of the ensemble’s star power. The all-star quality of the cast is never wielded to call attention to itself, though; everyone, from James Gandolfini and William Petersen to Tony Danza and Edward James Olmos is on fine character acting form here. Replacing the unforgettable Henry Fonda is Jack Lemmon (exuding warmth and good sense) as the principled lone dissenter who calmly wages a war of words with George C. Scott’s bigoted Juror #3 to give real justice a chance. The 1957 version is admittedly a timeless classic, but Friedkin's version isn't very far off from reaching its predecessor’s dazzling heft — plus, this stands as a compelling argument that every era should have its own 12 Angry Men.

Genre: Crime, Drama, TV Movie

Actor: Armin Mueller-Stahl, Courtney B. Vance, Dorian Harewood, Douglas Spain, Edward James Olmos, George C. Scott, Hume Cronyn, Jack Lemmon, James Gandolfini, Mary McDonnell, Mykelti Williamson, Ossie Davis, Tony Danza, Tyrees Allen, William Petersen

Director: William Friedkin

Rating: PG-13

The Last Duel propped high expectations as the Closing Film at the 2021 Venice Film Festival, but its theatrical release later that year proved to be a flop. Ridley Scott blamed it on millennials, but both critics and streaming audiences have been much more favorable than moviegoers. As a film, it's a rather monumental project: quite a dark period piece set in Medieval France, dealing with harsh and offensive themes. Or better said, it deals with ethics and morality through these harsh and offensive themes. There are many ways where this could have gotten wrong—and it's evident from the labels that have been circulating from the very beginning, that Scott has made his "MeToo" movie—but the truth is much more nuanced. From Eric Jager's 2004 book to a script co-written by Ben Affleck, Matt Damon, and (most importantly) the astute Nicole Holofcener, The Last Duel is really the best of both worlds: action-packed and devoted to the right side of history.

Genre: Action, Drama, History

Actor: Adam Driver, Adam Nagaitis, Alex Lawther, Ben Affleck, Bosco Hogan, Brian F. Mulvey, Brontis Jodorowsky, Bryony Hannah, Caoimhe O'Malley, Chloe Harris, Christian Erickson, Clare Dunne, Clive Russell, Harriet Walter, Ian Pirie, Jodie Comer, John Kavanagh, Julian Firth, Marton Csokas, Matt Damon, Michael McElhatton, Nathaniel Parker, Oliver Cotton, Paul Bandey, Peter Hudson, Sam Hazeldine, Serena Kennedy, Shane Lynch, Simone Collins, Stephen Brennan, Tallulah Haddon, Thomas Silberstein, Tyrone Kearns, William Houston, Zeljko Ivanek, Zoé Bruneau

Director: Ridley Scott

Rating: R

Genre: Action, Adventure, Drama, Romance

Actor: Eiki Narita, Eita Okuno, Emi Takei, Hoshi Ishida, Issey Takahashi, Kasumi Arimura, Kazuki Kitamura, Kinari Hirano, Makiko Watanabe, Mansaku Ikeuchi, Masanobu Ando, Masataka Kubota, Mayu Hotta, Nijiro Murakami, Shima Onishi, Soko Wada, Takahiro Fujimoto, Takeru Satoh, Towa Araki, Wataru Ichinose, Yosuke Eguchi

Director: Keishi Otomo

Rating: R

The sooner you adjust your expectations for Nomad—and realize that this isn't a travel documentary but Werner Herzog's own wonderfully offbeat way of remembering his dear friend—the better. Any uneven moments in this film's construction are smoothed over by the sheer authenticity of what Herzog puts on screen, from his own distinctive narration, to gorgeous excerpts from Bruce Chatwin's writings, to the sounds and images that make up the strange worlds that both men were fascinated in. No mysteries are solved here, but just being closer to the strange and surreal becomes a way for Herzog to come to terms with the strangest and most surreal of life's realities: death.

Genre: Documentary

Actor: Bruce Chatwin, Elizabeth Chatwin, Karin Eberhard, Marcus Wheeler, Michael Liddle Pula, Nicholas Shakespeare, Petronella Vaarzon-Morel, Stefan Glowacz, Werner Herzog

Director: Werner Herzog

Rating: PG

Shattering the rules for how a biographical drama can look and be told, Paul Schrader's Mishima rejects the usual character study template in favor of a much more abstract attempt to understand a person through their art. Told in fragments that flit between Mishima's early life, dramatizations of his fiction novels, and the final day of his life, the film pieces together what it believes was the core of this person's life. Schrader's script (co-written with his brother Leonard Schrader) traces within Mishima's history a lifelong struggle with perceptions of his own masculinity and authority—as if he spent his every waking moment trying to compensate for a lack that he could hardly articulate. The character's eventual turn towards reactionary beliefs makes logical sense in the film, but remains baffling all the same.

With all of its talk about beauty—enhanced by Philip Glass' opulent musical score, and Eiko Ishioka's breathtaking production design that transforms Mishima's novels into tactile stage productions—the film conceals an incredibly dark heart. Mishima doesn't inspire sympathy so much as he inspires morbid fascination, and it's both a daring and frustrating choice to focus entirely on the character's harmful delusions without room for much else. Still, Schrader has constructed an unforgettable audiovisual experience that lingers long after it's over.

Genre: Drama, History

Actor: Alan Poul, Bandō Mitsugorō X, Chishū Ryū, Eimei Esumi, Go Riju, Haruko Kato, Hideo Fukuhara, Hiroshi Katsuno, Hiroshi Mikami, Hisako Manda, Jun Negami, Junkichi Orimoto, Ken Ogata, Kenji Sawada, Koichi Sato, Kunihiko Ida, Masahiko Sakata, Masato Aizawa, Masayuki Shionoya, Miki Takakura, Minoru Hodaka, Mitsuru Hirata, Naoko Ohtani, Naomi Oki, Naoya Makoto, Reisen Ri, Roy Scheider, Ryō Ikebe, Sachiko Hidari, Setsuko Karasuma, Toshiyuki Nagashima, Yasuaki Kurata, Yasuhiro Arai, Yuki Kitazume

Director: Paul Schrader

Rating: R

Little England is one of those rare cases in small-nation cinemas, where a film was equally appealing to mainstream and arthouse audiences. Upon its release, it was box office success and 2013's Oscar submission for Best International Feature. Festival darling Pantelis Voulgaris equipped this interwar romantic drama with the attributes of an epic: it's two hours and a half long, spans across decades, and is based on a novel of a notable size. Written by renowned author Ioanna Karystiani, who is also Voulgaris's wife, "Little England" the novel was adapted in a riveting screenplay where love, jealousy, passion, and betrayal sizzle in a dangerous mix. As any good period drama, the emotional range is high, and the beauty in the premise—forbidden love—is a gift that keeps on giving. The film features two stellar lead performances, as Pinelopi Tsilika and Sofia Kokkali make their acting debuts as the two sisters, the latter being the face of a new, even more daring phase of Greek cinema today. 

Genre: Drama, Romance

Actor: Aineias Tsamatis, Andreas Konstantinou, Angeliki Papathemeli, Anneza Papadopoulou, Christos Kalavrouzos, Eirini Inglesi, Eleni Karagiorgi, Evangelia Adreadaki, Maximos Moumouris, Penelope Tsilika, Sofia Kokkali

Director: Pantelis Voulgaris

In Ken Loach’s conspiracy thriller, an American human rights activist (Frances McDormand) and a no-nonsense UK police officer (Brian Cox) work tirelessly to uncover the truth behind a suspicious death — but this is no rousing triumph of good over evil, only a bitter pill about corruption and complicity. Human rights lawyer Paul (Brad Dourif) and girlfriend Ingrid (McDormand) are in Troubles-era Belfast wrapping up their report into the UK government’s shoot-to-kill policy when Paul is shot dead by mysterious assailants while on his way to speak to an informant. Police investigator Kerrigan (Cox) is flown in from England to look into the death; Cox plays him as a stickler for the rules and fierce agent of justice, inspired by a real-life official who was abruptly suspended from the police before he could deliver his findings into the UK government’s alleged death squad in Northern Ireland.

But the network of high-level corruption that Kerrigan and Ingrid uncover poses a direct challenge to those values, ultimately forcing him to choose between revealing the conspiracy — and risk destroying his life — or concealing the truth and betraying his ethics. A fascinating look at the slippery slope to complicity, this is a gripping, unabashedly ideological conspiracy thriller blending Hollywood polish with gritty reality.

Genre: Drama, Thriller

Actor: Bernard Archard, Bernard Bloch, Brad Dourif, Brian Cox, Brian McCann, Des McAleer, Frances McDormand, George Staines, Ian McElhinney, Jim Norton, John Benfield, John Keegan, Llew Gardner, Mai Zetterling, Maurice Roëves, Michelle Fairley, Oliver Maguire, Patrick Kavanagh, Paul Moriarty

Director: Ken Loach

Rating: R

A nostalgic look at '90s Belarus brings to bear a sharp generational divide. Evalina is a young DJ living in Minsk with her mother, but dreaming of Chicago, the birthplace of House music. Her attempts to gain a US visa land her in a small factory town, where the tensions between her modern lifestyle and old-time traditions boil over.

This promising debut from director Darya Zhuk features a mesmerizing palette of saturated colors and some striking shots calling to mind the work of Douglas Sirk, a star-making turn from lead actress Alina Nasibullina, and a dry wit that keeps the film lithe. At times, the somewhat heavy-handed script gets in the way, but Zhuk’s vivacious filmmaking is a pleasure.

Genre: Drama

Actor: Alina Nasibullina, Anatasiya Garvey, Artem Kuren, Ivan Mulin, Yuriy Borisov

Director: Darya Zhuk