369 Best Gripping Movies to Watch (Page 18)

Some movies are so enthralling they pull you to the edge of your seat, and there you stay until the end. For a guaranteed good time, check out the most gripping movies and shows to stream now.

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256. Soap Opera, 2023

The less you try to think about the absurd fantasy premise of this satire on Brazilian telenovelas, the better. Based on the first three episodes watched for this review, Soap Opera (or Novela in Portuguese) doesn't provide an airtight idea of how things work when screenwriter Isabel is sucked into a TV—meaning any sense of urgency or narrative stakes don't feel terribly high. But still, countless possibilities open up the longer that Isabel remains in her own creation. Here she can take full creative control (literally) of how she wants herself and others to be perceived, but Lauro, the producer who's placed his own name on the marquee, also gets to scheme on how best to continue exploiting the success Isabel is inadvertently bringing him. The result is something uniquely funny, creatively designed, and compulsively watchable.

Genre: Comedy, Fantasy

Actor: Herson Capri, Marcello Antony, Miguel Falabella, Monica Iozzi, Suzy Rêgo

Director: Gigi Soares, Renata Pinheiro

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257. Quiet on Set: The Dark Side of Kids TV, 2024

It’s not news that child actors don’t have it easy in an industry that’s more interested in exploiting than protecting them. Theirs is a story of trauma and difficult adulthoods, but it’s also often told in a sensationalist way that dehumanizes them. “Child Actor Goes Rogue” continues to be a headline favorite in tabloids, but maybe all that is set to change with the release of Quiet on the Set. This four-part documentary is by no means revolutionary—in fact, it’s as straightforward as any true-crime series out there. But it importantly lets the now-grown-up victims (or their loved ones) tell their story on their own terms. The misdeeds covered here range from degradingly misogynistic behavior in the writers’ room to outright child pedophilia and rape. Though it sometimes feels like the directors could have handled these issues more delicately, instead of jamming them all in bite-sized episodes, you still come away from it knowing and wanting to do so much more.Genre: Crime, Documentary
Director: Emma Schwartz, Mary Robertson
Rating: TV-14

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258. Presumed Innocent, 2024

You can tell showrunner David E. Kelley, who played a part in legal dramas and mysteries like Boston Legal, Ally McBeal, and Big Little Lies, is a master of the genre. Presumed Innocent is carefully paced, confidently performed, and smartly written, making it a thrilling watch regardless if you’ve seen the 1990 feature and 1987 novel of the same name. It’s not without its misses though, the biggest one being the lack of believable chemistry between Gyllenhaal and Reinsve, who seems miscast in this series. As much as I loved her in The Worst Person in the World, she seems to exude an awkward sensuality that affects the realism of the series. On the other hand, Ruth Negga, who plays Gyllenhaal’s wife, and Peter Sarsgaard, who plays his political rival, command every scene they’re in and perfectly match Gyllenhaal’s crazed intensity. Whenever the show skews formulaic, it’s their solid performances that save the scene.Genre: Crime, Drama, Mystery
Actor: Bill Camp, Chase Infiniti, Elizabeth Marvel, Jake Gyllenhaal, Kingston Rumi Southwick, Nana Mensah, O.T. Fagbenle, Peter Sarsgaard, Renate Reinsve, Ruth Negga
Rating: TV-MA

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259. Monsieur Spade, 2024

It takes Monsieur Spade some time to settle into its skin. The first few hours are dedicated to introducing as many side characters and backstories as possible, and though this could have been more elegantly executed, it eventually pays off. The main mystery, once you get to it, is layered and complex, and watching Spade physically and verbally spar with Philippe is its own kind of reward. Their curt but cutting dialogue harkens back to past noirs, and it’s a delight to see that tradition live on in the genre.

Genre: Crime, Drama, Mystery

Actor: Cara Bossom, Chiara Mastroianni, Clive Owen, Denis Ménochet, Jonathan Zaccaï, Louise Bourgoin, Matthew Beard, Rebecca Root, Stanley Weber

Rating: TV-MA

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260. Line of Duty, 2021

Though it may be self-serious nearly to the point of parody, Line of Duty is that rare hard-boiled police show that actually works because of its commitment to being cold and clinical. As each season focuses on a new case of corruption within the police, it chooses not to focus on character but on packing as much meticulous detail as possible into its investigations. The result is a slower paced drama that may take some getting used to, but it's one whose every additional clue or revelation makes the nature of this modern police work feel that much more draining to the soul—a great change of tone from the heroic police shows we tend to see on TV.Genre: Crime, Drama, Mystery
Actor: Adrian Dunbar, Claire Keelan, Craig Parkinson, Fiona Boylan, Gina McKee, Gregory Piper, Jessica Raine, Kate Ashfield, Keeley Hawes, Kelly Macdonald, Lennie James, Martin Compston, Neil Morrissey, Nigel Boyle, Owen Teale, Paul Higgins, Saffron Davies, Thandie Newton, Vicky McClure
Rating: Not Rated, TV-MA

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261. Culprits, 2023

Before, then, and now — these are the three points in time that twisty TV heist thriller Culprits zips between. That remixed chronology (the convergent point of which is an audacious £100 million robbery) is both a strength and a stumbling block for the series. While it helps liven things up, it also takes some getting used to, which means the first episode requires more effort than expected as we work to get our bearings. By the time we’re on Culprits’ wavelength, though, the other attractions of the show reveal themselves: an intrigue-infused plot, charismatic characters, and adrenaline-pumping action.

The one constant in this whirlwind is David (Nathan Stewart-Jarrett) — or Joe, or Muscle, all names he goes by depending on the timeline. A London-dwelling bodyguard recruited to undertake a mega-heist by shady mastermind Dianne (Gemma Arterton), we actually meet him long after it’s (seemingly) completed. Now living in Washington and sporting a just-passable American accent, he’s a family man who goes by Joe and bears no signs of his criminal past. Piecing together the puzzle of his transformation — and the threats that have somehow followed him across the globe — is Culprits’ greatest pull, one that wouldn’t be possible without its nonlinear storytelling, an initial hurdle that’s worth jumping over.

Genre: Crime, Drama

Actor: Eddie Izzard, Gemma Arterton, Kamel ElBasha, Kevin Vidal, Kirby Howell-Baptiste, Nathan Stewart-Jarrett, Ned Dennehy, Niamh Algar, Tara Abboud

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262. Bodkin, 2024

A lot of different (good) shows come to mind after watching Bodkin's first few minutes. Like Ted Lasso, it follows a relentlessly optimistic American as he prances along in a foreign land. Like Only Murders in the Building, it follows true crime podcasters while also parodying them in a funny and meta way. I can go on and on, especially about small towns and the secrets they hold close to their chest, but ultimately Bodkin is its own thing. It has a smart, confident, wry tone that is always intriguing and never off-putting to watch. Each of the trio expertly balances the other so that the show never gets too snarky or saccharine. It’s just right, and offers some great surprises near the end.Genre: Drama, Mystery
Actor: Chris Walley, David Wilmot, Robyn Cara, Siobhán Cullen, Will Forte
Rating: TV-MA

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263. A Nearly Normal Family, 2023

Any parent would defend their kid in court, though, sometimes it depends on the case. A Nearly Normal Family brings one such Swedish family through a case, as their nineteen year old daughter is accused of murdering a man, four years after the family decides not to prosecute their daughter’s rapist without evidence. The thriller series unfolds into a compelling murder mystery, as the show plays with the family members’ different perspectives that expands and continues the show’s intrigue, even if you think you have it all figured out. And as the investigation continues, the family’s secrets slowly get unveiled, threatening to break the Sandells apart, with their conflicting morals and unresolved trauma. While some viewers might not appreciate the slow burn, it’s an interesting crime thriller-family drama mix that questions how far we’re willing to go for our loved ones.

Genre: Crime, Drama

Actor: Alexandra Karlsson Tyrefors, Björn Bengtsson, Christian Fandango Sundgren, Lo Kauppi, Melisa Ferhatovic

Rating: TV-MA

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264. When Evil Lurks, 2023

Many films that deal with the advent of some sort of apocalypse usually hit the ground running, but When Evil Lurks also keeps its sense of panic and paranoia right up to its bitter end. Even during moments of downtime—as this small group of "survivors" tries to keep moving—there is an overwhelming sense that they're only delaying their inevitable suffering, or that evil has existed long before any of them. There are passing mentions of this demonic presence having originated in the city, and how it manages to infiltrate the lives of those on the outskirts through modern things like electricity and gunfire. It's an intriguing angle that gives possession a new texture: these demons aren't just randomly manifesting, but invading and occupying.

And when the violence kicks in, When Evil Lurks really doesn't spare its characters, as shown by some pretty gnarly practical effects and vicious sound design. The constant escalation of the demonic threat can feel contrived at times—as the rules of how things operate in this world keep on being added or modified, at a rate that can be hard to process—but the anguish it leaves its characters in is suffocating all the same. There may not appear to be a moral at the end of all this, but it evokes a sense of hopelessness better than many other films.

Genre: Horror, Thriller

Actor: Demián Salomón, Emilio Vodanovich, Ezequiel Rodríguez, Federico Liss, Isabel Quinteros, Jorge Prado, Luis Ziembrowski, Marcelo Michinaux, Sebastián Muñiz, Silvina Sabater, Virginia Garófalo

Director: Demián Rugna

Rating: NR

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265. Two of Us, 2020

The Two of Us could have been a sweet romantic drama all about lifelong devotion regardless of the circumstances, but instead, first time director Filippo Meneghetti makes it feel more like an unsettling thriller that captures the paranoia and near insanity it feels to be closeted– with Nina having to beg Mado to tell her family, having to hide in what has become her own home, and having to bargain and manipulate her way to Madeleine’s side. Two of Us is quite a stunning debut with such a unique depiction of a lesbian relationship.Genre: Drama, Romance
Actor: Aude-Laurence Clermont Biver, Barbara Sukowa, Denis Jousselin, Eugenie Anselin, Jérôme Varanfrain, Léa Drucker, Martine Chevallier, Muriel Bénazéraf
Director: Filippo Meneghetti
Rating: NR

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266. Thelma, 2017

Much like the 1976 horror classic Carrie, Thelma centers on a young telekinetic woman whose religious upbringing and sexual repression give way to unpredictable moments of fury and rage. When she meets the cool, charismatic Anja, she falls in love immediately, but the wave of emotions that overwhelm her threaten to destabilize not just their budding romance, but other relationships and lives as well.

Thelma recalls Carrie in other ways too, most notably in the way it uses supernatural elements to allude to female fury and lust, but it also stands on its own as a singular piece of work; the mesmerizing transitions, the slow-burn pace, and the undercurrent of melancholia are all known trademarks of director Joachim Trier. This layering of old and new makes Thelma an intriguing watch, at once recognizable and wholly original.

Genre: Drama, Fantasy, Horror, Mystery, Thriller

Actor: Anders Mossling, Camilla Belsvik, Eili Harboe, Ellen Dorrit Petersen, Grethe Eltervag, Henrik Rafaelsen, Ingrid Jørgensen Dragland, Ingrid Unnur Giæver, Irina Eidsvold Tøien, Isabel Christine Andreasen, Kaya Wilkins, Lars Berge, Marte Magnusdotter Solem, Sigve Bøe, Steinar Klouman Hallert, Tom Louis Lindstrøm, Vanessa Borgli

Director: Joachim Trier

Rating: Not Rated

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267. The Rescue, 2021

As a result of the miraculous success of the famed Tham Luang cave rescue, which saw the return of 12 kids trapped in a cave for more than 15 days, you’ll find no shortage of documentaries about the mission. Some take the point of view of the children, even others the locals and loved ones. But National Geographic’s The Rescue largely focuses on the volunteer rescuers, all of whom were foreigners who flew from different parts of the globe to risk their lives for the young victims. The film dives into their personal lives and their psyches, even going so far as their childhood to explain the motivations behind the heroic decisions they made at that moment. In less deft hands, The Rescue might seem like yet another White Savior Complex story, but directors Jimmy Chin and Elizabeth Chai Vasarhelyi (the same creative couple behind the Oscar-winning doc Free Solo) prove that the divers’ expertise, skill, and personal stakes make for a story worth telling.

Genre: Documentary, Drama

Actor: Anan Surawan, Chris Jewell, Craig Challen, Derek Anderson, Jason Mallinson, Jim Warny, John Volanthen, Josh Morris, Mikko Paasi, Mitch Torrel, Richard Harris, Rick Stanton, Siriporn Bangnoen, Somsak Kanakam, Thanet Natisri

Director: Elizabeth Chai Vasarhelyi, Jimmy Chin

Rating: PG

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268. The Quiet American, 2002

Being released just a year after 9/11, we weren’t expecting The Quiet American to be critical about America’s intervention in the Vietnam War– the original novel was criticized by the country in its initial release, and the previous 1958 film adaptation revamped the entire story for an anti-communist message. Still, while the film could have expanded on Phuong’s perspective, The Quiet American is well made and surprisingly faithful to the book– willing to delve into author Graham Greene’s cautionary tale on exceptionalism and acknowledging how his prediction has happened in reality, all easily understood through the simple, yet effective metaphor of a love triangle.Genre: Drama, Romance, Thriller, War
Actor: Brendan Fraser, Do Thi Hai Yen, Ferdinand Hoang, George Mangos, Holmes Osborne, Jeff Truman, Kevin Tran, Mathias Mlekuz, Michael Caine, Rade Serbedzija, Robert Stanton, Tzi Ma
Director: Phillip Noyce
Rating: R

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269. The Last Stop in Yuma County, 2024

Shot for only 20 days with a budget of a million dollars, The Last Stop in Yuma County is a small film, but it achieves significant feats, thanks in large part to first-time feature director Francis Galluppi’s strong vision. The set is stylish, the characters feel lived in, and the central mystery—will these robbers get away with it?—feels so taut and tense that it’s enough to fuel the entire film’s energy. There’s no need to look for backstories, motivations, or subplots; just waiting to see whether the finger will let go of the gun’s trigger, or if anyone will catch the hostage’s silent plea for help, is absorbing enough.Genre: Crime, Thriller
Actor: Alex Essoe, Barbara Crampton, Connor Paolo, Faizon Love, Gene Jones, Jim Cummings, Jocelin Donahue, Jon Proudstar, Matt McVay, Michael Abbott Jr., Nicholas Logan, Richard Brake, Robert Broski, Robin Bartlett, Ryan Masson, Sam Huntington, Sierra McCormick
Director: Francis Galluppi
Rating: NR

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270. The Blood of Wolves, 2018

Borrowing heavily from yakuza films of the past, The Blood of Wolves feels like a movie plucked straight out of the 1970s and given a slick coat of 2010s neo-noir shine. The film never tries to reinvent the recipe it's working with, but it doesn't have to when its violence is still satisfyingly brutal, its plot endlessly twisty, and its morality grey. At the center is a brash and sleazy performance from the great Koji Yakusho, whom you can never really clock as being in control or out of his depth. It might only hold special value for hardcore fans of the genre, but it provides enough solid thrills for the more casual viewer.

Genre: Crime, Drama, Thriller

Actor: Abe Junko, Eiji Takigawa, Gorō Ibuki, Hajime Inoue, Issei Okihara, Joey Iwanaga, Junko Abe, Katsuya, Ken'ichi Yajima, Kenichi Takito, Kenichi Takitoh, Kōji Yakusho, Kyūsaku Shimada, Marie Machida, Megumi, Pierre Taki, Renji Ishibashi, Ryuji Sainei, Shidô Nakamura, Shun Nakayama, Takahiro Kuroishi, Takaki Uda, Takamitsu Nonaka, Taketo Tanaka, Takuma Otoo, Taro Suruga, Tomorowo Taguchi, Tomoya Nakamura, Tori Matsuzaka, Yôko Maki, Yosuke Eguchi, Yutaka Takenouchi

Director: Kazuya Shiraishi

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