106 Best Gripping Movies On Itunes Canada (Page 3)

Filmed with a perfect blend of realism and embellished style, Fresh is a coming-of-age story set in the poverty of the New York City projects, wherein the protagonist "grows up" only by learning to become dangerous and losing his sense of self. There's no satisfaction in watching 12-year-old Michael (or "Fresh," as he's called) use his supposed innocence as a tool to manipulate his way to a safer position. The system continues to reign supreme and Fresh only buries himself into a deeper hole. Boaz Yakin's direction is direct and expressive, the city stirring to vibrant life in every scene, and the tremendous performances from Giancarlo Esposito and a then-teenage Sean Nelson drive home the tragedy with full force.

Genre: Crime, Drama, Thriller

Actor: Afi Bijou, Ali A. Wahhab, Anthony Ruiz, Anthony Thomas, Belinda Becker, Charles Malik Whitfield, Cheryl Freeman, Cortez Nance Jr., Curtis McClarin, Danielia L. Cotton, Davenia McFadden, Elizabeth Rodriguez, Elsie Hilario, F. Murray Abraham, Giancarlo Esposito, Guillermo Díaz, Iraida Polanco, Jacinto Taras Riddick, Jason Rodriguez, Jean-Claude La Marre, Jerome Butler, José Zúñiga, Luis Lantigua, Matthew Faber, N'Bushe Wright, Natima Bradley, Robert Jimenez, Ron Brice, Samuel L. Jackson, Sean Nelson, Yul Vazquez

Director: Boaz Yakin

Here’s a based-on-a-true-story courtroom drama that transcends the limits of its genre by virtue of an incisive and unexpectedly prescient script. Twenty years before 2016 sent us hurtling through the looking glass and into a post-truth era, the idea that you could deny the facts as you pleased teetered terrifyingly on the brink of legitimacy when author David Irving (a suitably odious Timothy Spall) brought a UK libel suit against Deborah Lipstadt (Rachel Weisz), an academic whom he claimed had defamed him for calling him exactly what he was: a Holocaust denier.

The case was complicated by the fact that, at the time, the UK placed the burden of proof on the defendant — in other words, Lipstadt’s hotshot legal team needed to prove that the Holocaust happened and that Irving had wilfully misrepresented evidence demonstrating this. Denial captures that terrifying farcicality and the defense’s cleverly counterintuitive strategy: not allowing Lipstadt or Holocaust survivors to speak. If that sounds unsatisfying — this is the rare courtroom drama with no grandstanding speech from the protagonist — that’s the point, something the film’s title cleverly alludes to. Perhaps unexpectedly, Denial’s relevance has ballooned since its release, a fact that might hobble its hopeful ending but that only makes the rest all the more powerful.

Genre: Drama, History

Actor: Abigail Cruttenden, Alex Jennings, Amanda Lawrence, Andrea Deck, Andrew Scott, Caren Pistorius, Daniel Cerqueira, Edward Franklin, Elliot Levey, Harriet Walter, Helen Bradbury, Hilton McRae, Ian Bartholomew, Jack Lowden, Jackie Clune, Jeremy Paxman, John Sessions, Lachele Carl, Laura Evelyn, Mark Gatiss, Max Befort, Mick Jackson, Nicholas Tennant, Nikki Amuka-Bird, Paul Bailey, Paul Hunter, Pip Carter, Rachel Weisz, Sally Messham, Sara Powell, Sean Power, Timothy Spall, Todd Boyce, Tom Clarke Hill, Tom Wilkinson, Will Attenborough, Ziggy Heath

Director: Mick Jackson

Rating: PG-13

There’s more than a touch of Louis Theroux to this engrossing documentary — fronted by New Zealander pop-culture journalist David Farrier — about an innocuous-seeming Internet phenomenon: the actually-sinister subculture of “competitive endurance tickling”, in which young men undergo “tickle torture” for money on camera. When Farrier unassumingly requests an interview with an American producer of tickle content, it kickstarts a bizarre campaign of harassment and opens up a rabbit hole of unbelievable twists and turns. The wild places this documentary goes are best left as unspoiled as possible, but it’s no spoiler to say this emerges from its seemingly lighthearted premise as a deeply unnerving story about money, power, sex, and shame in the Internet age.

Genre: Documentary, Drama

Actor: David Farrier

Director: David Farrier, Dylan Reeve

In The Beasts, the idyllic semi-retirement that a French couple seeks in the Galician countryside — growing organic vegetables, fixing up abandoned farmhouses — devolves into a terrifying slow-burn nightmare. This beautifully shot yet spiritually ugly thriller plunges us straight into an atmosphere of crackling social tension that never abates. We begin after the event that turns local farmer Xan (Luis Zahera) and his brother Loren (Diego Anido) against French transplants Antoine (Denis Ménochet) and Olga (Marina Foïs): the latter two have vetoed the sale of land to a wind turbine company in favor of preserving the village’s rustic character. Incensed by what he sees as the theft of his birthright by an outsider, Xan orchestrates a steadily intensifying campaign of terror against the couple.

Though much slighter than the physically imposing Ménochet, Zahera makes for a profoundly menacing presence, and Xan’s seemingly endless appetite for hostility and vindictiveness charges the film with a deeply unsettling sense of inevitability. His performance alone would mark The Beasts as a standout, but an unexpected switch in character focus late on in the film wrests it out of Xan’s grasp and reorients the movie as a study of grim resolve — making it a film of two equally remarkable halves.

Genre: Drama, Thriller

Actor: David Menéndez, Denis Ménochet, Federico Pérez Rey, Luis Zahera, Luisa Merelas, Machi Salgado, Marie Colomb, Marina Fois, Xavier Estévez

Director: Rodrigo Sorogoyen

The award-winning third feature by director Ava DuVernay, Selma, was released around the 50th anniversary of the historically significant marches (Selma to Montgomery) that aided the civil rights movement's efforts to assure African-American citizens can exercise their constitutional right to vote, harassment-free. The film has been celebrated not only as an artwork, but also as a historiographically accurate one. While it features the role Martin Luther King Jr. played in the marches, it does not reduce the activists' effort and struggle to make it come to fruition. With her uncompromising directorial approach, DuVernay crafts a thrilling period film that has all the markers of a well-done genre feature, but uses its mechanisms to tell an emotionally potent story about both the peaceful marches and the nation-wide outcry resulting from the violence they were met with.

Genre: Drama, History

Actor: Alessandro Nivola, Andre Holland, Carmen Ejogo, Charity Jordan, Charles Black, Colman Domingo, Common, Corey Reynolds, Cuba Gooding Jr., David Dwyer, David Oyelowo, Dylan Baker, E. Roger Mitchell, Giovanni Ribisi, Greg Maness, Harry Belafonte, Haviland Stillwell, Henry G. Sanders, Jeremy Strong, Jim France, Jody Thompson, John Lavelle, Kent Faulcon, Lakeith Stanfield, Ledisi, Lorraine Toussaint, Martin Sheen, Michael Papajohn, Montrel Miller, Niecy Nash, Nigel Thatch, Omar J. Dorsey, Oprah Winfrey, Ruben Santiago-Hudson, Sammy Davis Jr., Stan Houston, Stephan James, Stephen Root, Tara Ochs, Tessa Thompson, Tim Roth, Tom Wilkinson, Tony Bennett, Trai Byers, Wendell Pierce

Director: Ava DuVernay

Rating: PG-13

Long before we became accustomed to oxymorons like “scripted reality” shows, there was a time when viewers could expect to trust what they saw on TV. One of the pivotal events shattering that illusion in the US was the 1950s quiz show scandal, in which producers of popular broadcasts like Twenty-One were revealed to be feeding contestants the answers in advance in order to manipulate audience ratings. 

Robert Redford’s Quiz Show is an engrossing chronicle of the investigation that blew the lid on Twenty-One's fixing, revealed when disgruntled champion Herb Stempel became a whistleblower. Stempel (played with nervous brilliance by John Turturro) was pressured to flunk a no-brainer question to make way for golden boy Charles Van Doren (Ralph Fiennes), a ratings-friendly photogenic academic from a prominent WASP-ish family. What’s so sharp about Quiz Show is that it doesn’t just recreate the scandal for drama’s sake: it needles in on the greed and privilege that drove the fraud, paying particular attention to Van Doren’s angle of the morality play, the influence of his class and ethnicity, and the secret hand the show’s studio and sponsor had in the whole affair. In an era when practically anything goes in the name of entertainment, this interrogation of TV’s corrupt origins feels ever-relevant.

Genre: Drama, History, Mystery

Actor: Allan Rich, Anthony Fusco, Barry Levinson, Barry Snider, Ben Shenkman, Bernie Sheredy, Bill Moor, Bruce Altman, Byron Jennings, Calista Flockhart, Carole Shelley, Christopher McDonald, Chuck Adamson, Cornelia Ryan, Dan Wakefield, Dave Wilson, David Paymer, David Stepkin, Debra Monk, Douglas McGrath, Eddie Korbich, Elizabeth Wilson, Ernie Sabella, Ethan Hawke, George Martin, Gina Rice, Grace Phillips, Gretchen Egolf, Griffin Dunne, Hank Azaria, Harriet Sansom Harris, Illeana Douglas, Jack Gilpin, Jeffrey Nordling, Jerry Grayson, Jerry Griffin, Joe Lisi, Johann Carlo, John Turturro, Joseph Attanasio, Joseph Blaire, Katherine Borowitz, Kelly Coffield Park, Le Clanché du Rand, Mario Cantone, Martin Scorsese, Mary Shultz, Matt Keeslar, Merwin Goldsmith, Michael Mantell, Mira Sorvino, Nicholas Kepros, Paul Guilfoyle, Paul Scofield, Ralph Fiennes, Reno, Richard Council, Richard Seff, Rob Morrow, Robert Caminiti, Scott Lucy, Shawn Batten, Stephen Pearlman, Timothy Britten Parker, Timothy Busfield, Vince O'Brien, Vincent J. Burns, William Fichtner

Director: Robert Redford

In Luzzu, tradition and modernity — plus principles and necessity — come crashing up against each other like waves in a raging storm. Trying to navigate his way through the tempest is Jesmark (Jesmark Scicluna), a Maltese fisherman proudly descended from a long family line of the profession. But Jesmark’s work — and his identity, which is tightly bound up with it — is reaching a crisis point, as fishing's dwindling returns can no longer provide his family with a living. His baby son needs expensive medical care, and his wife (Michela Farrugia) sees little choice but to abandon their independence and lean on her family (who have been hostile to her choice of spouse) to get by.

And so Jesmark finds himself pricing his principles: does he struggle on in vain, or give in to the pull of the lucrative black market, which respects neither EU fishing laws nor the sanctity of the seabed? With the weight of his family legacy on his back, Jesmark’s crisis feels like a crushing existential one. As visually stunning as the titular brightly painted wooden boat passed down by Jesmark's great-grandfather, Luzzu also feels as preciously crafted, with its raw look at the realities of economic survival recalling the acutely painful dilemmas of classic neorealist cinema.

Genre: Drama

Actor: David Scicluna, Frida Cauchi, Jesmark Scicluna, Michela Farrugia, Uday McLean

Director: Alex Camilleri

All kinds of lines — those separating good and bad, past and present, and even international borders — are blurred in this neo-Western gem. Though it’s entirely set in a small Texas border town, Lone Star pulls off all the gravity and sweep of an epic thanks to its seemingly-micro-actually-macro focuses and sprawling ensemble. It’s all kickstarted by the discovery of a skull in the scrub near Frontera, Texas; Sheriff Sam Deeds (a quietly captivating Chris Cooper) thinks he knows who it belongs to and who might have buried it there: his deceased father Buddy (Matthew McConaughey), the much-loved former sheriff of the town whose shadow Sam has long been living in.

And so an investigation of this historic crime begins, unearthing along the way many more skeletons — both individual and national — as Sam interviews those who knew his father and the victim. Lone Star’s brilliance is in the way it entwines with Sam’s investigation a broader exploration of America’s sins and their lingering legacies, particularly the many-headed effects of its history of racism. Lone Star weaves its political and personal elements together with seamless flourish, making for a rich tapestry of America’s past and present that never sidesteps the grander questions it provokes.

Genre: Drama, Mystery, Romance

Actor: Beatrice Winde, Chandra Wilson, Chris Cooper, Clifton James, Eleese Lester, Elizabeth Peña, Frances McDormand, Gabriel Casseus, Gordon Tootoosis, Jeff Monahan, Jesse Borrego, Joe Morton, Joe Stevens, John Griesemer, Kris Kristofferson, LaTanya Richardson Jackson, Leo Burmester, Marco Perella, Matthew McConaughey, Miriam Colon, Oni Faida Lampley, Randy Stripling, Richard Coca, Ron Canada, Sam Vlahos, Stephen J. Lang, Stephen Mendillo, Tony Amendola, Tony Frank, Tony Plana, Vanessa Martinez

Director: John Sayles