414 Best Emotional Movies to Watch (Page 16)

Staff & contributors

Looking for a movie that will give you all the feels? If you’re looking to get in touch with your emotions, here are the best movies to stream for getting those sentiments going, from sympathy tears to laugh-cries,

Anyone who's seen All That Heaven Allows will naturally be skeptical that a movie claiming to be an homage to Douglas Sirk’s sumptuous masterpiece will live up to the heights of its inspiration. It’s a ballsy move, molding your film so closely to a peerless classic, but Todd Haynes transcends thin pastiche to be a genuinely great film of its own. Where Sirk’s movie charts the social scandal caused by an upper-class widow (Jane Wyman) falling in love with her gardener (Rock Hudson), Haynes sharpens the conflict by recasting the couple as an interracial one (played by Julianne Moore and Dennis Haysbert). What’s more, Haynes brings her husband back from the dead and into the closet to give Far From Heaven another angle through which to tackle the repression and stigma and explore the characters' rocky pursuit of happiness. If that sounds like the stuff of melodrama, it is — Far From Heaven is proudly of that genre, cracking through the veneer of suburban perfection to find roiling tension and repressed desire underneath.

Genre: Drama, Romance

Actor: Barbara Garrick, Betsy Aidem, Bette Henritze, Brian Delate, C.C. Loveheart, Celia Weston, Chance Kelly, Declan Baldwin, Dennis Haysbert, Dennis Quaid, Duane McLaughlin, Ernest Rayford, Geraldine Bartlett, J.B. Adams, James Rebhorn, Joe Holt, Johnathan McClain, Jordan Nia Elizabeth, Julianne Moore, June Squibb, Kevin Carrigan, Michael Gaston, Mylika Davis, Olivia Birkelund, Patricia Clarkson, Ryan Ward, Stevie Ray Dallimore, Susan Willis, Ted Neustadt, Viola Davis, Virl Andrick

Director: Todd Haynes

Rating: PG-13

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Of the three Brontë sisters—all of whom are accomplished writers in their own right—it’s Emily who remains the most enigmatic to this day. She died early and left in her wake just one work: her first and only novel, Wuthering Heights. The book shook England back then; it was rugged and sexual and violent, and the film honors that by filling the gaps in our knowledge of Brontë’s life with the excitement of her work. Emily, the film, may be historically inaccurate, but it is wildly enjoyable, even if it is pure fantasy. The cinematography is sensual and the sound production screeching; the vibe is equal parts erotic and eerie as Emily loses herself in the mysticism of the moors. It seems apt that a film about Emily leans more toward arthouse than commercial, but it’s also impressive that director Frances O'Connor is able to achieve all this while maintaining a universally romantic appeal about it.

Genre: Drama, History, Romance

Actor: Adrian Dunbar, Alexandra Dowling, Amelia Gething, Emma Mackey, Fionn Whitehead, Gemma Jones, Gerald Lepkowski, Oliver Jackson-Cohen, Paul Warriner, Philip Desmeules, Sacha Parkinson, Veronica Roberts

Director: Frances O'Connor

Rating: R

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After years of documentaries covering Thailand’s controversial issues, some of which have been temporarily banned by the Ministry of Culture, Nontawat Numbenchapol takes a step into feature film in Doi Boy. The plot covers plenty of the topics he’s previously depicted– immigration, prostitution, and corruption– but it unfolds naturally into a slow-paced, but moving drama where an undocumented sex worker tries to find home. Awat Ratanapintha as Sorn excellently leads this journey, but Arak Amornsupasiri as reluctant cop Ji, and Bhumibhat Thavornsiri as passionate activist Wuth also make their mark. While the film doesn’t delve into the intricate intersectionality, it feels like that’s part of the point. The notion of a nation doesn’t care about people’s dreams, even if that dream is for the nation to be better.

Genre: Drama, Romance, Thriller

Actor: Arak Amornsupasiri, Awat Ratanapintha, Bhumibhat Thavornsiri, Ornjira Lamwilai, Panisara Rikulsurakan, Teerawat Mulvilai

Director: Nontawat Numbenchapol

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The Harry Potter movies undoubtedly changed the lives of its young stars forever — but a stuntman whose future the films had more tragic consequences for is the deserved focus of this moving documentary. David Holmes was just 17 when he was hired as Daniel Radcliffe’s stunt double, a role he held throughout the series. The two formed a close brotherly bond on set, growing up alongside one another for 10 years until a terrible accident during the final movie’s filming left him paralyzed from the chest down, a condition that has deteriorated over the years following post-surgery complications. 

This doc is an inspiring portrait of David, from his fearless childhood and dream-fulfilling work to the incredible resilience he’s shown since the accident. It’s also, though, a poignant testament to the loving, supportive community that Holmes inspired at work — friendships that only reached greater depths following the accident and the end of the movies. The doc’s focus empathetically expands from Holmes’ story to include its impact on his bond with Radcliffe (who features prominently here) and Holmes’ fellow stunt doubles — and, while the sheer force of Holmes’ personality would make for a compelling documentary on its own, it’s the tenderness and honesty that all of these participants show that makes this so poignant.

Genre: Documentary

Actor: Andy Holmes, Bonnie Wright, Chris Columbus, Daniel Radcliffe, David Holmes, David Yates, Emma Watson, Greg Powell, Marc Mailley, Rupert Grint, Sue Holmes, Tolga Kenan, Tom Felton

Director: Dan Hartley

Rating: PG-13

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Leo and Remi are close. They play, eat, and sleep together, and in between those moments, they share every thought they have with each other, no matter how big or small. Theirs is a precious friendship, as pure and as intimate as can be, but all that changes when they begin middle school. Subject to heteronormative norms and preteen mockery, their friendship starts to crack as Leo and Remi’s different definitions of manhood emerge.

Subtle but evocative, quiet but deeply powerful, Close takes a closer look at boyhood and male friendships—how they’re lived, defined, and seen. Plenty of questions go unanswered in this film, but if you’re comfortable with simply empathizing with the characters rather than knowing every answer, then Close comes highly recommended.

Genre: Drama

Actor: Ahlaam Teghadouini, Cachou Kirsch, Eden Dambrine, Émilie Dequenne, Gustav De Waele, Hélène Theunissen, Igor van Dessel, Kevin Janssens, Léa Drucker, Léon Bataille, Marc Weiss, Serine Ayari

Director: Lukas Dhont

Rating: PG-13

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As heartbroken as you will be after watching this movie, you will feel nothing but triumph in the main actor's debut role. This movie has very little hope to offer the viewer, except the small amount felt every time the main character, Marina, gets up again to fight another day. This film depicts grief in such a profound and personal way within a character who must remain relatively silent and alone most of the movie. You will quickly know why the film is called "A Fantastic Woman".

Genre: Drama

Actor: Alejandro Goic, Aline Kuppenheim, Amparo Noguera, Antonia Zegers, Bárbara Mundt, Cristián Chaparro, Daniela Vega, Eduardo Paxeco, Erto Pantoja, Fabiola Zamora, Francisco González Hermosilla, Francisco Reyes, José Antonio Raffo, Loreto Leonvendagar, Luis Gnecco, Marcial Tagle, Moisés Angulo, Nestor Cantillana, Nicolas Saavedra, Pablo Cerda, Pablo Greene, Paola Lattus, Paulina Hunt, Roberto Farías, Sergio Hernández, Trinidad González

Director: Sebastián Lelio

Rating: 15, R

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Your Name Engraved Herein is a melancholy and emotional film set in 1987 just as martial law ends in Taiwan. The film explores the relationship between Jia-han and Birdy, two boys in a Catholic school who are in a romantic relationship. The movie tackles homophobia and social stigma in society which evokes a bleak and rather depressing atmosphere, emphasised by the movie's earthy aesthetic. There is a rawness in the film’s narrative and dialogue, topped off by the lead actors’ successfully raw performances. Your Name Engraved Herein is tender as well as heartbreaking, occasionally depicting the joy of youth.

Genre: Drama, Family, History, Romance

Actor: Barry Qu, Cheng-Yang Wu, Chih-ju Lin, David Chiu, Edward Chen, Erek Lin, Fabio Grangeon, Honduras, Hui-Min Lin, Jason Wang, Jean-François Blanchard, Jing-Hua Tseng, Leon Dai, Lin Chih-ju, Lotus Wang, Lung Shao-Hua, Ma Nien-Hsien, Mimi Shao, Qu Youning, Siu Wa Lung, Soda Voyu, Stone Yang, Tseng Ching-hua, Waa Wei, Wang Shih Sian, Yi-Ruei Chen

Director: Kuang-Hui Liu, Liu Kuang-hui

Rating: N/A

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Two elderly gay men, Pak and Hoi, start a secret relationship during their twilight years. The catch: Pak is married and both are, well, old. Beneath their shared moments of tenderness, there is an undercurrent that the romance is ultimately futile, their remaining years too short to start life anew. Yet at the same time, director Ray Yeung uses the protagonists’ old age as justification for their love affair. Having dedicated their entire lives to their families and loved ones, romance is presented as a rewarding experience indicative of queer freedom, no matter how ill-fated or short-lived it might be.

Genre: Drama, Romance

Actor: Ben Yuen, Ben Yuen Foo-Wa, Ben Yuen Foo-Wah, Kong To, Lam Yiu-Sing, Lo Chun Yip, Patra Au Ga-Man, Tai Bo, Yuk-Guen Tsang

Director: Ray Yeung

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Most people aspire to have families, deciding to form their own by marrying, bearing children, and if fertility makes that impossible, adopting one. The Official Story is centered on upper middle class Alicia, who’s already made the idyllic family life, with the last piece completed with her adoption of Gaby, but there are secrets held from her, or rather, there are realities that she chose not to listen to because of the painful implications. Writer-director Luis Puenzo juxtaposes the family secret to the violent ones the Argentine junta government kept from its citizens. It's not a subtle comparison– Puenzo makes it obvious– but it's an effective one, as Alicia has to reckon with the fact that she lies in bed with a stranger, as Argentina has to reckon with the remaining junta members and enablers.

Genre: Drama, History

Actor: Analia Castro, Andrea Tenuta, Aníbal Morixe, Carlos Weber, Chela Ruíz, Chela Ruiz, Chunchuna Villafañe, Chunchuna Villafane, Fabián Rendo, Guillermo Battaglia, Héctor Alterio, Héctor Alterio, Hugo Arana, Lidia Catalano, María Luisa Robledo, Marcos Woinsky, Maria Luisa Robledo, Norma Aleandro, Oscar Ferrigno Jr., Pablo Rago, Patricio Contreras, Paula Canals

Director: Luis Puenzo

Rating: Not Rated, NR

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Known for showcasing the grittier side of New York in his films, Martin Scorsese shifts to its upper echelons in The Age of Innocence. Based on the 1920 novel, the film follows society attorney Newland Archer (Daniel Day-Lewis) as he courts and marries the respectable May Welland (Winona Ryder), despite his desire for childhood friend Countess Ellen Olenska (Michelle Pfeiffer).

Undeniably gorgeous and impressively shot, what ultimately makes the film stand out among Scorsese’s work is how well the three leads embody the complex characters of the novel on multiple levels. Day-Lewis skillfully turns a corrupt, arrogant lawyer into someone who admirably refuses to be anything but himself, while Pfeiffer hides a stubbornness and frustration within Olenska. But it’s Ryder who best portrays her character's complexity, Welland’s wide-eyed gaze concealing secret manipulations. All of them drive this story that not only mourns for lost love, but acts as a mourning for a lost Golden Age.

Genre: Drama, Romance

Actor: Alec McCowen, Alexis Smith, Brian Davies, Carolyn Farina, Catherine Scorsese, Charles Scorsese, Cindy Katz, Clement Fowler, Daniel Day-Lewis, Domenica Cameron-Scorsese, Geraldine Chaplin, Howard Erskine, Joanne Woodward, John McLoughlin, Jonathan Pryce, June Squibb, Kevin Ash, Linda Faye Farkas, Martin Scorsese, Mary Beth Hurt, Michael Gough, Michelle Pfeiffer, Miriam Margolyes, Norman Lloyd, Pasquale Cajano, Patricia Dunnock, Richard E. Grant, Robert Sean Leonard, Siân Phillips, Siân Phillips, Stuart Wilson, Thomas Barbour, Thomas Gibson, Tracey Ellis, W.B. Brydon, Winona Ryder

Director: Martin Scorsese

Rating: PG

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