405 Best Emotional Movies to Watch (Page 10)

Wendy (Michelle Williams) is a drifter driving up to Alaska in hopes of finding work. When her car breaks down, she and her dog Lucy are stranded and forced to scrounge for food and repairs, hitting one roadblock after another on her path to an uncertain dream. This sympathetic and solemn look at poverty from director Kelly Reichardt serves as a reminder of how easy it is to fall through the fragile American safety net.   

Reichardt’s uncompromising approach paired with Williams’s restrained performance makes the experience authentic and intense, recalling the work of Ken Loach. This natural sharpness makes for an engrossing watch that builds in power until the emotional release of the film’s heartbreaking conclusion. 

Genre: Drama

Actor: Ayanna Berkshire, David Koppell, Deirdre OConnell, Gabe Nevins, Greg Schmitt, Jeanine Jackson, John Breen, John Robinson, Larry Fessenden, M. Blash, Marilyn Faith Hickey, Michelle Williams, Roger D. Faires, Tanya Smith, Wally Dalton, Will Oldham, Will Patton

Director: Kelly Reichardt

Rating: R

Whether or not you're a fan of Nick Cave's contemplative, idiosyncratic style of music, This Much I Know to Be True still works on a purely experiential level. There's confusion, then a rush of euphoria, then an overwhelming sense of peace when listening to Cave's (and musical collaborator Warren Ellis's) cryptic lyrics and delicate compositions—shot with breathtaking use of studio lights by director Andrew Dominik and cinematographer Robbie Ryan.

And things only get more emotional when you consider how far Cave has come, that these performances are happening several rough years from the untimely death of his son. And suddenly even all the unrelated B-roll footage included in the film—of Cave talking about his sculptures, talking to Ellis, answering profound fan emails—takes on a greater urgency. This sounds like music for mourning, but in its own way it's music for celebration, too, and gratitude despite everything.

Genre: Documentary, Drama, Music

Actor: Andrew Dominik, Earl Cave, Marianne Faithfull, Nick Cave, Warren Ellis

Director: Andrew Dominik

You don’t have to be a theater kid to enjoy this feel-good mockumentary set in a summer camp for junior thespians. While there are plenty of in-jokes here for those who might have spent a summer or two somewhere like AdirondACTS, Theater Camp also good-naturedly lampoons every instantly recognizable stereotype of theater kids and the classic failed-performer-turned-teacher. 

Amongst the note-perfect ensemble, particularly hilarious standouts include co-writer Ben Platt and co-director Molly Gordon as camp instructors and best friends Amos and Rebecca-Diane. Both are Juilliard rejects with codependency issues and a classic case of actorly self-indulgence — as encapsulated in the moment they accuse a young attendee of “doping” for using artificial tears during a performance (“Do you want to be the Lance Armstrong of theater?”). But even seasoned performers like Platt and Gordon can’t pull the spotlight away from the film’s absurdly talented young ensemble, who are just as game for poking fun at their passion: standouts include Luke Islam, Alexander Bello, and Minari’s Alan Kim as a pint-sized “aspiring agent” who skips dance class to make business calls. All this self-satirising never obscures the movie’s heart, though; what begins as a self-deprecating ribbing of theater-heads ultimately becomes a rousing love letter to those very same misfits.

Genre: Comedy, Music

Actor: Alan Kim, Alexander Bello, Amy Sedaris, Ayo Edebiri, Ben Platt, Caroline Aaron, David Rasche, Dean Scott Vazquez, Donovan Colan, Jimmy Tatro, Kyndra Sanchez, Luke Islam, Max Sheldon, Molly Gordon, Nathan Lee Graham, Noah Galvin, Olivia Puckett, Owen Thiele, Patti Harrison, Priscilla Lopez, Tyrone Mitchell Henderson

Director: Molly Gordon, Nick Lieberman

Rating: PG-13

It’s hard not to watch The Unknown Country and think of Nomadland: along with similarities in their Terrence Malick-inspired visuals, both films follow lone women seeking catharsis on the road as they grieve profound losses. But Morrisa Maltz’s debut feature is a decidedly lower-key, more spiritual affair — and is all the better for it.

The film is light on plot exposition, but it’s clear from her soft melancholy that Tana (Lily Gladstone) has set off on this road trip following a personal loss, a meandering journey that takes her from freezing Minnesota to Oglala Lakota reservations in South Dakota and down through Texas. Along the way, she reunites with loved ones and crosses paths with total strangers, all of whom are played by charismatic non-professional actors whose real life stories earn as much of the spotlight as Tana’s impressionistically shot journey. These moments of documentary, Gladstone’s naturalistic performance, Andrew Hajek’s contemplative images of lush American landscapes, and the film’s aversion to outright drama enrich the fictional elements by grounding them in earthy reality. There aren’t many more emotionally rewarding ways to spend 80-ish minutes than watching this poignant meditation on the tangled richness of human lives and the land we live on.

Genre: Drama

Actor: Devin Shangreaux, Lainey Bearkiller Shangreaux, Lily Gladstone, Raymond Lee, Richard Ray Whitman

Director: Morrisa Maltz

Rating: NR

The movie starts with Luke (Ryan Gosling) as a stunt driver who learns he has a newborn child. Luke wants to properly provide for him, so he turns to robbing banks. That causes conflict with the mother (Eva Mendes) and a police officer (Bradley Cooper), which ends up spanning two generations. The Place Beyond the Pines is gritty and emotional, and at the heart of it, a good take on father-son relationships and long-term consequences.

Genre: Crime, Drama

Actor: Angelo Anthony Pizza, Anthony Angelo Pizza, Anthony Angelo Pizza, Jr., Ben Mendelsohn, Bradley Cooper, Brian Smyj, Bruce Greenwood, Craig Van Hook, Dane DeHaan, Derek Cianfrance, Emory Cohen, Ephraim Benton, Eva Mendes, Gabe Fazio, Greta Seacat, Harris Yulin, Jennifer Sober, Luca Pierucci, Lynette Howell Taylor, Mahershala Ali, Mark McCracken, Michael Cullen, Olga Merediz, Patrick Husted, Ray Liotta, Robert Clohessy, Rose Byrne, Ryan Gosling, Shannon Plumb

Director: Derek Cianfrance

Rating: R

If you’ve ever seen a movie by kings of social realism Ken Loach or the Dardenne brothers, you’ll recognize the cinematic tradition The Measure of a Man is coming from, but if you haven’t, don’t fear. The filmmaking here isn’t complicated, academic, or laden with references — in fact, the opposite is true. Stylistically pared back, the intensely modern and human story at the movie’s center expands to fill the frame so we have nowhere else to look.

With a disabled son to provide for, middle-aged Thierry (Vincent Lindon) desperately searches for a job, undergoing several state-required indignities — such as practice interview sessions in which fellow jobseekers critique everything from his body language to his tone of voice — just for a shot at being able to pay his bills. So many scenes and conversations here are palpably laden with the anxieties of real life, both economic and personal. And yet, for all the dehumanization and desperation clouding its edges, Measure of a Man isn’t a hopeless movie. We’re reminded by happy scenes at home just how rich Thierry’s life is, unemployed or not — but it's perhaps his moral compass, which begins to twitch when he takes a security job with an unscrupulous corporate employer, that’s most heartening of all.

Genre: Drama

Actor: Christophe Rossignon, Karine de Mirbeck, Mathieu Schaller, Soufiane Guerrab, Vincent Lindon, Xavier Mathieu, Yves Ory

Director: Stéphane Brizé

“Youth is a state of mind,” a poet once said — but, young in spirit though they are, the elderly artist couple at the center of this fly-on-the-wall documentary must confront the harsh reality that aging isn’t something the body can avoid. Jackie and Don Seiden — a yin-and-yang pair who describe themselves as “a mouse and a crocodile” — still argue and make up with all the fierce vitality of a couple half their age. They haven’t yet lapsed into living life through the rear-view mirror: both still actively make art, Don his sketches and Jackie her slideshows and found-object arrangements. They live in a creaking yet beautiful home, decorated exclusively in pastel colors; as Don puts it, they’ve “made a life that’s really unusual […] a life only [they] could’ve made.”

As his health issues — and the weakening of her ability to care for them — threaten the end of that 50-year-long chapter in their lives, the couple confront mortality and find it brings them holding ever tighter to one another. Their abiding mutual affection makes this documentary a moving portrait of enduring love, while their fiery intellectual verve gives it a sharp honesty that prevents it from ever lapsing into sentimentality.

Genre: Documentary, Drama

Director: Daniel Hymanson

This is the type of movie I completely fell in love with but cannot articulate exactly why. Maybe it's the mixture of beauty and pain portrayed, maybe it's the intricate sounds and beautiful imagery, maybe it's the story, maybe it's all of the above. A woman is hit with sudden disability after an accident and calls on an unlikely companion, a night club bouncer by the name of Ali. Together they explore her new predicament and its implications, while forming a special bond. This is a movie that will call upon your internal strength, while portraying how us humans can become strong together. Most of all it provides an immensely powerful, ultimately simple story that is both touching and will stay with you for a very long time. Directed by Jacques Audiard (A Prophet).

Genre: Drama, Romance

Actor: Armand Verdure, Bouli Lanners, Celine Sallette, Corinne Masiero, Fabien Baïardi, Françoise Michaud, Irina Coito, Jean-Michel Correia, Marion Cotillard, Matthias Schoenaerts, Mourad Frarema, Yannick Choirat

Director: Jacques Audiard

Rating: 15, R

Many comedians use humor as a way to ease into more serious subject matter, though there always exists a risk that a comedy special can skew too far down the silly or the self-reflective route. Mike Birbiglia has come about as close to the perfect balance as possible, in this recording of his one-man Broadway show at the Vivian Beaumont Theater. Key to this is the fact that Birbiglia tells one very cohesive story throughout these 77 minutes, frequently branching off to other humorous anecdotes but always returning with a pensive self-consciousness to the real possibility of him dying sooner than he'd want.

This filmed version of Birbiglia's show doesn't give a full idea of its multimedia qualities (Birbiglia occasionally has words and images projected onto the curved screen behind him, which he also physically interacts with), but the comedian's sincere style of storytelling more than makes up for the lack of audiovisual tricks we're permitted to see. And don't get it confused: this is a very funny stand-up special, whose jokes always come from the most unexpected places—it also just happens to contain some truly moving moments that come out of nowhere, but make total sense alongside all the laughter.

Genre: Comedy

Actor: Mike Birbiglia

Director: Seth Barrish

Rating: PG-13

It is hard to be unmoved by how Die Beautiful defies conventions and explores the essence of identity, acceptance, and resilience. Centered around the life of Trisha, a transgender woman with a passion for beauty pageants, the film takes us on a rollercoaster of emotions as we witness Trisha's life unfold, both in joyous moments and in the face of painful degradation and assault. The film seamlessly weaves together humor, tenderness, and raw vulnerability, delivered stunningly by its lead, Paolo Ballesteros. With other films such as Kalel, 15 and Bwakaw under his belt, director Jun Lana continues to meld reality with hope, injecting kindness and heart into much-needed queer stories.  

Genre: Comedy, Drama

Actor: Adrian Alandy, Albie Casiño, Cedrick Juan, Christian Bables, Eugene Domingo, Gladys Reyes, I.C. Mendoza, Iza Calzado, Jade Lopez, Joel Torre, Kokoy de Santos, Lou Veloso, Luis Alandy, Paolo Ballesteros

Director: Jun Lana, Jun Robles Lana

Rating: TV-14

Forlorn longing envelops Days of Being Wild, where the act of dreaming is as valuable as its actual fulfillment. “You’ll see me tonight in your dreams,” Yuddy tells Su Li-zhen on their first meeting, and indeed, this line of dialogue sets the film’s main contradiction: would you rather trap yourself in the trance-like beauty of dreams or face the unpleasant possibilities of reality? Wong Kar-wai’s characters each have their own answers, with varying subplots intersecting through the consequences of their decisions. In the end, happiness comes in unexpected ways, granted only to those brave enough to wake up and dream again.

Genre: Crime, Drama, Romance

Actor: Alicia Alonzo, Andy Lau, Anita Mui, Carina Lau, Hung Ling-Ling, Jacky Cheung, Leslie Cheung, Maggie Cheung, Maritoni Fernandez, Rebecca Pan, Tony Leung Chiu-Wai

Director: Kar-Wai Wong, Wong Kar-wai

Rating: Not Rated