75 Best Emotional Movies On Netflix (Page 4)

When it comes to ghosts, plenty of films are centered around personal, unresolved business in the living world, but rarely do films examine how the spirit world would be, unless it’s for fantastical fights or horrific terror. The Parades instead focuses on a world of lost, but ordinary, and thankfully kind, souls. And as the film builds its calm world, Minako (and the viewers) get to meet the people who would form her eventual found family, whose various lives uncover the intimate and personal hopes of ordinary people, shaped by the events of their respective times. While the film doesn’t fully resolve all their stories, The Parades celebrates life, in all forms, and the powerful ways storytelling and community helps us go through it.

Genre: Drama

Actor: Akari Takaishi, Ayumu Nakajima, Daiken Okudaira, Denden, Go Ayano, Hana Kino, Hiroshi Tachi, Kentaro Sakaguchi, Kotone Hanase, Lily Franky, Mai Fukagawa, Masami Nagasawa, Nana Mori, Ron Mizuma, Ryusei Yokohama, Shinobu Terajima, Shun Sugata, Suon Kan, Takuya Wakabayashi, Tetsushi Tanaka, Yuina Kuroshima, Yukiya Kitamura

Director: Michihito Fujii

Rating: PG-13

As southern movies go, Fried Green Tomatoes is inoffensively sweet and realistic—it’s not afraid to touch on the genuine issues that plagued America in the 1930s while also cushioning some blows, as feel-good movies are wont to do. But the film seems less interested in presenting a clear picture of the past than it is in telling a specific tale: that of outsiders forming bonds and making it together in an unforgiving society. 

The main narrator is Ninny, an 83-year-old woman seemingly forgotten by everyone except Evelyn, an unhappy housewife who is “too young to be old and too old to be young.” Ninny recalls the stories of Sipsey and Big George, Black laborers who dared to succeed in their deeply racist community; of Smokey, the town outcast, who still helped people even if he was denied it himself; of Ruth, the domestic abuse victim; and of Idgie, the tomboy who spat on the face of all decorum. Then, of course, there’s the unspoken relationship between Ruth and Idgie, which hint at something quite radical for its time. 

These are all the people conventionally denied happy endings, and in period films, you’d expect to be abandoned in tragedy. But here they sing; they win and lose in equal measure, and even though it might seem like light and familiar fare to some, it still goes down heartily and unforgettably—funnily enough, like a plate of fried green tomatoes.

Genre: Comedy, Drama

Actor: Afton Smith, Bob Hannah, Carol Mitchell-Leon, Chris O'Donnell, Chris O'Donnell, Cicely Tyson, Constance Shulman, Danny Nelson, David Dwyer, Evan Lockwood, Fannie Flagg, Gailard Sartain, Gary Basaraba, Grace Zabriskie, Grayson Fricke, Haynes Brooke, Jessica Tandy, Jo Harvey Allen, Kathy Bates, Kathy Larson, LaTanya Richardson Jackson, Lois Smith, Macon McCalman, Mary Stuart Masterson, Mary-Louise Parker, Nancy Moore Atchison, Nick Searcy, Raynor Scheine, Reid Binion, Richard Riehle, Stan Shaw, Suzi Bass, Ted Manson, Tim Scott, Timothy Scott, Tom Even, Wallace Merck

Director: Jon Avnet

Rating: PG-13

With its grounded approach, A Day and a Half feels real, even if the exact events are fictional. Inspired by a couple of lines from a 2008 news article, Fares Fares crafts an intimate family drama for his first directorial debut, built in the bones of a hostage thriller. As a thriller, Fares consistently maintains its suspense, camera eyeing the gun present in most of the film. However, as the cop Lucas tries to defuse the situation with hostage-taker Artan, and the situation escalates to the National Task Force, Artan and Louise confront their broken family, lines opened by improvised hostage negotiations. While Artan’s understandable reasons shouldn’t absolve him of his actions, A Day and a Half effectively builds tension, only relieved at its slightly unrealistic but cathartic ending.

Genre: Drama, Mystery, Thriller

Actor: Alexej Manvelov, Alma Pöysti, Annica Liljeblad, Annika Hallin, Daniel Guldstrand, Fares Fares, Richard Forsgren, Stina Ekblad

Director: Fares Fares

Based on the 13-episode series of the same name, Violet Evergarden tells the story of Violet, a scribe commissioned to write letters at a time when telephones and computers had yet to exist. Shell-shocked from her time in the war, Violet is exceptionally stoic, except when she remembers Gilbert, her military superior and sometime lover. His parting words were "I love you," and through her letters, Violet has been examining the meaning of the phrase since then. 

Fans of the series will have no trouble following the events of the film, but if you're going in cold without any prior exposure to the franchise, it might take a while for you to adjust to its world. More an amalgamation of multiple cultures than a reflection of just one, the imaginary Leidenschaftlich is filled with Japanese-speaking citizens, in modern-day-influenced clothes, with architecture and vistas that could fit right in 1800s Western Europe. Against this backdrop, Violet attempts to restart her life as a writer. Living often doesn't feel easy, especially when PTSD comes in the form of shocks and painful flashbacks, but loving, as she finds out, might be even harder. A tale of self-forgiveness and forging on, despite all odds, Violet Evergarden is a moving ode to life and love at a time of war. 

Genre: Animation, Drama, Fantasy, Romance

Actor: Aya Endo, Aya Saito, Ayako Kawasumi, Daichi Endo, Daisuke Namikawa, Emi Shinohara, Haruka Tomatsu, Hidenobu Kiuchi, Hisako Kyoda, Jouji Nakata, Kanako Sakuragi, Kaori Mizuhashi, Koki Uchiyama, Kozue Harashima, Mayuno Yasokawa, Megumi Matsumoto, Minori Chihara, Mitsuru Miyamoto, Mugihito, Rie Hikisaka, Rina Sato, Rina Satou, Sumire Morohoshi, Takehito Koyasu, Yasuhiro Mamiya, Yui Ishikawa, Yuuki Sanpei

Director: Taichi Ishidate

For better or for worse, we have no choice in the country we’re born in, the citizenship we first attain, and sometimes we’re forced to leave that country for our own safety. My Name is Loh Kiwan depicts a North Korean defector seeking refugee status in Belgium, but while the government deliberates, it’s a hard life he has to face, one that changes when he meets a fellow Korean who may not be an immigrant, but who’s just as lost as he is. While there are some subplots that falter halfway, My Name is Loh Kiwan still manages to stick the landing of being both a moving romance and an empathetic survival drama that highlights the struggles of refugees.

Genre: Drama, Romance

Actor: Choi Sung-eun, Heo Seon-haeng, Jo Han-chul, Kang Gil-woo, Kim Sung-ryung, Lee Il-hwa, Lee Sang-hee, Seo Hyun-woo, Song Joong-ki, Waël Sersoub

Director: Kim Hee-jin

Rating: R

It’s slower and talkier than you’d expect from a semi-erotic film, but Ehnegard lives up to its title well enough to satisfy. It’s titillating, but in a cheeky rather than provocative way. The dialogues are lengthy, but they’re alternately witty and poetic, so despite the pace they never actually bore. Ehnegard’s real delight, however, is its beauty. Set in the old kingdom of Babenhausen, Ehnegard looks like a fairy tale come to life. The towering castles, the sprawling meadows, the twinkling forest lakes, and of course, the smartly costumed people who populate the scenery—all these and more ensure that each frame has a picturesque glow to it. And with Sidse Babett Knudsen (Borgen, Westworld) taking charge of an appealing cast, Ehnegard proves to be a charming watch. 

Genre: Comedy, Drama, Romance

Actor: Alice E. Bier Zandén, Christopher Laesso, Emilie Kroyer Koppel, Jacob Ulrik Lohmann, Mikkel Boe Følsgaard, Paul Hüttel, Sara-Marie Maltha, Sidse Babett Knudsen

Director: Bille August

Rating: R

Pollution disproportionately affects developing nations, and when governments continue to allow the lackluster waste management processes of large-scale industries, sometimes the only option is to leave. That’s what the six protagonists do in Blood Vessel, though escaping the situation isn’t as easy as it sounds. The first half starts out fairly slow, as we get to know the group, but it’s all to bring about emotional devastation as the film unfolds into violent ends. While certain plot elements don’t have a neat resolution, and certain technical aspects sometimes feel distracting, Blood Vessel works through the strength of its six lead performances.

Genre: Drama, Thriller

Actor: Alex Budin, Bimbo Manuel, David Ezekiel, Dibor Adaobi, Jidekene Achufusi, René Mena, Slyvester Ekanem

Director: Moses Inwang

American Girl follows 13-year-old Fen as she returns to Taiwan from the US and tries to make sense of a culture that’s supposedly her own. In addition to her awkward but relatable attempts to understand identity and adolescence, Fen also struggles to connect with her mother Lily, whose own problems further push her away from her teenage daughter. If you’ve seen Lady Bird, you may recognize a bit of Christine and Marion in Fen and Lily as they throw themselves into an endless tug-of-war of emotions. Their fights are genuinely frustrating, but only because of how true-to-life they are.

As painful as it sometimes is to see them clash, it’s their love-hate dynamic that charges much of the film’s emotional energy and makes it ultimately irresistible to watch. 

Genre: Drama, Family

Actor: Blaire Chang, Bowie Tsang, Caitlin Fang, Hsia Yu-chiao, Jia-Yin Tsai, Kaiser Chuang, Karena Lam, Karena Lam Kar-Yan, Ming-shiou Tsai, Teng-Hui Huang, Winnie Chang, Winnie Shih-Ying Chang

Director: Feng-I Fiona Roan, Fiona Roan

Rating: Not Rated

There isn't anything about Man in Love—a remake of the 2014 South Korean film of the same name—that you haven't already seen before. But this iteration of the love story between a kindhearted woman and a scoundrel in business with gangsters and creditors benefits from high production values that help Taiwan stay romantic despite the grit of the film's plot. There's also an undeniable earnestness to even the most predictable beats here, helping the love story at its center feel more like a heat-of-the-moment bond forged in desperate economic times, and less like an abrupt bout of passion.

Genre: Drama, Romance

Actor: Chih-ju Lin, Chun Hong, Hsin-Ling Chung, Lan Wei-Hua, Lin Chih-ju, LULU Huang, Peace Yang, Roy Chiu, Tiffany Hsu, Tsai Chen-Nan, Xiao Ying Bai

Director: Chen-Hao Yin

While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert