Genre: Action & Adventure, Drama, Sci-Fi & Fantasy
Actor: Dallas Liu, Daniel Dae Kim, Gordon Cormier, Ian Ousley, Kiawentiio
If your inner drama queen is craving some stimulation and you’re looking for a movie that guarantees all the feels, we’ve got you covered. Here are the best emotionally and narratively dramatic movies and shoes to stream now.
Genre: Action & Adventure, Drama, Sci-Fi & Fantasy
Actor: Dallas Liu, Daniel Dae Kim, Gordon Cormier, Ian Ousley, Kiawentiio
Air Mata di Ujung Sajadah tugs at the heartstrings because it recognizes the pain of losing one’s child, whether that be to elopement, death, or to their biological parent. This, with a stirring score, and the tears of Titi Kamal and Citra Kirana, makes Aqilla and Yumna easy to root for, as they try to settle who would best be Baskara’s mother. It’s not an easy decision, and the film thankfully refrains from turning either woman to be an antagonist. However, all the sorrow, pain, and suffering hinges on Halimah’s decision, that, in the first place, shouldn’t have been possible. As the film plays out into its inevitable conclusion, the journey there is heartwarming, maybe even tearjerking, but it doesn’t feel as satisfying as it could have been if Halimah dealt with the consequences of her actions.
Genre: Drama
Actor: Citra Kirana, Dendy Subangil, Fanny Fadillah, Fedi Nuril, Jenny Rachman, Krisjiana Baharudin, Mbok Tun, Muhammad Faqih Alaydrus, Titi Kamal, Tutie Kirana
Director: Key Mangunsong
In a world when women are sexualized and objectified, but also judged and excluded under the guise of religious righteousness, Adire seeks a middle ground. It dares to explore how women’s beauty can be a force for good, rather than a source of shame, even within the religion that traditionally excludes women from its leadership. That being said, Adire focuses on this to the detriment of all other ideas loosely stitched to the narrative, such as the cultural heritage in using the adire fabric for modern lingerie, sex and desire as an impetus for art, and the need for intimacy, not just sex, in relationships. Adire has the ideas, but not the execution, especially when it loses its way in the second half of the film.
Genre: Drama
Actor: Femi Branch, Funlola Aofiyebi, Ibrahim Chatta, Kehinde Bankole, Kelechi Udegbe, Mike Afolarin, Yvonne Jegede
Director: Adeoluwa Owu
Genre: Drama, Romance, Thriller
Actor: Anne Suzuki, Artemis Snow, Honami Sato, Kiko Mizuhara, Sara Minami, Setsuko Karasuma, Shinya Niiro, Shunsuke Tanaka, Tetsushi Tanaka, Yôko Maki, Yui Uemura
Director: Ryuichi Hiroki
Despite its ambition to be a more serious piece of drama, Nganù is unfortunately held back either by a general lack of technical polish (sometimes leading to unintentional comedy within its dead-serious subject matter), or the misjudged attempt to feel grander than it should. When the film sticks to painful, ugly, intimate human drama, it actually starts to command attention. There's a striking lack of romantic sentiment to this story of a horrible person trying to redeem himself, as the film's many handheld camera shots capture its best performers at their nastiest (or most defiant)—showing us that the road to healing isn't actually as easy as it seems in Hollywood movies. Nganù sticks to its strict sense of morality, which is the best thing it could have done.
Genre: Drama
Actor: Alenne Menget, Azah Melvine, Hakeem Kae-Kazim, Kang Quintus, Muriel Blanche
Director: Kang Quintus
Based on the novel by Women Talking author Miriam Toews, this adaptation of All My Puny Sorrows holds clear reverence for its source material but falls short of making a case for its existence as a film. Toews's prose—significant parts of which writer/director Michael McGowan has kept intact in the dialogue—may be appropriate for a book that allows full internal access to its narrator, but on film her words come across as overly articulate and artificial, even if they speak beautiful, harsh truths about grief. And without a defined visual identity or proper flow of ideas to back up its admittedly complex characters (played with authentic tenderness and force by Alison Pill, Sarah Gadon, and Mare Winningham), the film ends up stuck in its own darkness, unable to give a proper form to all its thoughts.
Genre: Drama
Actor: Alison Pill, Aly Mawji, Amybeth McNulty, Boyd Banks, Donal Logue, Elizabeth Saunders, Mare Winningham, Marin Almasi, Martin Roach, Michael Musi, Mimi Kuzyk, Morgan Bedard, Racine Bebamikawe, Sarah Gadon
Director: Michael McGowan
Although the sequencing of the four segments makes sense, the overall result does not land in this new installment of the Lust Stories franchise. It shines with Konkona Sensharma's 'Mirror,' an unexpected take on voyeurism and camaraderie between women. It loses touch with Sujoy Ghosh's 'Sex with Ex,' which sticks out with a weak storyline and questionable use of a green screen. The bracketing stories are engaging if only for the stark difference in tone and conclusion. They round out the film well enough, allowing for an entertaining experience but a lukewarm memory after the credits roll.
Genre: Drama, Romance
Actor: Amruta Subhash, Angad Bedi, Anushka Kaushik, Hemant Kher, Jeniffer Piccinato, Jugal Hansraj, Kajol, Kanupriya Pandit, Konkona Sen Sharma, Kumud Mishra, Maharshi Dave, Mrunal Thakur, Mukti Mohan, Neena Gupta, Prateek Pachori, Shrikant Yadav, Tamannaah Bhatia, Tarun Khanna, Tillotama Shome, Vibha Chibber, Vijay Varma
Director: Amit Sharma, Konkona Sen Sharma, R. Balki, Sujoy Ghosh
The messy, non-linear process of grieving is always tough to capture meaningfully on screen—and there are definitely parts of Good Grief that trail off without much feeling or go on for too long without making new points. But the good still outweighs the bad in Dan Levy's directorial debut, with the inherent impracticality of death taking center stage. At a certain age when one has too much going on in life, grief can become just another responsibility that needs to be managed, that often clashes with the priorities of one's friends. The film just falls short of making truly astute insights into loss or crafting complete characters, but it's reassuring all the same in how ordinarily it views something so tragic.
Genre: Comedy, Drama, Romance
Actor: Arnaud Valois, Celia Imrie, Cyrielle Debreuil, Dan Levy, David Bradley, Emma Corrin, Himesh Patel, Jamael Westman, Kaitlyn Dever, Luke Evans, Mehdi Baki, Nigel Lilley, Ruth Negga, Yoli Fuller, Zoé Bruneau
Director: Dan Levy
Genre: Action, Adventure, Fantasy
Actor: Aditi Joshi, Alia Bhatt, Amitabh Bachchan, Chaitanya Sharma, Deepika Padukone, Dimple Kapadia, Farida Dadi, Gurfateh Pirzada, Lehar Khan, Mouni Roy, Nagarjuna Akkineni, Ranbir Kapoor, Rashi Mal, Saqib Ayub, Saurav Gurjar, Shah Rukh Khan
Director: Ayan Mukerji
At its core, The Trust is everything you expect from American reality TV, complete with several highly irritating contestants and drama that just never hits as hard as it tries to. So it's good that the central game mechanics are simple yet designed to have the players sow as much discord among themselves as possible. With the constant temptation of higher individual shares dangled in front of them, and each contestant having the power to send somebody home with a single, anonymous, uncontested vote, the paranoia runs rampant fairly quickly. Unfortunately, the players themselves aren't the most interesting bunch to watch, and their strategies are decent at best, completely illogical at worst. There's still lots of excitement surrounding every voting session, but getting to know the players becomes a slog.
Genre: Reality
Actor: Brooke Baldwin
To The Hottest Summer's credit, it doesn't shy away from its title; as an erotic romcom, it gives us more sexual content than you'd expect, while still keeping away from anything too explicit. There's an undeniably exciting quality to how much the film is willing to show in its forbidden romance, and lead actors Nicole Damiani and Gianmarco Saurino have chemistry to spare. But while the film can be refreshing in how undaunted it is by the supposed taboo at the center of its story, its desire for simple, carnal thrills means the characters are much flatter than they probably deserve to be. Deacon Nicola's complicated relationship to his faith is never quite explored until it's too late, and Lucia's friendship with Valentina (played by Alice Angelica) seems to be of little consequence, even as the story tries to create drama between their competing affections for the young priest-to-be.
Genre: Comedy, Drama, Romance
Actor: Alberto Rossi, Alice Angelica, Antonio Conte, Balkissa Souley Maiga, Barbara Tabita, Gianmarco Saurino, Giuseppe Giofre, Giuseppe Paternò Raddusa, Luca Capuano, Mehdi Meskar, Michela Giraud, Monica Guazzini, Nicole Damiani, Nino Frassica, Stefania Sandrelli
Director: Matteo Pilati
It definitely has all the hallmarks of a mystery series—intertwining investigations, corruption at the police level and higher, a dark past that vaguely reflects the central cast—but there's something about P.I. Meena that keeps it from being more than just a collection of genre markers. It neither feels urgent nor specific enough to separate itself from so many similar shows, and it often jumbles up the stories it tries to tell, leading to a fluctuating tone and hurried pacing. Tanya Maniktala makes for a charming lead, but she can't help but be overwhelmed by the show's attempts to hit the familiar beats we expect to see.
Genre: Crime, Drama, Mystery
Actor: Jisshu Sengupta, Parambrata Chatterjee, Samir Soni, Tanya Maniktala, Vinay Pathak, Zarina Wahab
Director: Debaloy Bhattacharya
With a premise that just seems inherently emotionally manipulative, it should take an especially sensitive touch to make a story like this work on screen. Unfortunately, See Hear Love—itself based on a South Korean webcomic—is both overdramatic and not nearly stylized enough in any meaningful way to help its subject matter evolve beyond melodrama. It remains a well-shot and decently acted film that, at the very least, treats its characters as adults and not as caricatures with disabilities. But the movie makes little effort to place these characters in believable situations that should shed a light on what it's like to live with blindness or as a Deaf person. See Hear Love takes the easiest (and slowest) way out, bringing its two lovers together under somewhat creepy circumstances, and having them endure cartoonishly exploitative "antagonists"—all for the sake of portraying the romance as grand and artificially tragic.
Genre: Drama, Romance
Actor: Dai Watanabe, Daikichi Sugawara, Mahiro Takasugi, Maika Yamamoto, Mari Natsuki, Masaya Kato, Motoki Fukami, Sayaka Yamaguchi, Tomohisa Yamashita, Tomoki Kimura, Yuko Araki
Director: John H. Lee
If Pippa makes one crucial mistake that derails its drama, it's not that the film opens with a violent but necessary scene of Bangladeshi people being massacred by Pakistani troops. It's that the film never actually returns to any Bangladeshi characters, instead becoming an overly familiar story about more privileged soldiers and their sacrifices as they get to act as heroes to the camera. It's executed fairly well, with a good bit of suspense as the larger objective focuses up into a specific rescue mission. But even the flashiest production design and the most unique tank-based action can't get rid of the nagging feeling that we're being told a much less important story. In the end, this is still about the glory of military service for a greater good, which just isn't the most interesting direction for this film to take.
Genre: Drama, War
Actor: Avijit Dutt, Chandrachoor Rai, Inaamulhaq, Ishaan Khattar, Ishaan Khatter, Kamal Sadanah, Mrunal Thakur, Priyanshu Painyuli, Soham Majumdar, Soni Razdan
Director: Raja Menon
Turning 30 is a milestone that is a staple drama storybeat; it's own coming-of-age subgenre for facing unrealized dreams and heartbreak. This South African take adds a few dashes of sex as the lead quartet look back on their college years and mostly lament their dysfunctional, or lacking, love lives. All four women get equal screen time (impressive) and a series of devastating hardships (sad, yet expected), but the predominant focus on their relationship with men cornered it into predictable territory. Ultimately, the film is formulaic, always on the cusp of prioritizing friendships until its archaic romances and interpersonal drama remind you that a man and a job will make you MUCH happier.
Genre: Drama, Romance
Actor: Anthony Oseyemi, Bahumi Madisakwane, Candice Modiselle, Lunga Shabalala, Terence Bridgett
Director: Stephina Zwane