583 Best Dramatic Movies to Watch (Page 37)

Staff & contributors

If your inner drama queen is craving some stimulation and you’re looking for a movie that guarantees all the feels, we’ve got you covered. Here are the best emotionally and narratively dramatic movies and shoes to stream now.

Air Mata di Ujung Sajadah tugs at the heartstrings because it recognizes the pain of losing one’s child, whether that be to elopement, death, or to their biological parent. This, with a stirring score, and the tears of Titi Kamal and Citra Kirana, makes Aqilla and Yumna easy to root for, as they try to settle who would best be Baskara’s mother. It’s not an easy decision, and the film thankfully refrains from turning either woman to be an antagonist. However, all the sorrow, pain, and suffering hinges on Halimah’s decision, that, in the first place, shouldn’t have been possible. As the film plays out into its inevitable conclusion, the journey there is heartwarming, maybe even tearjerking, but it doesn’t feel as satisfying as it could have been if Halimah dealt with the consequences of her actions.

Genre: Drama

Actor: Citra Kirana, Dendy Subangil, Fanny Fadillah, Fedi Nuril, Jenny Rachman, Krisjiana Baharudin, Mbok Tun, Muhammad Faqih Alaydrus, Titi Kamal, Tutie Kirana

Director: Key Mangunsong

Read also:

In a world when women are sexualized and objectified, but also judged and excluded under the guise of religious righteousness, Adire seeks a middle ground. It dares to explore how women’s beauty can be a force for good, rather than a source of shame, even within the religion that traditionally excludes women from its leadership. That being said, Adire focuses on this to the detriment of all other ideas loosely stitched to the narrative, such as the cultural heritage in using the adire fabric for modern lingerie, sex and desire as an impetus for art, and the need for intimacy, not just sex, in relationships. Adire has the ideas, but not the execution, especially when it loses its way in the second half of the film.

Genre: Drama

Actor: Femi Branch, Funlola Aofiyebi, Ibrahim Chatta, Kehinde Bankole, Kelechi Udegbe, Mike Afolarin, Yvonne Jegede

Director: Adeoluwa Owu

Read also:
Love at its infancy can be pure and sweet, but sometimes, when it’s forced down, locked up inside without calm acceptance, this yearning can fester into something toxic, something too passionate to control. Ride or Die is based on the Gunjō manga, which portrays a relationship between two high school girl best friends made toxic when Nanae recruits Rei to seduce and murder Nanae’s abusive husband. Gunjō wasn’t a perfect representation of a lesbian relationship, but in the hands of a mostly male crew, the resulting lesbian road film adaptation is gorgeous, but feels a tad too long, and a tad too gratuitous with its sex and violence. Ride or Die has an intriguing, boundary-pushing premise about the dark side of devotion, but its execution makes the film an uneasy watch.

Genre: Drama, Romance, Thriller

Actor: Anne Suzuki, Artemis Snow, Honami Sato, Kiko Mizuhara, Sara Minami, Setsuko Karasuma, Shinya Niiro, Shunsuke Tanaka, Tetsushi Tanaka, Yôko Maki, Yui Uemura

Director: Ryuichi Hiroki

Rating: R

Read also:

Despite its ambition to be a more serious piece of drama, Nganù is unfortunately held back either by a general lack of technical polish (sometimes leading to unintentional comedy within its dead-serious subject matter), or the misjudged attempt to feel grander than it should. When the film sticks to painful, ugly, intimate human drama, it actually starts to command attention. There's a striking lack of romantic sentiment to this story of a horrible person trying to redeem himself, as the film's many handheld camera shots capture its best performers at their nastiest (or most defiant)—showing us that the road to healing isn't actually as easy as it seems in Hollywood movies. Nganù sticks to its strict sense of morality, which is the best thing it could have done.

Genre: Drama

Actor: Alenne Menget, Azah Melvine, Hakeem Kae-Kazim, Kang Quintus, Muriel Blanche

Director: Kang Quintus

Read also:

Based on the novel by Women Talking author Miriam Toews, this adaptation of All My Puny Sorrows holds clear reverence for its source material but falls short of making a case for its existence as a film. Toews's prose—significant parts of which writer/director Michael McGowan has kept intact in the dialogue—may be appropriate for a book that allows full internal access to its narrator, but on film her words come across as overly articulate and artificial, even if they speak beautiful, harsh truths about grief. And without a defined visual identity or proper flow of ideas to back up its admittedly complex characters (played with authentic tenderness and force by Alison Pill, Sarah Gadon, and Mare Winningham), the film ends up stuck in its own darkness, unable to give a proper form to all its thoughts.

Genre: Drama

Actor: Alison Pill, Aly Mawji, Amybeth McNulty, Boyd Banks, Donal Logue, Elizabeth Saunders, Mare Winningham, Marin Almasi, Martin Roach, Michael Musi, Mimi Kuzyk, Morgan Bedard, Racine Bebamikawe, Sarah Gadon

Director: Michael McGowan

Rating: R

Read also:

Although the sequencing of the four segments makes sense, the overall result does not land in this new installment of the Lust Stories franchise. It shines with Konkona Sensharma's 'Mirror,' an unexpected take on voyeurism and camaraderie between women. It loses touch with Sujoy Ghosh's 'Sex with Ex,' which sticks out with a weak storyline and questionable use of a green screen. The bracketing stories are engaging if only for the stark difference in tone and conclusion. They round out the film well enough, allowing for an entertaining experience but a lukewarm memory after the credits roll. 

Genre: Drama, Romance

Actor: Amruta Subhash, Angad Bedi, Anushka Kaushik, Hemant Kher, Jeniffer Piccinato, Jugal Hansraj, Kajol, Kanupriya Pandit, Konkona Sen Sharma, Kumud Mishra, Maharshi Dave, Mrunal Thakur, Mukti Mohan, Neena Gupta, Prateek Pachori, Shrikant Yadav, Tamannaah Bhatia, Tarun Khanna, Tillotama Shome, Vibha Chibber, Vijay Varma

Director: Amit Sharma, Konkona Sen Sharma, R. Balki, Sujoy Ghosh

Rating: R

Read also:

The messy, non-linear process of grieving is always tough to capture meaningfully on screen—and there are definitely parts of Good Grief that trail off without much feeling or go on for too long without making new points. But the good still outweighs the bad in Dan Levy's directorial debut, with the inherent impracticality of death taking center stage. At a certain age when one has too much going on in life, grief can become just another responsibility that needs to be managed, that often clashes with the priorities of one's friends. The film just falls short of making truly astute insights into loss or crafting complete characters, but it's reassuring all the same in how ordinarily it views something so tragic.

Genre: Comedy, Drama, Romance

Actor: Arnaud Valois, Celia Imrie, Cyrielle Debreuil, Dan Levy, David Bradley, Emma Corrin, Himesh Patel, Jamael Westman, Kaitlyn Dever, Luke Evans, Mehdi Baki, Nigel Lilley, Ruth Negga, Yoli Fuller, Zoé Bruneau

Director: Dan Levy

Rating: R

Read also:
When Disney and Marvel drove the industry with its multi-phase superhero film franchise surrounding the collection and use of magical alien MacGuffins, it’s no wonder that some Hindi filmmakers watched it, squinted, and thought that it was small fry compared to the vast collection of stories and reinterpretations of Hindu folklore and epics. But it’s not an easy thing to do. Brahmastra: Part One - Shiva has admirable ambition, but the plot is predictable, the characterization is scant, and the film just throws so much of the mythology at the audience rather than taking its time, letting the magic build up some mystery, and letting the audience get to know the characters before they launch themselves into a spectacular fight scene. It’s not a terrible watch, but Brahmastra is off to a very shaky start.

Genre: Action, Adventure, Fantasy

Actor: Aditi Joshi, Alia Bhatt, Amitabh Bachchan, Chaitanya Sharma, Deepika Padukone, Dimple Kapadia, Farida Dadi, Gurfateh Pirzada, Lehar Khan, Mouni Roy, Nagarjuna Akkineni, Ranbir Kapoor, Rashi Mal, Saqib Ayub, Saurav Gurjar, Shah Rukh Khan

Director: Ayan Mukerji

Rating: PG-13

Read also:

To The Hottest Summer's credit, it doesn't shy away from its title; as an erotic romcom, it gives us more sexual content than you'd expect, while still keeping away from anything too explicit. There's an undeniably exciting quality to how much the film is willing to show in its forbidden romance, and lead actors Nicole Damiani and Gianmarco Saurino have chemistry to spare. But while the film can be refreshing in how undaunted it is by the supposed taboo at the center of its story, its desire for simple, carnal thrills means the characters are much flatter than they probably deserve to be. Deacon Nicola's complicated relationship to his faith is never quite explored until it's too late, and Lucia's friendship with Valentina (played by Alice Angelica) seems to be of little consequence, even as the story tries to create drama between their competing affections for the young priest-to-be.

Genre: Comedy, Drama, Romance

Actor: Alberto Rossi, Alice Angelica, Antonio Conte, Balkissa Souley Maiga, Barbara Tabita, Gianmarco Saurino, Giuseppe Giofre, Giuseppe Paternò Raddusa, Luca Capuano, Mehdi Meskar, Michela Giraud, Monica Guazzini, Nicole Damiani, Nino Frassica, Stefania Sandrelli

Director: Matteo Pilati

Read also:

With a premise that just seems inherently emotionally manipulative, it should take an especially sensitive touch to make a story like this work on screen. Unfortunately, See Hear Love—itself based on a South Korean webcomic—is both overdramatic and not nearly stylized enough in any meaningful way to help its subject matter evolve beyond melodrama. It remains a well-shot and decently acted film that, at the very least, treats its characters as adults and not as caricatures with disabilities. But the movie makes little effort to place these characters in believable situations that should shed a light on what it's like to live with blindness or as a Deaf person. See Hear Love takes the easiest (and slowest) way out, bringing its two lovers together under somewhat creepy circumstances, and having them endure cartoonishly exploitative "antagonists"—all for the sake of portraying the romance as grand and artificially tragic.

Genre: Drama, Romance

Actor: Dai Watanabe, Daikichi Sugawara, Mahiro Takasugi, Maika Yamamoto, Mari Natsuki, Masaya Kato, Motoki Fukami, Sayaka Yamaguchi, Tomohisa Yamashita, Tomoki Kimura, Yuko Araki

Director: John H. Lee

Read also:

If Pippa makes one crucial mistake that derails its drama, it's not that the film opens with a violent but necessary scene of Bangladeshi people being massacred by Pakistani troops. It's that the film never actually returns to any Bangladeshi characters, instead becoming an overly familiar story about more privileged soldiers and their sacrifices as they get to act as heroes to the camera. It's executed fairly well, with a good bit of suspense as the larger objective focuses up into a specific rescue mission. But even the flashiest production design and the most unique tank-based action can't get rid of the nagging feeling that we're being told a much less important story. In the end, this is still about the glory of military service for a greater good, which just isn't the most interesting direction for this film to take.

Genre: Drama, War

Actor: Avijit Dutt, Chandrachoor Rai, Inaamulhaq, Ishaan Khattar, Ishaan Khatter, Kamal Sadanah, Mrunal Thakur, Priyanshu Painyuli, Soham Majumdar, Soni Razdan

Director: Raja Menon

Read also: