583 Best Dramatic Movies to Watch (Page 36)

With the source material being a Pulitzer winning novel, All The Light We Cannot See had high expectations. Plenty of what made the novel great was its straightforward prose, as well as its back-and-forth timeline, where each scene is arranged not by chronological order, but by the thematic logic that informs the characters’ actions. The new Netflix adaptation keeps the novel’s structure, however, the novel’s poetry is lost as the metaphors are shortened to its most cliché versions, and the showrunners couldn’t trust that the viewers would acknowledge the novel’s subtleties. While the cast does what it can, the show just feels like a missed opportunity to tell an excellent story.

Genre: Drama

Actor: Aria Mia Loberti, Hugh Laurie, Lars Eidinger, Louis Hofmann, Mark Ruffalo

Rating: TV-MA

Paraphrasing their words, the show is about taking the K-pop method of creating stars and trying to replicate it outside of Korea to create a “sensational, iconic, global girl group.” And there are good things about it in the early going. For one, the evaluators sound levelheaded, which might seem like the bare minimum, but you know how these things really go. The documentary-esque aspects are nice enough when the show is grounded in its audition/training purpose and in getting to know our contestants. But I could do without a survival competition style reality show again, especially ones that seem to just use the format for the sake of using it, a.k.a., "entertainment."

Genre: Documentary

Actor: Daniela Avanzini, Lara Rajagopalan, Manon Bannerman, Megan Skiendiel, Sophia Laforteza

Director: Nadia Hallgren

Rating: TV-MA

If you don’t like cheesy Koreanovelas to begin with, there’s no real reason to seek this out. You’re getting an over the top telenovela from the performances, to the wishing on a star and playful coincidences and all the forced meet-cutes. Lee Mi-jin (Jung Eun-ji) is sympathetic in her unenviable position receiving conditional kindness from her parents. And of course, the premise itself is just ridiculous enough to maybe stick around for. But what should be a simple story gets out of hand quickly, with an absolutely wack 60+ minute runtime per episode. While it can be a decent comfort show for the giggles, there’s no cheese you can get here that you can’t get anywhere else for better if you kept looking.

Genre: Comedy, Mystery, Sci-Fi & Fantasy

Actor: Baek Seo Hoo, Choi Jin-hyuk, Jeong Seok-yong, Jung Eun-ji, Jung Young-ju, Kim Ah-young, Lee Jung-eun, Yoon Byung-hee

Director: Lee Hyung-min

With political intrigue, deceit, and romance, Captivating the King has all the elements we’re familiar with in Korean sageuk romances. It’s easy to appreciate the impeccable production design and every time Jo Jung-suk pulls at the heartstrings through the Grand Prince Jinhan’s tears, but the series starts incredibly slowly. Apparently, before Hee-soo can captivate said king, the first few episodes must delve into every single detail that made the prince into a king. This does help set up the political landscape Yi In has to operate in, but it keeps its viewers waiting too long for the undercover love story implied by the premise.

Genre: Drama, War & Politics

Actor: Cho Jung-seok, Cho Seong-ha, Lee Sin-young, Park Ye-yeong, Shin Se-kyung

Director: Cho Nam-guk

Rating: TV-PG

The most obvious cultural reference point for Barracuda Queens is The Bling Ring: both tell the based-on-real-life stories of a group of (mostly) wealthy young women who rob rich people’s houses. But where Sofia Coppola’s movie was rooted in a very specific era and explored the fascinating generational and psychological quirks that drove its disaffected teen burglars to do what they did, this Swedish Netflix series, at least in the first four episodes viewed for this review, makes only a half-hearted effort to evoke its ‘90s setting and takes a much soapier, less forensic approach to its story.

Here, the young women’s gateway into crime is the sky-high bill they rack up after a debauched weekend away. In need of cash to pay it off quickly, they convince themselves that they’re only robbing their wealthy neighbors to solve that problem, but other motivations soon arise. The women — who are mostly university-age, but seem closer to the protagonists of a teen drama — eventually begin to target people they have petty grievances with (like a love interest who spurns the ringleader after a one-night stand) as well as those who have wronged them more seriously (including a rapist, who gets off bizarrely lightly). The adrenaline rush of it all proves addictive for the gang, too. What’s more, for Mia (Tea Stjärne), the only member of the group not from a wealthy background, there’s also a Robin Hood-ish appeal to the burglaries, although this aspect regrettably takes something of a backseat to the girls’ escapades in the show. 

Between the gang’s crime spree and their unbelievably dysfunctional home lives, there’s enough broad drama here to keep Netflix’s autoplay function in good use. Even if it doesn’t provide keen insight, sharp nuance, or a remotely realistic plot, the show does go beyond a surface-level approach by exploring something of the girls’ inner lives, the class dynamics of their friendship group, and the shallowness of their parents’ milieu. At three hours total — and with an opening scene that teases a dramatic rise-and-fall story ahead — it all makes for a very bingeable, if ultimately forgettable, watch.

Genre: Crime, Drama

Actor: Alva Bratt, Carsten Bjornlund, Izabella Scorupco, Johannes Bah Kuhnke, Max Ulveson, Sandra Strandberg Zubovic, Sarah Gustafsson, Tea Stjärne, Tindra Monsen

Rating: TV-MA