492 Best Dramatic Movies to Watch (Page 32)

Staff & contributors

If your inner drama queen is craving some stimulation and you’re looking for a movie that guarantees all the feels, we’ve got you covered. Here are the best emotionally and narratively dramatic movies and shoes to stream now.

With a premise that just seems inherently emotionally manipulative, it should take an especially sensitive touch to make a story like this work on screen. Unfortunately, See Hear Love—itself based on a South Korean webcomic—is both overdramatic and not nearly stylized enough in any meaningful way to help its subject matter evolve beyond melodrama. It remains a well-shot and decently acted film that, at the very least, treats its characters as adults and not as caricatures with disabilities. But the movie makes little effort to place these characters in believable situations that should shed a light on what it's like to live with blindness or as a Deaf person. See Hear Love takes the easiest (and slowest) way out, bringing its two lovers together under somewhat creepy circumstances, and having them endure cartoonishly exploitative "antagonists"—all for the sake of portraying the romance as grand and artificially tragic.

Genre: Drama, Romance

Actor: Dai Watanabe, Daikichi Sugawara, Mahiro Takasugi, Maika Yamamoto, Mari Natsuki, Masaya Kato, Motoki Fukami, Sayaka Yamaguchi, Tomohisa Yamashita, Tomoki Kimura, Yuko Araki

Director: John H. Lee

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If Pippa makes one crucial mistake that derails its drama, it's not that the film opens with a violent but necessary scene of Bangladeshi people being massacred by Pakistani troops. It's that the film never actually returns to any Bangladeshi characters, instead becoming an overly familiar story about more privileged soldiers and their sacrifices as they get to act as heroes to the camera. It's executed fairly well, with a good bit of suspense as the larger objective focuses up into a specific rescue mission. But even the flashiest production design and the most unique tank-based action can't get rid of the nagging feeling that we're being told a much less important story. In the end, this is still about the glory of military service for a greater good, which just isn't the most interesting direction for this film to take.

Genre: Drama, War

Actor: Avijit Dutt, Chandrachoor Rai, Inaamulhaq, Ishaan Khattar, Kamal Sadanah, Mrunal Thakur, Priyanshu Painyuli, Soham Majumdar, Soni Razdan

Director: Raja Menon

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Yet another drama designed to be emotional without actually doing the heavy lifting to get us invested, Prisoner's Daughter takes the easy way out at every turn, mistaking its use of capital-I Issues and dramatic plot points for substantial writing. This doesn't mean that the film itself isn't still watchable and competently performed (by a typically strong Brian Cox, but especially by Kate Beckinsale); it just fails to make a statement about any of its disparate parts mashed together. At the end of the day, it feels as if the film doesn't have enough faith in the already complex and difficult relationship at its center, so it attempts to dress it up with prison, cancer, drug addicts, and epilepsy—which only cheapens what's already there.

Genre: Drama, Mystery, Thriller

Actor: Brian Cox, Christopher Convery, Chuti Tiu, Cinthia Moura, Ernie Hudson, Jon Huertas, Kate Beckinsale, Mark Kubr, Mark Oliver Everett, Tyson Ritter, Yonel Dorelis

Director: Catherine Hardwicke

Rating: R

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It starts out easy and compelling enough, in the middle of a crime scene with a naked dead girl on the shore. But easy and compelling this refuses to be. The film seems to be a slow, painful look at the process of capturing a perpetrator, a detective’s effort to profile a killer. But it threw a lot more at the wall hoping a lot more would stick. The nonlinear storytelling spices up the action, but it just feels like the base story needed all the help it could get. If you do stick with the movie, you’ll see some gory details, some twists, and an unnecessarily complex story.

Genre: Crime, Drama, Mystery, Thriller

Actor: Andrzej Konopka, Andrzej Zieliński, Jakub Gierszał, Jan Wieteska, Justyna Schneider, Maja Ostaszewska, Paweł Jusiński, Przemysław Bluszcz, Wojciech Zieliński, Zbigniew Stryj, Zofia Jastrzębska

Director: Adrian Panek

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Tagged by Netflix as a stylish thriller driven by a bold sexual adventure, Burning Betrayal feels less erotic and less thrilling than expected. Sure, there are stunning sex scenes, and unexplainable incidents that seem at first the result of a breakup. However, the first half of Burning Betrayal does not adequately set up the last half, as it focused nearly half its runtime just throwing in as much sex scenes as possible. And for what? There’s nothing character-wise that makes any of the men in Babi’s life so compelling, even in the toxic, addictive sort of way. And when the twist comes, it feels like it’s been all thrown arbitrarily. It really just feels like multiple pretty music videos masquerading as a movie.

Genre: Drama, Mystery, Romance

Actor: Bruno Montaleone, Camilla de Lucas, Giovanna Lancellotti, Leandro Lima, Louise D'Tuani, Micael Borges

Director: Diego Freitas

Rating: R

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Plenty of missing people stories don’t get resolved, so understandably, all their loved ones can do is contemplate the potential horrors that could have happened to them, like being lost and needing to survive, or being kidnapped, or, of course, being dead. Primbon is a story where a missing girl returns home, though her return seems suspicious, at least, according to Javanese superstition. So much could have been made with this premise. They could have delved into Rana’s possible trauma from the reason she was lost, or the way these superstitions hinder these victims from receiving help from others. The film at least shines during the moments between Dini, her mom, and Rana, as they try to get back to normal. But in prioritizing the family, Primbon is torn between being a family drama versus being a supernatural horror film, and ultimately fails at being both.

Genre: Horror

Actor: Azela Putri, Chicco Kurniawan, Flavio Zaviera, Happy Salma, Jajang C. Noer, Nugie, Whani Darmawan

Director: Rudy Soedjarwo

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With its celebration of Thai dances, excellent costumes, and two male theater actor leads, ManSuang seemed like it would be something akin to a Thai Farewell My Concubine, especially as it starts off with what could have been sex scene interrupted by a murder. The addition of the espionage storyline, as well as the dynamics between the Chinese and the mainland Thai, seemed like the film would be subtle social commentary through historical drama. However, the story feels haphazardly assembled, with characters acting contrary to their goals, and sadly, the film doesn’t showcase as much of Thai culture as we would like. Instead, the film spends more time establishing an overly complicated mystery that gets too hard to follow with its multiple plotlines. ManSuang has beautiful set design, costumes, and a handsome cast, but the writing wastes the potential the story had.

Genre: Drama, Mystery

Actor: Asavapatr Ponpiboon, Chartchai Ketnust, Duangjai Hiransri, Gandhi​ Wasuvitchayagit, Nattawin Wattanagitiphat, Nutthasid Panyangarm, Ornanong Panyawong, Phakphum Romsaithong, Pradit Prasartthong, Sornchai Chatwiriyachai, Teerawat Mulvilai, Thanayut Thakoonauttaya

Director: Bhanbhassa Dhubthien, Chartchai Ketnust, Krisda Witthayakhajorndet

Rating: PG-13

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While investigating a gold heist in Johannesburg, Chili (S'dumo Mtshali) is jaded after an undercover operation fails spectacularly. With one chance left, he must choose between following the law and protecting the wealth of higher-ups or going against it and helping a heist crew dole out the riches to those in need. Wealth redistribution is at the heart of the film, with greed on all sides thwarting any prospects of prosperity for the city. The action-crime-thriller examines economic inequality via the lead cops trying to effect change, all while leaning into a warm visual style that shifts cameras to mirror the tensions. It's a nice touch to the average Robin Hood and "for the people" narrative, but the CGI choices and generic action scenes can get distracting at times.

Genre: Action, Crime, Thriller

Actor: Brenda Ngxoli, Deon Lotz, Presley Chweneyagae, S'Dumo Mtshali

Director: Donovan Marsh

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Built entirely around the star power of its lead performers, A Very Good Girl does, indeed, provide ample opportunities for both Kathryn Bernardo and Dolly de Leon to chew the scenery with wild abandon. But even their most campily delivered one-liners are only entertaining in the moment, as the film twists itself into increasingly complicated (and still oddly sanitized) knots to keep its thrills going. It ends with an incredibly muddled view of the kinds of violence perpetrated by the wealthy and the less fortunate, as if the studio funding the movie prevented it from becoming the bolder, edgier story it seems to want to be.

Genre: Comedy, Drama, Thriller

Actor: Althea Ruedas, Ana Abad-Santos, Angel Aquino, Chie Filomeno, Dolly de Leon, Donna Cariaga, Gabby Padilla, Gillian Vicencio, Iwa Moto, Jake Ejercito, Joji Vitug, Kaori Oinuma, Kathryn Bernardo

Director: Petersen Vargas

Rating: NR

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In the sea of mommy-horror films, Run Rabbit Run would float somewhere in the middle. Despite Sarah Snook's imposing commitment to playing a mother haunted by her past, the story doesn't meet her halfway with a memorable script. The dynamic between mother and daughter gets stuck in an exhausting loop of sudden bursts of anger and angst followed by glaringly quick reconciliation. Twists and scares are present as Snook's character, also named Sarah, confronts the dark and disturbing truths of her past, but it feels more mandatory than useful. The potential for transforming gripping familial tension into horror is lost in a meandering mother/daughter fight.

Genre: Drama, Horror, Thriller

Actor: Damon Herriman, Genevieve Morris, Greta Scacchi, Julia Davis, Katherine Slattery, Lily LaTorre, Michala Banas, Naomi Rukavina, Neil Melville, Sarah Snook, Trevor Jamieson

Director: Daina Reid

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There's a powerful drama in here somewhere, where the toll of wrongful imprisonment tests the resolve of an Armenian repatriate, as he clings to traces of hope that he can see just beyond his prison cell window. Unfortunately, Amerikatsi constantly overstates itself through corny jokes and music choices, and it overestimates how compelling its mostly single-location narrative can be. This is a film that, for all its good intentions, relies far too heavily on fish-out-of-water quaintness and Rear Window-esque storytelling from a distance—downplaying the emotional and psychological toll of imprisonment and the violence inflicted upon other Armenians during this time. Amerikatsi doesn't really tell us much about the situation in the country at the time; it only ever tries too hard to make us feel something.

Genre: Comedy, Drama

Actor: Hovik Keuchkerian, Jean-Pierre Nshanian, Michael A. Goorjian, Michael Goorjian, Mikhail Trukhin, Narine Grigoryan, Nelly Uvarova

Director: Michael A. Goorjian, Michael Goorjian

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