If your inner drama queen is craving some stimulation and you’re looking for a movie that guarantees all the feels, we’ve got you covered. Here are the best emotionally and narratively dramatic movies and shoes to stream now.
Genre: Drama
Actor: Alessandro Betti, Bebo Storti, Elettra Dallimore-Mallaby, Fabrizio Bentivoglio, Fabrizio Gifuni, Federica Fracassi, Franco Pinelli, Fulvio Milani, Gigio Alberti, Giovanni Anzaldo, Guglielmo Pinelli, Isabelle Tanakil, Luca Toracca, Luigi Lo Cascio, Matilde Gioli, Paolo Pierobon, Pia Engleberth, Saman Anthony, Silvia Cohen, Silvia Degrandi, Stella Maris, Valeria Bruni Tedeschi, Valeria Bruni‑Tedeschi, Valeria Golino, Vincent Nemeth
Director: Paolo Virzì
Genre: Comedy, Drama
Actor: Amanda Fix, Brianne Tju, Cobie Smulders, Esther McGregor, Geena Meszaros, Kyle Bornheimer, Olivia Rouyre, Railey Gilliland, Seazynn Gilliland
Mike Leigh’s films have always touched on class politics, but seldom as directly as in this lowkey portrait of Thatcher-era London. Cyril and Shirley are a sweet working-class couple at a crossroads in their relationship. Their lifestyle is contrasted with Cyril’s sister and her husband who exist in a more comfortable middle-class setting, and then paralleled again with an upper-class couple living next door from Cyril’s mother.
Even at this early stage of his career Leigh gracefully entwines these stories to create a moving and coherent narrative. ‘High Hopes’ as a title might be largely sarcastic, but the film is full-hearted and occasionally even optimistic as it strides its snarky way through the grim facades of 80s London.
Genre: Comedy, Drama
Actor: Cheryl Prime, David Bamber, Diane-Louise Jordan, Edna Doré, Heather Tobias, Jason Watkins, Judith Scott, Lesley Manville, Linda Beckett, Phil Davis, Philip Jackson, Ruth Sheen
Director: Mike Leigh
In Ken Loach’s conspiracy thriller, an American human rights activist (Frances McDormand) and a no-nonsense UK police officer (Brian Cox) work tirelessly to uncover the truth behind a suspicious death — but this is no rousing triumph of good over evil, only a bitter pill about corruption and complicity. Human rights lawyer Paul (Brad Dourif) and girlfriend Ingrid (McDormand) are in Troubles-era Belfast wrapping up their report into the UK government’s shoot-to-kill policy when Paul is shot dead by mysterious assailants while on his way to speak to an informant. Police investigator Kerrigan (Cox) is flown in from England to look into the death; Cox plays him as a stickler for the rules and fierce agent of justice, inspired by a real-life official who was abruptly suspended from the police before he could deliver his findings into the UK government’s alleged death squad in Northern Ireland.
But the network of high-level corruption that Kerrigan and Ingrid uncover poses a direct challenge to those values, ultimately forcing him to choose between revealing the conspiracy — and risk destroying his life — or concealing the truth and betraying his ethics. A fascinating look at the slippery slope to complicity, this is a gripping, unabashedly ideological conspiracy thriller blending Hollywood polish with gritty reality.
Genre: Drama, Thriller
Actor: Bernard Archard, Bernard Bloch, Brad Dourif, Brian Cox, Brian McCann, Des McAleer, Frances McDormand, George Staines, Ian McElhinney, Jim Norton, John Benfield, John Keegan, Llew Gardner, Mai Zetterling, Maurice Roëves, Michelle Fairley, Oliver Maguire, Patrick Kavanagh, Paul Moriarty
Director: Ken Loach
Genre: Drama
Actor: Adrian Titieni, Adrian Văncică, Claudia Susanu, Claudiu Dumitru, Constantin Cojocaru, Emanuel Pârvu, Gelu Colceag, Gheorghe Ifrim, Ioachim Ciobanu, Kim Ciobanu, Lia Bugnar, Liliana Mocanu, Malina Manovici, Maria Dragus, Maria-Victoria Dragus, Petre Ciubotaru, Rares Andrici, Robert Emanuel, Tudor Smoleanu, Valeriu Andriuță, Vlad Ivanov
Director: Cristian Mungiu
Earnest, beautiful, and tender, Luca Guadagnino's Bones and All is many things: a road trip movie that sweeps the midwest deserts of 1980s America; a coming-of-age story that brings together two outsiders into an understanding world of their own; and a cannibal film that is unflinchingly flesh deep in its depiction of the practice. Bizarrely, these seemingly disparate elements work harmoniously to create a film that you won't soon forget, not least because of its rawness.
As the aforementioned outsiders, Maren and Lee (Taylor Russell and Timothée Chalamet, respectively) are bewitching—individually sure but especially when they're together. They have a bond that is quite difficult to replicate onscreen, charged as it is with so much chemistry and warmth. The background players also bring their a-game when called for, especially Mark Rylance as the disturbing stalker Sully, Michael Stuhlbarg as the creepy but good-willed Jake, and Chloë Sevigny as Maren's stark mad mother.
It's worth repeating that this movie goes all in on the gore, so steer clear if you don't have the heart for these sorts of things. But if you do, the viewing experience is rewarding. Bones and All is as romantic as they get, and rather than bury its message, the many layers on top of its core serve as a meaningful puzzle to unpack and unravel long after the credits roll.
Genre: Drama, Horror, Romance
Actor: Andre Holland, Anna Cobb, Brady Gentry, Chloe Sevigny, Christine Dye, David Gordon Green, Hannah Barlow, Jake Horowitz, Jenny McManus, Jessica Harper, Johanna McGinley, Madeleine Hall, Marcia Dangerfield, Mark Rylance, Michael Stuhlbarg, Sean Bridgers, Taylor Russell, Timothée Chalamet, Tom O'Brien
Director: Luca Guadagnino
Paul Giamatti and Damian Lewis (Homeland) star opposite each other as a prosecutor and a billionaire suspect in this well-crafted drama. Axe is a venture-capitalist who lost his business partners in 9/11 and who is widely appreciated in the public eye for his charity work. He comes under scrutiny from a ruthless and unusual public prosecutor (Giamatti) after allegations of insider-trading. The two alpha-male types go head-to-head which makes for an immensely watchable fight.
Genre: Drama
Actor: Asia Kate Dillon, Clancy Brown, Condola Rashad, Corey Stoll, Damian Lewis, Dan Soder, Daniel Breaker, David Costabile, David Strathairn, Jeffrey DeMunn, John Malkovich, Kelly AuCoin, Maggie Siff, Malin Akerman, Mary-Louise Parker, Paul Giamatti, Toby Leonard Moore
From Happy Valley and Line of Duty to Luther and Sherwood, the BBC has produced some of the finest police dramas in recent TV history, and Better is a worthy addition to the roster. It’s not as refined as the mentioned shows, but it’s grounded by a riveting, morally conflicted performance by Fazard. The breakdown of her conscience, the constant negotiation between obligation and survival, the road toward redemption—Fazard embodies it all with rugged grace. It’s not often we get the point of view of a corrupt cop, and when we do, we rarely see them with this much screen time and backstory. Better is an okay crime thriller, but it’s even better as a character study of the well-meaning, desperate, and brilliant Lou.
Genre: Crime, Drama
Actor: Andrew Buchan, Carolin Stoltz, Garry Cooper, Gavin Spokes, Leila Farzad, Lucy Black, Olivia Nakintu, Samuel Edward-Cook, Zak Ford-Williams
Argentina, 1985 is a legal drama about how a prosecutor and his young team were able to mount evidence—despite all threats and odds—against the officials behind a brutal military dictatorship. The public trial is supposedly the first of its kind in Latin America, a marker of true democracy that made a hero out of Julio Strassera and Moreno Ocampo, who both led the case.
Despite the presence of very serious themes, there are moments of lighthearted humor here that work to stress the film’s underlying message of goodwill and perseverance. Argentina, 1985 competed at major festivals this 2022, and it’s Argentina’s official entry at the 2023 Academy Awards.
Genre: Crime, Drama, History
Actor: Agustín Rittano, Alejandra Flechner, Alejo Garcia Pintos, Antonia Bengoechea, Brian Sichel, Carlos Portaluppi, Claudio Da Passano, Fernando Contigiani García, Francisco Bertín, Gina Mastronicola, Guillermo Jacubowicz, Héctor Díaz, Laura Paredes, Norman Briski, Peter Lanzani, Pietro Gian, Ricardo Darín, Susana Pampín, Toto Rovito, Walter Jakob
Director: Santiago Mitre
Based on true events, A Spy Among Friends tells the story of Kim Philby (Guy Pearce) and Nicholas Elliot (Damian Lewis), best friends who worked for MI6, that is until Philby defected to the Soviet Union. Subject to inquisition and intense scrutiny, Philby and Elliot test the strength of their friendship against growing political turmoil.
The series starts slow and the dialogue, while smart, can get heavy-handed. But if you give it some time, the payoffs are rewarding. The sets are immersive as it spans different eras and countries; the actors are charismatic as they present enigmatic layers for us to unfold; and the particulars of espionage manage to feel freshly shocking in a story told many times before.
Artful, well-performed, and gripping, A Spy Among Friends is a great watch for fans of voluble but intelligent thrillers.
Genre: Drama, War & Politics
Actor: Adrian Edmondson, Anastasia Hille, Anna Maxwell Martin, Damian Lewis, Gershwyn Eustache Jnr, Gilly Gilchrist, Guy Pearce, Karel Roden, Lucy Akhurst, Lucy Russell, Monika Gossmann, Nicholas Rowe, Stephen Kunken, Steven Elder, Thomas Arnold
Director: Nick Murphy
We Own This City is a six-part miniseries following the ins and outs of the Baltimore Police Department's Gun Trace Task Force. Hailed by critics as the “spiritual successor to The Wire” (both shows were developed by David Simon), the gritty crime drama works as a smart and gripping exposé not just of the Baltimore police department, but of big and flawed institutions, in general, and the seeming inherence of corruption. The series is based on the book We Own This City: A True Story of Crime, Cops and Corruption by Baltimore Sun reporter Justin Fenton.
Genre: Crime, Drama, Reality
Actor: Dagmara Domińczyk, Darrell Britt-Gibson, David Corenswet, Delaney Williams, Don Harvey, Jamie Hector, Jon Bernthal, Josh Charles, Larry Mitchell, Lucas Van Engen, McKinley Belcher III, Rob Brown, Wunmi Mosaku
Us and Them follows two former lovers who reminisce and reassess their decade-long relationship over one night. They both seem to be in better places, certainly financially if anything else, but their shared wistfulness for the past threatens to prove otherwise.
The film was an immediate hit when it was first released in China, and it’s easy to see why. With just the right balance of realism, romance, and comedy, the movie makes for a simple but deeply moving and involving watch. You can’t help but root for the exes to get back together, even though you know as well as they do how minimal the chances of that happening are.
Genre: Drama, Reality, Romance
Actor: Andrew Tiernan, Boran Jing, Dongyu Zhou, Jack Roth, Jing Boran, Liu Di, Liu Qiheng, Qu Zhe Ming, Qu Zheming, Rene Liu, Shi Yufei, Sophie Colquhoun, Su Xiaoming, Tian Zhuangzhuang, Tim Bentinck, Zhang Zixian, Zheming Qu, Zhou Dongyu, Zhuangzhuang Tian
Director: Rene Liu
2005 was a banner year for British period dramas, apparently: first, there was Joe Wright’s Pride & Prejudice (still arguably the genre’s crowning achievement), and then came Under the Greenwood Tree, a delightful made-for-Christmas-TV romance loosely based on the eponymous Thomas Hardy novel. Anyone familiar with the author’s typically tragedy-tinged stories — think Tess of the D'Urbervilles and Far From the Madding Crowd — will find themselves surprised by the light, pleasant tone of this one, in which the closest anyone gets to violent revenge is sabotaging a church organ by pouring a flagon of cider into it.
The romance here is threefold: when Keeley Hawes’ spinster schoolteacher Fancy Day (genuinely her name) arrives in an English village, she ignites a rivalry between wealthy farmer Shiner (Steve Pemberton), haughty clergyman Parson Maybold (Ben Miles), and James Murray’s die-hard romantic Dick Dewy (again: the names in this are a choice). The trio’s simultaneous attempted courting of Fancy doubles as both the entertaining will-she-won’t-she stuff of romantic dramas and a conduit through which the movie explores the class dynamics in England during the 19th century. It’s this deft intertwining of satisfying romantic period drama tropes with genuine reflection on the historical period itself — all while remaining lighthearted — that makes this underseen adaptation worth watching.
Genre: Drama, Romance, TV Movie
Actor: Ben Miles, James Murray, Keeley Hawes, Richard Leaf, Steve Pemberton, Terry Mortimer, Tom Georgeson, Tony Haygarth
Director: Nicholas Laughland
That one of 1990’s scariest movies is a kids’ movie makes sense when you know it’s an adaptation of a Roald Dahl story (and directed by horror legend Nicolas Roeg, no less). The Witches dispenses with most of the trappings of kids’ films, swapping bright bubbliness and cute animal CGI for macabre thrills and uncanny valley puppetry courtesy of Jim Henson. It’s astonishingly scary, given its PG certification — not just for its intended audience but for adults, too. Death, grief, and evildoers who prey on children all make an early appearance and never leave the film’s frame, stalking young Luke (Jasen Fisher) and his grandmother (Mai Zetterling) across countries as they try to make a new start in England following a family tragedy in Norway. In typical Dahl style though, The Witches — with its creepy premise and high camp touches — finds a clever balance between being nightmare-inducing and deliciously fun, a tonal blend that harks back to the twisted appeal of traditional fairy tales.
Genre: Comedy, Family, Fantasy, Horror
Actor: Angelique Rockas, Anjelica Huston, Annabel Brooks, Anne Lambton, Anne Tirard, Arvid Ones, Bill Paterson, Brenda Blethyn, Brian Hawksley, Charlie Potter, Darcy Flynn, Debra Gillett, Emma Relph, Grete Nordrå, Jane Horrocks, Jasen Fisher, Jenny Runacre, Jim Carter, Leila Hoffman, Mai Zetterling, Michael Palin, Nicolas Roeg, Nora Connolly, Ola Otnes, Roberta Taylor, Rosamund Greenwood, Rose English, Rowan Atkinson, Serena Harragin, Sukie Smith, Sverre Røssummoen, Vincent Marzello
Director: Nicolas Roeg
In this documentary about John Allen Chau — the American Christian missionary reportedly killed when he tried to preach the Gospel to one of the last uncontacted groups in the world — a participant muses about the “fine line between faith and madness.” The hazy border where one ends and the other begins is the focus of this doc, and it makes for a fascinating challenge of audience’s open-mindedness.
The film presents Chau’s perspective through scattered interviews with friends and readings of the diary he left behind, but it also features interviews with surviving, persistent adherents of the same radical evangelicalism that inspired Chau to preach the Gospel to the North Sentinelese people (something he believed was a prerequisite for the Second Coming of Jesus). The filmmakers treat these highly controversial perspectives with a light touch, never explicitly challenging Chau’s peers, but strong balance is provided via the voices of vehement opponents of this ideology. Providing equal weighting to both sides is an unusually hands-off approach, one that might easily be misread as tacit approval from the filmmakers. Ultimately, though, anyone watching this with an open mind will still come to the same moral conclusion — you’ll just be better informed about it.
Genre: Documentary
Actor: Dan Davis, Daniel Everett, David Shih, Lawrence Kao, Levi Davis, Pam Arlund
Director: Amanda McBaine, Jesse Moss