78 Best Dramatic Movies On Netflix Australia (Page 5)

Staff & contributors

If your inner drama queen is craving some stimulation and you’re looking for a movie that guarantees all the feels, we’ve got you covered. Here are the best emotionally and narratively dramatic movies and shoes to stream now.

In depictions of organized crime, we’re used to the stone-cold crime boss, and the conflicted, unwilling crime lord, but Miss Shampoo presents a new version of the gangster– one that’s fallen head over heels in love. The film plays out in hilarious ways, with the humor expected from writer-director Giddens Ko, and Daniel Hong and Vivian Sung are able to inject some heart into their performances with surprising chemistry. That being said, the film is clearly more interested in mocking organized crime, so the film feels more skewed towards Tai rather than Fen. It’s still really entertaining, though Miss Shampoo had so much more it could have shown, had it focused equally on Fen’s perspective.

Genre: Comedy, Crime, Drama, Romance

Actor: Bai Jing Yi, Bruce He, Chih-ju Lin, Chu Chung-heng, Duan Chun-hao, Duncan Lai, Honduras, Hong Yu Hong, Hsin-Ling Chung, Kai Ko, Ke-Li Miao, Kent Tsai, Mei-Man Jin, Teng-Hung Hsia, Tsai Chang-Hsien, Vivian Sung, Wei-min Ying

Director: Giddens Ko

Nuovo Olimpo is stunning, atmospheric, and the very concept of the film – where lost love intersects with Italian cinema – is an interesting one. Starting the film’s relationship at a specific movie theater feels reminiscent of Cinema Paradiso, especially as Enea’s path mirrors Salvatore becoming a famous director. However, the film doesn’t really dive deep into this concept, nor does it add much to say with its gay romance. There’s something here about the relationship between the creator and the viewer that is undeniably interlinked, and there’s a hope that they can meet in the middle. But when the film doesn’t care about the couple’s individual paths, there are times it feels like it’s just going through the motions.

Genre: Drama, Romance

Actor: Aglaia Mora, Alvise Rigo, Andrea Di Luigi, Aurora Giovinazzo, Damiano Gavino, Eugenio di Fraia, Federico Mancini, Giacomo Colavito, Giacomo Stallone, Giancarlo Commare, Greta Scarano, Loredana Cannata, Luisa Ranieri, Priscilla Drag

Director: Ferzan Özpetek

Rating: R

Ijogbon is a straightforward thriller centered on a pouch of uncut diamonds, which bring chaos to the four teenagers that find it. With the film’s young cast, the ensemble, understandably, makes poor decisions when given a stack of cash. The way they and their families handle difficulties, like deciding who to get the gun, or deciding what to do when they find random dead bodies, actually feel humorous – there’s something to be said about how, given the right circumstances, both kids and adults make the same mistakes. Thematically, there’s also something here about how natural resources in Nigeria are made for high end technology they can’t afford. However, the film doesn’t really delve into its themes, or play up the comedic potential it has shown, deciding instead to play out the same way similar stories do.

Genre: Drama

Actor: Bimbo Manuel, Fawaz Aina, Ruby Akubueze, Sam Dede, Yemi Solade

Director: Kunle Afolayan

Like its governor having many wives, The Last Wife has too many elements left unsatisfied. To its credit, it has lovely scenery, costumes, and set design that matches the era. With Linh forced into a marriage to pay off her father’s debts, reuniting with a childhood love, the film also had the erotic potential of Lady Chatterley’s Lover, with a thrilling second act twist that occurs when they get discovered. However, the film gets dragged down by the slow pace and random comedic scenes that don’t add to the thematic stakes, sometimes even distracting the viewer from the dismal conditions the titular wife is forced into.

Genre: Drama, Romance

Actor: De Ly Luu, Kaity Nguyễn, Ngọc Diệp, Quốc Huy, Thuan Nguyen

Director: Victor Vũ

With the tried-and-tested music and lyrics of Brenda Russell, Allee Willis, and Stephen Bray, this film adaptation of the Color Purple musical was practically guaranteed to have power in its key moments. And with a cast that includes tremendous vocalists like Fantasia Barrino and Danielle Brooks (both of whom had previously played their respective characters on stage), the film's most important sections possess an energy and soul that allow its protagonist to dream of something beyond her dire personal circumstances. However, after a while, this movie begins to feel like it's only ever made up of isolated scenes without the proper build-up nor the right pacing to earn the movement from one episodic moment to the next. Even with the dynamite chemistry between cast and score, the film's odd staging and blocking constantly get in the way of what should be something incredibly emotional.

Genre: Drama, Music

Actor: Aba Arthur, Adetinpo Thomas, Aunjanue Ellis-Taylor, Charles Green, Chase Steven Anderson, Ciara, Colman Domingo, Corey Hawkins, Danielle Brooks, David Alan Grier, David Vaughn, Deon Cole, Elizabeth Marvel, Emana Rachelle, Fantasia Barrino, H.E.R., Halle Bailey, Jamaal Avery Jr., Jeffrey Marcus, John L. Adams, Jon Batiste, L. Warren Young, Louis Gossett Jr., MaCai Arrington Griffin, Phylicia Pearl Mpasi, Stephen Hill, Tamela Mann, Taraji P. Henson, Terrence J. Smith, Tiffany Elle Burgess, Whoopi Goldberg

Director: Blitz Bazawule

Rating: PG-13

Just in time for Halloween, Netflix has shelled out for a new, high production value doc about demonic possession. It has all the right ingredients: a true story (that of Arne Cheyenne Johnson, also known as the "Devil Made Me Do It" case of 1981), some convincing re-enactments, the air of exclusivity (use of real archives), but it still feels like a let-down to the true horror buffs who'd tune in expecting something fresh. After all, Netflix has been in the game for a while and it's not a good look to settle for something as mediocre. For The Devil on Trial, it seems like the execs have just upped the budget on a regular cable-TV-haunted-house after hours special and then patted themselves on the back. Even the interviews featured are full of cliches, which strips down the horrifying potential of authenticity.

Genre: Documentary

Actor: Arne Cheyenne Johnson, Tony Spera, Victor Serfaty

Director: Chris Holt

Rating: R

Air Mata di Ujung Sajadah tugs at the heartstrings because it recognizes the pain of losing one’s child, whether that be to elopement, death, or to their biological parent. This, with a stirring score, and the tears of Titi Kamal and Citra Kirana, makes Aqilla and Yumna easy to root for, as they try to settle who would best be Baskara’s mother. It’s not an easy decision, and the film thankfully refrains from turning either woman to be an antagonist. However, all the sorrow, pain, and suffering hinges on Halimah’s decision, that, in the first place, shouldn’t have been possible. As the film plays out into its inevitable conclusion, the journey there is heartwarming, maybe even tearjerking, but it doesn’t feel as satisfying as it could have been if Halimah dealt with the consequences of her actions.

Genre: Drama

Actor: Citra Kirana, Dendy Subangil, Fedi Nuril, Krisjiana Baharudin, Mbok Tun, Muhammad Faqih Alaydrus, Titi Kamal, Tutie Kirana

Director: Key Mangunsong

, 2023

In a world when women are sexualized and objectified, but also judged and excluded under the guise of religious righteousness, Adire seeks a middle ground. It dares to explore how women’s beauty can be a force for good, rather than a source of shame, even within the religion that traditionally excludes women from its leadership. That being said, Adire focuses on this to the detriment of all other ideas loosely stitched to the narrative, such as the cultural heritage in using the adire fabric for modern lingerie, sex and desire as an impetus for art, and the need for intimacy, not just sex, in relationships. Adire has the ideas, but not the execution, especially when it loses its way in the second half of the film.

Genre: Drama

Actor: Femi Branch, Funlola Aofiyebi, Kehinde Bankole, Mike Afolarin, Yvonne Jegede

Director: Adeoluwa Owu

Despite its ambition to be a more serious piece of drama, Nganù is unfortunately held back either by a general lack of technical polish (sometimes leading to unintentional comedy within its dead-serious subject matter), or the misjudged attempt to feel grander than it should. When the film sticks to painful, ugly, intimate human drama, it actually starts to command attention. There's a striking lack of romantic sentiment to this story of a horrible person trying to redeem himself, as the film's many handheld camera shots capture its best performers at their nastiest (or most defiant)—showing us that the road to healing isn't actually as easy as it seems in Hollywood movies. Nganù sticks to its strict sense of morality, which is the best thing it could have done.

Genre: Drama

Actor: Alenne Menget, Azah Melvine, Hakeem Kae-Kazim, Kang Quintus, Muriel Blanche

Director: Kang Quintus

Although the sequencing of the four segments makes sense, the overall result does not land in this new installment of the Lust Stories franchise. It shines with Konkona Sensharma's 'Mirror,' an unexpected take on voyeurism and camaraderie between women. It loses touch with Sujoy Ghosh's 'Sex with Ex,' which sticks out with a weak storyline and questionable use of a green screen. The bracketing stories are engaging if only for the stark difference in tone and conclusion. They round out the film well enough, allowing for an entertaining experience but a lukewarm memory after the credits roll. 

Genre: Drama, Romance

Actor: Amruta Subhash, Angad Bedi, Anushka Kaushik, Hemant Kher, Jugal Hansraj, Kajol, Kanupriya Pandit, Konkona Sen Sharma, Kumud Mishra, Mrunal Thakur, Mukti Mohan, Neena Gupta, Tamannaah Bhatia, Tarun Khanna, Tillotama Shome, Vibha Chibber, Vijay Varma

Director: Amit Sharma, Konkona Sen Sharma, R. Balki, Sujoy Ghosh

Rating: R

The messy, non-linear process of grieving is always tough to capture meaningfully on screen—and there are definitely parts of Good Grief that trail off without much feeling or go on for too long without making new points. But the good still outweighs the bad in Dan Levy's directorial debut, with the inherent impracticality of death taking center stage. At a certain age when one has too much going on in life, grief can become just another responsibility that needs to be managed, that often clashes with the priorities of one's friends. The film just falls short of making truly astute insights into loss or crafting complete characters, but it's reassuring all the same in how ordinarily it views something so tragic.

Genre: Comedy, Drama, Romance

Actor: Arnaud Valois, Celia Imrie, Cyrielle Debreuil, Dan Levy, David Bradley, Emma Corrin, Himesh Patel, Jamael Westman, Kaitlyn Dever, Luke Evans, Mehdi Baki, Nigel Lilley, Ruth Negga, Yoli Fuller, Zoé Bruneau

Director: Dan Levy

Rating: R

Tagged by Netflix as a stylish thriller driven by a bold sexual adventure, Burning Betrayal feels less erotic and less thrilling than expected. Sure, there are stunning sex scenes, and unexplainable incidents that seem at first the result of a breakup. However, the first half of Burning Betrayal does not adequately set up the last half, as it focused nearly half its runtime just throwing in as much sex scenes as possible. And for what? There’s nothing character-wise that makes any of the men in Babi’s life so compelling, even in the toxic, addictive sort of way. And when the twist comes, it feels like it’s been all thrown arbitrarily. It really just feels like multiple pretty music videos masquerading as a movie.

Genre: Drama, Mystery, Romance

Actor: Bruno Montaleone, Camilla de Lucas, Giovanna Lancellotti, Leandro Lima, Louise D'Tuani, Micael Borges

Director: Diego Freitas

Rating: R

Plenty of missing people stories don’t get resolved, so understandably, all their loved ones can do is contemplate the potential horrors that could have happened to them, like being lost and needing to survive, or being kidnapped, or, of course, being dead. Primbon is a story where a missing girl returns home, though her return seems suspicious, at least, according to Javanese superstition. So much could have been made with this premise. They could have delved into Rana’s possible trauma from the reason she was lost, or the way these superstitions hinder these victims from receiving help from others. The film at least shines during the moments between Dini, her mom, and Rana, as they try to get back to normal. But in prioritizing the family, Primbon is torn between being a family drama versus being a supernatural horror film, and ultimately fails at being both.

Genre: Horror

Actor: Azela Putri, Chicco Kurniawan, Flavio Zaviera, Happy Salma, Jajang C. Noer, Nugie, Whani Darmawan

Director: Rudy Soedjarwo

With its celebration of Thai dances, excellent costumes, and two male theater actor leads, ManSuang seemed like it would be something akin to a Thai Farewell My Concubine, especially as it starts off with what could have been sex scene interrupted by a murder. The addition of the espionage storyline, as well as the dynamics between the Chinese and the mainland Thai, seemed like the film would be subtle social commentary through historical drama. However, the story feels haphazardly assembled, with characters acting contrary to their goals, and sadly, the film doesn’t showcase as much of Thai culture as we would like. Instead, the film spends more time establishing an overly complicated mystery that gets too hard to follow with its multiple plotlines. ManSuang has beautiful set design, costumes, and a handsome cast, but the writing wastes the potential the story had.

Genre: Drama, Mystery

Actor: Asavapatr Ponpiboon, Chartchai Ketnust, Duangjai Hiransri, Gandhi​ Wasuvitchayagit, Nattawin Wattanagitiphat, Nutthasid Panyangarm, Ornanong Panyawong, Phakphum Romsaithong, Pradit Prasartthong, Sornchai Chatwiriyachai, Teerawat Mulvilai, Thanayut Thakoonauttaya

Director: Bhanbhassa Dhubthien, Chartchai Ketnust, Krisda Witthayakhajorndet

Rating: PG-13

While investigating a gold heist in Johannesburg, Chili (S'dumo Mtshali) is jaded after an undercover operation fails spectacularly. With one chance left, he must choose between following the law and protecting the wealth of higher-ups or going against it and helping a heist crew dole out the riches to those in need. Wealth redistribution is at the heart of the film, with greed on all sides thwarting any prospects of prosperity for the city. The action-crime-thriller examines economic inequality via the lead cops trying to effect change, all while leaning into a warm visual style that shifts cameras to mirror the tensions. It's a nice touch to the average Robin Hood and "for the people" narrative, but the CGI choices and generic action scenes can get distracting at times.

Genre: Action, Crime, Thriller

Actor: Brenda Ngxoli, Deon Lotz, Presley Chweneyagae, S'Dumo Mtshali

Director: Donovan Marsh