711 Best Discussion-sparking Movies to Watch (Page 32)

Before assassin protege Mathilda in Léon the Professional, humanoid Leeloo in The Fifth Element, and superpowered drug mule Lucy in her titular film, Luc Besson first discovered his love for the badass female assassin in La Femme Nikita. Scored by European synth and shot with cinematography that still looks fresh today, the action thriller delivers pure adrenaline– the guns, the kills, and the drama of the hidden life– but the stylish spy film transcends the genre through the Pygmalion-esque transformation of Nikita’s femininity, a faux identity forged and crafted in the service of the government machine, yet both attracts the idea of and clashes with the want for genuine freedom and a good, normal life. It’s because of these existential ideas that La Femme Nikita became one of the most iconic femme fatales of the 20th century.

Genre: Action, Thriller

Actor: Alexis Dupuy, Anne Parillaud, Bruno Randon, Christian Gazio, Edith Perret, Éric Prat, Gérard Touratier, Hubert Gillet, Iska Khan, Jacques Boudet, Jacques Disses, Jean Bouise, Jean Reno, Jean-Claude Bolle-Reddat, Jean-Hugues Anglade, Jean-Luc Caron, Jeanne Moreau, Jérôme Chalou, Marc Duret, Maurice Antoni, Mia Frye, Michèle Amiel, Murray Gronwall, Olivier Hémon, Patrick Buiquangda, Patrick Chauveau, Patrick Fontana, Patrick Pérez, Patrick Serrière, Pavel Slabý, Pétronille Moss, Philippe Dehesdin, Philippe du Janerand, Philippe Leroy, Pierre-Alain de Garrigues, Rénos Mandis, Roland Blanche, Stéphane Fey, Tchéky Karyo, Vincent Skimenti

Director: Luc Besson

Rating: R

With the powerful duo of queer aesthetics and rock n roll, Hedwig and the Angry Inch questions the duality between genders, lovers, and everything in between. Like the 1998 stage musical, the film follows the titular Hedwig and her band as they navigate the music scene for fame and love. The adaptation gives justice to their performances, giving the vibe of 70s glam rock music videos. The film is not without its flaws. Hedwig’s relationship with the younger Tommy Gnosis remains controversial. However, while Hedwig may not be a perfect representation of the trans experience– after all, she only chooses gender reassignment purely to leave East Germany– this cult film still remains a landmark for queer representation.

Genre: Comedy, Drama, Music

Actor: Alan Mandell, Alberta Watson, Andrea Martin, Ben Mayer-Goodman, Ermes Blarasin, Gene Pyrz, John Cameron Mitchell, Karen Hines, Maggie Moore, Mary Krohnert, Maurice Dean Wint, Michael Aronov, Michael Pitt, Michael Stevens, Miriam Shor, Rob Campbell, Rosie O'Donnell, Sook-Yin Lee, Stephen Trask, Taylor Abrahamse, Thérèse DePrez

Director: John Cameron Mitchell

The Cuban bolero, not to be confused with the Spanish dance, is a Latin ballad form that spread all throughout the Americas, and even the whole world, that mixed and mingled with and influenced jazz in the 1940s and 50s. Chico & Rita celebrates this music, as well as the nightlife that made these sounds possible, through a stirring star-crossed romance that recalls the typical inspiration behind these songs. There are moments that do falter– like the way Chico tries to woo Rita back– but the familiar, if slightly cliché, beats work in this animation through a unique, thick-lined art style, and of course, excellent music. It's no wonder it was the first Spanish full-length animated film nominated for an Oscar.

Genre: Animation, Music, Romance

Actor: Eman Xor Oña, Jon Adams, Ken Forman, Limara Meneses, Mario Guerra, Ray Gillon, Renny Arozarena

Director: Fernando Trueba, Javier Mariscal, Tono Errando

Rating: NR

As the first Zambian film on Netflix, Can You See Us? is an interesting portrayal of albinism. Inspired by the real-life story of musician John Chiti, the film’s plot feels grounded, even if it’s similar to other stories depicting discrimination. With newcomer Thabo Kaamba at the forefront, her performance of the albino boy Joseph shines brighter than even the older actors of the film’s cast. That being said, it is held back by repetitive dialogue and sped-up character development from certain characters. Despite this, Can You See Us? is still a remarkable film that stands out from the other tearjerkers available on the streaming platform.

Genre: Drama

Actor: Chilu Lemba, Fransisca Muchangwe, Kangwa Chileshe, Ruth Jule, Thabo Kaamba

Director: Kenny Mumba

In modern day Europe, demonic possession seems to be a thing of the past, something most likely to be attributed to mental illness, and something that can be dealt with through modern medicine, not exorcism. Still, exorcisms are conducted in certain areas in the continent, and some instances don’t go the way they should. Inspired on the real life Tanacu exorcism, Beyond the Hills doesn’t depict the event through a horror or melodramatic lens– instead the film is stoic, naturalistic, with long single takes that linger uncomfortably and repetitively. As Alina pleads to Voichița to help her, to choose her and their bond, Voichița grapples with wanting the modern yet isolating freedom she knows Alina has found elsewhere, while still wanting the refuge religious tradition has granted her, but also has made her dependent on. It does take a while to reach its conclusion, but Beyond the Hills is a deeply unsettling and striking movie to watch.

Genre: Drama, Romance

Actor: Adrian Acuta, Alexandra Apetrei, Alina Berzunteanu, Andreea Bosneag, Călin Chirilă, Cătălina Harabagiu, Cerasela Iosifescu, Cosmina Stratan, Cristina Flutur, Cristina Mihailescu, Dana Tapalagă, Dionisie Vitcu, Doru Ana, Gheorghe Ifrim, Gina Tandura, Ion Sapdaru, Katia Pascariu, Liliana Mocanu, Luminita Gheorghiu, Marian Adochitei, Nicoleta Lefter, Nora Covali, Tania Popa, Teodor Corban, Valeriu Andriuță

Director: Cristian Mungiu

When a film is about a person, most depictions would be presented in the best possible light, all to present them as a person to be admired. That being said, Barney’s Version does not do that. The novel does give the adaptation some trouble– after all, Barney is a guy that fell in love with a woman other than his wife on his wedding night– but while Barney isn’t exactly the best person you’d like to meet, the way the story is structured, Paul Giamatti’s sympathetic performance and the way Barney remains honest with himself and his desires all throughout life makes the title character easy to root for, even with all his blunt ways. Barney’s Version does take plenty of familiar tropes, sometimes stereotypical, but it handles this life drama with subtle comedy and excellent performances.

Genre: Comedy, Drama

Actor: Anna Hopkins, Arthur Holden, Atom Egoyan, Brittany Drisdelle, Bruce Greenwood, Clé Bennett, David Cronenberg, Denys Arcand, Dustin Hoffman, Ellen David, Harry Strandjofski, Harvey Atkin, Howard Jerome, Howard Rosenstein, Jake Hoffman, Larry Day, Linda Sorensen, Macha Grenon, Marina Eva, Mark Addy, Mark Camacho, Massimo Wertmüller, Maury Chaykin, Mélanie St-Pierre, Minnie Driver, Paul Giamatti, Paul Gross, Paula Jean Hixson, Pauline Little, Rachelle Lefevre, Rebecca Croll, Richard J. Lewis, Rosamund Pike, Saul Rubinek, Scott Speedman, Ted Kotcheff, Thomas Trabacchi

Director: Richard J. Lewis

Rating: R

Bad Boy Bubby is not an easy watch. Within the first ten minutes, the indie drama seemed to be one of those films created only to provoke the viewer, and not much else. We won’t deny that the intro is provocative– in fact, we’re warning you outright that it includes domestic violence, abuse towards the disabled main character that’s implied to have started since childhood, and the killing of a cat– but with such a harrowing introduction, Bubby being thrown into the wider world actually becomes something optimistic. His escape is written to be full of possibilities, the possibilities that we ordinary folk take for granted, but possibilities nonetheless. There’s nowhere to go but up, for him. Writer-director Rolf de Heer matches this unusual characterization with unusual style, with 30+ cinematographers shooting with different styles as Bubby learns from each person he meets, and with the binaural audio recorded to simulate what Bubby would actually hear. It makes for a very weird, experimental film, but Bad Boy Bubby also reveals to be a surprisingly hopeful drama that celebrates the goodness of ordinary life.

Genre: Comedy, Crime, Drama

Actor: Andy McPhee, Carmel Johnson, Claire Benito, Grant Piro, Nicholas Hope, Ralph Cotterill, Syd Brisbane, Ullie Birvé

Director: Rolf de Heer

Rating: NR

The bond between parent and child is fundamental to the child’s life, but not necessarily the other way around. Even when the parents chose to have them into their lives, the child will always live within the parent’s context, not the other way around. Based on a book by Christine Angot, An Impossible Love is centered on that relationship, with the daughter reckoning with her parents’ love story through narration, reckoning with the betrayals both of them have done onto her. It’s a risky story for writer-director Catherine Corsini, one she made picturesque and nostalgic with period-accurate production design, but behind the beautiful scenery lies the emotionally touching exploration of this difficult dynamic, made much more heartbreaking with Virginie Efira and Jehnny Beth’s excellent performances.

Genre: Drama, History, Romance

Actor: Ambre Hasaj, Arthur Igual, Catherine Morlot, Coralie Russier, Didier Sandre, Estelle Lescure, Gaël Kamilindi, Iliana Zabeth, Jean-Christophe Brétignière, Jehnny Beth, Niels Schneider, Pierre Salvadori, Régis Romele, Siegrid Alnoy, Simon Bakhouche, Virginie Efira

Director: Catherine Corsini