711 Best Discussion-sparking Movies to Watch (Page 22)

With laws, education, and modern day systems, it seems like the modern man has some means for recourse, at least more than the average person centuries ago. However, despite this, injustices still remain. Leviathan depicts Kolya, a modern day Job, set out to keep his land from the clutches of a corrupt mayor. It’s bleak and depressing, somewhat neorealistic as Kolya goes through various hardships due to political greed, but there’s some wry sense of humor, one that bitterly points out how much hasn’t changed since biblical times. While it’s quite long, Leviathan is likely to move most viewers to tears, and maybe to shots of vodka, due to its depiction of the everyday man.

Genre: Crime, Drama

Actor: Aleksei Zharkov, Aleksey Pavlov, Aleksey Rozin, Aleksey Serebryakov, Anna Pereleshina, Anna Ukolova, Dmitriy Bykovskiy-Romashov, Elena Lyadova, Igor Savochkin, Igor Sergeev, Lesya Kudryashova, Margarita Shubina, Marianna Shults, Mariya Shekunova, Olga Lapshina, Roman Madyanov, Sergey Bachurskiy, Sergey Borisov, Sergey Murzin, Sergey Pokhodaev, Valeriy Grishko, Vladimir Vdovichenkov

Director: Andrey Zvyagintsev

Rating: R

Present-day Mexico City—Ariela comes from a Jewish family that insists on getting married only to people of the same religion. This rule is complicated when Ariela falls in love with the non-Jewish Iván. She is then faced with the dilemma of choosing herself or her family, who for all their severity, she still loves deeply.

Leona’s modern-day retelling of Romeo and Juliet recalls the likes of Crazy Rich Asians and The Big Sick, but unlike those big-budgeted movies, this intimate Spanish-language film exchanges melodrama for restraint, and it’s all the better for it. Leona is a quietly moving story that’s easy to relate to, despite the specificity of its premise.

Genre: Drama, Romance

Actor: Adriana Llabrés, Carlos Aragón, Carolina Politi, Christian Vazquez, Margarita Sanz, Naian González Norvind, Paola Fernández, Rodrigo Corea

Director: Isaac Cherem

Rating: R

Gunda offers an empathetic look at the lives of farm animals with its minimalist approach to the nature doc. Director Victor Kossakosvsky films without a sentimental score or voice-over narration, and shoots in a sparse yet striking black and white. This decision gives the film an intimacy often missing from more traditional modes. 

We watch a sow named Gunda, her piglets, and a few other animals through their daily routines. Long natural sequences allow the viewer to sink into the zen of the animals’ natural rhythms. The result is an astounding and bittersweet film that hints at the brutalities of factory farming without ever stepping foot in a slaughterhouse.

Genre: Documentary, Drama

Director: Viktor Kossakovsky

For the longest time, land was where people formed strength in community, where people were born, lived, died, and was buried in, but it was also how empires grew in power, often at the expense of the people that came before. Exhuma is centered in a haunted burial site of a Korean family that migrated due to the war, but as the shamans try to unearth the casket, they also uncover the psychospiritual ways in which Japan colonized Korea– haunting the land with their own ghosts, dividing its people through belief, and leaving deep scars that hasn’t yet been fully recovered from. While the double exorcism situation can be a tad confusing, Exhuma nonetheless elevates this folk horror drama with their respect and attention to detail for Korean shamanism.

Genre: Horror, Mystery, Thriller

Actor: Baek Seung-chul, Choi Min-sik, Choi Moon-kyoung, Han Hye-ji, Hong Seo-jun, Jang Ui-don, Jeon Jin-gi, Jung Yun-ha, Kim Go-eun, Kim Jae-chul, Kim Ji-an, Kim Min-jun, Kim Seo-hyeon, Kim Sun-young, Kim Tae-jun, Lee Da-wit, Lee David, Lee Do-hyun, Lee Eun-joo, Lee Jong-goo, Lee Young-lan, Park Jae-wan, Park Jeong-ja, Park Ji-il, Rikiya Koyama, Yoo Hai-jin

Director: Jang Jae-hyun

Rating: NR

It’s a bold move, centering a drama around a creature as docile as a donkey, but EO pulls it off without ever leaning on the crutch of CGI. Instead, the film makes ingenious use of a hundred-year-old film technique: the Kuleshov effect. By splicing the image of the titular donkey’s placid, expressionless face against visual stimulus, the illusion of a genuine reaction is produced.

But don’t be mistaken: this is no twee Disney-esque tale of anthropomorphism. Inspired by the classic Au Hasard Balthasar, EO tracks the haphazard journey of a former circus donkey across Europe — one that is often depicted in surreal psychedelic reds instead of idyllic picture-book tones, and punctured by more horrors than joys (though we do, thankfully, get to see him munch away on some well-deserved carrot treats). EO’s docility frames him as a kind of holy innocent, making the cruelty meted out to him feel all the more like a grave violation of something sacrosanct. Seeing the world through his oft-neglected perspective also makes this a movie about humans by proxy — a fresh, empathetic approach that, even in its obvious dramatic liberties, makes us meditate on both the depth of experience that may be unfolding in our animal neighbors and our role in shaping it.

Genre: Adventure, Drama

Actor: Agata Sasinowska, Anna Rokita, Delfina Wilkońska, Isabelle Huppert, Kateřina Holánová, Lolita Chammah, Lorenzo Zurzolo, Marcin Drabicki, Mateusz Kościukiewicz, Mateusz Murański, Sandra Drzymalska, Tomasz Organek, Waldemar Barwiński

Director: Jerzy Skolimowski

Rating: NR

A mother and her two children move from Colombia to Queens, New York to join the father. Once there, he abandons them and moves to Miami.

With no family to fall back on, barely speaking English, an inexistent social welfare system and two little kids who require care; the mother quickly runs out of options. At first, she tries to sell empanadas in the street, then tries to become a temporary worker, but a mixture of obstacles keeps getting in the way.

Entre Nos is about the precariousness of the immigrant experience: about how quickly things can go wrong. But it’s also about how survival instincts and motherly love can stand in the face of complete desperation.

Genre: Drama

Actor: Andres Munar, Annie Henk, Anthony Chisholm, Clem Cheung, Eddie Martinez, Farah Bala, Felipe Bonilla, Jacqueline Duprey, Laura Montana, Paola Mendoza, Sarita Choudhury, Sebastian Villada

Director: Gloria La Morte, Paola Mendoza

Rating: Not Rated

At first glance, Dogfight seems to be just a standard love story: a Marine falling in love with a woman just before he’s sent overseas. But underneath, there’s a rebuke at American masculinity that needs to be acknowledged. As Eddie and his friends make bets at the expense of their dates, Dogfight rightfully portrays this treatment as casual, unthinking cruelty, and it’s the exact cruelty that they inflict on themselves, the same obedient mindset that continues to push them to various wars around the world at that time. River Phoenix evokes that startling realization with the gentle way Eddie starts to treat Rose, and as the night alternates between his date and the shenanigans his buddies go through without him, Dogfight questions the way boys come of age, this mindset, and what it means to grow up.

Genre: Drama, Romance

Actor: Anthony Clark, Brendan Fraser, Burke Pearson, Christopher Shaw, Elizabeth Daily, Holly Near, Jillian Armenante, John Lacy, Kenneth Utt, Krisha Fairchild, Lili Taylor, Mitchell Whitfield, Peg Phillips, Richard Panebianco, River Phoenix, Robert Munns, Ron Lynch, Sandra Ellis Lafferty, Sue Morales

Director: Nancy Savoca

Rating: R

Due to the possibility of death, Buoyancy cannot be made as a documentary. This film, after all, sheds light on today's real life slavery. But that doesn't mean it's no less true. The script was written based on interviews with real life survivors, who, of course, would rather not be filmed due to their safety. The characters were written to closely reflect them, which was why, even though the studio is Australian, they casted Thai and Cambodian actors, and wrote the dialogue in their respective languages. And the story that writer-director Rodd Rathjen created, gradually escalates the terror Chakra faces on the whims of a cruel captain, with each new experience slowly scrapping off the innocence that was supposed to be protected. Buoyancy is not a documentary, but it works as a necessary exposé of slavery in Southeast Asian seas because of Rathjen sticking true to the sadly real life atrocity.

Genre: Crime, Drama

Actor: Rous Mony, Saichia Wongwirot, Sarm Heng, Thanawut Ketsaro, Yothin Udomsanti

Director: Rodd Rathjen