710 Best Discussion-sparking Movies to Watch (Page 17)

It’s no coincidence that many of the highest-acclaimed movies are also controversial. Serving beyond entertainment, these stories provoke essential social dialogues. As a case in point, here are the best discussion-sparking movies and shows available to stream now.

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241. Nothing to See Here, 2023

When a comedy is centered around people with disabilities, there’s a worry that the humor would be unfunny or demeaning – there’s a misconception that disabled jokes would surely have to be one or the other. But Nothing to See Here is funny without relying on stereotypes. The humor isn’t based on forced quips or halfhearted improvisations. It’s just part and parcel of a story about chasing dreams, seeking independence, and keeping faith in one’s self despite the limitations imposed by others. And through showrunners Big Drama and Santiago Limon, as well as the well-selected cast, it’s hilarious and heartfelt enough to follow.

Genre: Comedy

Actor: Alejandro Calva, Alexis Arroyo, Begoña Narváez, Paola Fernández, Verónica Merchant

Rating: TV-MA

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242. Mononoke the Movie: The Phantom in the Rain, 2024

	
While based on the Mononoke series, which is in turn, a spin-off of Ayakashi: Samurai Horror Tales, it might seem that Mononoke The Movie: The Phantom in the Rain would require some background reading for people new to the story. Thankfully, there’s no need to do homework for this beautifully designed masterpiece, as the Medicine Seller takes on a new case with every installment. 2024’s Phantom in the Rain (also known as Paper Umbrella) unfolds its world with ease, with doors opening and closing to a select few for a high-pressure, hierarchical imperial household. Immediately, the visuals are stunning, with traditional ukiyo ink and paper mixed with modern kaleidoscopic fill and movement, but even without the gorgeous art, the first Mononoke movie works with its eerie horror, intense sound design, and a compelling mystery driven by court intrigue and vengeful spirits.Genre: Animation, Fantasy, Horror, Mystery
Actor: Aoi Yuki, Haruka Tomatsu, Hiroshi Kamiya, Jun Fukuyama, Kana Hanazawa, Kenjiro Tsuda, Mami Koyama, Miyu Irino, Tomoyo Kurosawa, Yoko Hikasa, Yuhko Kaida, Yukana, Yuki Kaji
Director: Kenji Nakamura

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243. Minari, 2021

	
Minari is a film written and directed by Lee Isaac Chung, about a Korean-American family in search of the so-called American Dream. It is an intimate drama that is powerful yet quiet, and filled with moments of innocence. With dreamlike scoring, unique characters, and a captivating climax, this movie tugs on the heartstrings, and serves as a great reminder of the beauty of gratitude.

Thanks to these, plus winning performances across the board, Minari earned plenty of nominations at the 2021 Oscars, with Youn Yuh-jung eventually bagging the Best Supporting Actress award—a monumental first for South Korea.Genre: Drama, Family
Actor: Alan Kim, Ben Hall, Chloe Lee, Darryl Cox, Debbi Tucker, Ed Spinelli, Eric Starkey, Ernie Robinson, Esther Moon, Han Yeri, Jacob Wade, James Carroll, Jenny Phagan, Kaye Brownlee-France, Noel Kate Cho, Scott Haze, Skip Schwink, Steven Yeun, Tina Parker, Warren Lane, Will Patton, Youn Yuh-jung
Director: Lee Isaac Chung
Rating: PG-13

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244. Meeting Gorbachev, 2019

	
This informative documentary about the former president of the Soviet Union Mikhail Gorbachev is set against modern-day interviews with him that span 6 months. Sitting opposite of him is the Gorbachev equivalent in filmmaking: Werner Herzog. The prolific director asks interesting questions and narrates events that illustrate Gorbachev's forgotten importance: ending the cold war, a push for denuclearization and avoiding bloodshed during the fall of the Soviet Block. The fact that Gorbachev is loved by so many, including Herzog - who at some point actually says "I love you" - might be the only problem with this documentary. It's a great reminder of why people loved the Soviet leader, a phenomenon otherwise known as "Gorbymania", but it does very little in portraying him in a critical light.Genre: Documentary
Actor: George H. W. Bush, James Baker III, Margaret Thatcher, Mikhail Gorbachev, Werner Herzog
Director: André Singer, Werner Herzog
Rating: Not Rated

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245. Kokomo City, 2023

The idea of representation in movies is often limited to superficial gestures of putting on screen people who look a certain way. Kokomo City is a reminder of cinema's possibilities when one really tries to queer filmmaking itself, with genuine queer voices driving a production. This documentary is messy and incredibly playful in its style—in ways that might read to some as lacking cohesiveness, or as tonally inconsistent. But the way director D. Smith is able to capture the dynamic energy of a series of conversations makes these powerful, funny, tragic anecdotes and dialogues feel truly grounded in people's everyday experiences, and makes the plea for protection of trans lives all the more urgent.

Throughout Kokomo City, this collection of individuals goes off on various tangents that never become difficult to follow. They speak about the nature of sex work, hidden desires felt by traditionally masculine male clients, and various degrees of acceptance within the Black community. And between these statements alternating from impassioned to emotional to humorously candid, Smith injects cheeky cutaway footage, layers text on screen, and plays an eclectic rotation of music throughout. It's about as real and as three-dimensional as these trans lives have ever been shown on screen.

Genre: Documentary

Actor: Daniella Carter, Dominique Silver, Koko Da Doll, Liyah Mitchell, XoTommy

Director: D. Smith

Rating: R

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246. Katrina Babies, 2022

If Katrina Babies seems like a somewhat disjointed account of the myriad responses to Hurricane Katrina and the U.S. government's horrible, anti-poor response to the disaster, director Edward Buckles Jr. uses this structure with much more intent. For once this is a documentary that feels like citizen reporting and not a sanitized report from experts who have little to no real personal stake in the subject. As the film swings from one talking point to the next, you get the sensation of just how much the people of New Orleans are still trying to comprehend; the loose structure brings to this film a sense of helplessness that, for some, just can't be overcome.

Genre: Documentary

Actor: Arnould Burks, Calvin Baxter, Cierra Chenier, Damaris Calliet, Quintina Thomas Green

Director: Edward Buckles

Rating: R

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247. Identifying Features, 2020

	
Rather than talking about what it takes to get to the other side of the border, Identifying Features instead focuses its attention back home. It’s part of the reason why the film actually highlights how difficult this actually is– Before even reaching it, people hoping to enter America go through a dangerous journey, many of whom disappear without any resolution for the loved ones left behind. But in focusing on what happens back behind the border, the social issue drama becomes more compelling, as the mystery of what happened to the son that left easily strikes a cord and drives the plot forward rather than straightforwardly talking about the journey. As she does so, writer-director Fernanda Valadez sets a spine-tingling mood, with striking, cryptic shots paired with the sober, difficult explanations the loved one who have been left behind with her have tried to formulate. Sin Señas Particulares captures that painful story in such a bold and thoughtful debut.Genre: Drama
Actor: Ana Lauda Rodríguez, Armando García, David Illescas, Juan Jesús Varela, Mercedes Hernández
Director:  Fernanda Valadez
Rating: NR

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248. Heart Attack, 2015

	
Heart Attack is a romantic comedy, but instead of the hijinks being caused by the usual dating, miscommunication, and wooing, Yoon’s struggle here is to finally get a hold of his overbearing schedule and figure out how to relax and recover from burnout, and it’s all inspired by wanting to impress his doctor Imm. It’s funny, but it’s also all too real. Writer-director Nawapol Thamrongrattanarit recreates the overwhelming frenzy to complete a job through a magnificent jazz soundscape and Sunny Suwanmethanon’s internalized monologue, and it’s such an effective cinematic translation that the moments of rest, the moments where Yoon and Imm finally take a break feels like a relief. Heart Attack works precisely because it empathizes and understands the experience of workers in today’s gig economy.Genre: Comedy, Drama, Romance
Actor: Adisorn Trisirikasem, Banjong Pisanthanakun, Chatcharin Saetan, Chonlasit Upanigkit, Davika Hoorne, Morakot Liu, Natda Chawawanid, Nottapon Boonprakob, Panjavit Tangtongjit, Sunny Suwanmethanon, Sunny Suwanmethanont, Surattanavee Suviporn, Surattanawee Suviporn, Thanapob Leeratanakachorn, Tor Thanapob Leeratanakachorn, Torpong Chantabubpha, Vichai Matakul, Violette Wautier
Director: Nawapol Thamrongrattanarit
Rating: N/A

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249. Hanagatami, 2017

	
While best known for 1977 cult horror classic House, Nobuhiko Obayashi first dreamed of adapting Hanagatami, a 1937 novella by Kazuo Dan, and it was only until the later end of his life that he got to fulfill that dream. It’s possibly the reason why Hanagatami feels like a surreal set of memories, with Karatsu’s seaside portrayed with theatrical sets and back projection, with scenes flipped and unflipped ever so often, with Bach looped and mixed with dissonant chords and children singing. And as the teenagers of Karatsu try to cling to their innocence despite the looming possibility of death, Obayashi remembers the lives cut short, not in nostalgia, but in an anxious bid for us to remember humanity’s biggest failure.Genre: Drama, Romance, War
Actor: Hirona Yamazaki, Honoka Yahagi, Kayoko Shiraishi, Keishi Nagatsuka, Kiyotaka Nanbara, Masahiro Takashima, Mugi Kadowaki, Shinnosuke Ikehata, Shinnosuke Mitsushima, Shunsuke Kubozuka, Takahito Hosoyamada, Takako Tokiwa, Takao Ito, Takehiro Murata, Tetsuya Takeda, Tokio Emoto, Tōru Shinagawa, Toshie Negishi, Tsurutaro Kataoka, Wakaba Irie, Yuriko Ono
Director: Nobuhiko Obayashi

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250. Falling in Love Like in Movies, 2023

	
Given the title, it isn’t surprising that Falling in Love Like in Movies would be a metanarrative with the main romance mirroring the filmmaking and the filmmaking reflecting the main romance. It’s a familiar approach, and at first, Falling seems to follow the inevitable ending where the couple falls in love, but right on time, in around Sequence Four, writer-director Yandy Laurens chooses a more honest, less chosen path– a path that plenty of previous romance films hasn’t examined– that still falls within the eight sequence screenplay structure Bagus talks about. While Bagus is pitching his film to Hana, and to his producer, Jatuh Cinta Seperti di Film-Film pitches a new way of thinking about love, grief, and of course, filmmaking.Genre: Comedy, Drama, Romance
Actor: Abdurrahman Arif, Alex Abbad, Deni Kumis, Dion Wiyoko, Ernest Prakasa, Julie Estelle, Nirina Zubir, Ringgo Agus Rahman, Sheila Dara Aisha
Director: Yandy Laurens

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251. Doi Boy, 2023

After years of documentaries covering Thailand’s controversial issues, some of which have been temporarily banned by the Ministry of Culture, Nontawat Numbenchapol takes a step into feature film in Doi Boy. The plot covers plenty of the topics he’s previously depicted– immigration, prostitution, and corruption– but it unfolds naturally into a slow-paced, but moving drama where an undocumented sex worker tries to find home. Awat Ratanapintha as Sorn excellently leads this journey, but Arak Amornsupasiri as reluctant cop Ji, and Bhumibhat Thavornsiri as passionate activist Wuth also make their mark. While the film doesn’t delve into the intricate intersectionality, it feels like that’s part of the point. The notion of a nation doesn’t care about people’s dreams, even if that dream is for the nation to be better.

Genre: Drama, Romance, Thriller

Actor: Arak Amornsupasiri, Awat Ratanapintha, Bhumibhat Thavornsiri, Ornjira Lamwilai, Panisara Rikulsurakan, Teerawat Mulvilai

Director: Nontawat Numbenchapol

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252. Crossing, 2024

	
On paper, Crossing’s premise reads like a movie about two different people forging an unlikely but sweet bond. Lia is a no-nonsense grandma, after all, and Achi looks like he lives day-to-day, not really caring what the future brings. And it’s true, at first their stark differences provide amusing moments, but the pair quickly subvert expectations. Lia is almost unrelentingly distant (“Let’s be clear,” she warns Achi, “I’m not here to take care of you.”) while Achi proves to be surprisingly sweet. Then there’s Evrim (Deniz Dumanli), a local trans lawyer advocating for the marginalized. Through her and her friends, Lia grows to understand her missing trans niece, the reason she came to Turkey in the first place. There’s a meandering vibe to Crossing that fits into these three characters yearning for connections. But though it can get lost in those paths, the movie feels coherent and kind, like a comfort drama if there ever was one. All the while, Istanbul—both its fringes and its colorful center—serves as a ruggedly beautiful, kaleidoscopic backdrop.Genre: Drama
Actor: Deniz Dumanlı, Lucas Kankava, Mzia Arabuli, Tako Kurdovanidze, Ziya Sudançıkmaz
Director: Levan Akin

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253. Criminal Record, 2024

With the various police procedurals available online, it can feel like an oversaturated genre, at best. At worst, with the struggles the world has to do with regards to the justice system, police procedurals can glorify the institution. Criminal Record examines this, but it doesn’t give the easy answers other shows have when discussing the systemic failure of the police, especially when it comes to race, age, and sex. Peter Capaldi stands in as the old guard, though his skin-crawling presence keeps Dan Hegarty’s real intentions an enigma until the very end. However, it’s Cush Jumbo as the empathetic June Lenker that drives the show, with her persistence meeting Hegarty’s every move, and her frustrations mirroring the real rage the world feels with regards to past injustices. The way the two clash creates a novel rookie-veteran dynamic that makes Criminal Record so striking.

Genre: Crime, Drama

Actor: Cathy Tyson, Charlie Creed-Miles, Cush Jumbo, Peter Capaldi, Shaun Dooley, Stephen Campbell Moore, Zoë Wanamaker

Rating: TV-MA

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254. Control Room, 2004

For the longest time, American media coverage was skewed to justify the presence of US forces in Arab states. Control Room unveils that bias by following Al Jazeera at the start of the Iraq War in 2003. One of the biggest Arab media outlets at the time, Al Jazeera dared to cover both sides of the war, but by doing so put a target on its back. It was vilified by both the US government, which called it an Osama mouthpiece and the Arab world, which called it a Bush ally.

Control Room shows the difficulty (if not sheer impossibility) of achieving journalistic balance, objectivity, and integrity. Through interviews with Al Jazeera reporters and US military officers, we witness how lines are blurred, loyalties are tested, and purpose is shifted in a state of war. A seminal work on media bias and press control, Control Room is vital and enlightening, a must-watch to understand the inner workings of the fourth estate.

Genre: Documentary, War

Actor: Abdul Jabbar Al-Kubeisi, Donald Rumsfeld, George W. Bush, Hassan Ibrahim, Josh Rushing, Muafak Tawfik, Nabeel Khoury, Omar Al-Issawi, Samir Khader, Tom Mintier

Director: Jehane Noujaim

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255. Carol, 2015

Watching Carol is like reading a really interesting book while relaxing on a Sunday afternoon. It is one of those movies that you probably heard about during its Oscar run, and have since delayed actually viewing it. Well now that it is on Netflix and other streaming services you have no excuse! It’s refreshingly unique, incredibly charming, and features a kind of story that hasn’t been told very often – a love story between two women. Both characters played by Cate Blanchett and Rooney Mara attempt to live true to their own principles while facing unjust yet severe backlash from society. If you are open to it, the love story in this will stay with you forever.

Genre: Drama, Romance

Actor: Amy Warner, Anita Farmer Bergman, Ann Reskin, Annie Kalahurka, Carrie Brownstein, Cate Blanchett, Chelsea Carnder, Christine Dye, Chuck Gillespie, Colin Botts, Cory Michael Smith, Deb G. Girdler, Douglas Scott Sorenson, Gary Chinn, Giedre Bond, Greg Violand, Jake Lacy, John Magaro, Kay Geiger, Ken Strunk, Kevin Crowley, Kk Heim, Kyle Chandler, Liberty Fraysure, Linnea Bond, Michael Haney, Michael Joseph Thomas Ward, Mike Dennis, Nik Pajic, Pamela Evans Haynes, Robert J. Ashe, Rooney Mara, Ryan Wesley Gilreath, Sadie Heim, Sarah Paulson, Steven Andrews, Tanya Smith, Taylor Marie Frey, Todd Haynes, Trent Rowland, Wendy Lardin, William Cross

Director: Todd Haynes

Rating: R

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